Songs like The Yeomen of the Guard Overture - Voice by Arthur Sullivan
Based on a tempo of (+/- 10%) and a similar genre
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Arthur Sullivan
The Yeomen of the Guard: Overture
90 bpm • D# Maj • 05:10 • -15.38db
1% Popularity • 25% Danceability • 17% Energy • 21% Liveness
93% Instrumentalness • 23% Positiveness
1% Popularity • 25% Danceability • 17% Energy • 21% Liveness
93% Instrumentalness • 23% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K.492 / Act 3: "Dove...
90 bpm • C Maj • 04:48 • -22db
29% Popularity • 28% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
29% Popularity • 28% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Richard Wagner
Die Walküre, WWV 86B, Act I: Winterstü...
89 bpm • A# Maj • 03:51 • -15db
26% Popularity • 28% Danceability • 21% Energy • 11% Liveness
18% Instrumentalness • 9% Positiveness
26% Popularity • 28% Danceability • 21% Energy • 11% Liveness
18% Instrumentalness • 9% Positiveness
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Leonard Bernstein
Bernstein: Candide, Act I, Scene 3: Aria...
91 bpm • G# Maj • 06:52 • -15.2db
16% Popularity • 36% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
16% Popularity • 36% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Jules Massenet
Cendrillon: Ah! Douce enfant
91 bpm • B Maj • 04:38 • -29db
8% Popularity • 22% Danceability • 4% Energy • 17% Liveness
3% Instrumentalness • 4% Positiveness
8% Popularity • 22% Danceability • 4% Energy • 17% Liveness
3% Instrumentalness • 4% Positiveness
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Théodore Dubois
Seven Last Words - Third Word - Theodore...
91 bpm • A min • 05:35 • -25.6db
8% Popularity • 12% Danceability • 4% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 12% Danceability • 4% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Arthur Sullivan
It Came Upon a Midnight Clear
90 bpm • F Maj • 03:10 • -24db
7% Popularity • 18% Danceability • 10% Energy • 11% Liveness
5% Instrumentalness • 12% Positiveness
7% Popularity • 18% Danceability • 10% Energy • 11% Liveness
5% Instrumentalness • 12% Positiveness
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Giacomo Puccini
La Rondine: Chi il bel sogno di Doretta
89 bpm • F Maj • 02:47 • -17.7db
15% Popularity • 27% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
15% Popularity • 27% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Erich Wolfgang Korngold
Die tote Stadt (The Dead City), Op. 12: ...
89 bpm • F# Maj • 02:06 • -21.48db
8% Popularity • 15% Danceability • 15% Energy • 24% Liveness
4% Instrumentalness • 12% Positiveness
8% Popularity • 15% Danceability • 15% Energy • 24% Liveness
4% Instrumentalness • 12% Positiveness
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Gian Carlo Menotti
What a Curse for a Woman Is a Timid Man
89 bpm • F Maj • 04:18 • -16.69db
7% Popularity • 32% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
7% Popularity • 32% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Così fan tutte, K. 588, Act 1: ...
91 bpm • C Maj • 01:14 • -12.16db
9% Popularity • 51% Danceability • 25% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
9% Popularity • 51% Danceability • 25% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
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Samuel Barber
Barber - Four songs, op. 13: Sure on thi...
89 bpm • G min • 02:17 • -19db
14% Popularity • 20% Danceability • 6% Energy • 8% Liveness
1% Instrumentalness • 7% Positiveness
14% Popularity • 20% Danceability • 6% Energy • 8% Liveness
1% Instrumentalness • 7% Positiveness
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Arthur Sullivan
Ruddigore (or, The Witch's Curse) (1987 ...
89 bpm • D# Maj • 02:22 • -18.75db
0% Popularity • 58% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
0% Popularity • 58% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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Giacomo Carissimi
Vittoria, mio core!
91 bpm • C Maj • 02:32 • -20db
20% Popularity • 41% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
20% Popularity • 41% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Sir Arthur Sullivan
Ruddigore: Scene: "For a week?Painted em...
91 bpm • A# Maj • 05:39 • -26.53db
2% Popularity • 31% Danceability • 3% Energy • 22% Liveness
0% Instrumentalness • 7% Positiveness
2% Popularity • 31% Danceability • 3% Energy • 22% Liveness
0% Instrumentalness • 7% Positiveness
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Gilbert & Sullivan Society of Houston
Trial by Jury: All Hail, Great Judge!
89 bpm • G Maj • 02:32 • -14.65db
9% Popularity • 33% Danceability • 19% Energy • 66% Liveness
0% Instrumentalness • 52% Positiveness
9% Popularity • 33% Danceability • 19% Energy • 66% Liveness
0% Instrumentalness • 52% Positiveness
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Reynaldo Hahn
Si mes vers avaient des ailes
92 bpm • E Maj • 02:19 • -27db
21% Popularity • 24% Danceability • 5% Energy • 8% Liveness
21% Instrumentalness • 5% Positiveness
21% Popularity • 24% Danceability • 5% Energy • 8% Liveness
21% Instrumentalness • 5% Positiveness
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Ralph Benatzky
Benatzky & Stolz: Im weißen Rößl: "Me...
