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The Way We Move
Songs like
The Way We Move
by
Langhorne Slim
Based on a tempo of (+/- 10%) and a similar genre
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Langhorne Slim
The Way We Move
136 bpm • B Maj • 02:48 • -5.37db
52% Popularity • 54% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
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Shovels & Rope
Boxcar
137 bpm • C Maj • 04:41 • -5db
30% Popularity • 60% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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The Head And The Heart
Rivers and Roads
136 bpm • C Maj • 04:44 • -10db
68% Popularity • 49% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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The Wood Brothers
Wastin' My Mind
137 bpm • F Maj • 02:59 • -7.59db
37% Popularity • 67% Danceability • 59% Energy • 10% Liveness
1% Instrumentalness • 69% Positiveness
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The New Basement Tapes
When I Get My Hands On You
135 bpm • C# min • 03:10 • -13.94db
60% Popularity • 91% Danceability • 21% Energy • 10% Liveness
8% Instrumentalness • 48% Positiveness
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Houndmouth
Sedona
135 bpm • D# Maj • 03:59 • -8.24db
60% Popularity • 39% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Langhorne Slim
I Love You, But Goodbye
137 bpm • D# Maj • 03:06 • -8.6db
13% Popularity • 39% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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The Felice Brothers
Plunder
135 bpm • C Maj • 03:41 • -6.32db
27% Popularity • 38% Danceability • 83% Energy • 35% Liveness
0% Instrumentalness • 84% Positiveness
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Wilderado
Rubble To Rubble
135 bpm • A min • 03:24 • -8.38db
54% Popularity • 56% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 28% Positiveness
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Gregory Alan Isakov
The Stable Song
138 bpm • D Maj • 06:00 • -11.95db
65% Popularity • 63% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Ray LaMontagne
Supernova
134 bpm • B Maj • 03:55 • -7db
46% Popularity • 58% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Chris Thile
Heart In A Cage
138 bpm • G Maj • 04:23 • -10.2db
42% Popularity • 50% Danceability • 43% Energy • 27% Liveness
0% Instrumentalness • 49% Positiveness
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Langhorne Slim
She's Gone
137 bpm • D Maj • 03:19 • -4.78db
4% Popularity • 32% Danceability • 93% Energy • 35% Liveness
0% Instrumentalness • 60% Positiveness
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Houndmouth
Gasoline
138 bpm • C Maj • 02:51 • -11db
28% Popularity • 57% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Caamp
Penny, Heads Up
139 bpm • E Maj • 03:27 • -11.42db
49% Popularity • 59% Danceability • 37% Energy • 26% Liveness
13% Instrumentalness • 75% Positiveness
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Justin Townes Earle
Champagne Corolla
133 bpm • C# Maj • 03:38 • -8.58db
46% Popularity • 62% Danceability • 64% Energy • 11% Liveness
2% Instrumentalness • 78% Positiveness
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Mara Connor
Someone New
139 bpm • G# Maj • 03:17 • -11.6db
18% Popularity • 54% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Greensky Bluegrass
Time > Breathe Reprise >
133 bpm • F# min • 05:38 • -6.36db
51% Popularity • 40% Danceability • 76% Energy • 64% Liveness
0% Instrumentalness • 61% Positiveness
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Langhorne Slim
Be Kind To Me - Recorded at Sound Stage ...
