Songs like The Winner by Bobby Bare
Based on a tempo of (+/- 10%) and a similar genre
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Bobby Bare
He's a Cowboy
129 bpm • D Maj • 02:41 • -12.96db
16% Popularity • 74% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
16% Popularity • 74% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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The Oak Ridge Boys
American Made
129 bpm • G# Maj • 02:39 • -14.28db
53% Popularity • 70% Danceability • 53% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
53% Popularity • 70% Danceability • 53% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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John Conlee
Common Man
129 bpm • G Maj • 02:43 • -8db
59% Popularity • 79% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
59% Popularity • 79% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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Faron Young
Leavin And Sayin' Goodbye
129 bpm • C Maj • 02:25 • -14.53db
27% Popularity • 55% Danceability • 33% Energy • 24% Liveness
0% Instrumentalness • 90% Positiveness
27% Popularity • 55% Danceability • 33% Energy • 24% Liveness
0% Instrumentalness • 90% Positiveness
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Johnny Horton
Ole Slew Foot
130 bpm • E Maj • 02:19 • -14.62db
39% Popularity • 64% Danceability • 67% Energy • 33% Liveness
0% Instrumentalness • 89% Positiveness
39% Popularity • 64% Danceability • 67% Energy • 33% Liveness
0% Instrumentalness • 89% Positiveness
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Lefty Frizzell
The Long Black Veil
128 bpm • E Maj • 03:08 • -18db
30% Popularity • 51% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
30% Popularity • 51% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Bobby Bare
Numbers
129 bpm • D Maj • 05:05 • -10.59db
29% Popularity • 63% Danceability • 73% Energy • 99% Liveness
0% Instrumentalness • 73% Positiveness
29% Popularity • 63% Danceability • 73% Energy • 99% Liveness
0% Instrumentalness • 73% Positiveness
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Stonewall Jackson
Life To Go
130 bpm • E Maj • 02:27 • -11.17db
21% Popularity • 60% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
21% Popularity • 60% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
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George Hamilton IV
Break My Mind
130 bpm • F Maj • 02:17 • -13db
30% Popularity • 55% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
30% Popularity • 55% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Faron Young
Country Girl
128 bpm • F Maj • 02:35 • -9.47db
32% Popularity • 60% Danceability • 44% Energy • 25% Liveness
0% Instrumentalness • 80% Positiveness
32% Popularity • 60% Danceability • 44% Energy • 25% Liveness
0% Instrumentalness • 80% Positiveness
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Ricky Skaggs
Uncle Pen
130 bpm • A Maj • 02:23 • -10.95db
43% Popularity • 58% Danceability • 65% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
43% Popularity • 58% Danceability • 65% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
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Eddie Rabbitt
Drinkin' My Baby (Off My Mind) - 2009 Re...
