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The Welcome Song
Songs like
The Welcome Song
by
Anne Trenning
Based on a tempo of (+/- 10%) and a similar genre
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Silvard
Irish Sailor
104 bpm • E min • 03:30 • -16.87db
22% Popularity • 51% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 38% Positiveness
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Evan Camrud
Chasing Cars - Piano
104 bpm • A Maj • 04:27 • -15db
40% Popularity • 61% Danceability • 28% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
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Anne Trenning
The Welcome Song
104 bpm • D Maj • 03:35 • -15.49db
37% Popularity • 37% Danceability • 20% Energy • 17% Liveness
93% Instrumentalness • 13% Positiveness
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Steven Cravis
Fields of Gold
104 bpm • D Maj • 03:22 • -19.69db
28% Popularity • 39% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 10% Positiveness
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Jennifer Thomas
The Red Aspens
104 bpm • C Maj • 03:56 • -18.92db
21% Popularity • 32% Danceability • 11% Energy • 8% Liveness
92% Instrumentalness • 10% Positiveness
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Amy Lauren
Bed of Stars
105 bpm • G# Maj • 02:41 • -26.57db
42% Popularity • 48% Danceability • 6% Energy • 13% Liveness
96% Instrumentalness • 21% Positiveness
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Michael Gettel
Waiting
105 bpm • F Maj • 02:14 • -29.08db
38% Popularity • 34% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 20% Positiveness
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Yanni
In The Morning Light
105 bpm • A Maj • 03:48 • -20.51db
52% Popularity • 34% Danceability • 13% Energy • 7% Liveness
90% Instrumentalness • 18% Positiveness
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George Winston
Rainsong
105 bpm • C# Maj • 04:40 • -24.47db
41% Popularity • 55% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 22% Positiveness
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Steven Cravis
My Precious One
105 bpm • A Maj • 02:43 • -15.85db
36% Popularity • 38% Danceability • 28% Energy • 13% Liveness
89% Instrumentalness • 27% Positiveness
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Joseph Akins
Joy of Being
103 bpm • D# Maj • 05:23 • -17.97db
25% Popularity • 40% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
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Jamie Conway
If
103 bpm • A Maj • 02:23 • -21.59db
35% Popularity • 56% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
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Jennifer Thomas
You By My Side
103 bpm • F Maj • 03:40 • -20.36db
16% Popularity • 31% Danceability • 7% Energy • 18% Liveness
89% Instrumentalness • 4% Positiveness
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Spencer Brewer
Tomorrow's Child
105 bpm • D Maj • 03:46 • -18.33db
28% Popularity • 47% Danceability • 15% Energy • 13% Liveness
88% Instrumentalness • 16% Positiveness
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Chad Lawson
I Wandered Lonely as a Cloud
106 bpm • G min • 04:24 • -25.77db
25% Popularity • 26% Danceability • 9% Energy • 19% Liveness
94% Instrumentalness • 7% Positiveness
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Steven Sharp Nelson
Lead, Kindly Light
106 bpm • A# Maj • 02:27 • -7.89db
38% Popularity • 16% Danceability • 24% Energy • 10% Liveness
91% Instrumentalness • 10% Positiveness
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Joseph Akins
Watertank Hill
106 bpm • G Maj • 04:43 • -18db
32% Popularity • 47% Danceability • 28% Energy • 10% Liveness
95% Instrumentalness • 14% Positiveness
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Anne Trenning
The Road to Dunlavin
102 bpm • G Maj • 02:40 • -15.39db
12% Popularity • 55% Danceability • 25% Energy • 12% Liveness
94% Instrumentalness • 13% Positiveness
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John Fluker
A Father's Love
102 bpm • C Maj • 02:04 • -15.54db
26% Popularity • 47% Danceability • 12% Energy • 13% Liveness
90% Instrumentalness • 12% Positiveness
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Spencer Brewer
Tomorrow's Child
105 bpm • D Maj • 04:52 • -12.62db
26% Popularity • 45% Danceability • 22% Energy • 12% Liveness
80% Instrumentalness • 19% Positiveness
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Steven Cravis
The Shining Star
101 bpm • E Maj • 03:16 • -17.63db
29% Popularity • 38% Danceability • 22% Energy • 13% Liveness
92% Instrumentalness • 21% Positiveness
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Karen Marie Garrett
