Songs like The Whole "Being Dead" Thing by Alex Brightman
Based on a tempo of (+/- 10%) and a similar genre
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Alex Brightman
The Whole "Being Dead" Thing
156 bpm • F min • 03:43 • -5.78db
60% Popularity • 52% Danceability • 84% Energy • 43% Liveness
0% Instrumentalness • 67% Positiveness
60% Popularity • 52% Danceability • 84% Energy • 43% Liveness
0% Instrumentalness • 67% Positiveness
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'Be More Chill' Ensemble
Halloween
156 bpm • A# Maj • 03:26 • -4.75db
28% Popularity • 39% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 39% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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Christine Pedi
Bitch, Bitch, Bitch
156 bpm • F Maj • 01:44 • -9.88db
32% Popularity • 42% Danceability • 46% Energy • 64% Liveness
0% Instrumentalness • 51% Positiveness
32% Popularity • 42% Danceability • 46% Energy • 64% Liveness
0% Instrumentalness • 51% Positiveness
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Chris McCarrell
Son of Poseidon
155 bpm • D Maj • 03:49 • -6.23db
40% Popularity • 52% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
40% Popularity • 52% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
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Joey Richter
One Step Ahead
155 bpm • A# Maj • 03:25 • -12.82db
33% Popularity • 45% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
33% Popularity • 45% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Scott Redmond
Space Age Bachelor Man
155 bpm • E min • 05:14 • -12.87db
48% Popularity • 50% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
48% Popularity • 50% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Lin-Manuel Miranda
Cousin
155 bpm • B min • 02:19 • -6db
44% Popularity • 74% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
44% Popularity • 74% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Will Connolly
More Than Survive - Reprise
156 bpm • A Maj • 01:21 • -7.86db
28% Popularity • 67% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
28% Popularity • 67% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
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StarKid Productions
Adore Me
157 bpm • F Maj • 02:26 • -10.75db
34% Popularity • 50% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
34% Popularity • 50% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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The Original Broadway Cast Of School Of Rock
When I Climb to the Top of Mount Rock
154 bpm • D Maj • 03:27 • -3.24db
40% Popularity • 48% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
40% Popularity • 48% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Rob McClure
Ready Set - Reprise
154 bpm • G Maj • 00:58 • -6.87db
46% Popularity • 49% Danceability • 51% Energy • 43% Liveness
0% Instrumentalness • 85% Positiveness
46% Popularity • 49% Danceability • 51% Energy • 43% Liveness
0% Instrumentalness • 85% Positiveness
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Benjamin Schrader
Spooky Mormon Hell Dream
158 bpm • D# Maj • 04:30 • -8db
45% Popularity • 53% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
45% Popularity • 53% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Brian D'Arcy James
God, I Hate Shakespeare
154 bpm • C# min • 02:44 • -7.14db
47% Popularity • 64% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
47% Popularity • 64% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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'Be More Chill' Ensemble
The Play
154 bpm • A Maj • 06:19 • -6.55db
26% Popularity • 46% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
26% Popularity • 46% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Kate Shindle
Legally Blonde - Remix
154 bpm • A Maj • 04:59 • -9.84db
47% Popularity • 49% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 46% Positiveness
47% Popularity • 49% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 46% Positiveness
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Barrett Wilbert Weed
Seventeen (Reprise)
153 bpm • G# Maj • 02:44 • -8.09db
52% Popularity • 33% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
52% Popularity • 33% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
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Penelope Scott
Lotta True Crime
159 bpm • G# Maj • 03:22 • -14.46db
66% Popularity • 50% Danceability • 41% Energy • 11% Liveness
6% Instrumentalness • 40% Positiveness
66% Popularity • 50% Danceability • 41% Energy • 11% Liveness
6% Instrumentalness • 40% Positiveness
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Rob Rokicki
Pick a Side - Bonus Track
153 bpm • F min • 02:33 • -4.12db
38% Popularity • 58% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
38% Popularity • 58% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Original StarKid Cast of The Trail To Oregon!
Independence!
