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The Way It Goes
Songs like
The Way It Goes
by
Gillian Welch
Based on a tempo of (+/- 10%) and a similar genre
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Blitzen Trapper
Lady On the Water
98 bpm • D min • 02:26 • -15.71db
52% Popularity • 45% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Kieran Kane
Just Like That
98 bpm • C Maj • 03:30 • -12.02db
30% Popularity • 72% Danceability • 43% Energy • 9% Liveness
50% Instrumentalness • 75% Positiveness
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Shelby Lynne
Lungs
98 bpm • G# Maj • 02:54 • -11.76db
26% Popularity • 61% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Gillian Welch
Six White Horses
98 bpm • F min • 03:38 • -9.06db
19% Popularity • 58% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Kim Richey
Whistle on Occasion
98 bpm • C Maj • 02:36 • -15.1db
29% Popularity • 62% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Gram Parsons
A Song for You - 2002 Remaster
98 bpm • A Maj • 05:00 • -13.34db
35% Popularity • 44% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Tom Russell
The Man From God Knows Where, Pt. 1
98 bpm • G Maj • 02:47 • -12.58db
25% Popularity • 64% Danceability • 43% Energy • 13% Liveness
3% Instrumentalness • 30% Positiveness
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Eric Bibb
Goin Down That Road Feelin´ Bad
97 bpm • C# Maj • 03:07 • -16db
36% Popularity • 52% Danceability • 23% Energy • 10% Liveness
18% Instrumentalness • 53% Positiveness
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Shelby Lynne
I Won't Die Alone
98 bpm • G# Maj • 02:41 • -12.71db
37% Popularity • 67% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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David Rawlings
Good God A Woman
97 bpm • A min • 03:31 • -10.37db
14% Popularity • 65% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Gillian Welch
The Way It Goes
98 bpm • F min • 04:01 • -9.08db
38% Popularity • 58% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Kate & Anna McGarrigle
Swimming Song
97 bpm • C Maj • 02:29 • -11.14db
38% Popularity • 68% Danceability • 35% Energy • 8% Liveness
2% Instrumentalness • 75% Positiveness
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Dave Carter
Crocodile Man
99 bpm • G# Maj • 03:02 • -8.97db
23% Popularity • 70% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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James McMurtry
Song For A Deck Hands Daughter
97 bpm • C Maj • 03:30 • -20.01db
27% Popularity • 63% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Lucinda Williams
Car Wheels On A Gravel Road
99 bpm • B Maj • 04:44 • -6.98db
46% Popularity • 63% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Ruth Moody
Trouble and Woe
97 bpm • E Maj • 03:16 • -11.82db
31% Popularity • 63% Danceability • 27% Energy • 52% Liveness
0% Instrumentalness • 69% Positiveness
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Sarah Jarosz
Johnny
99 bpm • B Maj • 03:59 • -8.67db
41% Popularity • 64% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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John Hiatt
Long Time Comin'
99 bpm • E Maj • 04:12 • -9.58db
43% Popularity • 65% Danceability • 42% Energy • 8% Liveness
53% Instrumentalness • 26% Positiveness
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Luther Dickinson
Up Over Yonder
99 bpm • A min • 03:19 • -11.49db
22% Popularity • 66% Danceability • 37% Energy • 11% Liveness
10% Instrumentalness • 61% Positiveness
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Tift Merritt
Feeling of Beauty
97 bpm • D# Maj • 04:01 • -10.33db
35% Popularity • 60% Danceability • 39% Energy • 13% Liveness
1% Instrumentalness • 25% Positiveness
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Jason Isbell and the 400 Unit
If We Were Vampires
97 bpm • F Maj • 03:35 • -16.23db
39% Popularity • 62% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Dave Rawlings Machine
Sweet Tooth
99 bpm • F Maj • 05:20 • -12db
11% Popularity • 64% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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Gillian Welch
I Want to Sing That Rock and Roll
100 bpm • G# Maj • 02:49 • -10.56db
22% Popularity • 48% Danceability • 35% Energy • 71% Liveness
0% Instrumentalness • 46% Positiveness
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Pieta Brown
Closing Time
100 bpm • A Maj • 03:08 • -9.83db
20% Popularity • 70% Danceability • 36% Energy • 11% Liveness
1% Instrumentalness • 44% Positiveness
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Elephant Revival