Mother's Prayer (With Vocals)
101 bpm • F# min • 04:11 • -20.49db
18% Popularity • 27% Danceability • 10% Energy • 8% Liveness
80% Instrumentalness • 9% Positiveness
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Rachel Currea
Desert Night
107 bpm • B min • 03:41 • -21.28db
19% Popularity • 35% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 9% Positiveness
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Anne Trenning
Dusk Until Dawn
107 bpm • A min • 02:37 • -20.12db
3% Popularity • 68% Danceability • 33% Energy • 8% Liveness
91% Instrumentalness • 23% Positiveness
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Yanni
Only A Memory
108 bpm • C# Maj • 04:16 • -21db
45% Popularity • 28% Danceability • 14% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Jon Dahlander
Lost Maples
108 bpm • F# Maj • 04:03 • -18.61db
18% Popularity • 37% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
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Louis Landon
Seattle Morning
100 bpm • D Maj • 03:44 • -23.69db
38% Popularity • 40% Danceability • 21% Energy • 8% Liveness
83% Instrumentalness • 40% Positiveness
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Suzanne Ciani
Sargasso Sea
100 bpm • B min • 03:32 • -18.93db
33% Popularity • 36% Danceability • 7% Energy • 11% Liveness
80% Instrumentalness • 13% Positiveness
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Kevin Kern
Sundial Dreams
100 bpm • F# Maj • 04:45 • -18.02db
49% Popularity • 59% Danceability • 17% Energy • 12% Liveness
87% Instrumentalness • 45% Positiveness
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Anne Trenning
Where Rivers Run
101 bpm • C Maj • 05:01 • -22.56db
18% Popularity • 38% Danceability • 9% Energy • 11% Liveness
88% Instrumentalness • 23% Positiveness
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The Violin Sisters
Jesu Joy of Man's Desiring
108 bpm • G Maj • 02:38 • -13.04db
30% Popularity • 38% Danceability • 21% Energy • 16% Liveness
24% Instrumentalness • 28% Positiveness
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VioDance
Forrest Gump: Feather Theme (Piano & Vio...
100 bpm • F Maj • 02:49 • -8.84db
37% Popularity • 45% Danceability • 32% Energy • 16% Liveness
86% Instrumentalness • 10% Positiveness
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James Todd
I Wonder.....
100 bpm • A Maj • 05:52 • -13.36db
10% Popularity • 29% Danceability • 19% Energy • 12% Liveness
86% Instrumentalness • 22% Positiveness
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Karen Marie Garrett
Welcome B
100 bpm • C Maj • 05:32 • -17db
18% Popularity • 33% Danceability • 9% Energy • 5% Liveness
93% Instrumentalness • 6% Positiveness
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Kevin Kern
Love's First Smile
100 bpm • A Maj • 06:09 • -21.66db
31% Popularity • 52% Danceability • 4% Energy • 11% Liveness
85% Instrumentalness • 17% Positiveness
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Christine Brown
Happy Together
100 bpm • D min • 04:04 • -20.58db
27% Popularity • 44% Danceability • 15% Energy • 12% Liveness
89% Instrumentalness • 9% Positiveness
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Janie Becker
Evening Whispers
100 bpm • F Maj • 02:09 • -22.53db
49% Popularity • 45% Danceability • 20% Energy • 11% Liveness
95% Instrumentalness • 30% Positiveness
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Denise Young
Above the Clouds
109 bpm • C min • 04:31 • -21.64db
31% Popularity • 32% Danceability • 10% Energy • 12% Liveness
87% Instrumentalness • 19% Positiveness
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James Todd
Quiet Beauty - Reprise
100 bpm • G Maj • 05:16 • -19.9db
8% Popularity • 37% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 23% Positiveness
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Jane Leslie
Flowing Waters
109 bpm • D# Maj • 03:49 • -23.23db
34% Popularity • 36% Danceability • 6% Energy • 15% Liveness
90% Instrumentalness • 15% Positiveness
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Anne Trenning
In the Gloaming Light
109 bpm • C Maj • 03:15 • -16.94db
6% Popularity • 45% Danceability • 29% Energy • 12% Liveness
92% Instrumentalness • 36% Positiveness
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Hilary Stagg
Pachelbel's Canon in D
100 bpm • C Maj • 02:49 • -24.44db
47% Popularity • 55% Danceability • 6% Energy • 10% Liveness
83% Instrumentalness • 24% Positiveness
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Louis Landon
Good Fortune
99 bpm • G Maj • 04:47 • -19.73db
24% Popularity • 36% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
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Karen FitzGerald
Winter's Flight