138 bpm • G Maj • 03:17 • -9.79db
25% Popularity • 54% Danceability • 43% Energy • 83% Liveness
0% Instrumentalness • 52% Positiveness
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Elephant Revival
Grace of a Woman
139 bpm • E Maj • 03:38 • -8.74db
33% Popularity • 72% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Dawes
All Your Favorite Bands
133 bpm • G Maj • 03:35 • -8db
45% Popularity • 43% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Marty O'Reilly & the Old Soul Orchestra
Cold Canary Gaslight
140 bpm • G Maj • 04:42 • -8.58db
35% Popularity • 49% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Houndmouth
Honey Slider
132 bpm • G# Maj • 03:36 • -8db
30% Popularity • 31% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Rayland Baxter
The Mtn Song
140 bpm • C Maj • 03:58 • -9.17db
37% Popularity • 42% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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Langhorne Slim
Zombie
133 bpm • F Maj • 03:01 • -6.79db
20% Popularity • 42% Danceability • 76% Energy • 11% Liveness
22% Instrumentalness • 73% Positiveness
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DISPATCH
Letter to Lady J
132 bpm • E Maj • 04:15 • -7db
39% Popularity • 50% Danceability • 72% Energy • 40% Liveness
0% Instrumentalness • 33% Positiveness
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The Head And The Heart
Let's Be Still
131 bpm • A Maj • 04:28 • -10.72db
58% Popularity • 64% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Trampled by Turtles
Alone
141 bpm • C Maj • 04:28 • -11db
48% Popularity • 55% Danceability • 43% Energy • 10% Liveness
40% Instrumentalness • 28% Positiveness
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Houndmouth
Comin' Round Again
141 bpm • F# Maj • 03:39 • -5.44db
29% Popularity • 36% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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The Wood Brothers
River Takes the Town
131 bpm • D Maj • 04:39 • -7db
33% Popularity • 71% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Rayland Baxter
Hey Larocco
140 bpm • A# Maj • 04:29 • -5.92db
36% Popularity • 47% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Langhorne Slim
Ocean City (For May, Jack & Brother Jon)
140 bpm • D# Maj • 02:30 • -11.01db
19% Popularity • 50% Danceability • 57% Energy • 11% Liveness
17% Instrumentalness • 79% Positiveness
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DISPATCH
Painted Yellow Lines
141 bpm • G Maj • 05:20 • -7.56db
39% Popularity • 60% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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John Craigie
Rough Johns
131 bpm • G# Maj • 03:52 • -7.06db
44% Popularity • 74% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Ray LaMontagne
Strong Enough
131 bpm • D Maj • 03:34 • -8.61db
50% Popularity • 72% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 97% Positiveness
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Caamp
Vagabond
142 bpm • E Maj • 02:09 • -11.92db
72% Popularity • 57% Danceability • 40% Energy • 9% Liveness
1% Instrumentalness • 61% Positiveness
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The Lumineers
Angela
130 bpm • E Maj • 03:21 • -8.23db
48% Popularity • 67% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Langhorne Slim
Blown Your Mind
140 bpm • C Maj • 02:10 • -12.57db
3% Popularity • 68% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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CHAPPO
Come Home
142 bpm • F# Maj • 03:27 • -4db
44% Popularity • 51% Danceability • 89% Energy • 7% Liveness
48% Instrumentalness • 68% Positiveness
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Rogue Wave
Eyes
130 bpm • C# Maj • 02:28 • -8.03db
59% Popularity • 64% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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The Shins
New Slang - 2021 Remaster
130 bpm • C Maj • 03:50 • -10.62db
74% Popularity • 67% Danceability • 40% Energy • 9% Liveness
9% Instrumentalness • 62% Positiveness
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Caamp
Hey Joe
130 bpm • D# Maj • 03:29 • -10.67db
46% Popularity • 77% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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The Wood Brothers
Luckiest Man
142 bpm • F Maj • 03:53 • -10.56db
56% Popularity • 57% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Langhorne Slim
Worries
131 bpm • A Maj • 02:51 • -8db
19% Popularity • 63% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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The Decemberists
Don't Carry It All
143 bpm • G Maj • 04:16 • -4.33db
50% Popularity • 49% Danceability • 84% Energy • 46% Liveness
0% Instrumentalness • 63% Positiveness
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Houndmouth
For No One
130 bpm • D# Maj • 03:49 • -11.18db
36% Popularity • 53% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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The National Parks