Sing to the Mountain
100 bpm • C min • 03:42 • -10.52db
46% Popularity • 49% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Tift Merritt
Mixtape
96 bpm • B min • 03:18 • -10db
31% Popularity • 71% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Tim Easton
Sitting on Top of the World
96 bpm • A min • 02:54 • -16.94db
21% Popularity • 54% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Shannon McNally
Low Rider
96 bpm • F# Maj • 02:53 • -13.37db
18% Popularity • 66% Danceability • 39% Energy • 15% Liveness
1% Instrumentalness • 37% Positiveness
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Gillian Welch
One Morning
100 bpm • C# min • 02:42 • -13.68db
12% Popularity • 61% Danceability • 35% Energy • 35% Liveness
20% Instrumentalness • 54% Positiveness
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Hurray For The Riff Raff
Black Jack Davey
96 bpm • A Maj • 03:11 • -10.04db
40% Popularity • 70% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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David Rawlings
Money Is The Meat In The Coconut
96 bpm • G Maj • 02:23 • -11.62db
19% Popularity • 70% Danceability • 40% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
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Blaze Foley
If I Could Only Fly
96 bpm • B Maj • 04:04 • -15.67db
42% Popularity • 60% Danceability • 13% Energy • 11% Liveness
4% Instrumentalness • 43% Positiveness
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Charlie Parr
Cheap Wine
100 bpm • A min • 05:12 • -16db
13% Popularity • 46% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Malcolm Holcombe
To Get By
96 bpm • C# Maj • 04:03 • -10.31db
21% Popularity • 68% Danceability • 49% Energy • 27% Liveness
0% Instrumentalness • 74% Positiveness
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Gillian Welch
Winter's Come and Gone
96 bpm • A# Maj • 02:16 • -12.05db
21% Popularity • 62% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Nanci Griffith
Boots of Spanish Leather
100 bpm • A Maj • 05:17 • -15.36db
34% Popularity • 55% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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John Hiatt
Crossing Muddy Waters
101 bpm • A Maj • 04:05 • -9.93db
52% Popularity • 63% Danceability • 49% Energy • 33% Liveness
4% Instrumentalness • 49% Positiveness
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Po' Girl
Prairie Girl Gone
101 bpm • A Maj • 06:21 • -9.99db
14% Popularity • 56% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Doc Watson
Summertime
101 bpm • E min • 04:19 • -15.15db
37% Popularity • 64% Danceability • 15% Energy • 12% Liveness
6% Instrumentalness • 45% Positiveness
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Dave Rawlings Machine
Candy
95 bpm • A Maj • 04:10 • -12.04db
9% Popularity • 59% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Watchhouse
Hey Stranger
95 bpm • C Maj • 03:27 • -10.2db
47% Popularity • 61% Danceability • 31% Energy • 10% Liveness
2% Instrumentalness • 33% Positiveness
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The Cactus Blossoms
You're Dreaming
102 bpm • C Maj • 03:25 • -7.95db
37% Popularity • 71% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Eliza Gilkyson
Sooner or Later
102 bpm • E min • 04:21 • -8.88db
21% Popularity • 49% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Lucinda Williams
Can't Let Go
94 bpm • G Maj • 03:28 • -8.61db
49% Popularity • 62% Danceability • 82% Energy • 7% Liveness
3% Instrumentalness • 92% Positiveness
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Dave Alvin
Blackjack David
94 bpm • A# Maj • 04:59 • -13db
17% Popularity • 50% Danceability • 40% Energy • 9% Liveness
9% Instrumentalness • 64% Positiveness
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Gillian Welch
Everything Is Free
102 bpm • C Maj • 04:47 • -14.77db
39% Popularity • 69% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Great Lake Swimmers
Your Rocky Spine
94 bpm • G min • 03:36 • -15db
31% Popularity • 71% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
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Dom Flemons
Too Long (I've Been Gone)
102 bpm • F Maj • 02:53 • -16.29db
15% Popularity • 54% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Pieta Brown
I'm Gone
94 bpm • C Maj • 02:20 • -8.2db
28% Popularity • 74% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Anaïs Mitchell
Dyin Day
94 bpm • D Maj • 03:06 • -10db
30% Popularity • 73% Danceability • 47% Energy • 10% Liveness
1% Instrumentalness • 20% Positiveness
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Warren Zevon
Carmelita