99 bpm • D Maj • 06:14 • -20.62db
14% Popularity • 34% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
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Jennifer Thomas
Pachelbel's Canon (a Duet)
98 bpm • A Maj • 04:44 • -13.64db
31% Popularity • 26% Danceability • 37% Energy • 12% Liveness
86% Instrumentalness • 8% Positiveness
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Jane Leslie
Southampton Sunset
109 bpm • D# Maj • 03:24 • -24db
42% Popularity • 47% Danceability • 2% Energy • 14% Liveness
92% Instrumentalness • 12% Positiveness
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Bernward Koch
Walking Through Clouds
110 bpm • C Maj • 02:43 • -12.74db
46% Popularity • 31% Danceability • 17% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
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Anne Trenning
Real Love
99 bpm • A min • 03:22 • -20.28db
18% Popularity • 41% Danceability • 14% Energy • 13% Liveness
92% Instrumentalness • 15% Positiveness
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Kevin Kern
Light Spirit
110 bpm • E Maj • 04:23 • -16.03db
37% Popularity • 60% Danceability • 19% Energy • 10% Liveness
85% Instrumentalness • 29% Positiveness
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Silvard
Forever Yours
98 bpm • D Maj • 04:26 • -14.51db
20% Popularity • 40% Danceability • 23% Energy • 10% Liveness
84% Instrumentalness • 21% Positiveness
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Chester Tan
On The Treetops
110 bpm • E Maj • 03:17 • -17.5db
39% Popularity • 56% Danceability • 25% Energy • 12% Liveness
89% Instrumentalness • 12% Positiveness
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Michael Dulin
Prelude
110 bpm • C Maj • 05:12 • -16.25db
18% Popularity • 37% Danceability • 12% Energy • 12% Liveness
87% Instrumentalness • 15% Positiveness
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Janie Becker
The Dance
98 bpm • D Maj • 03:14 • -20db
46% Popularity • 42% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 31% Positiveness
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David Hicken
Celeste
98 bpm • D Maj • 04:30 • -23db
20% Popularity • 47% Danceability • 5% Energy • 6% Liveness
90% Instrumentalness • 10% Positiveness
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Marshall Styler
Jericho
98 bpm • D Maj • 05:46 • -14.15db
31% Popularity • 24% Danceability • 14% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
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George Winston
Valse Frontenac
98 bpm • A Maj • 04:07 • -21.23db
33% Popularity • 60% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 44% Positiveness
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John Fluker
After the Fall
111 bpm • D min • 05:51 • -15.02db
10% Popularity • 51% Danceability • 21% Energy • 12% Liveness
88% Instrumentalness • 7% Positiveness
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Bernward Koch
The Enchanted Path
97 bpm • C Maj • 04:16 • -13.82db
43% Popularity • 25% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Anne Trenning
Beautiful Song
98 bpm • D Maj • 03:16 • -12.22db
31% Popularity • 29% Danceability • 28% Energy • 12% Liveness
89% Instrumentalness • 20% Positiveness
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David Hicken
Uriel
111 bpm • F# Maj • 04:18 • -24.3db
17% Popularity • 46% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 16% Positiveness
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Spencer Brewer
Quintessence
97 bpm • F# min • 03:36 • -18.06db
24% Popularity • 35% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
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Amy Lauren
I'll Follow You
97 bpm • A Maj • 05:04 • -21.14db
24% Popularity • 48% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
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Janie Becker
Castles In The Air
97 bpm • B Maj • 02:40 • -23.51db
42% Popularity • 37% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
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John Fluker
A Long Way Home
111 bpm • A# Maj • 02:11 • -16.11db
23% Popularity • 43% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
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Anne Trenning
How Fair My Love
97 bpm • G Maj • 02:53 • -20db
12% Popularity • 40% Danceability • 24% Energy • 12% Liveness
90% Instrumentalness • 26% Positiveness
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Michael Dulin
Bedtime For Little John
97 bpm • D Maj • 05:11 • -17.12db
16% Popularity • 60% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 22% Positiveness
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Karen Marie Garrett
It's About the Rose in the Vase on the T...
