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The Wire
Songs like
The Wire
by
Patrick Droney
Based on a tempo of (+/- 10%) and a similar genre
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Marc Scibilia
How Many Times
95 bpm • C Maj • 03:21 • -6.29db
18% Popularity • 54% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Patrick Droney
The Wire
95 bpm • D Maj • 03:32 • -3.17db
40% Popularity • 51% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Zach Seabaugh
Somebody Who Loves Somebody
95 bpm • C# Maj • 02:16 • -7.82db
33% Popularity • 62% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 93% Positiveness
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Penny and Sparrow
Alabama Haint
95 bpm • E min • 03:02 • -11db
47% Popularity • 59% Danceability • 42% Energy • 9% Liveness
3% Instrumentalness • 29% Positiveness
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Haley Klinkhammer
Loving You, Loving Me
95 bpm • B Maj • 03:21 • -8.77db
27% Popularity • 69% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Blake Rose
Lost
95 bpm • E Maj • 03:54 • -6.54db
59% Popularity • 60% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Jon Bryant
Deep Dark Valley
94 bpm • G Maj • 02:43 • -12db
40% Popularity • 48% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Patrick Droney
On Your Way Home
94 bpm • G Maj • 02:45 • -9.52db
50% Popularity • 45% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Zach Seabaugh
Girl in a Coffee Shop
96 bpm • E Maj • 02:15 • -12.41db
53% Popularity • 67% Danceability • 42% Energy • 74% Liveness
0% Instrumentalness • 28% Positiveness
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Sam MacPherson
Solar Flare
96 bpm • E Maj • 03:22 • -12.57db
31% Popularity • 39% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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NIGHT TRAVELER
1984 (Native)
96 bpm • B Maj • 04:23 • -10.04db
30% Popularity • 47% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Sheffield
I Will Always Find A Way
94 bpm • G Maj • 03:20 • -10db
41% Popularity • 69% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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Joshua Radin
You're My Home
96 bpm • G# Maj • 03:20 • -7.18db
40% Popularity • 63% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Marc Scibilia
Wild World
96 bpm • C# Maj • 03:34 • -7.58db
35% Popularity • 54% Danceability • 53% Energy • 11% Liveness
2% Instrumentalness • 38% Positiveness
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Harrison Storm
Be Slow
94 bpm • E Maj • 03:25 • -13db
64% Popularity • 59% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Patrick Droney
The Wire - Alternate Version
96 bpm • C Maj • 03:41 • -7.77db
33% Popularity • 50% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Apollo LTD
DNA - Acoustic
96 bpm • A# Maj • 03:30 • -9.37db
29% Popularity • 63% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
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Jon Bryant
Bad Happens
96 bpm • B Maj • 03:09 • -7db
23% Popularity • 52% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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Zion Goins
Free
94 bpm • A Maj • 03:49 • -12.88db
25% Popularity • 65% Danceability • 34% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
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Sheffield
Bottle You Up
96 bpm • C min • 02:19 • -12.33db
30% Popularity • 61% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Neon Dreams
Times Square
94 bpm • D# Maj • 03:18 • -9.33db
36% Popularity • 48% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Harrison Storm
Be Slow - Acoustic
96 bpm • E Maj • 03:09 • -10db
49% Popularity • 53% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Ben Platt
Everything I Did to Get to You
93 bpm • A# Maj • 03:07 • -6.51db
46% Popularity • 63% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Ed Patrick
Addicted To You
97 bpm • G# Maj • 04:16 • -12.37db
34% Popularity • 82% Danceability • 25% Energy • 11% Liveness
12% Instrumentalness • 45% Positiveness
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The Light The Heat
It's Our Time
97 bpm • D Maj • 03:41 • -9db
41% Popularity • 68% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Caitlyn Smith
Cheap Date
97 bpm • D Maj • 03:10 • -6.65db
40% Popularity • 59% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Chelsea Cutler
Crazier Things
93 bpm • D Maj • 04:24 • -13.53db
64% Popularity • 64% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Graham Colton
See You Through
93 bpm • D# Maj • 02:41 • -9.17db
40% Popularity • 58% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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Jordy Searcy
All Night
93 bpm • E Maj • 03:22 • -11.06db
31% Popularity • 58% Danceability • 34% Energy • 43% Liveness
1% Instrumentalness • 36% Positiveness
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Jordan Hart
Show Me Yours - Acoustic
93 bpm • A min • 03:33 • -12.62db
34% Popularity • 66% Danceability • 52% Energy • 36% Liveness
7% Instrumentalness • 15% Positiveness
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Jonny West
All The Words
93 bpm • C Maj • 03:30 • -7.87db
30% Popularity • 47% Danceability • 31% Energy • 25% Liveness
0% Instrumentalness • 17% Positiveness
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The Light The Heat
Sun Paints the Sea
93 bpm • F Maj • 03:05 • -7.71db
34% Popularity • 40% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Adam Hambrick
Sunshine State of Mind
