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The Way It Has to Be
Songs like
The Way It Has to Be
by
Shawn Lane
Based on a tempo of (+/- 10%) and a similar genre
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Cosmosquad
Epapo Funk
115 bpm • G Maj • 07:00 • -12db
19% Popularity • 71% Danceability • 65% Energy • 27% Liveness
84% Instrumentalness • 78% Positiveness
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Wilson Banjo Co.
The Ambassador
115 bpm • F min • 03:06 • -7.69db
1% Popularity • 65% Danceability • 64% Energy • 36% Liveness
0% Instrumentalness • 89% Positiveness
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Virgil Donati
Ruination
115 bpm • G# Maj • 05:03 • -6.37db
15% Popularity • 65% Danceability • 90% Energy • 15% Liveness
2% Instrumentalness • 34% Positiveness
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Neil Zaza
Purple Rain
115 bpm • A# Maj • 07:53 • -6.94db
26% Popularity • 44% Danceability • 56% Energy • 16% Liveness
55% Instrumentalness • 10% Positiveness
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Andy Wood
Junktown
115 bpm • F# min • 03:16 • -5.1db
30% Popularity • 59% Danceability • 93% Energy • 10% Liveness
90% Instrumentalness • 80% Positiveness
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Pete Thorn
10th Street
115 bpm • C Maj • 03:22 • -4.93db
19% Popularity • 57% Danceability • 71% Energy • 9% Liveness
82% Instrumentalness • 25% Positiveness
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Dave Martone
The Goodie Squeegie Song
115 bpm • C Maj • 03:51 • -5.37db
11% Popularity • 40% Danceability • 85% Energy • 42% Liveness
46% Instrumentalness • 63% Positiveness
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Shawn Lane
The Way It Has to Be
115 bpm • D# Maj • 04:43 • -6.65db
28% Popularity • 44% Danceability • 70% Energy • 16% Liveness
16% Instrumentalness • 31% Positiveness
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Jim Hurst
Train of Trouble
115 bpm • C# min • 03:07 • -11.69db
4% Popularity • 80% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Steve Lukather
Tumescent
115 bpm • F Maj • 04:02 • -8db
21% Popularity • 56% Danceability • 68% Energy • 35% Liveness
8% Instrumentalness • 34% Positiveness
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Jeff Kollman
Cosmo Ray Vaughn
115 bpm • G Maj • 05:29 • -8db
13% Popularity • 65% Danceability • 82% Energy • 11% Liveness
88% Instrumentalness • 38% Positiveness
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Stuart Hamm
Prelude in C
115 bpm • C Maj • 02:31 • -19.59db
11% Popularity • 53% Danceability • 31% Energy • 10% Liveness
88% Instrumentalness • 91% Positiveness
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The Aristocrats
Stupid 7
114 bpm • C# min • 03:52 • -8.97db
27% Popularity • 44% Danceability • 84% Energy • 21% Liveness
72% Instrumentalness • 47% Positiveness
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Shawn Lane
Black Market - Live
116 bpm • A# Maj • 08:54 • -9.53db
11% Popularity • 42% Danceability • 76% Energy • 81% Liveness
74% Instrumentalness • 55% Positiveness
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Jonas Hellborg
Rice with the Angels
114 bpm • B min • 05:21 • -4.99db
4% Popularity • 32% Danceability • 94% Energy • 68% Liveness
89% Instrumentalness • 50% Positiveness
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TOTO
Dave's Gone Skiing
114 bpm • G Maj • 04:59 • -6.11db
28% Popularity • 43% Danceability • 86% Energy • 12% Liveness
81% Instrumentalness • 35% Positiveness
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Cosmosquad
Slowburn
114 bpm • D min • 05:57 • -14db
16% Popularity • 48% Danceability • 29% Energy • 9% Liveness
71% Instrumentalness • 35% Positiveness
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Neil Zaza
Turn the World Around
116 bpm • D min • 04:06 • -5.87db
26% Popularity • 51% Danceability • 84% Energy • 9% Liveness
71% Instrumentalness • 61% Positiveness
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Steve Morse Band
Good to Go
116 bpm • D Maj • 04:54 • -9.81db
10% Popularity • 51% Danceability • 83% Energy • 12% Liveness
88% Instrumentalness • 80% Positiveness
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Jan Cyrka
El Dorado
117 bpm • A min • 02:38 • -13db
30% Popularity • 54% Danceability • 37% Energy • 10% Liveness
92% Instrumentalness • 26% Positiveness
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Jonas Hellborg
Hell is Other People
114 bpm • C Maj • 08:01 • -6.18db
4% Popularity • 38% Danceability • 93% Energy • 67% Liveness
88% Instrumentalness • 45% Positiveness
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Shawn Lane