128 bpm • E min • 02:25 • -7db
45% Popularity • 61% Danceability • 71% Energy • 31% Liveness
0% Instrumentalness • 87% Positiveness
45% Popularity • 61% Danceability • 71% Energy • 31% Liveness
0% Instrumentalness • 87% Positiveness
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Bobby Bare
The Winner
129 bpm • G Maj • 05:20 • -10db
40% Popularity • 69% Danceability • 54% Energy • 70% Liveness
0% Instrumentalness • 81% Positiveness
40% Popularity • 69% Danceability • 54% Energy • 70% Liveness
0% Instrumentalness • 81% Positiveness
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Tom T. Hall
Deal - Single Version
128 bpm • E Maj • 02:33 • -14.3db
40% Popularity • 64% Danceability • 47% Energy • 37% Liveness
0% Instrumentalness • 96% Positiveness
40% Popularity • 64% Danceability • 47% Energy • 37% Liveness
0% Instrumentalness • 96% Positiveness
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Jamey Johnson
Set 'Em Up Joe
128 bpm • D Maj • 02:47 • -10.57db
50% Popularity • 61% Danceability • 51% Energy • 37% Liveness
0% Instrumentalness • 35% Positiveness
50% Popularity • 61% Danceability • 51% Energy • 37% Liveness
0% Instrumentalness • 35% Positiveness
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Buck Owens & The Buckaroos
Made In Japan
130 bpm • F Maj • 02:44 • -9.18db
44% Popularity • 61% Danceability • 56% Energy • 13% Liveness
1% Instrumentalness • 89% Positiveness
44% Popularity • 61% Danceability • 56% Energy • 13% Liveness
1% Instrumentalness • 89% Positiveness
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Ricky Skaggs
Crying My Heart Out Over You (excerpt)
128 bpm • G Maj • 02:58 • -9.54db
42% Popularity • 60% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
42% Popularity • 60% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Wynn Stewart
Playboy
127 bpm • F Maj • 02:23 • -9db
28% Popularity • 38% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
28% Popularity • 38% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Bobby Bare
Miller's Cave
128 bpm • G Maj • 02:51 • -14.05db
17% Popularity • 58% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
17% Popularity • 58% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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Merle Haggard
Are the Good Times Really Over (I Wish a...
131 bpm • C Maj • 04:13 • -15.44db
53% Popularity • 62% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
53% Popularity • 62% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Moe Bandy
Holding The Bag
127 bpm • G Maj • 02:34 • -10.56db
27% Popularity • 76% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 76% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Lefty Frizzell
Cigarettes and Coffee Blues
131 bpm • D Maj • 02:33 • -14.01db
35% Popularity • 68% Danceability • 53% Energy • 18% Liveness
2% Instrumentalness • 97% Positiveness
35% Popularity • 68% Danceability • 53% Energy • 18% Liveness
2% Instrumentalness • 97% Positiveness
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Red Steagall
Truck Drivin' Man
127 bpm • E Maj • 02:31 • -7.18db
18% Popularity • 67% Danceability • 80% Energy • 71% Liveness
4% Instrumentalness • 77% Positiveness
18% Popularity • 67% Danceability • 80% Energy • 71% Liveness
4% Instrumentalness • 77% Positiveness
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Ray Price
Heartaches By the Number
127 bpm • A# Maj • 02:57 • -8db
41% Popularity • 51% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
41% Popularity • 51% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Bobby Bare
The Year Clayton Delaney Died
131 bpm • C Maj • 02:45 • -9.41db
21% Popularity • 62% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
21% Popularity • 62% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Mel McDaniel
Right In The Palm Of Your Hand
127 bpm • F Maj • 03:12 • -9.05db
41% Popularity • 76% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
41% Popularity • 76% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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The Oak Ridge Boys
Elvira
127 bpm • G# Maj • 03:45 • -17.49db
59% Popularity • 82% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
59% Popularity • 82% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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The Bellamy Brothers
Redneck Girl
127 bpm • A Maj • 03:27 • -15.17db
45% Popularity • 76% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
45% Popularity • 76% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Stonewall Jackson
Life to Go
127 bpm • E Maj • 02:28 • -15.44db
29% Popularity • 55% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
29% Popularity • 55% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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Travis Tritt
Country Club
126 bpm • E Maj • 03:10 • -8db
56% Popularity • 80% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
