Songs like The Winter Shores - Instrumental by Muriel Anderson
Based on a tempo of (+/- 10%) and a similar genre
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Alex de Grassi
White Rain
120 bpm • F# min • 03:36 • -25.83db
22% Popularity • 30% Danceability • 12% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
22% Popularity • 30% Danceability • 12% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
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Stephen Wake
Soothing Skies
120 bpm • D# Maj • 02:15 • -12.52db
25% Popularity • 52% Danceability • 31% Energy • 11% Liveness
76% Instrumentalness • 28% Positiveness
25% Popularity • 52% Danceability • 31% Energy • 11% Liveness
76% Instrumentalness • 28% Positiveness
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Nik Davies
Wonderland
120 bpm • F# min • 02:34 • -13db
22% Popularity • 45% Danceability • 19% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
22% Popularity • 45% Danceability • 19% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
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John Danley
Etude
120 bpm • F min • 02:14 • -14.51db
10% Popularity • 42% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
10% Popularity • 42% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
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Chris Proctor
Nights in White Satin
120 bpm • G min • 06:32 • -17db
14% Popularity • 44% Danceability • 18% Energy • 11% Liveness
89% Instrumentalness • 17% Positiveness
14% Popularity • 44% Danceability • 18% Energy • 11% Liveness
89% Instrumentalness • 17% Positiveness
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Jacques Stotzem
Dreaming of a Better World
120 bpm • B Maj • 04:47 • -11db
18% Popularity • 48% Danceability • 18% Energy • 10% Liveness
89% Instrumentalness • 28% Positiveness
18% Popularity • 48% Danceability • 18% Energy • 10% Liveness
89% Instrumentalness • 28% Positiveness
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Muriel Anderson
The Winter Shores - Instrumental
120 bpm • F# Maj • 01:58 • -20db
19% Popularity • 59% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 39% Positiveness
19% Popularity • 59% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 39% Positiveness
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Alex de Grassi
Sleepytime
120 bpm • D Maj • 03:14 • -18.16db
17% Popularity • 48% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 37% Positiveness
17% Popularity • 48% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 37% Positiveness
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Mark Kroos
Cedar Top
121 bpm • D Maj • 04:31 • -13.08db
14% Popularity • 48% Danceability • 45% Energy • 11% Liveness
92% Instrumentalness • 16% Positiveness
14% Popularity • 48% Danceability • 45% Energy • 11% Liveness
92% Instrumentalness • 16% Positiveness
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Steve Baughman
Loch Lomond / Black Muddy River
121 bpm • D# Maj • 04:01 • -22db
21% Popularity • 29% Danceability • 12% Energy • 12% Liveness
86% Instrumentalness • 31% Positiveness
21% Popularity • 29% Danceability • 12% Energy • 12% Liveness
86% Instrumentalness • 31% Positiveness
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Ken Bonfield
Sidh Baeg Agus Sidh Mor
119 bpm • D Maj • 03:06 • -20.63db
11% Popularity • 32% Danceability • 16% Energy • 12% Liveness
94% Instrumentalness • 59% Positiveness
11% Popularity • 32% Danceability • 16% Energy • 12% Liveness
94% Instrumentalness • 59% Positiveness
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Randal L Meek
Waves of Makena
121 bpm • D# Maj • 03:26 • -10db
26% Popularity • 53% Danceability • 27% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
26% Popularity • 53% Danceability • 27% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Muriel Anderson
Moonshadow
119 bpm • A Maj • 03:33 • -19.5db
4% Popularity • 63% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 22% Positiveness
4% Popularity • 63% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 22% Positiveness
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Martin Tallstrom
Everybody's Talkin'
121 bpm • B Maj • 03:30 • -13.28db
16% Popularity • 61% Danceability • 27% Energy • 12% Liveness
79% Instrumentalness • 15% Positiveness
16% Popularity • 61% Danceability • 27% Energy • 12% Liveness
79% Instrumentalness • 15% Positiveness
