Songs like The Way Love Use To Be by Kelli Grant
Based on a tempo of (+/- 10%) and a similar genre
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Tanz Orchester Klaus Hallen
Fever - (Slow Fox / 30 BPM)
120 bpm • G# Maj • 02:17 • -15.75db
19% Popularity • 83% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
19% Popularity • 83% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Tony Evans and His Orchestra
Just a Gigolo - Slow Jive
120 bpm • G Maj • 04:07 • -12.65db
16% Popularity • 79% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
16% Popularity • 79% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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Helen Reddy
The Last Blues Song
120 bpm • A Maj • 02:44 • -9.29db
16% Popularity • 62% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
16% Popularity • 62% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Kelli Grant
The Way Love Use To Be
120 bpm • C Maj • 03:18 • -16.53db
0% Popularity • 37% Danceability • 22% Energy • 14% Liveness
88% Instrumentalness • 33% Positiveness
0% Popularity • 37% Danceability • 22% Energy • 14% Liveness
88% Instrumentalness • 33% Positiveness
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Imelda May
Big Bad Handsome Man
120 bpm • F Maj • 02:43 • -5.51db
39% Popularity • 77% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
39% Popularity • 77% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
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Chubby Checker
Slow Twistin'
120 bpm • G# Maj • 02:44 • -7db
31% Popularity • 80% Danceability • 69% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
31% Popularity • 80% Danceability • 69% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
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Professor Longhair
Mardi Gras In New Orleans
121 bpm • A# Maj • 02:55 • -13.17db
12% Popularity • 69% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 88% Positiveness
12% Popularity • 69% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 88% Positiveness
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Mumble Rapper Sings
Fly me to the Moon
120 bpm • C Maj • 02:28 • -15.76db
8% Popularity • 65% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
8% Popularity • 65% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Los Lobos
Charlena
121 bpm • A# Maj • 02:46 • -9.23db
26% Popularity • 64% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
26% Popularity • 64% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Jiřà Suchý
PramÃnek Vlasů
121 bpm • F min • 03:41 • -6.84db
29% Popularity • 72% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
29% Popularity • 72% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Trudy Lynn
One Monkey Don't Stop No Show
119 bpm • F# Maj • 03:14 • -5.69db
26% Popularity • 74% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
26% Popularity • 74% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Darts
Jump Children Jump
121 bpm • D Maj • 02:33 • -7.79db
14% Popularity • 80% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
14% Popularity • 80% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Amos Milburn
Once Scotch, One Bourbon, One Beer
119 bpm • D Maj • 02:55 • -12.1db
33% Popularity • 90% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
33% Popularity • 90% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Jukebox Singers
The Wanderer
121 bpm • D# Maj • 02:46 • -13.07db
15% Popularity • 60% Danceability • 50% Energy • 16% Liveness
3% Instrumentalness • 70% Positiveness
15% Popularity • 60% Danceability • 50% Energy • 16% Liveness
3% Instrumentalness • 70% Positiveness
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West End Orchestra and Singers
Peter Gunn Theme
121 bpm • E Maj • 03:49 • -6.7db
25% Popularity • 72% Danceability • 78% Energy • 11% Liveness
70% Instrumentalness • 97% Positiveness
25% Popularity • 72% Danceability • 78% Energy • 11% Liveness
70% Instrumentalness • 97% Positiveness
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The Refreshments
Pledging My Love
122 bpm • A Maj • 02:43 • -4.51db
13% Popularity • 68% Danceability • 73% Energy • 21% Liveness
0% Instrumentalness • 72% Positiveness
13% Popularity • 68% Danceability • 73% Energy • 21% Liveness
0% Instrumentalness • 72% Positiveness
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The Coasters
Yakety Yak - Rerecorded
121 bpm • A Maj • 01:50 • -11.6db
23% Popularity • 75% Danceability • 65% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 75% Danceability • 65% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
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The Mellows
It's Crazy Out There
122 bpm • F Maj • 02:58 • -9.37db
12% Popularity • 48% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
12% Popularity • 48% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Love Orchestra and Voices
My Baby Just Cares for Me
118 bpm • A Maj • 03:36 • -13.97db
12% Popularity • 88% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
12% Popularity • 88% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Brenda Lee
Sweet Nothings - Re-Recorded In Stereo
118 bpm • G Maj • 02:37 • -12db
27% Popularity • 79% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
27% Popularity • 79% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Royal Crown Revue
