Songs like The World (Is Going Up in Flames) by Charles Bradley
Based on a tempo of (+/- 10%) and a similar genre
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Charles Bradley
The World (Is Going Up in Flames)
87 bpm • F min • 03:22 • -8db
61% Popularity • 72% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
61% Popularity • 72% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Bill Withers
Lonely Town, Lonely Street
87 bpm • F# min • 03:45 • -12.1db
46% Popularity • 81% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
46% Popularity • 81% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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Labi Siffre
I Got The... - 2006 Remaster
87 bpm • C min • 06:35 • -10.85db
58% Popularity • 48% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
58% Popularity • 48% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Willie West
I'm Still a Man (Lord Have Mercy)
87 bpm • C Maj • 04:11 • -9.16db
36% Popularity • 77% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
36% Popularity • 77% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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The Marcus King Band
Rita Is Gone
87 bpm • F Maj • 04:25 • -8.22db
58% Popularity • 62% Danceability • 44% Energy • 9% Liveness
7% Instrumentalness • 80% Positiveness
58% Popularity • 62% Danceability • 44% Energy • 9% Liveness
7% Instrumentalness • 80% Positiveness
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Monophonics
It's Only Us
86 bpm • C min • 04:58 • -6.5db
48% Popularity • 48% Danceability • 62% Energy • 64% Liveness
3% Instrumentalness • 47% Positiveness
48% Popularity • 48% Danceability • 62% Energy • 64% Liveness
3% Instrumentalness • 47% Positiveness
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Charles Bradley
Strictly Reserved For You - Stripped-Dow...
87 bpm • F Maj • 03:57 • -5db
20% Popularity • 71% Danceability • 39% Energy • 29% Liveness
0% Instrumentalness • 31% Positiveness
20% Popularity • 71% Danceability • 39% Energy • 29% Liveness
0% Instrumentalness • 31% Positiveness
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The James Hunter Six
(Baby) Hold On
86 bpm • F min • 02:45 • -5db
44% Popularity • 69% Danceability • 75% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
44% Popularity • 69% Danceability • 75% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
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Amanaz
Khala My Friend
88 bpm • C# Maj • 03:23 • -14.17db
54% Popularity • 59% Danceability • 41% Energy • 12% Liveness
43% Instrumentalness • 36% Positiveness
54% Popularity • 59% Danceability • 41% Energy • 12% Liveness
43% Instrumentalness • 36% Positiveness
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Allen Toussaint
Last Train - Remastered Version
88 bpm • C# Maj • 03:01 • -9db
42% Popularity • 58% Danceability • 78% Energy • 8% Liveness
2% Instrumentalness • 93% Positiveness
42% Popularity • 58% Danceability • 78% Energy • 8% Liveness
2% Instrumentalness • 93% Positiveness
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Darondo
The Wolf
86 bpm • C Maj • 04:58 • -11db
35% Popularity • 85% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
35% Popularity • 85% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Monophonics
La La La Love Me
88 bpm • F# min • 03:20 • -6db
45% Popularity • 55% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
45% Popularity • 55% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Charles Bradley
Strictly Reserved for You
87 bpm • F Maj • 03:42 • -6db
45% Popularity • 63% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
45% Popularity • 63% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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George Jackson
Aretha, Sing One for Me
86 bpm • C Maj • 02:57 • -10.7db
40% Popularity • 69% Danceability • 34% Energy • 12% Liveness
1% Instrumentalness • 61% Positiveness
40% Popularity • 69% Danceability • 34% Energy • 12% Liveness
1% Instrumentalness • 61% Positiveness
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Sugar Pie DeSanto
Soulful Dress
88 bpm • G min • 02:49 • -9.78db
49% Popularity • 77% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
49% Popularity • 77% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
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Ray Charles
What'd I Say, Pt. 1 & 2
88 bpm • E Maj • 05:07 • -5.44db
60% Popularity • 54% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
60% Popularity • 54% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
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Darondo
Sexy Mama
88 bpm • B min • 03:55 • -10db
31% Popularity • 80% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
31% Popularity • 80% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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The Olympians
Apollo's Mood
85 bpm • D min • 04:31 • -7db
45% Popularity • 47% Danceability • 69% Energy • 13% Liveness
85% Instrumentalness • 73% Positiveness
45% Popularity • 47% Danceability • 69% Energy • 13% Liveness
85% Instrumentalness • 73% Positiveness
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Charles Bradley
The World (Is Going Up in Flames) - Inst...