I Only Want to Know (Bonus Track)
113 bpm • G# Maj • 04:19 • -7.54db
12% Popularity • 59% Danceability • 71% Energy • 11% Liveness
59% Instrumentalness • 53% Positiveness
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Cosmosquad
Always Remember the Love
117 bpm • C Maj • 05:12 • -7.62db
10% Popularity • 59% Danceability • 58% Energy • 11% Liveness
86% Instrumentalness • 31% Positiveness
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John Petrucci
Jaws Of Life
117 bpm • B min • 07:29 • -5db
33% Popularity • 48% Danceability • 92% Energy • 6% Liveness
87% Instrumentalness • 34% Positiveness
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Greg Howe
Tempest Pulse
113 bpm • B min • 05:20 • -5.84db
28% Popularity • 67% Danceability • 88% Energy • 13% Liveness
92% Instrumentalness • 85% Positiveness
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Paul Gilbert
Love Is The Saddest Thing
117 bpm • D Maj • 04:07 • -9db
14% Popularity • 55% Danceability • 88% Energy • 15% Liveness
83% Instrumentalness • 44% Positiveness
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Guthrie Govan
Jelly Bean
113 bpm • D Maj • 02:19 • -6.03db
45% Popularity • 57% Danceability • 60% Energy • 10% Liveness
65% Instrumentalness • 47% Positiveness
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Richie Kotzen
One Function
117 bpm • D Maj • 05:12 • -6.93db
8% Popularity • 40% Danceability • 79% Energy • 9% Liveness
75% Instrumentalness • 54% Positiveness
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Cosmosquad
The Ballad of Rick James
113 bpm • A Maj • 06:21 • -5.89db
11% Popularity • 74% Danceability • 80% Energy • 15% Liveness
79% Instrumentalness • 70% Positiveness
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Bozzio Levin Stevens
Lost
113 bpm • E min • 06:24 • -7.28db
8% Popularity • 52% Danceability • 90% Energy • 10% Liveness
93% Instrumentalness • 28% Positiveness
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Steve Morse Band
Just Out of Reach
117 bpm • C Maj • 03:45 • -10.54db
9% Popularity • 48% Danceability • 44% Energy • 16% Liveness
88% Instrumentalness • 30% Positiveness
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Greg Howe
In Step
118 bpm • B min • 04:50 • -10.69db
17% Popularity • 60% Danceability • 80% Energy • 14% Liveness
41% Instrumentalness • 66% Positiveness
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Guthrie Govan
T&C
113 bpm • C Maj • 02:25 • -5.31db
42% Popularity • 41% Danceability • 71% Energy • 8% Liveness
67% Instrumentalness • 46% Positiveness
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Richie Kotzen
Slow Blues
113 bpm • E Maj • 04:22 • -12.7db
9% Popularity • 62% Danceability • 50% Energy • 11% Liveness
75% Instrumentalness • 54% Positiveness
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The Aristocrats
Smuggler's Corridor
118 bpm • A min • 08:11 • -9.45db
28% Popularity • 47% Danceability • 65% Energy • 26% Liveness
91% Instrumentalness • 57% Positiveness
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Jim Hurst
Weary Old Highway
112 bpm • B Maj • 03:27 • -9.18db
2% Popularity • 68% Danceability • 46% Energy • 24% Liveness
0% Instrumentalness • 80% Positiveness
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Liquid Tension Experiment
Chris And Kevin's Excellent Adventure
118 bpm • G Maj • 02:21 • -5.39db
27% Popularity • 49% Danceability • 88% Energy • 9% Liveness
84% Instrumentalness • 42% Positiveness
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Jan Cyrka
Andalucian Sunset
112 bpm • C min • 03:08 • -11db
31% Popularity • 67% Danceability • 40% Energy • 11% Liveness
91% Instrumentalness • 31% Positiveness
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Richard Hallebeek
Enigma (Remastered)
118 bpm • A min • 10:00 • -11.96db
0% Popularity • 41% Danceability • 57% Energy • 6% Liveness
41% Instrumentalness • 14% Positiveness
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Joe Stump
The Beacon
118 bpm • A# min • 06:05 • -5db
13% Popularity • 38% Danceability • 86% Energy • 8% Liveness
70% Instrumentalness • 44% Positiveness
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Virgil Donati
The Empire
119 bpm • G Maj • 10:02 • -4.73db
9% Popularity • 37% Danceability • 83% Energy • 11% Liveness
83% Instrumentalness • 41% Positiveness
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John Petrucci
Tunnel Vision
119 bpm • E Maj • 06:35 • -5.49db
28% Popularity • 51% Danceability • 92% Energy • 21% Liveness
79% Instrumentalness • 42% Positiveness
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Shawn Lane
Introduction (You Know Why You're Here) ...