112 bpm • C# Maj • 05:04 • -20.05db
21% Popularity • 36% Danceability • 14% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Joseph Akins
A Southern Sun
97 bpm • C Maj • 04:16 • -16.14db
30% Popularity • 37% Danceability • 25% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Rhonda Mackert
Dreamer's Lament
112 bpm • E min • 04:29 • -20.93db
15% Popularity • 38% Danceability • 12% Energy • 10% Liveness
95% Instrumentalness • 22% Positiveness
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Marshall Styler
Katherine's Waltz
112 bpm • C Maj • 03:41 • -11.67db
32% Popularity • 39% Danceability • 31% Energy • 19% Liveness
88% Instrumentalness • 11% Positiveness
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Anne Trenning
Silent Night II
111 bpm • F Maj • 03:06 • -19.12db
23% Popularity • 34% Danceability • 14% Energy • 11% Liveness
84% Instrumentalness • 26% Positiveness
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Manon Clément
Before Stars Sleeping
112 bpm • F Maj • 02:32 • -17db
32% Popularity • 46% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 26% Positiveness
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Yanni
To Take ...To Hold
112 bpm • G Maj • 04:02 • -18.98db
46% Popularity • 36% Danceability • 14% Energy • 9% Liveness
95% Instrumentalness • 8% Positiveness
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Fiona Joy Hawkins
From the Outside
112 bpm • G Maj • 04:32 • -15.82db
31% Popularity • 33% Danceability • 16% Energy • 16% Liveness
98% Instrumentalness • 18% Positiveness
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Pianoramix
Legends of the Fall Theme (The Ludlows)
96 bpm • D Maj • 02:31 • -19.81db
42% Popularity • 43% Danceability • 9% Energy • 9% Liveness
90% Instrumentalness • 20% Positiveness
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Steven Cravis
Dancing Spirits
112 bpm • D min • 04:14 • -16.76db
30% Popularity • 43% Danceability • 31% Energy • 10% Liveness
91% Instrumentalness • 30% Positiveness
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Anne Trenning
A Prayer for the World
96 bpm • D# Maj • 04:08 • -23.79db
5% Popularity • 34% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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Tom Ameen
Between Two Worlds
96 bpm • G Maj • 04:00 • -23.14db
19% Popularity • 35% Danceability • 7% Energy • 12% Liveness
88% Instrumentalness • 10% Positiveness
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Karen Marie Garrett
Deschutes River Sunrise (Oboe, Cello, Pi...