153 bpm • C Maj • 04:57 • -6.87db
32% Popularity • 54% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
32% Popularity • 54% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
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Grey Henson
Meet The Plastics
160 bpm • B Maj • 04:17 • -4.51db
62% Popularity • 44% Danceability • 58% Energy • 65% Liveness
0% Instrumentalness • 38% Positiveness
62% Popularity • 44% Danceability • 58% Energy • 65% Liveness
0% Instrumentalness • 38% Positiveness
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Annaleigh Ashford
Omigod You Guys
160 bpm • G Maj • 05:46 • -9.74db
53% Popularity • 57% Danceability • 48% Energy • 42% Liveness
0% Instrumentalness • 62% Positiveness
53% Popularity • 57% Danceability • 48% Energy • 42% Liveness
0% Instrumentalness • 62% Positiveness
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Jorge Rivera-Herrans
Done For
160 bpm • B min • 02:27 • -6.38db
65% Popularity • 63% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
65% Popularity • 63% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Bo Burnham
Look Who’s Inside Again
160 bpm • D Maj • 01:23 • -9.24db
69% Popularity • 64% Danceability • 33% Energy • 37% Liveness
0% Instrumentalness • 65% Positiveness
69% Popularity • 64% Danceability • 33% Energy • 37% Liveness
0% Instrumentalness • 65% Positiveness
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Eddie Perfect
The Whole Being Dead Thing - 2014 Origin...
160 bpm • B min • 04:05 • -5.63db
24% Popularity • 71% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
24% Popularity • 71% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Alex Brightman
Stars of David
160 bpm • A# Maj • 03:54 • -8.11db
13% Popularity • 56% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
13% Popularity • 56% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Jessie Mueller
Opening Up
161 bpm • D Maj • 02:34 • -5.24db
52% Popularity • 58% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
52% Popularity • 58% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Lin-Manuel Miranda
Aaron Burr, Sir
160 bpm • G Maj • 02:36 • -10.84db
69% Popularity • 65% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
69% Popularity • 65% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Aaron Tveit
I'm Alive
161 bpm • C Maj • 03:14 • -6.08db
42% Popularity • 48% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
42% Popularity • 48% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Leslie Kritzer
What I Know Now
161 bpm • G Maj • 03:34 • -6.09db
55% Popularity • 64% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
55% Popularity • 64% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Will Wood
BlackBoxWarrior - OKULTRA
161 bpm • D Maj • 04:54 • -7.05db
54% Popularity • 61% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
54% Popularity • 61% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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StarKid Productions
Made in America
151 bpm • B Maj • 04:06 • -9.02db
35% Popularity • 56% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
35% Popularity • 56% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
The I Love You Song
162 bpm • D Maj • 05:56 • -8.31db
42% Popularity • 29% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
42% Popularity • 29% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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SIX
Haus of Holbein
150 bpm • F min • 02:18 • -8.73db
49% Popularity • 69% Danceability • 84% Energy • 93% Liveness
0% Instrumentalness • 67% Positiveness
49% Popularity • 69% Danceability • 84% Energy • 93% Liveness
0% Instrumentalness • 67% Positiveness
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Will Roland
More Than Survive
150 bpm • C Maj • 08:28 • -6.66db
25% Popularity • 51% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 51% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Steven Universe
Change
150 bpm • B min • 01:33 • -12.22db
56% Popularity • 54% Danceability • 53% Energy • 31% Liveness
0% Instrumentalness • 52% Positiveness
56% Popularity • 54% Danceability • 53% Energy • 31% Liveness
0% Instrumentalness • 52% Positiveness
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Will Wood
Laplace’s Angel (Hurt People? Hurt Peo...
150 bpm • A Maj • 04:01 • -5.77db
60% Popularity • 55% Danceability • 94% Energy • 50% Liveness
0% Instrumentalness • 66% Positiveness
60% Popularity • 55% Danceability • 94% Energy • 50% Liveness
0% Instrumentalness • 66% Positiveness
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Kaden MacKay
What If Things Get Worse
150 bpm • G# Maj • 01:40 • -12db
46% Popularity • 87% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
46% Popularity • 87% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Sarah Beth Pfeifer
Put You in Your Place
150 bpm • E Maj • 03:03 • -4.63db
43% Popularity • 60% Danceability • 72% Energy • 39% Liveness
0% Instrumentalness • 69% Positiveness
43% Popularity • 60% Danceability • 72% Energy • 39% Liveness
0% Instrumentalness • 69% Positiveness
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SIX
Haus of Holbein
150 bpm • F min • 02:06 • -6.53db
60% Popularity • 67% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
60% Popularity • 67% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
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Ethan Slater
(Just a) Simple Sponge
150 bpm • C Maj • 03:56 • -5.64db
34% Popularity • 50% Danceability • 85% Energy • 41% Liveness
0% Instrumentalness • 56% Positiveness
34% Popularity • 50% Danceability • 85% Energy • 41% Liveness
0% Instrumentalness • 56% Positiveness
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Dana Steingold
Girl Scout
150 bpm • G Maj • 02:26 • -6.96db
51% Popularity • 69% Danceability • 57% Energy • 55% Liveness
0% Instrumentalness • 60% Positiveness
51% Popularity • 69% Danceability • 57% Energy • 55% Liveness
0% Instrumentalness • 60% Positiveness
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Will Wood
2econd 2ight 2eer (that was fun, goodbye...