93 bpm • E Maj • 03:14 • -4.91db
31% Popularity • 57% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
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Arts Fishing Club
Tupelo Honey
93 bpm • C# Maj • 02:41 • -8.55db
44% Popularity • 62% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Matt Nathanson
Used To Be
92 bpm • G Maj • 03:10 • -5db
44% Popularity • 56% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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LÉON
In a Stranger's Arms
98 bpm • A Maj • 03:21 • -7.52db
54% Popularity • 50% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Chance Peña
Hey Lovely
92 bpm • D Maj • 03:43 • -8.89db
52% Popularity • 58% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Nathan Angelo
Til I'm Ninety Nine
98 bpm • A Maj • 04:28 • -9.33db
39% Popularity • 67% Danceability • 48% Energy • 11% Liveness
3% Instrumentalness • 45% Positiveness
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Patrick Droney
Forgive Yourself
98 bpm • C Maj • 03:17 • -9.95db
28% Popularity • 52% Danceability • 43% Energy • 33% Liveness
0% Instrumentalness • 41% Positiveness
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The National Parks
Chance
98 bpm • E Maj • 02:59 • -9.54db
45% Popularity • 63% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Luca Fogale
Every Colour
98 bpm • G# Maj • 03:56 • -9.24db
51% Popularity • 54% Danceability • 50% Energy • 10% Liveness
2% Instrumentalness • 19% Positiveness
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Wilder Woods
Electric Woman
92 bpm • D# min • 02:57 • -5.21db
34% Popularity • 66% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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The Light The Heat
Home to You
92 bpm • G# Maj • 03:07 • -8.63db
40% Popularity • 57% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Harry Hudson
No Good
99 bpm • D Maj • 03:22 • -9db
42% Popularity • 75% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Tenille Townes
The Most Beautiful Things
99 bpm • G Maj • 03:59 • -11.3db
35% Popularity • 36% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Noah Guthrie
That's All
91 bpm • B min • 04:31 • -9.8db
27% Popularity • 50% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Luca Fogale
A Case of You
91 bpm • F# Maj • 04:32 • -12.88db
39% Popularity • 56% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Wild Rivers
Mayday
91 bpm • F Maj • 02:40 • -15db
53% Popularity • 35% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Jordy Searcy
Molly
100 bpm • D# Maj • 03:02 • -12.16db
43% Popularity • 76% Danceability • 30% Energy • 11% Liveness
2% Instrumentalness • 72% Positiveness
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The Light The Heat
Rest of Our Lives
100 bpm • C Maj • 02:54 • -9.31db
54% Popularity • 57% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Teddy Swims
Please Turn Green
100 bpm • B Maj • 02:58 • -7.35db
56% Popularity • 58% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Forest Blakk
Give You Love
100 bpm • A# Maj • 02:53 • -7.88db
44% Popularity • 67% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Patrick Droney
Memories
100 bpm • G# Maj • 03:40 • -8.04db
30% Popularity • 59% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Wild Rivers
Bedrock
100 bpm • F# Maj • 03:30 • -9db
55% Popularity • 79% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Trevor Holmes
Walls
100 bpm • B min • 03:26 • -6.29db
32% Popularity • 65% Danceability • 74% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
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Emma Klein
Call It What It Is
100 bpm • E Maj • 03:38 • -6.54db
27% Popularity • 62% Danceability • 47% Energy • 48% Liveness
0% Instrumentalness • 49% Positiveness
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Wyatt Pike
Best for You
90 bpm • C min • 04:05 • -9.13db
18% Popularity • 54% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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Jack Botts
Gypsy
90 bpm • E Maj • 03:32 • -9db
48% Popularity • 63% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
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Patrick Droney
Brooklyn
100 bpm • B Maj • 03:47 • -8.91db
47% Popularity • 63% Danceability • 59% Energy • 63% Liveness
1% Instrumentalness • 51% Positiveness
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Teddy Swims
Will It Find Me
90 bpm • D Maj • 03:29 • -9.19db
55% Popularity • 64% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Zachary Knowles
slow summer
90 bpm • F Maj • 02:48 • -8.9db
46% Popularity • 66% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
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Lennon Stella
Save Us
90 bpm • D Maj • 03:01 • -6.41db
48% Popularity • 65% Danceability • 80% Energy • 8% Liveness
6% Instrumentalness • 73% Positiveness
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Craig Stickland
Stop At Nothing
90 bpm • C min • 03:47 • -6.99db
14% Popularity • 61% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Jack Botts
Hold You
90 bpm • F Maj • 03:46 • -9.06db
39% Popularity • 66% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Patrick Droney
Hummingbird
90 bpm • E Maj • 03:22 • -5.81db
29% Popularity • 68% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Marc Scibilia
Wildest Dreams
90 bpm • G Maj • 02:52 • -6.71db
33% Popularity • 50% Danceability • 34% Energy • 38% Liveness
0% Instrumentalness • 33% Positiveness
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Honest Men