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Cim Frode
Sà Bheag, Sà Mhór
121 bpm • D Maj • 01:56 • -20.21db
19% Popularity • 54% Danceability • 9% Energy • 13% Liveness
88% Instrumentalness • 34% Positiveness
19% Popularity • 54% Danceability • 9% Energy • 13% Liveness
88% Instrumentalness • 34% Positiveness
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Larry Pattis
Lullaby
119 bpm • E Maj • 05:49 • -17db
23% Popularity • 43% Danceability • 19% Energy • 11% Liveness
94% Instrumentalness • 26% Positiveness
23% Popularity • 43% Danceability • 19% Energy • 11% Liveness
94% Instrumentalness • 26% Positiveness
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Clive Carroll
Lady of the Valley
118 bpm • D Maj • 04:34 • -19.32db
14% Popularity • 47% Danceability • 11% Energy • 10% Liveness
52% Instrumentalness • 34% Positiveness
14% Popularity • 47% Danceability • 11% Energy • 10% Liveness
52% Instrumentalness • 34% Positiveness
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Randal L Meek
My Mary of the Curling Hair
119 bpm • A# Maj • 01:47 • -17db
23% Popularity • 34% Danceability • 11% Energy • 9% Liveness
82% Instrumentalness • 52% Positiveness
23% Popularity • 34% Danceability • 11% Energy • 9% Liveness
82% Instrumentalness • 52% Positiveness
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Muriel Anderson
Estudio Brillante
121 bpm • A Maj • 03:03 • -18.79db
3% Popularity • 35% Danceability • 16% Energy • 13% Liveness
85% Instrumentalness • 41% Positiveness
3% Popularity • 35% Danceability • 16% Energy • 13% Liveness
85% Instrumentalness • 41% Positiveness
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Lunng Fern
Seen from Here
122 bpm • G# min • 02:03 • -18.42db
32% Popularity • 59% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 25% Positiveness
32% Popularity • 59% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 25% Positiveness
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Roberto Dalla Vecchia
Under an African Moon
122 bpm • C Maj • 03:48 • -19db
16% Popularity • 56% Danceability • 14% Energy • 12% Liveness
96% Instrumentalness • 53% Positiveness
16% Popularity • 56% Danceability • 14% Energy • 12% Liveness
96% Instrumentalness • 53% Positiveness
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Lawrence Blatt
Green Corn And Spring
118 bpm • A Maj • 03:23 • -18.18db
21% Popularity • 48% Danceability • 32% Energy • 11% Liveness
89% Instrumentalness • 48% Positiveness
21% Popularity • 48% Danceability • 32% Energy • 11% Liveness
89% Instrumentalness • 48% Positiveness
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Alex de Grassi
Cumulus
122 bpm • C Maj • 04:59 • -20.48db
10% Popularity • 34% Danceability • 14% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
10% Popularity • 34% Danceability • 14% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
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Tommy Berre
Moving Waves
122 bpm • A Maj • 02:21 • -9.31db
34% Popularity • 69% Danceability • 40% Energy • 13% Liveness
94% Instrumentalness • 30% Positiveness
34% Popularity • 69% Danceability • 40% Energy • 13% Liveness
94% Instrumentalness • 30% Positiveness
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Muriel Anderson
Both Sides Now
118 bpm • A Maj • 03:12 • -21.17db
31% Popularity • 61% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 30% Positiveness
31% Popularity • 61% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 30% Positiveness
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Randal L Meek
Road to Haleakala
122 bpm • F Maj • 02:07 • -15db
33% Popularity • 59% Danceability • 30% Energy • 9% Liveness
91% Instrumentalness • 20% Positiveness
33% Popularity • 59% Danceability • 30% Energy • 9% Liveness
91% Instrumentalness • 20% Positiveness
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Roberto Dalla Vecchia
Whispering Grove
118 bpm • A Maj • 03:37 • -20.69db
28% Popularity • 44% Danceability • 10% Energy • 12% Liveness
88% Instrumentalness • 37% Positiveness
28% Popularity • 44% Danceability • 10% Energy • 12% Liveness
88% Instrumentalness • 37% Positiveness
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Whalebone
Almost Green
122 bpm • C Maj • 03:08 • -13.65db
13% Popularity • 63% Danceability • 25% Energy • 9% Liveness
92% Instrumentalness • 48% Positiveness
13% Popularity • 63% Danceability • 25% Energy • 9% Liveness
92% Instrumentalness • 48% Positiveness