56% Popularity • 80% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Bobby Bare
Rosalie's Good Eats Cafe
127 bpm • G Maj • 08:10 • -12.18db
18% Popularity • 52% Danceability • 28% Energy • 73% Liveness
0% Instrumentalness • 36% Positiveness
18% Popularity • 52% Danceability • 28% Energy • 73% Liveness
0% Instrumentalness • 36% Positiveness
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Boxcar Willie
Boxcar Blues
126 bpm • E Maj • 03:21 • -11.4db
11% Popularity • 74% Danceability • 37% Energy • 25% Liveness
50% Instrumentalness • 79% Positiveness
11% Popularity • 74% Danceability • 37% Energy • 25% Liveness
50% Instrumentalness • 79% Positiveness
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George Hamilton IV
Break My Mind
132 bpm • F Maj • 02:21 • -14.79db
39% Popularity • 59% Danceability • 29% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
39% Popularity • 59% Danceability • 29% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
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John Conlee
Busted
126 bpm • D Maj • 02:31 • -10.47db
45% Popularity • 87% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
45% Popularity • 87% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Faron Young
I Just Came to Get My Baby
132 bpm • F Maj • 02:27 • -10.32db
22% Popularity • 59% Danceability • 50% Energy • 74% Liveness
0% Instrumentalness • 62% Positiveness
22% Popularity • 59% Danceability • 50% Energy • 74% Liveness
0% Instrumentalness • 62% Positiveness
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Merle Haggard & The Strangers
The Bottle Let Me Down
126 bpm • A Maj • 02:48 • -13.09db
48% Popularity • 70% Danceability • 31% Energy • 14% Liveness
1% Instrumentalness • 63% Positiveness
48% Popularity • 70% Danceability • 31% Energy • 14% Liveness
1% Instrumentalness • 63% Positiveness
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Bobby Bare
God Bless America Again
131 bpm • G Maj • 02:47 • -15.07db
5% Popularity • 33% Danceability • 21% Energy • 47% Liveness
0% Instrumentalness • 44% Positiveness
5% Popularity • 33% Danceability • 21% Energy • 47% Liveness
0% Instrumentalness • 44% Positiveness
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Gene Watson
Paper Rosie
126 bpm • C Maj • 03:56 • -13db
40% Popularity • 68% Danceability • 32% Energy • 10% Liveness
8% Instrumentalness • 37% Positiveness
40% Popularity • 68% Danceability • 32% Energy • 10% Liveness
8% Instrumentalness • 37% Positiveness
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Earl Thomas Conley
Holding Her and Loving You
126 bpm • G Maj • 03:10 • -14db
52% Popularity • 64% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
52% Popularity • 64% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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The Charlie Daniels Band
Stroker's Theme
126 bpm • G# Maj • 02:49 • -10.02db
48% Popularity • 68% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
48% Popularity • 68% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Stonewall Jackson
Me and You and a Dog Named Boo
126 bpm • F# Maj • 02:42 • -7.9db
31% Popularity • 65% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
31% Popularity • 65% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Porter Wagoner
The Cold Hard Facts of Life
133 bpm • C Maj • 03:12 • -11.83db
34% Popularity • 52% Danceability • 44% Energy • 40% Liveness
0% Instrumentalness • 42% Positiveness
34% Popularity • 52% Danceability • 44% Energy • 40% Liveness
0% Instrumentalness • 42% Positiveness
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Bobby Bare
(Margie's At) The Lincoln Park Inn
131 bpm • D Maj • 03:18 • -13.35db
31% Popularity • 36% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
31% Popularity • 36% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Tom T. Hall
Fox On The Run - Single Version
125 bpm • G Maj • 02:05 • -11.46db
45% Popularity • 60% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
45% Popularity • 60% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Bob Wills & His Texas Playboys
Big Ball's In Cowtown
126 bpm • G Maj • 02:43 • -10.12db
28% Popularity • 72% Danceability • 61% Energy • 33% Liveness
1% Instrumentalness • 96% Positiveness
28% Popularity • 72% Danceability • 61% Energy • 33% Liveness
1% Instrumentalness • 96% Positiveness
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C.W. McCall
Wolf Creek Pass
125 bpm • C Maj • 04:00 • -16.64db
43% Popularity • 60% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
43% Popularity • 60% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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The Derailers
Bar Exam
125 bpm • D Maj • 03:28 • -6db
28% Popularity • 68% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
28% Popularity • 68% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Moe Bandy
Cowboys Ain't Supposed To Cry - 2012 Rec...