87 bpm • F min • 03:23 • -9db
34% Popularity • 74% Danceability • 60% Energy • 8% Liveness
79% Instrumentalness • 87% Positiveness
34% Popularity • 74% Danceability • 60% Energy • 8% Liveness
79% Instrumentalness • 87% Positiveness
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Van Morrison
T. B. Sheets
85 bpm • E min • 09:44 • -14.24db
38% Popularity • 66% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
38% Popularity • 66% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Bobby Rush
Chicken Heads
89 bpm • A Maj • 02:34 • -8.47db
36% Popularity • 85% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
36% Popularity • 85% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Willie Wright
I'm So Happy Now
89 bpm • C# min • 04:33 • -6.53db
30% Popularity • 58% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
30% Popularity • 58% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
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RodrÃguez
Crucify Your Mind
85 bpm • A Maj • 02:32 • -7.77db
65% Popularity • 50% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
65% Popularity • 50% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Odetta
Hit Or Miss
89 bpm • D Maj • 03:54 • -13.34db
51% Popularity • 80% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
51% Popularity • 80% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
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Charles Bradley
Dusty Blue
87 bpm • D Maj • 03:21 • -8db
49% Popularity • 57% Danceability • 67% Energy • 28% Liveness
75% Instrumentalness • 64% Positiveness
49% Popularity • 57% Danceability • 67% Energy • 28% Liveness
75% Instrumentalness • 64% Positiveness
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Ann Peebles
Do I Need You
85 bpm • G# min • 02:33 • -13.07db
43% Popularity • 79% Danceability • 32% Energy • 7% Liveness
1% Instrumentalness • 91% Positiveness
43% Popularity • 79% Danceability • 32% Energy • 7% Liveness
1% Instrumentalness • 91% Positiveness
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Lee Dorsey
Get out of My Life Woman
90 bpm • F# Maj • 02:26 • -11db
43% Popularity • 84% Danceability • 38% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
43% Popularity • 84% Danceability • 38% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
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Orgone
Who Knows Who
90 bpm • A# Maj • 03:36 • -9db
37% Popularity • 72% Danceability • 67% Energy • 8% Liveness
4% Instrumentalness • 86% Positiveness
37% Popularity • 72% Danceability • 67% Energy • 8% Liveness
4% Instrumentalness • 86% Positiveness
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Shuggie Otis
Inspiration Information
90 bpm • G Maj • 04:12 • -7db
51% Popularity • 80% Danceability • 65% Energy • 14% Liveness
1% Instrumentalness • 84% Positiveness
51% Popularity • 80% Danceability • 65% Energy • 14% Liveness
1% Instrumentalness • 84% Positiveness
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Black Pumas
Old Man
84 bpm • C Maj • 03:17 • -7.79db
46% Popularity • 65% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
46% Popularity • 65% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Charles Bradley
Stay Away
89 bpm • A min • 03:11 • -5db
48% Popularity • 77% Danceability • 71% Energy • 7% Liveness
6% Instrumentalness • 64% Positiveness
48% Popularity • 77% Danceability • 71% Energy • 7% Liveness
6% Instrumentalness • 64% Positiveness
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The Meters
Tippi-Toes
90 bpm • G Maj • 02:29 • -13.44db
40% Popularity • 76% Danceability • 53% Energy • 5% Liveness
77% Instrumentalness • 82% Positiveness
40% Popularity • 76% Danceability • 53% Energy • 5% Liveness
77% Instrumentalness • 82% Positiveness
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Monophonics
Say You Love Me
90 bpm • A min • 04:22 • -8db
35% Popularity • 70% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