119 bpm • A min • 03:54 • -10.62db
10% Popularity • 42% Danceability • 77% Energy • 10% Liveness
74% Instrumentalness • 37% Positiveness
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Robert Hale
Help!
119 bpm • F# min • 02:42 • -7.35db
4% Popularity • 66% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Liquid Tension Experiment
Another Dimension
111 bpm • A Maj • 09:50 • -6db
27% Popularity • 30% Danceability • 90% Energy • 11% Liveness
86% Instrumentalness • 39% Positiveness
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Greg Howe
Come and Get It
111 bpm • C Maj • 05:17 • -7db
20% Popularity • 48% Danceability • 96% Energy • 9% Liveness
58% Instrumentalness • 21% Positiveness
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Martin Miller
An End in Itself
120 bpm • E min • 05:31 • -4.8db
15% Popularity • 50% Danceability • 77% Energy • 12% Liveness
2% Instrumentalness • 12% Positiveness
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Tony MacAlpine
Poison Cookies
120 bpm • F# Maj • 05:05 • -3.78db
25% Popularity • 38% Danceability • 89% Energy • 5% Liveness
90% Instrumentalness • 47% Positiveness
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John Petrucci
Lost Without You
120 bpm • G min • 04:56 • -9.15db
34% Popularity • 46% Danceability • 50% Energy • 13% Liveness
40% Instrumentalness • 19% Positiveness
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Jan Cyrka
Rip Roaring
120 bpm • G Maj • 01:38 • -4.89db
33% Popularity • 40% Danceability • 76% Energy • 12% Liveness
97% Instrumentalness • 69% Positiveness
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Guthrie Govan
Uptown
120 bpm • G Maj • 02:19 • -7.02db
42% Popularity • 55% Danceability • 67% Energy • 9% Liveness
31% Instrumentalness • 61% Positiveness
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Greg Howe
Throw Down
120 bpm • A min • 04:25 • -4.31db
18% Popularity • 51% Danceability • 95% Energy • 29% Liveness
80% Instrumentalness • 65% Positiveness
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Jeff Kollman
Journey Through Life
120 bpm • F# min • 04:52 • -11.59db
18% Popularity • 54% Danceability • 81% Energy • 33% Liveness
87% Instrumentalness • 55% Positiveness
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Tony MacAlpine
Exhibitionist Blvd.