133 bpm • C Maj • 02:46 • -5.97db
29% Popularity • 67% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
29% Popularity • 67% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Bobby Bare
Lullabys, Legends And Lies
126 bpm • C Maj • 02:52 • -13.14db
20% Popularity • 55% Danceability • 52% Energy • 72% Liveness
0% Instrumentalness • 55% Positiveness
20% Popularity • 55% Danceability • 52% Energy • 72% Liveness
0% Instrumentalness • 55% Positiveness
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Tom T. Hall
The Year That Clayton Delaney Died
133 bpm • C# Maj • 02:44 • -11db
56% Popularity • 63% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
56% Popularity • 63% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Hank Locklin
Fraulein
125 bpm • A Maj • 01:13 • -8db
38% Popularity • 50% Danceability • 37% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
38% Popularity • 50% Danceability • 37% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
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Cal Smith
Swinging Doors
125 bpm • D Maj • 02:33 • -9.41db
20% Popularity • 66% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
20% Popularity • 66% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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The Oak Ridge Boys
Bobbie Sue
134 bpm • G Maj • 02:53 • -13db
40% Popularity • 79% Danceability • 75% Energy • 10% Liveness
4% Instrumentalness • 97% Positiveness
40% Popularity • 79% Danceability • 75% Energy • 10% Liveness
4% Instrumentalness • 97% Positiveness
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Moe Bandy
Someday Soon
124 bpm • A# Maj • 03:11 • -12db
28% Popularity • 73% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
28% Popularity • 73% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Johnny Rodriguez
Corpus Christi Bay
124 bpm • D Maj • 04:00 • -11db
32% Popularity • 71% Danceability • 43% Energy • 33% Liveness
0% Instrumentalness • 63% Positiveness
32% Popularity • 71% Danceability • 43% Energy • 33% Liveness
0% Instrumentalness • 63% Positiveness
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Bobby Bare
New Cut Road
125 bpm • E Maj • 03:28 • -10.96db
13% Popularity • 71% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 71% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Webb Pierce
Walking the Streets
134 bpm • G Maj • 02:30 • -10.4db
31% Popularity • 64% Danceability • 54% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
31% Popularity • 64% Danceability • 54% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
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Travis Tritt
The Whiskey Ain't Workin'
124 bpm • G Maj • 02:39 • -9.26db
53% Popularity • 67% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 89% Positiveness
53% Popularity • 67% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 89% Positiveness
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Eddie Rabbitt
Two Dollars in the Jukebox - 2008 Remast...
134 bpm • F Maj • 02:22 • -12.54db
50% Popularity • 76% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
50% Popularity • 76% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Jerry Jeff Walker
Up Against The Wall, Red Neck
134 bpm • E Maj • 04:35 • -10db
39% Popularity • 50% Danceability • 76% Energy • 60% Liveness
0% Instrumentalness • 80% Positiveness
39% Popularity • 50% Danceability • 76% Energy • 60% Liveness
0% Instrumentalness • 80% Positiveness
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Moe Bandy
Barstool Mountain - 2012 Recording
124 bpm • D Maj • 02:46 • -7db
23% Popularity • 72% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
23% Popularity • 72% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Bobby Bare
White Freight Liner Blues
125 bpm • E min • 03:28 • -10.38db
4% Popularity • 59% Danceability • 76% Energy • 25% Liveness
1% Instrumentalness • 81% Positiveness
4% Popularity • 59% Danceability • 76% Energy • 25% Liveness
1% Instrumentalness • 81% Positiveness
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Johnny Bush
Whiskey River
135 bpm • E Maj • 02:31 • -5.32db
22% Popularity • 55% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
22% Popularity • 55% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Porter Wagoner
I'll Go Down Swinging
135 bpm • G Maj • 02:23 • -13db
21% Popularity • 44% Danceability • 36% Energy • 37% Liveness
0% Instrumentalness • 77% Positiveness
21% Popularity • 44% Danceability • 36% Energy • 37% Liveness
0% Instrumentalness • 77% Positiveness
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Gaither
Coca Cola Cowboy - Live
123 bpm • E Maj • 03:30 • -11.86db
40% Popularity • 64% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
40% Popularity • 64% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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The Highwaymen
It Is What It Is
123 bpm • A Maj • 03:39 • -6.94db
40% Popularity • 58% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
40% Popularity • 58% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Tom T. Hall
Homecoming - Single Version
123 bpm • B Maj • 03:17 • -16db
40% Popularity • 62% Danceability • 36% Energy • 14% Liveness
1% Instrumentalness • 67% Positiveness
40% Popularity • 62% Danceability • 36% Energy • 14% Liveness
1% Instrumentalness • 67% Positiveness
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Bobby Bare
I've Never Gone to Bed with an Ugly Woma...