94 bpm • E Maj • 03:34 • -14db
48% Popularity • 74% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Abigail Lapell
Down by the Water
94 bpm • A Maj • 02:55 • -16db
56% Popularity • 63% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Dave Rawlings Machine
I Hear Them All
94 bpm • G Maj • 02:27 • -20db
25% Popularity • 55% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Doc Watson
Deep River Blues
94 bpm • F Maj • 03:12 • -19.21db
49% Popularity • 52% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Laura Marling
Rambling Man
94 bpm • F Maj • 03:16 • -8.89db
45% Popularity • 48% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Gillian Welch
Silver Dagger
103 bpm • A Maj • 03:23 • -12.38db
19% Popularity • 58% Danceability • 14% Energy • 8% Liveness
1% Instrumentalness • 51% Positiveness
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Hurray For The Riff Raff
Look Out Mama
94 bpm • D Maj • 03:25 • -8.65db
41% Popularity • 57% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Eliza Gilkyson
Slouching Towards Bethlehem
103 bpm • G min • 04:09 • -5.74db
10% Popularity • 60% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Dave Rawlings Machine
The Trip
94 bpm • G Maj • 10:55 • -13.33db
10% Popularity • 48% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Parker Millsap
Wilderness Within You
104 bpm • C Maj • 04:00 • -9.77db
23% Popularity • 44% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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The Waterboys
Sweet Thing - 2006 Remaster
104 bpm • A Maj • 07:12 • -6db
42% Popularity • 37% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Gillian Welch
Wichita - Revival Outtake
94 bpm • C Maj • 02:50 • -9.2db
17% Popularity • 74% Danceability • 33% Energy • 11% Liveness
21% Instrumentalness • 69% Positiveness
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Rodney Crowell
I Wish It Would Rain
92 bpm • D Maj • 03:28 • -9db
35% Popularity • 59% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Po' Girl
Driving
92 bpm • G Maj • 03:48 • -13.64db
24% Popularity • 62% Danceability • 28% Energy • 12% Liveness
2% Instrumentalness • 63% Positiveness
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The Little Willies
Lou Reed
104 bpm • C Maj • 04:16 • -11.33db
22% Popularity • 66% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Conor Oberst
Man Named Truth
92 bpm • D min • 04:06 • -7.28db
14% Popularity • 58% Danceability • 75% Energy • 77% Liveness
0% Instrumentalness • 53% Positiveness
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Abigail Washburn
Nobody's Fault But Mine
105 bpm • A Maj • 02:37 • -14db
31% Popularity • 76% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Gillian Welch
Red Clay Halo
103 bpm • G Maj • 03:17 • -10.49db
22% Popularity • 57% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Pieta Brown
Do You Know?
92 bpm • A Maj • 03:01 • -8.85db
49% Popularity • 53% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Justin Townes Earle
Workin' For The MTA
105 bpm • C Maj • 03:48 • -13.4db
31% Popularity • 56% Danceability • 34% Energy • 11% Liveness
6% Instrumentalness • 29% Positiveness
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Jason Isbell
24 Frames
105 bpm • E min • 03:13 • -10.21db
27% Popularity • 57% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Levon Helm
False Hearted Lover Blues
105 bpm • C# min • 03:29 • -7db
34% Popularity • 65% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Hurray For The Riff Raff
Go Out On the Road
105 bpm • D# Maj • 04:18 • -8.99db
23% Popularity • 63% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Gillian Welch
Caleb Meyer
93 bpm • G# Maj • 03:01 • -6.96db
23% Popularity • 68% Danceability • 55% Energy • 6% Liveness
3% Instrumentalness • 66% Positiveness
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Pieta Brown
So Many Miles
105 bpm • G Maj • 03:03 • -9.87db
21% Popularity • 70% Danceability • 54% Energy • 26% Liveness
2% Instrumentalness • 35% Positiveness
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Ted Hawkins
Long As I Can See The Light
105 bpm • G# Maj • 03:13 • -11.68db
31% Popularity • 43% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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The New Basement Tapes
Lost On The River #20
91 bpm • E min • 03:47 • -14.95db
32% Popularity • 38% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 14% Positiveness
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Peter Case
Ain't Gonna Worry No More
91 bpm • F Maj • 06:14 • -8.89db
14% Popularity • 47% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Amanda Shires
Swimmer...