120 bpm • B Maj • 04:27 • -4db
31% Popularity • 45% Danceability • 98% Energy • 32% Liveness
87% Instrumentalness • 21% Positiveness
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Cosmosquad
Swink
120 bpm • B Maj • 03:58 • -5.38db
15% Popularity • 66% Danceability • 91% Energy • 61% Liveness
61% Instrumentalness • 60% Positiveness
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Joe Stump
Jetaime
110 bpm • G# min • 05:24 • -9.82db
19% Popularity • 29% Danceability • 60% Energy • 7% Liveness
90% Instrumentalness • 14% Positiveness
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Guthrie Govan
The Cost of Loving
120 bpm • B min • 02:13 • -7.01db
40% Popularity • 51% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Mr. Fastfinger
Effortless
120 bpm • A# Maj • 05:24 • -8.73db
15% Popularity • 70% Danceability • 55% Energy • 12% Liveness
87% Instrumentalness • 33% Positiveness
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Thanatopsis
Cult of One
120 bpm • C# Maj • 04:48 • -6.38db
15% Popularity • 64% Danceability • 80% Energy • 8% Liveness
79% Instrumentalness • 41% Positiveness
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Tony MacAlpine
Axiomatic Jewels
120 bpm • C# min • 04:16 • -4.8db
22% Popularity • 51% Danceability • 98% Energy • 32% Liveness
75% Instrumentalness • 6% Positiveness
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Andy Wood
Forgotten Secrets
120 bpm • B min • 03:46 • -6.52db
25% Popularity • 56% Danceability • 92% Energy • 11% Liveness
82% Instrumentalness • 66% Positiveness
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Cosmosquad
Cyclops
120 bpm • C# min • 05:40 • -6.27db
10% Popularity • 60% Danceability • 90% Energy • 20% Liveness
84% Instrumentalness • 21% Positiveness
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Dave Martone
Coming Clean
120 bpm • D# Maj • 05:35 • -9db
13% Popularity • 66% Danceability • 32% Energy • 10% Liveness
48% Instrumentalness • 6% Positiveness
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Mr. Fastfinger
Wax On – Wax Off
120 bpm • F# Maj • 05:42 • -9db
10% Popularity • 60% Danceability • 84% Energy • 6% Liveness
17% Instrumentalness • 40% Positiveness
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Neil Zaza
My Only Son
120 bpm • G Maj • 05:34 • -6.06db
10% Popularity • 40% Danceability • 71% Energy • 49% Liveness
81% Instrumentalness • 18% Positiveness
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Guthrie Govan
Hollywood Woman
120 bpm • D Maj • 01:56 • -5db
45% Popularity • 64% Danceability • 72% Energy • 13% Liveness
73% Instrumentalness • 66% Positiveness
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Robert Hale
It's All Over Now
120 bpm • G Maj • 02:51 • -6.94db
0% Popularity • 68% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
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Shawn Lane
Song for Diane (World Keeps Spinning)
110 bpm • A Maj • 05:25 • -9.38db
8% Popularity • 34% Danceability • 51% Energy • 13% Liveness
48% Instrumentalness • 10% Positiveness
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Al Joseph
I Just Wish
120 bpm • A# Maj • 05:59 • -6.1db
26% Popularity • 41% Danceability • 72% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
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Richard Hallebeek
Prescription Strength (Remastered)
120 bpm • C Maj • 06:53 • -12.19db
2% Popularity • 44% Danceability • 48% Energy • 18% Liveness
41% Instrumentalness • 55% Positiveness
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Lari Basilio
Violet
120 bpm • E Maj • 04:35 • -4.69db
20% Popularity • 56% Danceability • 94% Energy • 8% Liveness
79% Instrumentalness • 47% Positiveness
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Daniele Gottardo
Dick Plays the Blues
120 bpm • C Maj • 03:21 • -7.86db
24% Popularity • 59% Danceability • 78% Energy • 11% Liveness
40% Instrumentalness • 37% Positiveness
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Tom Quayle
Identity Crisis
110 bpm • A# min • 04:11 • -6.39db
12% Popularity • 56% Danceability • 96% Energy • 8% Liveness
12% Instrumentalness • 86% Positiveness
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Shawn Lane
Gray Pianos Flying - Live
110 bpm • F# Maj • 03:09 • -8db
19% Popularity • 52% Danceability • 64% Energy • 63% Liveness
92% Instrumentalness • 63% Positiveness
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Andy James
The Wind That Shakes the Heart
120 bpm • C Maj • 04:24 • -7db
33% Popularity • 40% Danceability • 71% Energy • 21% Liveness
40% Instrumentalness • 11% Positiveness
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Frank Gambale
White Room
110 bpm • C Maj • 04:05 • -11.18db
16% Popularity • 61% Danceability • 67% Energy • 13% Liveness
88% Instrumentalness • 47% Positiveness
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Matteo Mancuso
Drop D
110 bpm • G min • 04:47 • -8.8db
35% Popularity • 31% Danceability • 75% Energy • 10% Liveness
70% Instrumentalness • 47% Positiveness
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Racer X
B.R.O.