Elevator Operator
118 bpm • C Maj • 03:27 • -12.47db
11% Popularity • 53% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
11% Popularity • 53% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
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Richard Cheese
Material Girl
122 bpm • C Maj • 02:02 • -6.84db
29% Popularity • 80% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
29% Popularity • 80% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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The Boppers
Mr. Bassman / Boppin' The Blues
118 bpm • F Maj • 03:37 • -8.6db
7% Popularity • 53% Danceability • 84% Energy • 75% Liveness
0% Instrumentalness • 78% Positiveness
7% Popularity • 53% Danceability • 84% Energy • 75% Liveness
0% Instrumentalness • 78% Positiveness
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Bun-Jon & The Big Jive
One Scotch, One Bourbon, One Beer
122 bpm • E min • 03:16 • -9.49db
27% Popularity • 84% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
27% Popularity • 84% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Henry Oliver
Cry To Me
118 bpm • D Maj • 02:31 • -9.89db
23% Popularity • 82% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
23% Popularity • 82% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Danny Gatton
Slidin' Home
122 bpm • E Maj • 04:58 • -9.38db
7% Popularity • 52% Danceability • 57% Energy • 9% Liveness
85% Instrumentalness • 63% Positiveness
7% Popularity • 52% Danceability • 57% Energy • 9% Liveness
85% Instrumentalness • 63% Positiveness
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Brenda Lee
Ballin' The Jack
118 bpm • F Maj • 01:55 • -7.26db
7% Popularity • 69% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
7% Popularity • 69% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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Gene Vincent & His Blue Caps
Unchained Melody
122 bpm • G Maj • 02:38 • -17.69db
23% Popularity • 54% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
23% Popularity • 54% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Jimmie Vaughan
I Ain't Gonna Do It No More
122 bpm • C Maj • 03:50 • -6.65db
10% Popularity • 73% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 73% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Kate & Anna McGarrigle
Kiss and Say Goodbye
123 bpm • C Maj • 02:50 • -11db
20% Popularity • 69% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
20% Popularity • 69% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Ray Collins' Hot Club
High Life
123 bpm • F Maj • 03:30 • -5.27db
25% Popularity • 72% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
25% Popularity • 72% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
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Peter Koelewijn
Mij Oh Mij
123 bpm • A Maj • 04:39 • -13.46db
15% Popularity • 82% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
15% Popularity • 82% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Royal Crown Revue
Swingin' All Day
117 bpm • C min • 01:56 • -12.56db
22% Popularity • 59% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
22% Popularity • 59% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Steve Lucky & The Rhumba Bums
Maybe Later
117 bpm • F min • 04:14 • -5db
8% Popularity • 65% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
8% Popularity • 65% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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The Robins
All Night Baby
123 bpm • C min • 03:06 • -6.98db
7% Popularity • 46% Danceability • 88% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
7% Popularity • 46% Danceability • 88% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
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The Collins Kids
Rock Boppin Baby
116 bpm • C Maj • 02:19 • -11.93db
12% Popularity • 65% Danceability • 57% Energy • 29% Liveness
0% Instrumentalness • 67% Positiveness
12% Popularity • 65% Danceability • 57% Energy • 29% Liveness
0% Instrumentalness • 67% Positiveness
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Lou Ann Barton
Sexy Ways
124 bpm • E Maj • 02:39 • -11.18db
14% Popularity • 56% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
14% Popularity • 56% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
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Brenda Lee
A Good Man Is Hard To Find
116 bpm • A# Maj • 02:27 • -8.66db
18% Popularity • 76% Danceability • 42% Energy • 37% Liveness
0% Instrumentalness • 94% Positiveness
18% Popularity • 76% Danceability • 42% Energy • 37% Liveness
0% Instrumentalness • 94% Positiveness
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Scott Bradlee's Postmodern Jukebox
Thong Song
116 bpm • C# Maj • 03:53 • -5.09db
24% Popularity • 52% Danceability • 82% Energy • 54% Liveness
0% Instrumentalness • 76% Positiveness
24% Popularity • 52% Danceability • 82% Energy • 54% Liveness
0% Instrumentalness • 76% Positiveness
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Louis Prima
I Want You To Be My Baby
124 bpm • F min • 02:10 • -8.07db
33% Popularity • 77% Danceability • 68% Energy • 97% Liveness
0% Instrumentalness • 95% Positiveness
33% Popularity • 77% Danceability • 68% Energy • 97% Liveness
0% Instrumentalness • 95% Positiveness