125 bpm • E Maj • 02:00 • -7.25db
20% Popularity • 72% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 97% Positiveness
20% Popularity • 72% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 97% Positiveness
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Jeannie C. Riley
Harper Valley P.T.A. - Remastered 2022
122 bpm • E Maj • 03:15 • -6.6db
56% Popularity • 81% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
56% Popularity • 81% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Johnny Lee
Pickin' Up Strangers
136 bpm • C Maj • 03:03 • -13db
41% Popularity • 62% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
41% Popularity • 62% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Bill Anderson
Walk Out Backwards
122 bpm • E Maj • 02:29 • -14.3db
37% Popularity • 54% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
37% Popularity • 54% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
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Johnny Horton
Honky Tonk Man
136 bpm • E Maj • 02:11 • -14db
43% Popularity • 47% Danceability • 52% Energy • 39% Liveness
0% Instrumentalness • 96% Positiveness
43% Popularity • 47% Danceability • 52% Energy • 39% Liveness
0% Instrumentalness • 96% Positiveness
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Bob Wills
Big Ball's In Cowtown
122 bpm • G Maj • 02:11 • -14db
32% Popularity • 66% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 95% Positiveness
32% Popularity • 66% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 95% Positiveness
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Bobby Bare
The Winner
124 bpm • G Maj • 05:24 • -11db
13% Popularity • 66% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
13% Popularity • 66% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
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Lefty Frizzell
Make That One for the Road a Cup of Coff...
122 bpm • E Maj • 02:58 • -13.13db
20% Popularity • 64% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
20% Popularity • 64% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
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Jerry Jeff Walker
Jaded Lover
122 bpm • D Maj • 04:00 • -11.79db
32% Popularity • 60% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
32% Popularity • 60% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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Dale Watson
Honkiest Tonkiest Beer Joint
122 bpm • G Maj • 02:45 • -11.51db
25% Popularity • 73% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
25% Popularity • 73% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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Leroy Van Dyke
The Auctioneer
137 bpm • D Maj • 02:48 • -13db
48% Popularity • 60% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 94% Positiveness
48% Popularity • 60% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 94% Positiveness
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Gene Watson
You're Out Doing What I'm Here Doing Wit...
137 bpm • G# Maj • 02:28 • -5db
34% Popularity • 68% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 94% Positiveness
34% Popularity • 68% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 94% Positiveness
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Bobby Bare
Rest Awhile
134 bpm • E Maj • 04:21 • -11.92db
13% Popularity • 48% Danceability • 38% Energy • 71% Liveness
0% Instrumentalness • 40% Positiveness
13% Popularity • 48% Danceability • 38% Energy • 71% Liveness
0% Instrumentalness • 40% Positiveness
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Connie Smith
Once a Day
137 bpm • F# Maj • 02:20 • -9.96db
47% Popularity • 50% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
47% Popularity • 50% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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The Charlie Daniels Band
Damn Good Cowboy
137 bpm • G Maj • 04:34 • -9.83db
24% Popularity • 63% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
24% Popularity • 63% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Dale Watson
Where Do You Want It
121 bpm • D Maj • 02:12 • -9.66db
22% Popularity • 61% Danceability • 74% Energy • 30% Liveness
59% Instrumentalness • 97% Positiveness
22% Popularity • 61% Danceability • 74% Energy • 30% Liveness
59% Instrumentalness • 97% Positiveness
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Junior Brown
My Wife Thinks You're Dead
121 bpm • E Maj • 03:48 • -13db
37% Popularity • 64% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
37% Popularity • 64% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Kitty Wells
It Wasn't God Who Made Honky Tonk Angels...