As We Ran
144 bpm • A Maj • 03:20 • -7db
51% Popularity • 41% Danceability • 57% Energy • 37% Liveness
1% Instrumentalness • 18% Positiveness
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Conor Oberst
A Little Uncanny
144 bpm • G Maj • 04:56 • -5.56db
26% Popularity • 46% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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The Wood Brothers
Lovin' Arms
130 bpm • E Maj • 03:20 • -10db
40% Popularity • 59% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Langhorne Slim
Restless
129 bpm • D Maj • 02:17 • -5.8db
16% Popularity • 54% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Mt. Joy
Silver Lining
144 bpm • C Maj • 03:18 • -6.53db
77% Popularity • 54% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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The Lone Bellow
Time's Always Leaving
128 bpm • D Maj • 03:17 • -5.09db
33% Popularity • 54% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Andrew Bird
Fake Palindromes
144 bpm • D Maj • 02:52 • -6db
56% Popularity • 46% Danceability • 64% Energy • 31% Liveness
0% Instrumentalness • 32% Positiveness
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Middle Brother
Daydreaming
145 bpm • E Maj • 04:50 • -12db
29% Popularity • 53% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Black Rebel Motorcycle Club
Shuffle Your Feet
145 bpm • B min • 02:53 • -6.49db
43% Popularity • 54% Danceability • 75% Energy • 36% Liveness
0% Instrumentalness • 66% Positiveness
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Langhorne Slim
Life Is Confusing
129 bpm • C# Maj • 02:51 • -11.41db
40% Popularity • 37% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Mt. Joy
Jenny Jenkins
128 bpm • G# Maj • 03:19 • -9.39db
63% Popularity • 73% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Madisen Ward and the Mama Bear
Whole Lotta Problems
127 bpm • D# Maj • 03:26 • -6.94db
12% Popularity • 62% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Treetop Flyers
Things Will Change
145 bpm • D Maj • 04:03 • -4.4db
20% Popularity • 51% Danceability • 93% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
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The Lumineers
Flowers in Your Hair
127 bpm • G Maj • 01:49 • -10.09db
74% Popularity • 67% Danceability • 61% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
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Spoon
The Underdog
145 bpm • G Maj • 03:42 • -6.48db
38% Popularity • 68% Danceability • 64% Energy • 69% Liveness
0% Instrumentalness • 90% Positiveness
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Sean Rowe
Madman
127 bpm • D# Maj • 03:59 • -7.14db
27% Popularity • 71% Danceability • 74% Energy • 30% Liveness
5% Instrumentalness • 78% Positiveness
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Langhorne Slim
Someday
127 bpm • A Maj • 01:26 • -8.72db
27% Popularity • 56% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Caamp
Peach Fuzz
127 bpm • C# Maj • 03:44 • -7.75db
65% Popularity • 71% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
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Bahamas
All The Time
127 bpm • E min • 03:54 • -4.82db
59% Popularity • 71% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Dan Auerbach
Waiting on a Song
127 bpm • E Maj • 02:49 • -3.67db
40% Popularity • 61% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Old Crow Medicine Show
Wagon Wheel
146 bpm • A Maj • 03:52 • -8.21db
64% Popularity • 62% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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The Barr Brothers
Little Lover
127 bpm • A# Maj • 04:50 • -10db
38% Popularity • 58% Danceability • 52% Energy • 10% Liveness
21% Instrumentalness • 36% Positiveness
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The Lone Bellow
Green Eyes and a Heart of Gold
127 bpm • D Maj • 04:12 • -6.09db
37% Popularity • 32% Danceability • 90% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
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JJ Grey & Mofro
Orange Blossoms
127 bpm • G Maj • 04:41 • -4.69db
55% Popularity • 68% Danceability • 65% Energy • 42% Liveness
0% Instrumentalness • 62% Positiveness
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Langhorne Slim
Mighty Soul
127 bpm • D# Maj • 01:57 • -9.58db
35% Popularity • 48% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
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Ha Ha Tonka
Usual Suspects
146 bpm • D Maj • 03:32 • -5.97db
24% Popularity • 55% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Sjowgren
Seventeen
146 bpm • G Maj • 03:45 • -5.6db
63% Popularity • 61% Danceability • 72% Energy • 5% Liveness
8% Instrumentalness • 33% Positiveness
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Brett Dennen
Ain't No Reason
146 bpm • F Maj • 03:40 • -9.69db
51% Popularity • 62% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Heartless Bastards