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Kenny Ball & His Jazzmen
My Mother's Eyes
116 bpm • D min • 02:38 • -8.02db
20% Popularity • 56% Danceability • 54% Energy • 6% Liveness
2% Instrumentalness • 81% Positiveness
20% Popularity • 56% Danceability • 54% Energy • 6% Liveness
2% Instrumentalness • 81% Positiveness
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Jimmy Buffett
Honey Do
116 bpm • G# Maj • 04:32 • -16.6db
18% Popularity • 81% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
18% Popularity • 81% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Asleep At The Wheel
Roly Poly
116 bpm • C Maj • 03:16 • -10.5db
31% Popularity • 75% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
31% Popularity • 75% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Johnny Thunders
Love Is Strange
125 bpm • C Maj • 03:21 • -12.31db
10% Popularity • 61% Danceability • 49% Energy • 39% Liveness
0% Instrumentalness • 70% Positiveness
10% Popularity • 61% Danceability • 49% Energy • 39% Liveness
0% Instrumentalness • 70% Positiveness
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Vaya Con Dios
Sold My Soul
125 bpm • A min • 05:02 • -13.96db
22% Popularity • 73% Danceability • 53% Energy • 4% Liveness
0% Instrumentalness • 95% Positiveness
22% Popularity • 73% Danceability • 53% Energy • 4% Liveness
0% Instrumentalness • 95% Positiveness
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Louis Prima
Just A Gigolo / I Ain't Got Nobody - Med...
125 bpm • G# Maj • 04:44 • -5.23db
54% Popularity • 52% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
54% Popularity • 52% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Sam Butera & The Witnesses
Later, Baby, Later - Bonus Track
125 bpm • F Maj • 02:23 • -12db
11% Popularity • 76% Danceability • 44% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 76% Danceability • 44% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
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German Gents
Farewell My Summer Love
125 bpm • A Maj • 03:41 • -7.47db
9% Popularity • 70% Danceability • 32% Energy • 48% Liveness
0% Instrumentalness • 38% Positiveness
9% Popularity • 70% Danceability • 32% Energy • 48% Liveness
0% Instrumentalness • 38% Positiveness
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Haywood Gregory
Don't Mess With Me
125 bpm • B min • 03:24 • -7.55db
18% Popularity • 61% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
18% Popularity • 61% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
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Preservation Hall Jazz Band
Louisiana Fairytale
115 bpm • C min • 03:08 • -12.98db
20% Popularity • 59% Danceability • 32% Energy • 12% Liveness
42% Instrumentalness • 68% Positiveness
20% Popularity • 59% Danceability • 32% Energy • 12% Liveness
42% Instrumentalness • 68% Positiveness
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Robert Gordon
Uptown
125 bpm • G Maj • 02:22 • -11.78db
8% Popularity • 85% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
8% Popularity • 85% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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Harry Nilsson
Fairfax Rag
126 bpm • C# min • 02:14 • -16.95db
17% Popularity • 66% Danceability • 28% Energy • 90% Liveness
0% Instrumentalness • 60% Positiveness
17% Popularity • 66% Danceability • 28% Energy • 90% Liveness
0% Instrumentalness • 60% Positiveness
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Johnny And The Roccos
Crazy Me
126 bpm • A# Maj • 02:32 • -13.65db
12% Popularity • 81% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 97% Positiveness
12% Popularity • 81% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 97% Positiveness
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James Booker
One For The Highway
115 bpm • A# Maj • 02:34 • -8.94db
28% Popularity • 72% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 87% Positiveness
28% Popularity • 72% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 87% Positiveness
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Big Daddy
Like a Virgin
126 bpm • F# Maj • 02:31 • -14.48db
15% Popularity • 56% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
15% Popularity • 56% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
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Redskins
16 Tons
126 bpm • D min • 03:13 • -12.71db
12% Popularity • 68% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 28% Positiveness
12% Popularity • 68% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 28% Positiveness
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Steve Lucky & The Rhumba Bums
Rumpus Room Honeymoon
114 bpm • G# Maj • 02:56 • -9.11db
10% Popularity • 68% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
10% Popularity • 68% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
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Peter Jezewski
The Great Pretender
114 bpm • E Maj • 02:40 • -7db
14% Popularity • 73% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
14% Popularity • 73% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Raul Malo
It Only Hurts Me When I Cry
114 bpm • C# Maj • 02:46 • -7.9db
32% Popularity • 69% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