92 bpm • C Maj • 02:52 • -15.16db
8% Popularity • 43% Danceability • 22% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
8% Popularity • 43% Danceability • 22% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
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Arthur Sullivan
The Yeomen of the Guard (or, The Merryma...
89 bpm • G# Maj • 03:41 • -25.39db
0% Popularity • 30% Danceability • 9% Energy • 16% Liveness
4% Instrumentalness • 35% Positiveness
0% Popularity • 30% Danceability • 9% Energy • 16% Liveness
4% Instrumentalness • 35% Positiveness
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Jacques Offenbach
Offenbach: La vie parisienne, Act 4: Fin...
88 bpm • G Maj • 03:12 • -17.09db
7% Popularity • 62% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
7% Popularity • 62% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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Benjamin Britten
Spring Symphony, Op. 44, Part I: The Dri...
88 bpm • F min • 01:59 • -23db
14% Popularity • 28% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
14% Popularity • 28% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Anne Thursfield
When I Was One And Twenty
92 bpm • F Maj • 01:34 • -21.9db
9% Popularity • 45% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 45% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 33% Positiveness
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Debbie Wiseman
What Is the Love That Dare Not Speak It'...
88 bpm • F Maj • 01:22 • -18.64db
15% Popularity • 16% Danceability • 15% Energy • 9% Liveness
79% Instrumentalness • 4% Positiveness
15% Popularity • 16% Danceability • 15% Energy • 9% Liveness
79% Instrumentalness • 4% Positiveness
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Anton Bruckner
Ecce sacerdos magnus, WAB 13
88 bpm • A min • 06:04 • -21.47db
11% Popularity • 20% Danceability • 11% Energy • 25% Liveness
2% Instrumentalness • 4% Positiveness
11% Popularity • 20% Danceability • 11% Energy • 25% Liveness
2% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Mendelssohn: A Midsummer Night's Dream, ...
88 bpm • A Maj • 04:30 • -20db
9% Popularity • 37% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 37% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Arthur Sullivan
Ruddigore (or, The Witch's Curse) (1987 ...
92 bpm • C Maj • 03:15 • -22.61db
0% Popularity • 47% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
0% Popularity • 47% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Philip Creasy
The Pirates of Penzance: Oh! False One, ...
88 bpm • G Maj • 03:09 • -23db
7% Popularity • 33% Danceability • 9% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
7% Popularity • 33% Danceability • 9% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
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Leonard Bernstein
Mass A Theatre Piece for Singers, Player...
88 bpm • A min • 09:50 • -27.27db
0% Popularity • 16% Danceability • 1% Energy • 9% Liveness
48% Instrumentalness • 4% Positiveness
0% Popularity • 16% Danceability • 1% Energy • 9% Liveness
48% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Die Zauberflöte, K.620 / Act 1: O zittr...
92 bpm • A# Maj • 05:17 • -15db
9% Popularity • 30% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
9% Popularity • 30% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Edward Elgar
Sea Pictures, Op. 37: No. 1, Sea Slumber...
88 bpm • C Maj • 05:18 • -30db
12% Popularity • 18% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Karl Jenkins
Hidden Faces
93 bpm • C# Maj • 01:19 • -23.39db
9% Popularity • 33% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
9% Popularity • 33% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
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Arthur Sullivan
H.M.S. Pinafore: Entracte
88 bpm • G Maj • 01:19 • -23db
13% Popularity • 18% Danceability • 8% Energy • 63% Liveness
97% Instrumentalness • 42% Positiveness
13% Popularity • 18% Danceability • 8% Energy • 63% Liveness
97% Instrumentalness • 42% Positiveness
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Ruggero Leoncavallo
Pagliacci: La Commedia: Paliaccio, mio m...
93 bpm • C Maj • 01:44 • -20.65db
12% Popularity • 46% Danceability • 5% Energy • 10% Liveness
12% Instrumentalness • 22% Positiveness
12% Popularity • 46% Danceability • 5% Energy • 10% Liveness
12% Instrumentalness • 22% Positiveness
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Leonard Bernstein
West Side Story: XVb. I Have a Love
92 bpm • D Maj • 03:29 • -21.42db
4% Popularity • 14% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
4% Popularity • 14% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Puccini: Turandot, Act 2: "La mia vittor...
93 bpm • F min • 01:49 • -14.97db
9% Popularity • 25% Danceability • 29% Energy • 33% Liveness
74% Instrumentalness • 11% Positiveness
9% Popularity • 25% Danceability • 29% Energy • 33% Liveness
74% Instrumentalness • 11% Positiveness
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Edward Elgar
The Music Makers, Op. 69: III. With wond...