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Stephen Wake
Open Fields
122 bpm • G Maj • 02:05 • -11.16db
33% Popularity • 63% Danceability • 29% Energy • 10% Liveness
60% Instrumentalness • 24% Positiveness
33% Popularity • 63% Danceability • 29% Energy • 10% Liveness
60% Instrumentalness • 24% Positiveness
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Alex de Grassi
Another Shore
118 bpm • D Maj • 04:30 • -12.16db
9% Popularity • 44% Danceability • 27% Energy • 8% Liveness
96% Instrumentalness • 34% Positiveness
9% Popularity • 44% Danceability • 27% Energy • 8% Liveness
96% Instrumentalness • 34% Positiveness
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Muriel Anderson
Close to You - Instrumental
118 bpm • G Maj • 03:28 • -13.7db
3% Popularity • 52% Danceability • 29% Energy • 11% Liveness
63% Instrumentalness • 40% Positiveness
3% Popularity • 52% Danceability • 29% Energy • 11% Liveness
63% Instrumentalness • 40% Positiveness
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Incendio
Full Circle
118 bpm • C Maj • 03:13 • -8.56db
34% Popularity • 68% Danceability • 44% Energy • 12% Liveness
90% Instrumentalness • 65% Positiveness
34% Popularity • 68% Danceability • 44% Energy • 12% Liveness
90% Instrumentalness • 65% Positiveness
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Soulfood featuring Billy McLaughlin
The White Bear
122 bpm • F# min • 05:00 • -15.11db
15% Popularity • 58% Danceability • 15% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
15% Popularity • 58% Danceability • 15% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
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Lawrence Blatt
The Color Of Sunshine - Jeff Oster
122 bpm • A min • 04:13 • -11.16db
16% Popularity • 38% Danceability • 44% Energy • 11% Liveness
96% Instrumentalness • 34% Positiveness
16% Popularity • 38% Danceability • 44% Energy • 11% Liveness
96% Instrumentalness • 34% Positiveness
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Robin Bullock
Lady Edwards
122 bpm • F# Maj • 03:18 • -20.64db
10% Popularity • 30% Danceability • 16% Energy • 11% Liveness
89% Instrumentalness • 47% Positiveness
10% Popularity • 30% Danceability • 16% Energy • 11% Liveness
89% Instrumentalness • 47% Positiveness
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Isato Nakagawa
Miotsukushi
117 bpm • C# Maj • 03:46 • -20.84db
23% Popularity • 41% Danceability • 11% Energy • 10% Liveness
95% Instrumentalness • 30% Positiveness
23% Popularity • 41% Danceability • 11% Energy • 10% Liveness
95% Instrumentalness • 30% Positiveness
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Muriel Anderson
The Mysterious Barricades
122 bpm • D# Maj • 02:56 • -26.06db
5% Popularity • 34% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 66% Positiveness
5% Popularity • 34% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 66% Positiveness
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Mark Kroos
Flowers for April
122 bpm • F# Maj • 04:23 • -18db
27% Popularity • 48% Danceability • 6% Energy • 10% Liveness
84% Instrumentalness • 21% Positiveness
27% Popularity • 48% Danceability • 6% Energy • 10% Liveness
84% Instrumentalness • 21% Positiveness
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Mark Grundhoefer
Hummingbird
117 bpm • C Maj • 02:58 • -15.9db
25% Popularity • 39% Danceability • 14% Energy • 12% Liveness
97% Instrumentalness • 58% Positiveness
25% Popularity • 39% Danceability • 14% Energy • 12% Liveness
97% Instrumentalness • 58% Positiveness
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Franco Morone
Night Drivers
123 bpm • C min • 03:19 • -18db
24% Popularity • 56% Danceability • 22% Energy • 12% Liveness
87% Instrumentalness • 75% Positiveness
24% Popularity • 56% Danceability • 22% Energy • 12% Liveness
87% Instrumentalness • 75% Positiveness
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Lawrence Blatt
Bern 'The Bear'
117 bpm • D Maj • 01:38 • -16.25db
31% Popularity • 28% Danceability • 23% Energy • 12% Liveness
92% Instrumentalness • 41% Positiveness
31% Popularity • 28% Danceability • 23% Energy • 12% Liveness
92% Instrumentalness • 41% Positiveness
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Peter Ciluzzi
Spring at Last
123 bpm • C Maj • 03:25 • -11.48db
26% Popularity • 47% Danceability • 44% Energy • 15% Liveness
86% Instrumentalness • 65% Positiveness
26% Popularity • 47% Danceability • 44% Energy • 15% Liveness