150 bpm • C Maj • 03:26 • -5.3db
60% Popularity • 58% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
60% Popularity • 58% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Thomas Borchert
Hell to Your Doorstep
163 bpm • D Maj • 02:55 • -7.51db
37% Popularity • 33% Danceability • 85% Energy • 17% Liveness
40% Instrumentalness • 47% Positiveness
37% Popularity • 33% Danceability • 85% Energy • 17% Liveness
40% Instrumentalness • 47% Positiveness
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Taylor Louderman
Someone Gets Hurt
150 bpm • B min • 03:07 • -4.37db
59% Popularity • 27% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
59% Popularity • 27% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
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Jeremy Jordan
Carrying The Banner
149 bpm • D Maj • 05:08 • -8.71db
50% Popularity • 49% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
50% Popularity • 49% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Jorge Rivera-Herrans
My Goodbye
163 bpm • G# Maj • 03:19 • -5.25db
62% Popularity • 52% Danceability • 77% Energy • 31% Liveness
0% Instrumentalness • 57% Positiveness
62% Popularity • 52% Danceability • 77% Energy • 31% Liveness
0% Instrumentalness • 57% Positiveness
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Kerry Butler
Barbara 2.0
149 bpm • G# Maj • 03:25 • -5.54db
47% Popularity • 56% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
47% Popularity • 56% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Natalie Venetia Belcon
Schadenfreude
149 bpm • A Maj • 03:04 • -6.14db
15% Popularity • 58% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
15% Popularity • 58% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Terrence Mann
Let's Not Talk About Anything Else But L...
149 bpm • F Maj • 03:19 • -10.74db
35% Popularity • 60% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 69% Positiveness
35% Popularity • 60% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 69% Positiveness
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Kristin Stokes
My Grand Plan
164 bpm • C# Maj • 02:58 • -6.79db
45% Popularity • 50% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
45% Popularity • 50% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Alex Brightman
Watch Your Step
148 bpm • F min • 02:31 • -12.19db
32% Popularity • 70% Danceability • 37% Energy • 25% Liveness
0% Instrumentalness • 60% Positiveness
32% Popularity • 70% Danceability • 37% Energy • 25% Liveness
0% Instrumentalness • 60% Positiveness
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Mary Kate Wiles
Spies Are Forever
148 bpm • B min • 03:20 • -10.75db
36% Popularity • 61% Danceability • 55% Energy • 23% Liveness
0% Instrumentalness • 45% Positiveness
36% Popularity • 61% Danceability • 55% Energy • 23% Liveness
0% Instrumentalness • 45% Positiveness
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Jorge Rivera-Herrans
Storm
165 bpm • F# min • 02:42 • -6.69db
60% Popularity • 28% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
60% Popularity • 28% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Heidi Blickenstaff
Right Hand Man
147 bpm • C# Maj • 02:43 • -8db
48% Popularity • 64% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
48% Popularity • 64% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Sophia Anne Caruso
Creepy Old Guy
166 bpm • F# Maj • 04:22 • -5.69db
49% Popularity • 53% Danceability • 72% Energy • 85% Liveness
0% Instrumentalness • 69% Positiveness
49% Popularity • 53% Danceability • 72% Energy • 85% Liveness
0% Instrumentalness • 69% Positiveness
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SIX
Don't Lose Ur Head
166 bpm • A# Maj • 04:51 • -9.73db
54% Popularity • 67% Danceability • 61% Energy • 92% Liveness
0% Instrumentalness • 55% Positiveness
54% Popularity • 67% Danceability • 61% Energy • 92% Liveness
0% Instrumentalness • 55% Positiveness
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The Guy Who Didn't Like Musicals Cast
Join Us (And Die)
166 bpm • A Maj • 02:01 • -7.83db
43% Popularity • 63% Danceability • 59% Energy • 4% Liveness
1% Instrumentalness • 61% Positiveness
43% Popularity • 63% Danceability • 59% Energy • 4% Liveness
1% Instrumentalness • 61% Positiveness
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Erika Henningsen
I See Stars
146 bpm • A Maj • 03:48 • -4db
49% Popularity • 36% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
49% Popularity • 36% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Andrew Rannells
I Believe
167 bpm • C# Maj • 04:42 • -9db
50% Popularity • 38% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
50% Popularity • 38% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
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Blake Roman
Poison (Hazbin Hotel Original Soundtrack...