Parted Ways
127 bpm • A Maj • 04:57 • -4.57db
31% Popularity • 52% Danceability • 86% Energy • 29% Liveness
0% Instrumentalness • 61% Positiveness
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Bahamas
Way With Words
146 bpm • F# min • 04:20 • -7db
53% Popularity • 78% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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The Revivalists
Catching Fireflies
146 bpm • B Maj • 05:12 • -4.08db
43% Popularity • 46% Danceability • 88% Energy • 64% Liveness
0% Instrumentalness • 56% Positiveness
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Family and Friends
Amadeus
147 bpm • B min • 03:27 • -7db
53% Popularity • 43% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
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Shakey Graves
House of Winston
125 bpm • D# Maj • 04:13 • -9.5db
43% Popularity • 45% Danceability • 43% Energy • 31% Liveness
13% Instrumentalness • 48% Positiveness
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Barton Carroll
Every Little Bit Hurts
125 bpm • A Maj • 03:46 • -6.01db
28% Popularity • 49% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
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Langhorne Slim
Bluebird
125 bpm • G# Maj • 01:54 • -7.22db
17% Popularity • 37% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
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The Harmaleighs
I Keep Ticking On
125 bpm • D# Maj • 02:36 • -4.49db
51% Popularity • 60% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Man Man
Head On (Hold On To Your Heart)
125 bpm • C# Maj • 04:25 • -4.04db
44% Popularity • 71% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Faces
Ooh La La
148 bpm • D Maj • 03:34 • -8.17db
68% Popularity • 60% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
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Shakey Graves
Late July - Audiotree Live Version
126 bpm • C# Maj • 06:03 • -10.32db
43% Popularity • 50% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
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The Lone Bellow
Then Came the Morning
125 bpm • A# Maj • 04:11 • -6db
28% Popularity • 46% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Hiss Golden Messenger
Saturday’s Song
125 bpm • F# min • 04:35 • -8db
29% Popularity • 66% Danceability • 55% Energy • 16% Liveness
11% Instrumentalness • 22% Positiveness
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Dawes
Hey Lover
125 bpm • C Maj • 02:47 • -5.75db
28% Popularity • 61% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
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Ray LaMontagne
Beg Steal or Borrow
148 bpm • F# Maj • 04:32 • -9db
47% Popularity • 47% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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Middle Brother
Blue Eyes
148 bpm • G Maj • 04:05 • -4.41db
37% Popularity • 44% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Shakey Graves
The Perfect Parts
125 bpm • C Maj • 03:56 • -6.11db
41% Popularity • 53% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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The New Basement Tapes
Down On The Bottom
148 bpm • C Maj • 04:28 • -9db
42% Popularity • 44% Danceability • 42% Energy • 11% Liveness
5% Instrumentalness • 57% Positiveness
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Langhorne Slim
Hello Sunshine
125 bpm • D Maj • 02:27 • -7.09db
3% Popularity • 56% Danceability • 76% Energy • 12% Liveness
1% Instrumentalness • 46% Positiveness
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Matthew And The Atlas
I Will Remain
124 bpm • G# Maj • 03:26 • -11.48db
45% Popularity • 74% Danceability • 43% Energy • 10% Liveness
2% Instrumentalness • 71% Positiveness
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Caamp
No Sleep
124 bpm • G# Maj • 03:57 • -7.39db
64% Popularity • 70% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
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Ryan Adams
Come Pick Me Up
124 bpm • A# Maj • 05:18 • -10.96db
50% Popularity • 58% Danceability • 27% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
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The Decemberists
Down By The Water
123 bpm • E min • 03:41 • -4db
47% Popularity • 49% Danceability • 81% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
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Joe Pug
How Good You Are
124 bpm • D Maj • 04:19 • -12.2db
32% Popularity • 73% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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The Revivalists
Soulfight
123 bpm • G Maj • 06:32 • -8.85db
56% Popularity • 59% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Brett Dennen
Wild Child
150 bpm • E Maj • 03:37 • -7.05db
33% Popularity • 71% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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The Way We Move