Ain't No Mountain High Enough
101 bpm • D Maj • 03:40 • -9.82db
32% Popularity • 61% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Caiola
Alaska
101 bpm • D# Maj • 03:45 • -8.53db
57% Popularity • 46% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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gray
Swoon
89 bpm • B Maj • 03:48 • -8db
30% Popularity • 66% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Bre Kennedy
Twenty Something
89 bpm • D Maj • 03:41 • -13db
35% Popularity • 53% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Patrick Droney
State of the Heart
90 bpm • B Maj • 03:50 • -6.33db
30% Popularity • 41% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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REUNIØN
out in the wild
89 bpm • G min • 03:51 • -13db
23% Popularity • 20% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Wilder Woods
Someday Soon
102 bpm • G# Maj • 04:23 • -8db
48% Popularity • 50% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Teddy Swims
Somebody Should Kiss You
102 bpm • A Maj • 03:12 • -10.6db
57% Popularity • 73% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Hills x Hills
You Feel Like Home
102 bpm • E Maj • 03:21 • -7.56db
40% Popularity • 57% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Hayden Calnin
Warm with You
102 bpm • D Maj • 04:07 • -12.14db
58% Popularity • 56% Danceability • 36% Energy • 31% Liveness
70% Instrumentalness • 29% Positiveness
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Patrick Droney
Stand and Deliver
89 bpm • D Maj • 03:43 • -7.62db
48% Popularity • 63% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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James Smith
Got The Love - acoustic
102 bpm • B Maj • 02:29 • -9db
48% Popularity • 46% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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penelope Q
catch me when i fall
88 bpm • C# Maj • 03:31 • -6db
24% Popularity • 49% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Cole Norton
Chances
88 bpm • E Maj • 04:09 • -9db
28% Popularity • 71% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Luca Fogale
Feel It
88 bpm • F# min • 03:25 • -8.38db
40% Popularity • 51% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Juke Ross
Trading Places
88 bpm • A# Maj • 03:43 • -8db
29% Popularity • 62% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Jake Isaac
New York
88 bpm • C Maj • 03:21 • -7.71db
44% Popularity • 77% Danceability • 35% Energy • 19% Liveness
1% Instrumentalness • 58% Positiveness
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Teddy Swims
Amazing - Strings Version
88 bpm • A Maj • 02:58 • -6.59db
40% Popularity • 26% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Quinn Lewis
Only Everything
88 bpm • D Maj • 02:52 • -7.65db
43% Popularity • 52% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Jordy Searcy
Love & War in Your Twenties
103 bpm • D Maj • 04:10 • -9.69db
65% Popularity • 74% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Luca Fogale
Another Way Around
103 bpm • C min • 03:24 • -14db
44% Popularity • 37% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Dylan Dunlap
Serotonin
103 bpm • G# Maj • 03:56 • -8db
31% Popularity • 69% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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JP Saxe
More of You
87 bpm • C Maj • 02:34 • -11db
40% Popularity • 36% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Adam Doleac
Meet Me in the City
87 bpm • G Maj • 02:56 • -6db
36% Popularity • 50% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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Darren Kiely
Time To Leave
104 bpm • F# Maj • 03:19 • -6.31db
49% Popularity • 56% Danceability • 75% Energy • 21% Liveness
0% Instrumentalness • 43% Positiveness
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Jordy Searcy
Rich
104 bpm • A# Maj • 03:04 • -9.06db
37% Popularity • 65% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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Luca Fogale
What I Came Here For
104 bpm • F Maj • 03:09 • -9db
42% Popularity • 58% Danceability • 38% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
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The Collection
In Love with Your Soul
105 bpm • E Maj • 03:47 • -9.79db
40% Popularity • 60% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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JP Saxe
A Little Bit Yours
87 bpm • C# Maj • 03:48 • -8.53db
58% Popularity • 60% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Lennon Stella
Golf On TV JP Saxe
105 bpm • F Maj • 03:12 • -8.38db
44% Popularity • 56% Danceability • 55% Energy • 25% Liveness
0% Instrumentalness • 16% Positiveness
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Bre Kennedy
Control
86 bpm • G# Maj • 03:30 • -8db
37% Popularity • 57% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 61% Positiveness
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Rhys Lewis
Hold On To Happiness
86 bpm • B min • 03:38 • -10db
38% Popularity • 69% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Luca Fogale
Evergreen
86 bpm • A Maj • 03:04 • -8db
36% Popularity • 36% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 18% Positiveness
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Johnnyswim
A Little Bit Sorry
105 bpm • C Maj • 02:46 • -9.9db
35% Popularity • 76% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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The Wire