106 bpm • B Maj • 03:09 • -11.36db
26% Popularity • 71% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Calexico
History of Lovers
106 bpm • D Maj • 03:09 • -8.28db
41% Popularity • 65% Danceability • 57% Energy • 8% Liveness
1% Instrumentalness • 90% Positiveness
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The Milk Carton Kids
Younger Years
106 bpm • F Maj • 03:49 • -13db
44% Popularity • 61% Danceability • 44% Energy • 11% Liveness
8% Instrumentalness • 53% Positiveness
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Ry Cooder
Brother Is Gone
106 bpm • D Maj • 05:03 • -12.83db
12% Popularity • 76% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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The New Basement Tapes
Spanish Mary
91 bpm • C min • 05:31 • -12.01db
31% Popularity • 45% Danceability • 31% Energy • 31% Liveness
5% Instrumentalness • 28% Positiveness
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Dan Reeder
A Whiter Shade of Pale
91 bpm • E Maj • 03:36 • -16db
29% Popularity • 64% Danceability • 12% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
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Jerry Garcia
Shady Grove
106 bpm • G Maj • 04:19 • -15.29db
42% Popularity • 71% Danceability • 38% Energy • 9% Liveness
8% Instrumentalness • 95% Positiveness
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Barry Gibb
Butterfly
90 bpm • G Maj • 03:43 • -7db
31% Popularity • 38% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Gillian Welch
Miner's Refrain
90 bpm • G# Maj • 03:56 • -12.67db
9% Popularity • 66% Danceability • 10% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
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Conor Oberst
Lua
90 bpm • D Maj • 05:53 • -9.89db
30% Popularity • 56% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Po' Girl
Poor Girl - Rhude
106 bpm • E Maj • 03:21 • -11.58db
22% Popularity • 50% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Ralph Stanley
Gold Watch And Chain
107 bpm • D Maj • 02:23 • -9.65db
5% Popularity • 65% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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This Is The Kit
Jack-A-Roe
90 bpm • C min • 04:30 • -8.77db
27% Popularity • 54% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Ted Hawkins
Biloxi
107 bpm • F# Maj • 04:41 • -11.82db
28% Popularity • 62% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 69% Positiveness
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Gillian Welch
One Little Song
107 bpm • A Maj • 03:13 • -14.44db
24% Popularity • 65% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Tony Rice
Church Street Blues
108 bpm • D# Maj • 03:08 • -18.35db
41% Popularity • 43% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Conor Oberst
Four Strong Winds
107 bpm • A# Maj • 04:24 • -11.54db
19% Popularity • 62% Danceability • 42% Energy • 72% Liveness
0% Instrumentalness • 56% Positiveness
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John Hiatt
Terms of My Surrender
108 bpm • B Maj • 03:29 • -12.09db
32% Popularity • 52% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Nick Lowe
What's So Funny 'Bout Peace, Love and Un...
108 bpm • G Maj • 04:03 • -15.32db
38% Popularity • 63% Danceability • 26% Energy • 73% Liveness
0% Instrumentalness • 36% Positiveness
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Cry Cry Cry
Shades Of Gray
108 bpm • B Maj • 05:05 • -11.57db
24% Popularity • 65% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Darrell Scott
A Crooked Road
108 bpm • C Maj • 04:11 • -12db
31% Popularity • 46% Danceability • 24% Energy • 10% Liveness
2% Instrumentalness • 52% Positiveness
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Peter Rowan Bluegrass Band
So Good
109 bpm • G Maj • 02:46 • -9.14db
14% Popularity • 48% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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The Way It Goes