86% Instrumentalness • 65% Positiveness
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Eric Tingstad
Shenandoah - Remastered
117 bpm • C Maj • 05:40 • -14.84db
28% Popularity • 56% Danceability • 31% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
28% Popularity • 56% Danceability • 31% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
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Mike Howe
Appalachia
116 bpm • B Maj • 02:46 • -20.95db
25% Popularity • 36% Danceability • 17% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
25% Popularity • 36% Danceability • 17% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
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Chris Proctor
The Rambling Irishman / Southwinds
117 bpm • E Maj • 05:16 • -21.49db
22% Popularity • 37% Danceability • 15% Energy • 8% Liveness
68% Instrumentalness • 32% Positiveness
22% Popularity • 37% Danceability • 15% Energy • 8% Liveness
68% Instrumentalness • 32% Positiveness
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Alain Everts
She Beg She Mor
124 bpm • G Maj • 02:35 • -15.33db
12% Popularity • 45% Danceability • 16% Energy • 23% Liveness
88% Instrumentalness • 52% Positiveness
12% Popularity • 45% Danceability • 16% Energy • 23% Liveness
88% Instrumentalness • 52% Positiveness
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Muriel Anderson
Minstrels Courtyard
124 bpm • D min • 02:51 • -16.99db
4% Popularity • 69% Danceability • 15% Energy • 12% Liveness
51% Instrumentalness • 67% Positiveness
4% Popularity • 69% Danceability • 15% Energy • 12% Liveness
51% Instrumentalness • 67% Positiveness
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Larry Pattis
The Sleeping Girl
116 bpm • D Maj • 03:04 • -11.8db
16% Popularity • 43% Danceability • 38% Energy • 16% Liveness
93% Instrumentalness • 34% Positiveness
16% Popularity • 43% Danceability • 38% Energy • 16% Liveness
93% Instrumentalness • 34% Positiveness
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Lawrence Blatt
Emergence
124 bpm • D Maj • 02:38 • -11.51db
30% Popularity • 26% Danceability • 25% Energy • 12% Liveness
68% Instrumentalness • 11% Positiveness
30% Popularity • 26% Danceability • 25% Energy • 12% Liveness
68% Instrumentalness • 11% Positiveness
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Robin Bullock
Coilsfield House
124 bpm • A Maj • 03:40 • -15.62db
26% Popularity • 48% Danceability • 35% Energy • 12% Liveness
94% Instrumentalness • 68% Positiveness
26% Popularity • 48% Danceability • 35% Energy • 12% Liveness
94% Instrumentalness • 68% Positiveness
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Lance Takamiya
Ka‘apuni Honua
124 bpm • G Maj • 03:33 • -13.33db
24% Popularity • 66% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 38% Positiveness
24% Popularity • 66% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 38% Positiveness
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Whalebone
Scarborough Fair
116 bpm • D Maj • 02:39 • -14.77db
31% Popularity • 73% Danceability • 28% Energy • 10% Liveness
76% Instrumentalness • 29% Positiveness
31% Popularity • 73% Danceability • 28% Energy • 10% Liveness
76% Instrumentalness • 29% Positiveness
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Muriel Anderson
Here Comes the Sun - Instrumental
124 bpm • F# Maj • 03:28 • -12.66db
19% Popularity • 55% Danceability • 49% Energy • 10% Liveness
94% Instrumentalness • 72% Positiveness
19% Popularity • 55% Danceability • 49% Energy • 10% Liveness
94% Instrumentalness • 72% Positiveness
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Larry Pattis
What Tomorrow Brings
124 bpm • D Maj • 04:19 • -13.85db
10% Popularity • 40% Danceability • 28% Energy • 10% Liveness
87% Instrumentalness • 16% Positiveness
10% Popularity • 40% Danceability • 28% Energy • 10% Liveness
87% Instrumentalness • 16% Positiveness
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Chris Proctor
Swept Away
116 bpm • G min • 04:39 • -18.65db
9% Popularity • 40% Danceability • 20% Energy • 11% Liveness
88% Instrumentalness • 33% Positiveness
9% Popularity • 40% Danceability • 20% Energy • 11% Liveness
88% Instrumentalness • 33% Positiveness
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Wayne Jones
Never Look Back
116 bpm • D min • 04:37 • -20.8db
19% Popularity • 54% Danceability • 7% Energy • 9% Liveness
89% Instrumentalness • 13% Positiveness