35% Popularity • 70% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Nostalgia 77
Seven Nation Army
90 bpm • G Maj • 04:22 • -8.95db
43% Popularity • 79% Danceability • 37% Energy • 18% Liveness
2% Instrumentalness • 61% Positiveness
43% Popularity • 79% Danceability • 37% Energy • 18% Liveness
2% Instrumentalness • 61% Positiveness
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Durand Jones & The Indications
Morning In America
90 bpm • A min • 03:51 • -6db
48% Popularity • 81% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
48% Popularity • 81% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Black Pumas
Colors
90 bpm • E Maj • 04:06 • -6.54db
72% Popularity • 55% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
72% Popularity • 55% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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St. Paul & The Broken Bones
Flow with It (You Got Me Feeling Like)
90 bpm • A# min • 03:16 • -5db
55% Popularity • 61% Danceability • 75% Energy • 12% Liveness
8% Instrumentalness • 83% Positiveness
55% Popularity • 61% Danceability • 75% Energy • 12% Liveness
8% Instrumentalness • 83% Positiveness
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Charles Bradley
Love Bug Blues
89 bpm • D min • 03:00 • -7db
39% Popularity • 62% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
39% Popularity • 62% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Ann Peebles
I Pity the Fool
90 bpm • F Maj • 02:59 • -7.07db
30% Popularity • 80% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
30% Popularity • 80% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Gil Scott-Heron
I Think I'll Call It Morning
90 bpm • D Maj • 03:31 • -9db
43% Popularity • 71% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
43% Popularity • 71% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Betty Wright
Clean up Woman
90 bpm • F Maj • 02:49 • -9.05db
56% Popularity • 86% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
56% Popularity • 86% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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R.L. Burnside
Someday Baby
90 bpm • C Maj • 03:16 • -3.8db
52% Popularity • 71% Danceability • 87% Energy • 33% Liveness
3% Instrumentalness • 87% Positiveness
52% Popularity • 71% Danceability • 87% Energy • 33% Liveness
3% Instrumentalness • 87% Positiveness
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The Meters
Hand Clapping Song
91 bpm • A Maj • 02:56 • -13db
42% Popularity • 80% Danceability • 52% Energy • 10% Liveness
85% Instrumentalness • 63% Positiveness
42% Popularity • 80% Danceability • 52% Energy • 10% Liveness
85% Instrumentalness • 63% Positiveness
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Charles Bradley
Where Do We Go From Here
90 bpm • C Maj • 03:11 • -8.94db
48% Popularity • 39% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
48% Popularity • 39% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
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Saun & Starr
Big Wheel
91 bpm • C# min • 03:18 • -6db
50% Popularity • 73% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
50% Popularity • 73% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Bill Withers
Better off Dead
91 bpm • F Maj • 02:14 • -10db
52% Popularity • 63% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
52% Popularity • 63% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Mayer Hawthorne
Just Ain't Gonna Work Out
91 bpm • E Maj • 02:30 • -5db
50% Popularity • 78% Danceability • 54% Energy • 18% Liveness
11% Instrumentalness • 75% Positiveness
50% Popularity • 78% Danceability • 54% Energy • 18% Liveness
11% Instrumentalness • 75% Positiveness
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Lady Wray
Guilty
91 bpm • F min • 03:34 • -7db
58% Popularity • 62% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
58% Popularity • 62% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Labi Siffre
I Got The...