146 bpm • G# Maj • 02:37 • -5.02db
63% Popularity • 57% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 77% Positiveness
63% Popularity • 57% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 77% Positiveness
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Alex Brightman
The Whole "Being Dead" Thing, Pt. 2
148 bpm • G min • 01:40 • -5.61db
53% Popularity • 64% Danceability • 73% Energy • 41% Liveness
0% Instrumentalness • 90% Positiveness
53% Popularity • 64% Danceability • 73% Energy • 41% Liveness
0% Instrumentalness • 90% Positiveness
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Andrew Underberg
You Didn’t Know
146 bpm • E Maj • 03:08 • -5.51db
79% Popularity • 51% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
79% Popularity • 51% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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The Guy Who Didn't Like Musicals Cast
What Do You Want, Paul?
146 bpm • C# Maj • 03:11 • -9.35db
37% Popularity • 63% Danceability • 47% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
37% Popularity • 63% Danceability • 47% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
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Barrett Wilbert Weed
Someone Gets Hurt (Reprise)
146 bpm • F# Maj • 00:49 • -5.5db
57% Popularity • 50% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
57% Popularity • 50% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Will Connolly
More Than Survive
146 bpm • C Maj • 08:00 • -7.61db
40% Popularity • 51% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
40% Popularity • 51% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Will Wood
Marsha, Thankk You for the Dialectics, b...
167 bpm • C Maj • 05:19 • -7.77db
50% Popularity • 31% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
50% Popularity • 31% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Rob McClure
Ready Set, Not Yet
146 bpm • G Maj • 03:42 • -7.05db
50% Popularity • 66% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
50% Popularity • 66% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
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John Tartaglia
Freak Flag
145 bpm • A Maj • 03:51 • -7.09db
43% Popularity • 60% Danceability • 53% Energy • 40% Liveness
0% Instrumentalness • 58% Positiveness
43% Popularity • 60% Danceability • 53% Energy • 40% Liveness
0% Instrumentalness • 58% Positiveness
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The Guy Who Didn't Like Musicals Cast
You Tied up My Heart
145 bpm • A# Maj • 03:35 • -8.57db
35% Popularity • 40% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
35% Popularity • 40% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
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PARANOiD DJ
The Ringleader (Fizzarolli's Show)
145 bpm • C# Maj • 04:02 • -5db
59% Popularity • 56% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
59% Popularity • 56% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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The Original Broadway Cast Of School Of Rock
You're in the Band
145 bpm • G Maj • 04:54 • -3.69db
36% Popularity • 65% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
36% Popularity • 65% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
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Joel Hatch
Welcome To The Rock
168 bpm • G Maj • 03:41 • -5db
50% Popularity • 66% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
50% Popularity • 66% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
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Sophia Anne Caruso
Home
146 bpm • D Maj • 03:47 • -6.51db
50% Popularity • 41% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
50% Popularity • 41% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
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Ben Platt
Waving Through A Window
145 bpm • A Maj • 03:56 • -5.54db
59% Popularity • 55% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
59% Popularity • 55% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Ben Fankhauser
King Of New York
168 bpm • C Maj • 04:09 • -8.16db
50% Popularity • 66% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
50% Popularity • 66% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
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StarKid Productions
Do You Want to Play
169 bpm • E Maj • 01:50 • -13db
34% Popularity • 32% Danceability • 16% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
34% Popularity • 32% Danceability • 16% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
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SIX
All You Wanna Do
144 bpm • B min • 07:42 • -9db
54% Popularity • 60% Danceability • 56% Energy • 69% Liveness
0% Instrumentalness • 26% Positiveness
54% Popularity • 60% Danceability • 56% Energy • 69% Liveness
0% Instrumentalness • 26% Positiveness
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Alex Brightman
Why Must We Tell Them Why?