19% Popularity • 54% Danceability • 7% Energy • 9% Liveness
89% Instrumentalness • 13% Positiveness
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William Ellwood
Gypsy Wind
115 bpm • E min • 04:33 • -14.81db
17% Popularity • 69% Danceability • 28% Energy • 7% Liveness
40% Instrumentalness • 27% Positiveness
17% Popularity • 69% Danceability • 28% Energy • 7% Liveness
40% Instrumentalness • 27% Positiveness
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Stephen Wake
Skye Boat Song (Theme from Outlander)
115 bpm • D Maj • 02:23 • -18.33db
31% Popularity • 37% Danceability • 17% Energy • 10% Liveness
65% Instrumentalness • 23% Positiveness
31% Popularity • 37% Danceability • 17% Energy • 10% Liveness
65% Instrumentalness • 23% Positiveness
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Muriel Anderson
Calm Before the Storm
116 bpm • D Maj • 04:51 • -18.45db
3% Popularity • 36% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 22% Positiveness
3% Popularity • 36% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 22% Positiveness
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Isato Nakagawa
Bali
115 bpm • F# Maj • 05:48 • -19db
35% Popularity • 56% Danceability • 18% Energy • 11% Liveness
91% Instrumentalness • 36% Positiveness
35% Popularity • 56% Danceability • 18% Energy • 11% Liveness
91% Instrumentalness • 36% Positiveness
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Emilio Bonito
You’re Not Alone
115 bpm • D Maj • 02:22 • -12db
37% Popularity • 42% Danceability • 36% Energy • 16% Liveness
49% Instrumentalness • 44% Positiveness
37% Popularity • 42% Danceability • 36% Energy • 16% Liveness
49% Instrumentalness • 44% Positiveness
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Jürgen Saalmann
Wiegenlied
115 bpm • G Maj • 02:22 • -22db
29% Popularity • 55% Danceability • 2% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
29% Popularity • 55% Danceability • 2% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
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Lance Takamiya
If You Could Read My Mind
115 bpm • D Maj • 02:53 • -20.31db
33% Popularity • 75% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 50% Positiveness
33% Popularity • 75% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 50% Positiveness
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Derek Brookshire
Prayer for Oliver
125 bpm • G Maj • 04:53 • -14.11db
12% Popularity • 43% Danceability • 26% Energy • 11% Liveness
87% Instrumentalness • 23% Positiveness
12% Popularity • 43% Danceability • 26% Energy • 11% Liveness
87% Instrumentalness • 23% Positiveness
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Roberto Diana
A Better Tomorrow
115 bpm • D# Maj • 02:39 • -14db
27% Popularity • 65% Danceability • 34% Energy • 11% Liveness
86% Instrumentalness • 37% Positiveness
27% Popularity • 65% Danceability • 34% Energy • 11% Liveness
86% Instrumentalness • 37% Positiveness
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Rudy Perrone
The Prophet
125 bpm • F# min • 02:13 • -16.68db
15% Popularity • 53% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 47% Positiveness
15% Popularity • 53% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 47% Positiveness
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Larry Pattis
Homeland Suite
114 bpm • D Maj • 04:44 • -17db
22% Popularity • 42% Danceability • 14% Energy • 10% Liveness
86% Instrumentalness • 21% Positiveness
22% Popularity • 42% Danceability • 14% Energy • 10% Liveness
86% Instrumentalness • 21% Positiveness
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Isato Nakagawa
Tree Circle
114 bpm • C min • 03:08 • -19.26db
28% Popularity • 44% Danceability • 19% Energy • 12% Liveness
87% Instrumentalness • 43% Positiveness
28% Popularity • 44% Danceability • 19% Energy • 12% Liveness
87% Instrumentalness • 43% Positiveness
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Adam Rafferty
America
114 bpm • A Maj • 03:33 • -17.5db
20% Popularity • 49% Danceability • 22% Energy • 9% Liveness
1% Instrumentalness • 30% Positiveness
20% Popularity • 49% Danceability • 22% Energy • 9% Liveness
1% Instrumentalness • 30% Positiveness
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Robert Linton
Wait Until When
114 bpm • C Maj • 03:16 • -24.04db
14% Popularity • 46% Danceability • 14% Energy • 11% Liveness
96% Instrumentalness • 54% Positiveness