91 bpm • C Maj • 06:24 • -7.59db
48% Popularity • 52% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
48% Popularity • 52% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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Menahan Street Band
Make the Road By Walking
91 bpm • A# min • 03:03 • -8.39db
49% Popularity • 62% Danceability • 76% Energy • 8% Liveness
6% Instrumentalness • 90% Positiveness
49% Popularity • 62% Danceability • 76% Energy • 8% Liveness
6% Instrumentalness • 90% Positiveness
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The Brothers Johnson
Strawberry Letter 23
91 bpm • G min • 04:59 • -11.7db
62% Popularity • 73% Danceability • 62% Energy • 11% Liveness
1% Instrumentalness • 75% Positiveness
62% Popularity • 73% Danceability • 62% Energy • 11% Liveness
1% Instrumentalness • 75% Positiveness
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Charles Bradley
Slip Away
91 bpm • E Maj • 03:32 • -5.7db
34% Popularity • 66% Danceability • 82% Energy • 67% Liveness
0% Instrumentalness • 83% Positiveness
34% Popularity • 66% Danceability • 82% Energy • 67% Liveness
0% Instrumentalness • 83% Positiveness
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Ike & Tina Turner
Game Of Love - Remastered
91 bpm • G# Maj • 02:48 • -11.8db
35% Popularity • 67% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
35% Popularity • 67% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Bill Withers
Moanin' and Groanin'
83 bpm • E min • 02:58 • -10db
38% Popularity • 85% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
38% Popularity • 85% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Lee Dorsey
Give It Up
83 bpm • A# min • 03:03 • -8.92db
35% Popularity • 62% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
35% Popularity • 62% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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The Outlaw Blues Band
Deep Gully
91 bpm • A min • 05:47 • -10.44db
31% Popularity • 52% Danceability • 42% Energy • 62% Liveness
87% Instrumentalness • 70% Positiveness
31% Popularity • 52% Danceability • 42% Energy • 62% Liveness
87% Instrumentalness • 70% Positiveness
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Allen Toussaint
Sweet Touch Of Love
92 bpm • C# Maj • 03:16 • -12.8db
33% Popularity • 73% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
33% Popularity • 73% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Charles Bradley
Heart of Gold
91 bpm • E min • 03:03 • -7.62db
62% Popularity • 75% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
62% Popularity • 75% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Saun & Starr
Look Closer (Can't You See the Signs?)
92 bpm • A# Maj • 03:45 • -7db
26% Popularity • 60% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
26% Popularity • 60% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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Bill Withers
Grandma's Hands
82 bpm • E min • 02:01 • -14.94db
68% Popularity • 73% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
68% Popularity • 73% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Solomon Burke
Can't Nobody Love You
92 bpm • F Maj • 02:33 • -9.66db
43% Popularity • 61% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
43% Popularity • 61% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Ann Peebles
Somebody's on Your Case
92 bpm • G Maj • 02:24 • -7.61db
39% Popularity • 87% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
39% Popularity • 87% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Guts
Man Funk
92 bpm • A# min • 03:53 • -7.2db
55% Popularity • 86% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 68% Positiveness
55% Popularity • 86% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 68% Positiveness
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Allen Toussaint
Night People
92 bpm • F# Maj • 04:16 • -15.65db
30% Popularity • 86% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
30% Popularity • 86% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Irma Thomas
Anyone Who Knows What Love Is (Will Unde...