32% Popularity • 69% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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Jim Lowe
Talkin the Blues
114 bpm • F Maj • 02:30 • -16.04db
14% Popularity • 75% Danceability • 30% Energy • 34% Liveness
7% Instrumentalness • 79% Positiveness
14% Popularity • 75% Danceability • 30% Energy • 34% Liveness
7% Instrumentalness • 79% Positiveness
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Humble Pie
Red Neck Jump
127 bpm • C Maj • 03:07 • -13.13db
13% Popularity • 73% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
13% Popularity • 73% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
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Tiny Tim
Stairway To Heaven
114 bpm • B min • 05:01 • -15db
9% Popularity • 60% Danceability • 33% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
9% Popularity • 60% Danceability • 33% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
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James Hunter
You Can't Win
127 bpm • C Maj • 02:29 • -8.41db
24% Popularity • 85% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
24% Popularity • 85% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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Ian Dury
Common as Muck
114 bpm • A# Maj • 03:58 • -14.67db
15% Popularity • 61% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
15% Popularity • 61% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
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Kelli Grant
Night Lifin'
127 bpm • D Maj • 02:46 • -11.53db
0% Popularity • 52% Danceability • 37% Energy • 31% Liveness
0% Instrumentalness • 55% Positiveness
0% Popularity • 52% Danceability • 37% Energy • 31% Liveness
0% Instrumentalness • 55% Positiveness
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The Coasters
Charlie Brown - Rerecorded
127 bpm • F min • 02:31 • -12db
14% Popularity • 60% Danceability • 67% Energy • 3% Liveness
0% Instrumentalness • 90% Positiveness
14% Popularity • 60% Danceability • 67% Energy • 3% Liveness
0% Instrumentalness • 90% Positiveness
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Sam & Dave
(What A) Wonderful World
127 bpm • A Maj • 02:08 • -7.13db
14% Popularity • 89% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 81% Positiveness
14% Popularity • 89% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 81% Positiveness
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Ballroom Orchestra and Singers
I Wish You Love ((28 Bpm))
113 bpm • G Maj • 02:32 • -8.12db
7% Popularity • 76% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 41% Positiveness
7% Popularity • 76% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 41% Positiveness
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Sue Thompson
Norman
127 bpm • A Maj • 02:21 • -9db
28% Popularity • 71% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 71% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Rosco Gordon
No More Doggin'
113 bpm • D# Maj • 03:06 • -7.35db
12% Popularity • 59% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 79% Positiveness
12% Popularity • 59% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 79% Positiveness
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Indigo Swing
How Lucky Can One Guy Be?
128 bpm • A min • 03:13 • -9db
30% Popularity • 73% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 51% Positiveness
30% Popularity • 73% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 51% Positiveness
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Jumpin'up
Leave Married Woman Alone
113 bpm • G# Maj • 02:08 • -5.62db
7% Popularity • 65% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
7% Popularity • 65% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Royal Crown Revue
Stormy Weather
113 bpm • F Maj • 03:44 • -14.4db
8% Popularity • 48% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
8% Popularity • 48% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Fairground Attraction
Walkin' After Midnight
128 bpm • A min • 02:48 • -16db
22% Popularity • 57% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
22% Popularity • 57% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Mungo Jerry
Mighty Man
112 bpm • G Maj • 04:45 • -9.23db
23% Popularity • 64% Danceability • 72% Energy • 18% Liveness
93% Instrumentalness • 92% Positiveness
23% Popularity • 64% Danceability • 72% Energy • 18% Liveness
93% Instrumentalness • 92% Positiveness
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Buster Poindexter
Smack Dab In The Middle
128 bpm • A# Maj • 03:54 • -12.75db
7% Popularity • 56% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 86% Positiveness
7% Popularity • 56% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 86% Positiveness
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The Buckaroos
Before I Grow Too Old
112 bpm • C Maj • 02:57 • -9db
14% Popularity • 72% Danceability • 51% Energy • 34% Liveness
0% Instrumentalness • 87% Positiveness
14% Popularity • 72% Danceability • 51% Energy • 34% Liveness
0% Instrumentalness • 87% Positiveness
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Connie Francis
Eighteen
112 bpm • D# Maj • 02:16 • -13.22db
14% Popularity • 72% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
14% Popularity • 72% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Kelli Grant