14% Popularity • 46% Danceability • 14% Energy • 11% Liveness
96% Instrumentalness • 54% Positiveness
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Michelle Qureshi
Skipping Stones
126 bpm • C# Maj • 03:24 • -20.84db
25% Popularity • 54% Danceability • 9% Energy • 12% Liveness
83% Instrumentalness • 30% Positiveness
25% Popularity • 54% Danceability • 9% Energy • 12% Liveness
83% Instrumentalness • 30% Positiveness
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El McMeen
Perfidia
114 bpm • A Maj • 01:58 • -18.94db
20% Popularity • 36% Danceability • 17% Energy • 12% Liveness
89% Instrumentalness • 45% Positiveness
20% Popularity • 36% Danceability • 17% Energy • 12% Liveness
89% Instrumentalness • 45% Positiveness
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John Doan
Amazing Grace
114 bpm • C Maj • 04:41 • -23.06db
16% Popularity • 35% Danceability • 6% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
16% Popularity • 35% Danceability • 6% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
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Trevor Gordon Hall
The Blue Hour
114 bpm • G# min • 04:14 • -22db
24% Popularity • 36% Danceability • 20% Energy • 9% Liveness
87% Instrumentalness • 6% Positiveness
24% Popularity • 36% Danceability • 20% Energy • 9% Liveness
87% Instrumentalness • 6% Positiveness
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Lawrence Blatt
Look To The Sun
114 bpm • F Maj • 01:33 • -18.25db
29% Popularity • 52% Danceability • 20% Energy • 7% Liveness
26% Instrumentalness • 23% Positiveness
29% Popularity • 52% Danceability • 20% Energy • 7% Liveness
26% Instrumentalness • 23% Positiveness
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Roberto Dalla Vecchia
The Pace of Nature
127 bpm • D Maj • 03:02 • -15.62db
18% Popularity • 44% Danceability • 33% Energy • 20% Liveness
95% Instrumentalness • 18% Positiveness
18% Popularity • 44% Danceability • 33% Energy • 20% Liveness
95% Instrumentalness • 18% Positiveness
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Vin Downes
Where I Began
113 bpm • C min • 04:26 • -18.7db
20% Popularity • 39% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
20% Popularity • 39% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
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Emilio Bonito
Tenderly
113 bpm • G# min • 03:14 • -11.85db
32% Popularity • 48% Danceability • 37% Energy • 12% Liveness
88% Instrumentalness • 14% Positiveness
32% Popularity • 48% Danceability • 37% Energy • 12% Liveness
88% Instrumentalness • 14% Positiveness
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John Doan
Amazing Grace (Part)
113 bpm • C Maj • 02:13 • -22.85db
25% Popularity • 37% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
25% Popularity • 37% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
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Trevor Gordon Hall
The Presence of Absence
114 bpm • B min • 04:29 • -21.14db
20% Popularity • 44% Danceability • 6% Energy • 9% Liveness
94% Instrumentalness • 22% Positiveness
20% Popularity • 44% Danceability • 6% Energy • 9% Liveness
94% Instrumentalness • 22% Positiveness
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Jürgen Saalmann
Fade Away
113 bpm • G Maj • 04:02 • -21.2db
17% Popularity • 55% Danceability • 1% Energy • 7% Liveness
76% Instrumentalness • 54% Positiveness
17% Popularity • 55% Danceability • 1% Energy • 7% Liveness
76% Instrumentalness • 54% Positiveness
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Mark Kroos
Dogs
113 bpm • G Maj • 02:39 • -11.98db
22% Popularity • 67% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 22% Positiveness
22% Popularity • 67% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 22% Positiveness
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Vin Downes
Dust and Drag
113 bpm • C min • 05:30 • -22.14db
9% Popularity • 40% Danceability • 13% Energy • 12% Liveness
89% Instrumentalness • 18% Positiveness
9% Popularity • 40% Danceability • 13% Energy • 12% Liveness
89% Instrumentalness • 18% Positiveness
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Dylan Ryche
Life
113 bpm • D Maj • 02:07 • -17db
16% Popularity • 60% Danceability • 16% Energy • 12% Liveness
39% Instrumentalness • 26% Positiveness
16% Popularity • 60% Danceability • 16% Energy • 12% Liveness
39% Instrumentalness • 26% Positiveness
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Alan Shoesmith
Pastel Phase
128 bpm • E Maj • 02:27 • -14.54db
35% Popularity • 79% Danceability • 17% Energy • 16% Liveness
94% Instrumentalness • 32% Positiveness
35% Popularity • 79% Danceability • 17% Energy • 16% Liveness
94% Instrumentalness • 32% Positiveness
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Trevor Gordon Hall
The Meeting at the Window
128 bpm • G Maj • 05:00 • -20.51db
10% Popularity • 47% Danceability • 9% Energy • 11% Liveness
41% Instrumentalness • 10% Positiveness
10% Popularity • 47% Danceability • 9% Energy • 11% Liveness
41% Instrumentalness • 10% Positiveness
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Robert Linton
Silent Hollow
113 bpm • G Maj • 04:33 • -22.89db
10% Popularity • 42% Danceability • 12% Energy • 11% Liveness
96% Instrumentalness • 9% Positiveness
10% Popularity • 42% Danceability • 12% Energy • 11% Liveness
96% Instrumentalness • 9% Positiveness
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Donovan Raitt
Bella's Song
128 bpm • G# Maj • 04:28 • -16.68db
21% Popularity • 46% Danceability • 48% Energy • 13% Liveness
92% Instrumentalness • 31% Positiveness
21% Popularity • 46% Danceability • 48% Energy • 13% Liveness
92% Instrumentalness • 31% Positiveness
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Realizer
Azalea
112 bpm • G Maj • 02:26 • -16.26db
18% Popularity • 40% Danceability • 23% Energy • 10% Liveness
93% Instrumentalness • 50% Positiveness
18% Popularity • 40% Danceability • 23% Energy • 10% Liveness
93% Instrumentalness • 50% Positiveness
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Gabriel Lee
Blue Sky Interlude
128 bpm • D# Maj • 02:21 • -29.3db
27% Popularity • 37% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 18% Positiveness
27% Popularity • 37% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 18% Positiveness
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Adam Rafferty
Killing Me Softly
128 bpm • F min • 02:57 • -16.02db
20% Popularity • 47% Danceability • 21% Energy • 10% Liveness
81% Instrumentalness • 36% Positiveness
20% Popularity • 47% Danceability • 21% Energy • 10% Liveness
81% Instrumentalness • 36% Positiveness
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Trevor Gordon Hall
The Shining Barrier
113 bpm • A# Maj • 04:11 • -21db
33% Popularity • 37% Danceability • 16% Energy • 11% Liveness
76% Instrumentalness • 14% Positiveness
33% Popularity • 37% Danceability • 16% Energy • 11% Liveness
76% Instrumentalness • 14% Positiveness
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William Ellwood
Eternal Holly
112 bpm • A min • 04:50 • -20.41db
15% Popularity • 54% Danceability • 27% Energy • 9% Liveness
93% Instrumentalness • 82% Positiveness
15% Popularity • 54% Danceability • 27% Energy • 9% Liveness
93% Instrumentalness • 82% Positiveness
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Muriel Anderson
Toronto
128 bpm • A# Maj • 02:44 • -16.89db
3% Popularity • 49% Danceability • 13% Energy • 7% Liveness
76% Instrumentalness • 36% Positiveness
3% Popularity • 49% Danceability • 13% Energy • 7% Liveness
76% Instrumentalness • 36% Positiveness
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Stephen Wake
Imagination
128 bpm • G Maj • 01:53 • -18.31db
41% Popularity • 56% Danceability • 7% Energy • 9% Liveness
88% Instrumentalness • 25% Positiveness
41% Popularity • 56% Danceability • 7% Energy • 9% Liveness
88% Instrumentalness • 25% Positiveness
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Derek Brookshire
Undercurrent
112 bpm • A min • 03:19 • -16.89db
10% Popularity • 26% Danceability • 24% Energy • 11% Liveness
94% Instrumentalness • 37% Positiveness
10% Popularity • 26% Danceability • 24% Energy • 11% Liveness
94% Instrumentalness • 37% Positiveness
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Franco Morone
Flowers from Ayako
129 bpm • C# Maj • 02:45 • -16.16db
23% Popularity • 40% Danceability • 18% Energy • 12% Liveness
95% Instrumentalness • 34% Positiveness
23% Popularity • 40% Danceability • 18% Energy • 12% Liveness
95% Instrumentalness • 34% Positiveness
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El McMeen
Jock O'Hazeldean / The Castle Of Dromore
112 bpm • B Maj • 04:09 • -16.12db
23% Popularity • 34% Danceability • 19% Energy • 10% Liveness
80% Instrumentalness • 61% Positiveness
23% Popularity • 34% Danceability • 19% Energy • 10% Liveness
80% Instrumentalness • 61% Positiveness