88 bpm • C min • 01:51 • -16.35db
12% Popularity • 18% Danceability • 27% Energy • 13% Liveness
91% Instrumentalness • 15% Positiveness
12% Popularity • 18% Danceability • 27% Energy • 13% Liveness
91% Instrumentalness • 15% Positiveness
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Sir Arthur Sullivan
Ruddigore: Dialogue: "I recognize you no...
87 bpm • A# min • 05:09 • -25.19db
1% Popularity • 54% Danceability • 5% Energy • 55% Liveness
0% Instrumentalness • 14% Positiveness
1% Popularity • 54% Danceability • 5% Energy • 55% Liveness
0% Instrumentalness • 14% Positiveness
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Arthur Sullivan
H.M.S. Pinafore / Act 1: Hail! Men o'war...
87 bpm • C Maj • 04:16 • -22.62db
12% Popularity • 43% Danceability • 14% Energy • 21% Liveness
0% Instrumentalness • 31% Positiveness
12% Popularity • 43% Danceability • 14% Energy • 21% Liveness
0% Instrumentalness • 31% Positiveness
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Sir Henry Wood
Wood: Fantasia on British Sea Songs: V. ...
87 bpm • A Maj • 02:11 • -17.64db
9% Popularity • 41% Danceability • 23% Energy • 6% Liveness
30% Instrumentalness • 94% Positiveness
9% Popularity • 41% Danceability • 23% Energy • 6% Liveness
30% Instrumentalness • 94% Positiveness
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Leonard Bernstein
Candide, Act II: No. 29, Nothing More Th...
87 bpm • D# Maj • 04:03 • -17.93db
8% Popularity • 13% Danceability • 9% Energy • 9% Liveness
7% Instrumentalness • 4% Positiveness
8% Popularity • 13% Danceability • 9% Energy • 9% Liveness
7% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Elijah, Op. 70: "Baal, We Cry to Thee" (...
87 bpm • F Maj • 03:34 • -16db
8% Popularity • 18% Danceability • 19% Energy • 13% Liveness
21% Instrumentalness • 24% Positiveness
8% Popularity • 18% Danceability • 19% Energy • 13% Liveness
21% Instrumentalness • 24% Positiveness
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Gilbert & Sullivan Society of Houston
H.M.S. Pinafore, Act I: I'm Called Littl...
93 bpm • C Maj • 04:17 • -17.29db
13% Popularity • 53% Danceability • 19% Energy • 42% Liveness
0% Instrumentalness • 42% Positiveness
13% Popularity • 53% Danceability • 19% Energy • 42% Liveness
0% Instrumentalness • 42% Positiveness
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Andrew Lloyd Webber
Requiem: 8. Lux aeterna & Libera me
93 bpm • D min • 07:36 • -21db
11% Popularity • 14% Danceability • 5% Energy • 11% Liveness
10% Instrumentalness • 4% Positiveness
11% Popularity • 14% Danceability • 5% Energy • 11% Liveness
10% Instrumentalness • 4% Positiveness
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Arthur Sullivan
"Were I thy bride"
87 bpm • D# Maj • 02:03 • -22.76db
0% Popularity • 41% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
0% Popularity • 41% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Michael William Balfe
The Bohemian Girl - Arr. by Karel Mark C...
87 bpm • D Maj • 04:54 • -28.82db
13% Popularity • 22% Danceability • 6% Energy • 10% Liveness
45% Instrumentalness • 4% Positiveness
13% Popularity • 22% Danceability • 6% Energy • 10% Liveness
45% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
Donizetti: Lucia di Lammermoor, Act 1: "...
86 bpm • G Maj • 03:56 • -11.13db
6% Popularity • 38% Danceability • 21% Energy • 9% Liveness
1% Instrumentalness • 38% Positiveness
6% Popularity • 38% Danceability • 21% Energy • 9% Liveness
1% Instrumentalness • 38% Positiveness
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George Frideric Handel
Serse, HWV 40, Act I: Frondi tenere e be...
94 bpm • D# Maj • 03:59 • -22.07db
8% Popularity • 21% Danceability • 14% Energy • 11% Liveness
9% Instrumentalness • 6% Positiveness
8% Popularity • 21% Danceability • 14% Energy • 11% Liveness
9% Instrumentalness • 6% Positiveness
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Aaron Copland
Old American Songs I: V. I Bought me a C...
94 bpm • F Maj • 02:26 • -20.89db
17% Popularity • 60% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
17% Popularity • 60% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Francis Poulenc
Stabat Mater, FP 148: 11. Inflammatus et...
86 bpm • G# min • 01:46 • -17.2db
12% Popularity • 12% Danceability • 16% Energy • 12% Liveness
49% Instrumentalness • 7% Positiveness
12% Popularity • 12% Danceability • 16% Energy • 12% Liveness
49% Instrumentalness • 7% Positiveness
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Arthur Sullivan
H.M.S. Pinafore / Act 1: Now give three ...
93 bpm • F Maj • 01:49 • -20.67db
12% Popularity • 59% Danceability • 18% Energy • 60% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 59% Danceability • 18% Energy • 60% Liveness
0% