Songs like The Wife Of Bath's Tale: The Marriage Of Sir Gawain by Lisa Theriot
Based on a tempo of (+/- 10%) and a similar genre
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Silly Wizard
The Queen Of Argyll
94 bpm • F# Maj • 03:24 • -6.34db
35% Popularity • 48% Danceability • 78% Energy • 68% Liveness
0% Instrumentalness • 84% Positiveness
35% Popularity • 48% Danceability • 78% Energy • 68% Liveness
0% Instrumentalness • 84% Positiveness
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Nancy Kerr
Crow's Wing
94 bpm • G Maj • 02:58 • -9.89db
10% Popularity • 48% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
10% Popularity • 48% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Lisa Theriot
The Wife Of Bath's Tale: The Marriage Of...
94 bpm • B min • 09:12 • -10.17db
9% Popularity • 60% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
9% Popularity • 60% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Three Weird Sisters
Draw Down the Moon
94 bpm • A min • 04:03 • -15.11db
7% Popularity • 57% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
7% Popularity • 57% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Monroe Felton
Spiritual Fruit
93 bpm • E Maj • 04:44 • -11.78db
15% Popularity • 63% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
15% Popularity • 63% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Kathy Mar
The Word Of God
95 bpm • D min • 03:44 • -11.22db
8% Popularity • 58% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
8% Popularity • 58% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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Bella Hardy
The Ilam Lullaby
95 bpm • B min • 02:57 • -12db
15% Popularity • 58% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
15% Popularity • 58% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Julie Fowlis
An Aghaidh Fà ilte Na Mòr-Thìr
93 bpm • D# Maj • 03:06 • -9.51db
23% Popularity • 38% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 38% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Battlefield Band
The Yew Tree
95 bpm • E min • 04:04 • -11db
19% Popularity • 36% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
19% Popularity • 36% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Lisa Theriot
The Parson's Tale: The Lyke-Wake Dirge
95 bpm • G Maj • 04:24 • -14.17db
3% Popularity • 61% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
3% Popularity • 61% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Cathie Ryan
Ta Se Na La
95 bpm • B min • 02:53 • -11.47db
25% Popularity • 50% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
25% Popularity • 50% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Magpie Lane
The First of May
93 bpm • G Maj • 02:09 • -10db
10% Popularity • 68% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 97% Positiveness
10% Popularity • 68% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 97% Positiveness
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Dervish
Bold Doherty
96 bpm • A# min • 04:30 • -5.84db
12% Popularity • 65% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
12% Popularity • 65% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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John Graham Donaldson
Padstow May Song
96 bpm • D Maj • 02:58 • -7.14db
7% Popularity • 70% Danceability • 36% Energy • 25% Liveness
0% Instrumentalness • 75% Positiveness
7% Popularity • 70% Danceability • 36% Energy • 25% Liveness
0% Instrumentalness • 75% Positiveness
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Battlefield Band
Whaur Will We Gang? / March Of The Ceili...
95 bpm • D Maj • 03:21 • -12db
26% Popularity • 48% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
26% Popularity • 48% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Rachel Cumberland
Jack Hagati
92 bpm • G Maj • 03:19 • -13.53db
11% Popularity • 64% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
11% Popularity • 64% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Silly Wizard
The Queen of Argyll
96 bpm • B Maj • 03:28 • -14db
27% Popularity • 44% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
27% Popularity • 44% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Andi Grimsditch
Walking Song
96 bpm • D Maj • 02:58 • -11.64db
8% Popularity • 42% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
8% Popularity • 42% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Rum Ragged
Thomas Trim
96 bpm • F Maj • 03:12 • -10.94db
23% Popularity • 63% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
23% Popularity • 63% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Jim Moray
Hind Etin
92 bpm • F min • 04:22 • -9.18db
8% Popularity • 62% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
8% Popularity • 62% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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The Merry Wives Of Windsor
Devil And The Knight
96 bpm • E Maj • 03:14 • -6db
11% Popularity • 67% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
11% Popularity • 67% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Heather Dale
The Maiden and the Selkie
96 bpm • E Maj • 04:06 • -12db
45% Popularity • 63% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
45% Popularity • 63% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Windborne
World Turned Upside Down
92 bpm • C# min • 01:30 • -13.58db
14% Popularity • 58% Danceability • 3% Energy • 33% Liveness
0% Instrumentalness • 35% Positiveness
14% Popularity • 58% Danceability • 3% Energy • 33% Liveness
0% Instrumentalness • 35% Positiveness
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Cathie Ryan
I'm a Beauty
97 bpm • E Maj • 03:07 • -12.37db
11% Popularity • 36% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
11% Popularity • 36% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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The Paul McKenna Band
The Banks of Newfoundland
91 bpm • E min • 04:38 • -9.52db
25% Popularity • 27% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
25% Popularity • 27% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
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Samantha Moore
Good Hunter
91 bpm • G Maj • 04:18 • -9.07db
7% Popularity • 78% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
7% Popularity • 78% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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The Merry Wives Of Windsor
Mad Jenny
96 bpm • G Maj • 03:58 • -10.51db
14% Popularity • 69% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
14% Popularity • 69% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Rachel Cumberland
Sad Irish Cowgirl
97 bpm • A# Maj • 02:54 • -18.52db
11% Popularity • 47% Danceability • 12% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
11% Popularity • 47% Danceability • 12% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
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Windborne
The Chartist Anthem
92 bpm • G Maj • 02:14 • -9.52db
10% Popularity • 47% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
10% Popularity • 47% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Altan
The Jug of Punch
91 bpm • F Maj • 03:30 • -14.34db
22% Popularity • 51% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
22% Popularity • 51% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Kathleen MacInnes
Thugainn a Bhlà rag
91 bpm • A Maj • 03:31 • -13.34db
24% Popularity • 64% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
24% Popularity • 64% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Archie Fisher
The Trooper and the Maid
97 bpm • A min • 01:53 • -9.04db
29% Popularity • 63% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 94% Positiveness
29% Popularity • 63% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 94% Positiveness
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Nick Hart
The Bold Pedlar and Robin Hood
91 bpm • F min • 04:01 • -10.35db
10% Popularity • 62% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
10% Popularity • 62% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Dominic Longman
Queen Of Nowhere
91 bpm • F Maj • 04:40 • -12.13db
21% Popularity • 64% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
21% Popularity • 64% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Silly Wizard
Fhear A Bhata (The Boatman)
91 bpm • E min • 04:37 • -21db
22% Popularity • 57% Danceability • 13% Energy • 10% Liveness
11% Instrumentalness • 39% Positiveness
22% Popularity • 57% Danceability • 13% Energy • 10% Liveness
11% Instrumentalness • 39% Positiveness
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Samantha Moore
Song of the Siren
91 bpm • A# min • 02:37 • -9.26db
10% Popularity • 77% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
10% Popularity • 77% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Lisa Theriot
Afterword: The Keys Of Canterbury
97 bpm • G# Maj • 02:57 • -11.98db
10% Popularity • 71% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
10% Popularity • 71% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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The Young'uns
Roseberry Moon
97 bpm • D Maj • 03:15 • -12.78db
9% Popularity • 58% Danceability • 11% Energy • 38% Liveness
0% Instrumentalness • 27% Positiveness
9% Popularity • 58% Danceability • 11% Energy • 38% Liveness
0% Instrumentalness • 27% Positiveness
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Heather Alexander
Wanderlust
97 bpm • C Maj • 05:20 • -16.84db
8% Popularity • 39% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
8% Popularity • 39% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Battlefield Band
The Devil's Courtship / An Dro
97 bpm • D min • 03:47 • -15.07db
29% Popularity • 41% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 41% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Ken Theriot
William Tell
98 bpm • C min • 05:19 • -8.89db
21% Popularity • 70% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
21% Popularity • 70% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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Caladh Nua
Song: Mheall Si Lena Glorthai Me
98 bpm • D Maj • 03:45 • -13.78db
15% Popularity • 52% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
15% Popularity • 52% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Tom Proutt
The Song of the Tiny Cat
90 bpm • E Maj • 02:54 • -11.29db
8% Popularity • 52% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
8% Popularity • 52% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Show Of Hands
Broomfield Hill
98 bpm • F Maj • 02:58 • -10.99db
14% Popularity • 63% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
14% Popularity • 63% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Rum Ragged
Mug of Old Ale
98 bpm • D Maj • 03:42 • -6.89db
17% Popularity • 63% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
17% Popularity • 63% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Lisa Theriot
Harvest
90 bpm • D min • 03:31 • -8.56db
2% Popularity • 56% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
2% Popularity • 56% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Lucy Ward
The Female Highwayman
98 bpm • D Maj • 04:09 • -11.57db
9% Popularity • 66% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
9% Popularity • 66% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Rosalind Jehanne
The Lament of Two Ladies
98 bpm • A# Maj • 03:06 • -13.4db
9% Popularity • 72% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
9% Popularity • 72% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Windborne
Song on the Times
90 bpm • G# min • 03:00 • -10.2db
13% Popularity • 72% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 72% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Three Weird Sisters
Least Of My Kind
98 bpm • B min • 04:01 • -13.85db
21% Popularity • 56% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
21% Popularity • 56% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Battlefield Band
Shepherd Lad
90 bpm • D# Maj • 03:53 • -13.54db
28% Popularity • 36% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 54% Positiveness
28% Popularity • 36% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 54% Positiveness
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Julie Fowlis
Moladh Uibhist
98 bpm • F# Maj • 04:26 • -15.04db
12% Popularity • 65% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
12% Popularity • 65% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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The Busking Barnacles
Did you ever cross Rahma?
90 bpm • C Maj • 01:19 • -4.67db
12% Popularity • 84% Danceability • 42% Energy • 61% Liveness
0% Instrumentalness • 88% Positiveness
12% Popularity • 84% Danceability • 42% Energy • 61% Liveness
0% Instrumentalness • 88% Positiveness
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Rachel Cumberland
Friendship Lasts Forever
90 bpm • A# Maj • 03:28 • -17.17db
11% Popularity • 42% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
11% Popularity • 42% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Lisa Theriot
Rolling Hills of the Borders
90 bpm • G Maj • 02:41 • -12.54db
1% Popularity • 58% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
1% Popularity • 58% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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LasairfhÃona
BÃmse Féin Ag Iascaireacht
98 bpm • C# Maj • 01:21 • -11.69db
24% Popularity • 85% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
24% Popularity • 85% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Caladh Nua
Song: The Cruel Lowland Maid
98 bpm • F Maj • 03:36 • -12.64db
24% Popularity • 60% Danceability • 44% Energy • 6% Liveness
3% Instrumentalness • 72% Positiveness
24% Popularity • 60% Danceability • 44% Energy • 6% Liveness
3% Instrumentalness • 72% Positiveness
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Fernhill
Carol Haf
99 bpm • B min • 01:33 • -14.58db
15% Popularity • 52% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
15% Popularity • 52% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Heather Dale
Come and Be Welcome
89 bpm • E Maj • 03:27 • -12db
36% Popularity • 74% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
36% Popularity • 74% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
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Emily Smith
Twa Sisters
99 bpm • B Maj • 04:28 • -8.75db
23% Popularity • 70% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 70% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Briddes Roune
When the nichtegale singes
89 bpm • G Maj • 04:56 • -15.63db
9% Popularity • 32% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
9% Popularity • 32% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Morgan Hewitt
Together
99 bpm • D Maj • 03:17 • -10.14db
21% Popularity • 75% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
21% Popularity • 75% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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Rachel Cumberland
The Billy Gray
89 bpm • A# Maj • 03:52 • -13.27db
11% Popularity • 54% Danceability • 31% Energy • 29% Liveness
0% Instrumentalness • 47% Positiveness
11% Popularity • 54% Danceability • 31% Energy • 29% Liveness
0% Instrumentalness • 47% Positiveness
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Maura O'Connell
Mo Sheamuseen
89 bpm • E Maj • 01:57 • -11.34db
10% Popularity • 59% Danceability • 17% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
10% Popularity • 59% Danceability • 17% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
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Stan Rogers
The Maid On The Shore
99 bpm • A min • 03:44 • -19db
30% Popularity • 69% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 69% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Ye Vagabonds
The Hare's Lament
89 bpm • A# Maj • 05:01 • -11.2db
30% Popularity • 43% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 30% Positiveness
30% Popularity • 43% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 30% Positiveness
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Maeve Mackinnon
Ho ro hùg o hùg o
89 bpm • A# Maj • 04:06 • -11.29db
20% Popularity • 39% Danceability • 27% Energy • 38% Liveness
0% Instrumentalness • 71% Positiveness
20% Popularity • 39% Danceability • 27% Energy • 38% Liveness
0% Instrumentalness • 71% Positiveness
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John Roberts
Oak, Ash and Thorn
99 bpm • A min • 02:43 • -23db
18% Popularity • 68% Danceability • 7% Energy • 24% Liveness
0% Instrumentalness • 84% Positiveness
18% Popularity • 68% Danceability • 7% Energy • 24% Liveness
0% Instrumentalness • 84% Positiveness
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The Teacups
As I Roved Out
100 bpm • A Maj • 03:01 • -9.66db
11% Popularity • 76% Danceability • 24% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
11% Popularity • 76% Danceability • 24% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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Alastair McDonald
Such A Parcel Of Rogues In A Nation
89 bpm • A min • 03:39 • -17db
26% Popularity • 55% Danceability • 22% Energy • 5% Liveness
0% Instrumentalness • 43% Positiveness
26% Popularity • 55% Danceability • 22% Energy • 5% Liveness
0% Instrumentalness • 43% Positiveness
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Julie Fowlis
Fear a’ Bhrochain / Dòmhnall Binn
100 bpm • D# Maj • 05:12 • -7.42db
26% Popularity • 36% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
26% Popularity • 36% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Silly Wizard
The Ramblin' Rover
100 bpm • C Maj • 03:17 • -9.19db
38% Popularity • 71% Danceability • 50% Energy • 97% Liveness
0% Instrumentalness • 85% Positiveness
38% Popularity • 71% Danceability • 50% Energy • 97% Liveness
0% Instrumentalness • 85% Positiveness
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Julia Ecklar
Troll Hall - Live
100 bpm • A# min • 01:44 • -6.06db
8% Popularity • 83% Danceability • 29% Energy • 70% Liveness
0% Instrumentalness • 51% Positiveness
8% Popularity • 83% Danceability • 29% Energy • 70% Liveness
0% Instrumentalness • 51% Positiveness
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Dancing Hare
Ostara's Story
100 bpm • E min • 04:16 • -17.55db
10% Popularity • 48% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 48% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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The Teacups
Agamemnon
100 bpm • B Maj • 03:03 • -8db
29% Popularity • 69% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
29% Popularity • 69% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Susan McKeown
A Mháire Bhruinneall
100 bpm • B min • 02:05 • -11.37db
29% Popularity • 65% Danceability • 56% Energy • 18% Liveness
8% Instrumentalness • 27% Positiveness
29% Popularity • 65% Danceability • 56% Energy • 18% Liveness
8% Instrumentalness • 27% Positiveness
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Heather Alexander
The Hunt Is On
100 bpm • A Maj • 03:39 • -10.55db
12% Popularity • 55% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 33% Positiveness
12% Popularity • 55% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 33% Positiveness