144 bpm • A min • 03:55 • -7.16db
30% Popularity • 60% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
30% Popularity • 60% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Bo Burnham
Left Brain, Right Brain
169 bpm • E Maj • 06:34 • -6db
49% Popularity • 46% Danceability • 70% Energy • 66% Liveness
0% Instrumentalness • 55% Positiveness
49% Popularity • 46% Danceability • 70% Energy • 66% Liveness
0% Instrumentalness • 55% Positiveness
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The Lightning Thief Company
Bring on the Monsters
144 bpm • C min • 02:44 • -6.46db
41% Popularity • 48% Danceability • 71% Energy • 53% Liveness
0% Instrumentalness • 30% Positiveness
41% Popularity • 48% Danceability • 71% Energy • 53% Liveness
0% Instrumentalness • 30% Positiveness
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Grey Henson
Where Do You Belong?
144 bpm • A# Maj • 04:53 • -5.41db
52% Popularity • 46% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
52% Popularity • 46% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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'Falsettos' 2016 Broadway Company
A Day in Falsettoland
143 bpm • F# Maj • 07:39 • -7.97db
39% Popularity • 58% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
39% Popularity • 58% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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SIX
The MegaSIX
144 bpm • G# Maj • 02:48 • -6db
52% Popularity • 53% Danceability • 94% Energy • 86% Liveness
0% Instrumentalness • 31% Positiveness
52% Popularity • 53% Danceability • 94% Energy • 86% Liveness
0% Instrumentalness • 31% Positiveness
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Alex Brightman
Fright of Their Lives
144 bpm • A Maj • 03:44 • -5.49db
50% Popularity • 66% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
50% Popularity • 66% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Caroline O'Connor
Land of Yesterday
170 bpm • E min • 03:35 • -8.09db
42% Popularity • 46% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
42% Popularity • 46% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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Jessie Mueller
Bad Idea
170 bpm • C# Maj • 03:06 • -4.62db
53% Popularity • 54% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
53% Popularity • 54% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Grey Henson
Stop
170 bpm • F Maj • 04:50 • -6.23db
48% Popularity • 60% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
48% Popularity • 60% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Joseph Walker
The Torture Tango
143 bpm • F# min • 03:48 • -13db
36% Popularity • 54% Danceability • 33% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
36% Popularity • 54% Danceability • 33% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
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SIX
All You Wanna Do
144 bpm • B min • 06:50 • -7.97db
64% Popularity • 74% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
64% Popularity • 74% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Lillian Castillo
It's Not A Game/It's Just A Ride
170 bpm • C# Maj • 05:28 • -15.98db
46% Popularity • 31% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
46% Popularity • 31% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Lin-Manuel Miranda
In the Heights
171 bpm • F Maj • 07:38 • -7.15db
49% Popularity • 62% Danceability • 47% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
49% Popularity • 62% Danceability • 47% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
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Billie Bust Up
A Million Gruesome Ways To Die
142 bpm • A Maj • 03:28 • -7db
55% Popularity • 71% Danceability • 77% Energy • 74% Liveness
0% Instrumentalness • 67% Positiveness
55% Popularity • 71% Danceability • 77% Energy • 74% Liveness
0% Instrumentalness • 67% Positiveness
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Varian
Let Me Make You Proud
142 bpm • C Maj • 02:07 • -6.28db
43% Popularity • 51% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
43% Popularity • 51% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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StarKid Productions
What If Tomorrow Comes
171 bpm • C# Maj • 03:26 • -11.66db
38% Popularity • 51% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
38% Popularity • 51% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Original StarKid Cast of Twisted
Dream a Little Harder
142 bpm • D Maj • 05:34 • -8.09db
34% Popularity • 52% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
34% Popularity • 52% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
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Jessica Keenan Wynn
Candy Store
142 bpm • C# min • 02:52 • -5.91db
67% Popularity • 73% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
67% Popularity • 73% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Danny Skinner
Super Sea Star Savior
142 bpm • A# Maj • 04:43 • -5.98db
36% Popularity • 61% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
36% Popularity • 61% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
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Scott Barnhardt
Turn It Off
142 bpm • F Maj • 05:03 • -10.55db
51% Popularity • 55% Danceability • 41% Energy • 56% Liveness
0% Instrumentalness • 63% Positiveness
51% Popularity • 55% Danceability • 41% Energy • 56% Liveness
0% Instrumentalness • 63% Positiveness