Til Monday Comes
112 bpm • D Maj • 03:47 • -12.2db
0% Popularity • 52% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
0% Popularity • 52% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Ronnie Magri
Deacon's Hop
128 bpm • G# Maj • 02:39 • -10.96db
11% Popularity • 73% Danceability • 39% Energy • 14% Liveness
74% Instrumentalness • 83% Positiveness
11% Popularity • 73% Danceability • 39% Energy • 14% Liveness
74% Instrumentalness • 83% Positiveness
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The Diamonds
Ka-Ding-Dong
129 bpm • A# Maj • 01:57 • -8.09db
12% Popularity • 74% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 74% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Rosie Flores
Blues Keep Callin'
112 bpm • F# Maj • 02:47 • -9.41db
8% Popularity • 77% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
8% Popularity • 77% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
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John Pizzarelli
Oh How My Heart Beats For You (Swing)
129 bpm • G min • 02:47 • -14.62db
10% Popularity • 55% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
10% Popularity • 55% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Tim O'Brien
Pompadour
129 bpm • C Maj • 03:37 • -9.1db
7% Popularity • 78% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
7% Popularity • 78% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
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Dominic Halpin
Sway
129 bpm • D min • 02:30 • -9.07db
15% Popularity • 67% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
15% Popularity • 67% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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Tennessee Ernie Ford
False Hearted Girl
111 bpm • A# Maj • 02:23 • -5.79db
16% Popularity • 87% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
16% Popularity • 87% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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Darcy O'Neil
I Need Her
129 bpm • E min • 03:37 • -15.8db
24% Popularity • 64% Danceability • 25% Energy • 10% Liveness
3% Instrumentalness • 43% Positiveness
24% Popularity • 64% Danceability • 25% Energy • 10% Liveness
3% Instrumentalness • 43% Positiveness
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Marcia Ball
A Fool in Love
130 bpm • F Maj • 03:16 • -6db
31% Popularity • 71% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 89% Positiveness
31% Popularity • 71% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 89% Positiveness
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Royal Crown Revue
Jumpin' in G
111 bpm • D Maj • 02:05 • -11.4db
14% Popularity • 68% Danceability • 60% Energy • 33% Liveness
0% Instrumentalness • 83% Positiveness
14% Popularity • 68% Danceability • 60% Energy • 33% Liveness
0% Instrumentalness • 83% Positiveness
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Neil Young
Payola Blues
130 bpm • C Maj • 03:09 • -10.76db
15% Popularity • 56% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 79% Positiveness
15% Popularity • 56% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 79% Positiveness
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Dinah Washington
A Rockin' Good Way (To Mess Around And F...
130 bpm • G# Maj • 02:28 • -12db
40% Popularity • 79% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
40% Popularity • 79% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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Bondi Cigars
You Get That
130 bpm • E min • 04:29 • -10.21db
8% Popularity • 67% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
8% Popularity • 67% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
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Lonesome Train
Baby, You Got What It Takes
130 bpm • A# min • 02:59 • -5.59db
16% Popularity • 93% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
16% Popularity • 93% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Brothers Moving
The Doctor
130 bpm • C min • 03:50 • -11.37db
21% Popularity • 80% Danceability • 53% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
21% Popularity • 80% Danceability • 53% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
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Blue Moon Marquee
Scream, Holler & Howl
130 bpm • E min • 03:54 • -9.1db
13% Popularity • 64% Danceability • 47% Energy • 10% Liveness
4% Instrumentalness • 54% Positiveness
13% Popularity • 64% Danceability • 47% Energy • 10% Liveness
4% Instrumentalness • 54% Positiveness
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Jumpin'up
Just A Gigolò - Ain't Got Nobody
130 bpm • A Maj • 04:20 • -2.76db
12% Popularity • 48% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
12% Popularity • 48% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Louis Prima
King Louie and Robin Hood
110 bpm • A# Maj • 01:23 • -12.17db
27% Popularity • 67% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
27% Popularity • 67% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Musique Boutique
My Baby Just Care for Me
130 bpm • C Maj • 02:28 • -6.51db
9% Popularity • 75% Danceability • 59% Energy • 17% Liveness
9% Instrumentalness • 58% Positiveness
9% Popularity • 75% Danceability • 59% Energy • 17% Liveness
9% Instrumentalness • 58% Positiveness