120 bpm • D min • 01:20 • -11.26db
40% Popularity • 22% Danceability • 66% Energy • 36% Liveness
88% Instrumentalness • 64% Positiveness
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Liquid Tension Experiment
State Of Grace
120 bpm • F Maj • 05:01 • -10.7db
26% Popularity • 18% Danceability • 19% Energy • 15% Liveness
76% Instrumentalness • 8% Positiveness
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Shawn Lane
The Hurt, The Joy
120 bpm • A Maj • 04:07 • -10.29db
16% Popularity • 59% Danceability • 49% Energy • 15% Liveness
87% Instrumentalness • 14% Positiveness
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Mark Anthony Pipkins
I Can See
110 bpm • C Maj • 07:03 • -18.3db
0% Popularity • 56% Danceability • 15% Energy • 6% Liveness
0% Instrumentalness • 21% Positiveness
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Jake Willson
Mistral
110 bpm • C# min • 04:51 • -6db
21% Popularity • 50% Danceability • 63% Energy • 20% Liveness
86% Instrumentalness • 29% Positiveness
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Jeff Kollman
West Coast Swagger
110 bpm • F# min • 05:07 • -9.83db
11% Popularity • 72% Danceability • 54% Energy • 9% Liveness
89% Instrumentalness • 67% Positiveness
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Racer X
Technical Difficulties
120 bpm • E min • 04:20 • -7db
43% Popularity • 29% Danceability • 94% Energy • 55% Liveness
89% Instrumentalness • 20% Positiveness
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Steve Morse Band
Cruise Missile
121 bpm • B min • 05:35 • -13.67db
12% Popularity • 60% Danceability • 74% Energy • 26% Liveness
80% Instrumentalness • 38% Positiveness
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Bozzio Levin Stevens
Book of Hours
110 bpm • D Maj • 09:43 • -11.14db
11% Popularity • 48% Danceability • 47% Energy • 30% Liveness
86% Instrumentalness • 5% Positiveness
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Greg Howe
Jump Start
121 bpm • C# min • 04:42 • -8.37db
29% Popularity • 56% Danceability • 92% Energy • 24% Liveness
52% Instrumentalness • 52% Positiveness
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Richie Kotzen
Tilt
121 bpm • D Maj • 05:27 • -6.57db
16% Popularity • 58% Danceability • 94% Energy • 2% Liveness
75% Instrumentalness • 72% Positiveness
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Fabrizio Leo
New Life
109 bpm • E Maj • 03:47 • -6.76db
20% Popularity • 54% Danceability • 87% Energy • 7% Liveness
95% Instrumentalness • 40% Positiveness
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Cosmosquad
Numena
109 bpm • D Maj • 07:03 • -6.96db
11% Popularity • 52% Danceability • 77% Energy • 10% Liveness
93% Instrumentalness • 15% Positiveness
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Shawn Lane
Epilogue: Bach for Lisa (Ich Ruf Zu Dir)
122 bpm • D# min • 02:27 • -14.48db
19% Popularity • 30% Danceability • 23% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
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Bozzio Levin Stevens
Falling in Circles
109 bpm • E Maj • 09:09 • -8.47db
9% Popularity • 51% Danceability • 91% Energy • 37% Liveness
84% Instrumentalness • 50% Positiveness
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Greg Howe
Direct Injection
122 bpm • A Maj • 05:35 • -9.01db
18% Popularity • 56% Danceability • 86% Energy • 3% Liveness
86% Instrumentalness • 84% Positiveness
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Jan Cyrka
Darker Than Life
109 bpm • B Maj • 01:02 • -5.97db
34% Popularity • 46% Danceability • 94% Energy • 12% Liveness
83% Instrumentalness • 69% Positiveness
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Neil Zaza
Somewhere in Time
122 bpm • D Maj • 04:08 • -6.47db
33% Popularity • 43% Danceability • 62% Energy • 8% Liveness
90% Instrumentalness • 23% Positiveness
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Jeff Kollman
Shedding Skin
122 bpm • E min • 04:58 • -10.61db
19% Popularity • 56% Danceability • 85% Energy • 13% Liveness
93% Instrumentalness • 37% Positiveness
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Shawn Lane
Art Tatum
108 bpm • B Maj • 02:05 • -9.95db
14% Popularity • 62% Danceability • 73% Energy • 10% Liveness
78% Instrumentalness • 80% Positiveness
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John Petrucci
Snake In My Boot
108 bpm • A Maj • 04:04 • -6.33db
33% Popularity • 52% Danceability • 86% Energy • 8% Liveness
83% Instrumentalness • 67% Positiveness
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Joe Hankins
Go Away
122 bpm • G min • 05:35 • -9.62db
27% Popularity • 56% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Jan Cyrka
Carefree Summer
108 bpm • F min • 01:39 • -6.6db
34% Popularity • 60% Danceability • 81% Energy • 22% Liveness
22% Instrumentalness • 57% Positiveness
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The Way It Has to Be