138 bpm • A Maj • 02:32 • -10db
54% Popularity • 59% Danceability • 22% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
54% Popularity • 59% Danceability • 22% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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Bobby Bare
Up Against the Wall (Redneck Mother)
122 bpm • E Maj • 03:51 • -12.62db
11% Popularity • 68% Danceability • 34% Energy • 38% Liveness
0% Instrumentalness • 63% Positiveness
11% Popularity • 68% Danceability • 34% Energy • 38% Liveness
0% Instrumentalness • 63% Positiveness
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Sammy Kershaw
Cadillac Style
138 bpm • D Maj • 02:55 • -11db
51% Popularity • 66% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 85% Positiveness
51% Popularity • 66% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 85% Positiveness
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Faron Young
Face To The Wall
138 bpm • F# Maj • 02:24 • -12.32db
22% Popularity • 53% Danceability • 39% Energy • 25% Liveness
0% Instrumentalness • 82% Positiveness
22% Popularity • 53% Danceability • 39% Energy • 25% Liveness
0% Instrumentalness • 82% Positiveness
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Ronnie Milsap
Daydreams About Night Things
139 bpm • D Maj • 02:22 • -8.98db
55% Popularity • 63% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
55% Popularity • 63% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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Johnny Paycheck
She's All I Got
139 bpm • A# Maj • 02:56 • -14.76db
48% Popularity • 61% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
48% Popularity • 61% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Sonny James
Running Bear
120 bpm • G Maj • 02:45 • -9.31db
42% Popularity • 61% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
42% Popularity • 61% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Bobby Bare
Red-Neck Hippie Romance
136 bpm • C Maj • 04:15 • -10.98db
13% Popularity • 45% Danceability • 57% Energy • 88% Liveness
0% Instrumentalness • 56% Positiveness
13% Popularity • 45% Danceability • 57% Energy • 88% Liveness
0% Instrumentalness • 56% Positiveness
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Hank Snow
The Golden Rocket
120 bpm • E Maj • 02:45 • -8.15db
32% Popularity • 71% Danceability • 76% Energy • 42% Liveness
0% Instrumentalness • 96% Positiveness
32% Popularity • 71% Danceability • 76% Energy • 42% Liveness
0% Instrumentalness • 96% Positiveness
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Faron Young
Occasional Wife
139 bpm • A# Maj • 02:13 • -12.25db
27% Popularity • 49% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
27% Popularity • 49% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
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Jerry Jeff Walker
Pissin' In The Wind
139 bpm • G Maj • 04:00 • -11db
42% Popularity • 52% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
42% Popularity • 52% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Merle Haggard
Okie From Muskogee
140 bpm • D Maj • 02:46 • -14.03db
42% Popularity • 60% Danceability • 37% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
42% Popularity • 60% Danceability • 37% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
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Sons of the Pioneers
Wine Me Up
140 bpm • A Maj • 02:24 • -16.95db
34% Popularity • 54% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 90% Positiveness
34% Popularity • 54% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 90% Positiveness
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Bobby Bare
Paul
137 bpm • G Maj • 04:19 • -11.85db
20% Popularity • 58% Danceability • 49% Energy • 70% Liveness
0% Instrumentalness • 85% Positiveness
20% Popularity • 58% Danceability • 49% Energy • 70% Liveness
0% Instrumentalness • 85% Positiveness