113 bpm • F Maj • 05:04 • -17.51db
19% Popularity • 17% Danceability • 16% Energy • 14% Liveness
84% Instrumentalness • 10% Positiveness
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Spencer Brewer
Quintessence (Full Orch)
96 bpm • F# min • 03:57 • -17.23db
24% Popularity • 16% Danceability • 16% Energy • 17% Liveness
96% Instrumentalness • 9% Positiveness
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Rachel Currea
New Beginnings
96 bpm • B min • 04:14 • -19.06db
11% Popularity • 31% Danceability • 17% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
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Jane Leslie
Cherished Times
96 bpm • F# min • 03:08 • -24.68db
42% Popularity • 36% Danceability • 3% Energy • 12% Liveness
91% Instrumentalness • 19% Positiveness
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The Violin Sisters
Air on a G String
96 bpm • D Maj • 02:17 • -11.16db
37% Popularity • 19% Danceability • 22% Energy • 16% Liveness
7% Instrumentalness • 15% Positiveness
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Anne Trenning
Days Gone By
113 bpm • E Maj • 03:11 • -19.81db
5% Popularity • 46% Danceability • 23% Energy • 11% Liveness
92% Instrumentalness • 31% Positiveness
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Omar Akram
Take My Hand
113 bpm • F min • 04:52 • -10.66db
39% Popularity • 63% Danceability • 44% Energy • 8% Liveness
48% Instrumentalness • 36% Positiveness
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Tim Neumark
With Wonder
113 bpm • D# Maj • 03:46 • -19.12db
24% Popularity • 30% Danceability • 18% Energy • 14% Liveness
90% Instrumentalness • 16% Positiveness
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Rachel Currea
Epic Romance
113 bpm • C Maj • 05:09 • -22db
12% Popularity • 35% Danceability • 5% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
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Mike Strickland
Think Of Me
114 bpm • G# Maj • 04:45 • -17.49db
23% Popularity • 51% Danceability • 18% Energy • 8% Liveness
91% Instrumentalness • 18% Positiveness
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John Fluker
A Time Before
114 bpm • C min • 04:40 • -18.15db
15% Popularity • 47% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 22% Positiveness
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Anne Trenning
Maggie Rose
113 bpm • G Maj • 04:14 • -14.7db
6% Popularity • 40% Danceability • 33% Energy • 8% Liveness
53% Instrumentalness • 14% Positiveness
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Jane Leslie
Peaceful Dawn
95 bpm • G Maj • 03:18 • -24.4db
33% Popularity • 55% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 29% Positiveness
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Back to Earth
A True Mother's Love
95 bpm • D Maj • 04:23 • -20.83db
43% Popularity • 54% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 15% Positiveness
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Joe Bongiorno
Melancholy Morning
95 bpm • D min • 06:23 • -22.81db
30% Popularity • 31% Danceability • 6% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Georg Erixon
Gabriel's Oboe
114 bpm • D Maj • 02:11 • -12.86db
35% Popularity • 47% Danceability • 17% Energy • 10% Liveness
88% Instrumentalness • 18% Positiveness
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Yanni
Before I Go
95 bpm • D# Maj • 04:30 • -20.48db
45% Popularity • 30% Danceability • 11% Energy • 23% Liveness
97% Instrumentalness • 10% Positiveness
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Silvard
At Peace
95 bpm • C Maj • 03:36 • -16.55db
17% Popularity • 35% Danceability • 13% Energy • 15% Liveness
87% Instrumentalness • 24% Positiveness
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John Tesh
Halcyon Days
94 bpm • A min • 02:44 • -23.07db
33% Popularity • 34% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
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Philip Wesley
New Day
115 bpm • A Maj • 03:45 • -20.92db
35% Popularity • 34% Danceability • 14% Energy • 11% Liveness
84% Instrumentalness • 9% Positiveness
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Christine Brown
The Police Trilogy
115 bpm • F Maj • 05:02 • -19.05db
21% Popularity • 38% Danceability • 23% Energy • 18% Liveness
85% Instrumentalness • 9% Positiveness
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Anne Trenning
And I'll Fly Away
94 bpm • C Maj • 04:22 • -19db
23% Popularity • 50% Danceability • 24% Energy • 5% Liveness
82% Instrumentalness • 12% Positiveness
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The Welcome Song