92 bpm • D Maj • 02:56 • -12.79db
61% Popularity • 60% Danceability • 28% Energy • 8% Liveness
1% Instrumentalness • 21% Positiveness
61% Popularity • 60% Danceability • 28% Energy • 8% Liveness
1% Instrumentalness • 21% Positiveness
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Dry Bread
Words to My Song
93 bpm • C# min • 03:06 • -8.44db
39% Popularity • 56% Danceability • 90% Energy • 8% Liveness
56% Instrumentalness • 89% Positiveness
39% Popularity • 56% Danceability • 90% Energy • 8% Liveness
56% Instrumentalness • 89% Positiveness
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Charles Bradley
Eyes on the Prize - Instrumental
82 bpm • A min • 02:19 • -8.34db
42% Popularity • 70% Danceability • 62% Energy • 8% Liveness
85% Instrumentalness • 93% Positiveness
42% Popularity • 70% Danceability • 62% Energy • 8% Liveness
85% Instrumentalness • 93% Positiveness
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Terry Callier
Blues
82 bpm • G Maj • 02:58 • -6.77db
35% Popularity • 61% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
35% Popularity • 61% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Wilson Pickett
Hey Jude
82 bpm • F# Maj • 04:07 • -15.33db
47% Popularity • 56% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
47% Popularity • 56% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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Detroit Emeralds
Baby Let Me Take You (In My Arms)
81 bpm • F# min • 03:50 • -9.15db
43% Popularity • 68% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
43% Popularity • 68% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Dr. John
Getaway
81 bpm • F min • 04:35 • -4.99db
34% Popularity • 27% Danceability • 87% Energy • 9% Liveness
3% Instrumentalness • 62% Positiveness
34% Popularity • 27% Danceability • 87% Energy • 9% Liveness
3% Instrumentalness • 62% Positiveness
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Bobby "Blue" Bland
I'll Take Care Of You
93 bpm • F min • 02:16 • -16db
47% Popularity • 55% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
47% Popularity • 55% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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William DeVaughn
Be Thankful for What You Got (Pt. 1 & Pt...
93 bpm • C# min • 07:09 • -13.29db
51% Popularity • 79% Danceability • 42% Energy • 11% Liveness
12% Instrumentalness • 84% Positiveness
51% Popularity • 79% Danceability • 42% Energy • 11% Liveness
12% Instrumentalness • 84% Positiveness
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Ann Peebles
I Feel Like Breaking up Somebody's Home ...
81 bpm • F Maj • 02:30 • -9.15db
45% Popularity • 79% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
45% Popularity • 79% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
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Lee Dorsey
A Lover Was Born
93 bpm • A# min • 02:54 • -8.47db
19% Popularity • 77% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
19% Popularity • 77% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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Jean Knight
Mr. Big Stuff
93 bpm • G# Maj • 02:44 • -12.59db
66% Popularity • 89% Danceability • 49% Energy • 23% Liveness
0% Instrumentalness • 97% Positiveness
66% Popularity • 89% Danceability • 49% Energy • 23% Liveness
0% Instrumentalness • 97% Positiveness
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King Floyd
I Feel Like Dynamite
93 bpm • F# Maj • 03:18 • -14db
41% Popularity • 73% Danceability • 43% Energy • 13% Liveness
56% Instrumentalness • 87% Positiveness
41% Popularity • 73% Danceability • 43% Energy • 13% Liveness
56% Instrumentalness • 87% Positiveness
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Bobby Womack
Baby! You Oughta Think It Over
81 bpm • D Maj • 02:37 • -8db
39% Popularity • 50% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
39% Popularity • 50% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
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Little Richard
Hurry Sundown
81 bpm • G# Maj • 02:48 • -10.12db
34% Popularity • 50% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
34% Popularity • 50% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Charles Bradley
I Believe in Your Love
81 bpm • F Maj • 03:54 • -8db
30% Popularity • 64% Danceability • 61% Energy • 10% Liveness
1% Instrumentalness • 42% Positiveness
30% Popularity • 64% Danceability • 61% Energy • 10% Liveness
1% Instrumentalness • 42% Positiveness
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The Olympians
Sirens of Jupiter
93 bpm • F min • 03:42 • -8.38db
47% Popularity • 55% Danceability • 71% Energy • 8% Liveness
11% Instrumentalness • 88% Positiveness
47% Popularity • 55% Danceability • 71% Energy • 8% Liveness
11% Instrumentalness • 88% Positiveness
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Bill Withers
Kissing My Love
94 bpm • C# Maj • 03:51 • -13.08db
50% Popularity • 82% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
50% Popularity • 82% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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The Impressions
Fool for You
81 bpm • D# min • 02:52 • -8db
37% Popularity • 46% Danceability • 66% Energy • 50% Liveness
0% Instrumentalness • 53% Positiveness
37% Popularity • 46% Danceability • 66% Energy • 50% Liveness
0% Instrumentalness • 53% Positiveness
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Darondo
Didn't I - Florent F Rework
81 bpm • F Maj • 03:45 • -7db
48% Popularity • 63% Danceability • 50% Energy • 9% Liveness
24% Instrumentalness • 93% Positiveness
48% Popularity • 63% Danceability • 50% Energy • 9% Liveness
24% Instrumentalness • 93% Positiveness
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James Brown & The Famous Flames
It's A Man's, Man's, Man's World
81 bpm • D# min • 02:47 • -16.63db
64% Popularity • 54% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
64% Popularity • 54% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Charles Bradley
I Feel a Change
81 bpm • F min • 04:26 • -5.22db
38% Popularity • 49% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
38% Popularity • 49% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Black Joe Lewis & The Honeybears
I'm Broke
94 bpm • E min • 04:07 • -6.74db
38% Popularity • 78% Danceability • 56% Energy • 5% Liveness
50% Instrumentalness • 78% Positiveness
38% Popularity • 78% Danceability • 56% Energy • 5% Liveness
50% Instrumentalness • 78% Positiveness
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Candi Staton
He Called Me Baby
94 bpm • D# Maj • 03:33 • -13db
44% Popularity • 63% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
44% Popularity • 63% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
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Galt MacDermot
Coffee Cold
80 bpm • A min • 03:25 • -9.69db
61% Popularity • 68% Danceability • 47% Energy • 22% Liveness
28% Instrumentalness • 48% Positiveness
61% Popularity • 68% Danceability • 47% Energy • 22% Liveness
28% Instrumentalness • 48% Positiveness
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Marvin Gaye
Inner City Blues (Make Me Wanna Holler)
94 bpm • C# Maj • 05:27 • -13.67db
61% Popularity • 63% Danceability • 46% Energy • 13% Liveness
13% Instrumentalness • 64% Positiveness
61% Popularity • 63% Danceability • 46% Energy • 13% Liveness
13% Instrumentalness • 64% Positiveness
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Irma Thomas
Ruler Of My Heart
94 bpm • A Maj • 02:39 • -14.18db
49% Popularity • 61% Danceability • 28% Energy • 15% Liveness
28% Instrumentalness • 47% Positiveness
49% Popularity • 61% Danceability • 28% Energy • 15% Liveness
28% Instrumentalness • 47% Positiveness
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Michael Kiwanuka
I'll Get Along
94 bpm • A Maj • 03:26 • -9.88db
53% Popularity • 66% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
53% Popularity • 66% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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DOPE LEMON
Home Soon
94 bpm • D Maj • 02:57 • -7.5db
60% Popularity • 70% Danceability • 74% Energy • 29% Liveness
38% Instrumentalness • 96% Positiveness
60% Popularity • 70% Danceability • 74% Energy • 29% Liveness
38% Instrumentalness • 96% Positiveness
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Marlena Shaw
California Soul
95 bpm • G# min • 02:57 • -8.41db
65% Popularity • 51% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 54% Positiveness
65% Popularity • 51% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 54% Positiveness
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Myron & E
If I Gave You My Love
94 bpm • A# Maj • 03:23 • -5.89db
34% Popularity • 51% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 51% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Darondo
True
95 bpm • C# min • 04:46 • -9.06db
35% Popularity • 86% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
35% Popularity • 86% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Irma Thomas
Straight From The Heart
95 bpm • D# Maj • 02:28 • -13db
45% Popularity • 65% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
45% Popularity • 65% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Wilson Pickett
Hey Joe
80 bpm • F min • 03:05 • -11.92db
38% Popularity • 51% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
38% Popularity • 51% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