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Traditional
A Health to the Company
100 bpm • E min • 05:16 • -16.37db
10% Popularity • 52% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
10% Popularity • 52% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Mary Jane Lamond
A Mháiri Bhóidheach
88 bpm • D min • 05:11 • -8db
12% Popularity • 25% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
12% Popularity • 25% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Leslie Fish
Hymn to the Night-Mare
88 bpm • D min • 02:46 • -9.46db
19% Popularity • 76% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
19% Popularity • 76% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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The Merry Wives Of Windsor
Three Ravens / Twa Corbies
88 bpm • C Maj • 03:56 • -9.81db
8% Popularity • 57% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
8% Popularity • 57% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Susan McKeown
In London so Fair
100 bpm • F# min • 05:16 • -12.86db
9% Popularity • 72% Danceability • 47% Energy • 9% Liveness
2% Instrumentalness • 56% Positiveness
9% Popularity • 72% Danceability • 47% Energy • 9% Liveness
2% Instrumentalness • 56% Positiveness
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Gordon Bok
Wee Dark Engine Room
100 bpm • D# Maj • 03:50 • -23.07db
9% Popularity • 43% Danceability • 1% Energy • 31% Liveness
0% Instrumentalness • 43% Positiveness
9% Popularity • 43% Danceability • 1% Energy • 31% Liveness
0% Instrumentalness • 43% Positiveness
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The Elizabethan Session
The Shores of Hispaniola
101 bpm • D min • 04:13 • -11.16db
14% Popularity • 59% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
14% Popularity • 59% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Windborne
The Song of Hard Times
101 bpm • D Maj • 03:25 • -11.48db
10% Popularity • 80% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
10% Popularity • 80% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Mike McGoldrick, John McCusker & John Doyle
Burke & Hare
101 bpm • D min • 04:21 • -11.38db
9% Popularity • 37% Danceability • 36% Energy • 16% Liveness
1% Instrumentalness • 65% Positiveness
9% Popularity • 37% Danceability • 36% Energy • 16% Liveness
1% Instrumentalness • 65% Positiveness
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Dervish
Gypsies,Tramps and Thieves
87 bpm • A min • 03:20 • -4.82db
29% Popularity • 49% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 47% Positiveness
29% Popularity • 49% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 47% Positiveness
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Breabach
Lochaber No More
87 bpm • C Maj • 04:21 • -11.8db
26% Popularity • 46% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
26% Popularity • 46% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Kathy Mar
Merlin
87 bpm • A min • 03:29 • -12.5db
13% Popularity • 45% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
13% Popularity • 45% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Lady Maisery
Sing for the Morning
87 bpm • G Maj • 04:56 • -9.81db
9% Popularity • 60% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
9% Popularity • 60% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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The Rankin Family
An T-Each Ruadh (The Red Horse)
102 bpm • G Maj • 02:11 • -15.07db
32% Popularity • 73% Danceability • 13% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
32% Popularity • 73% Danceability • 13% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Freshly Ground
The Quaker's Wife
102 bpm • E Maj • 01:55 • -12.13db
14% Popularity • 74% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
14% Popularity • 74% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Leslie Fish
The Sun Is Also a Warrior
102 bpm • D min • 06:25 • -9.03db
13% Popularity • 69% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
13% Popularity • 69% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Eris Starfall
Echoes from the Depths of Orion
102 bpm • G Maj • 01:27 • -19.28db
18% Popularity • 70% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
18% Popularity • 70% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Charley Foskett
Rusty Blade
102 bpm • G Maj • 04:30 • -11.65db
10% Popularity • 76% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
10% Popularity • 76% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Emerald Rose
Queen Of Argyll
102 bpm • G min • 02:56 • -9.43db
15% Popularity • 63% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 82% Positiveness
15% Popularity • 63% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 82% Positiveness
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The Teacups
Three Jolly Huntsmen
102 bpm • G# Maj • 02:16 • -8.33db
15% Popularity • 88% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
15% Popularity • 88% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Shafiqa Diana
Three Ships
86 bpm • C Maj • 02:10 • -19.58db
26% Popularity • 85% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
26% Popularity • 85% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
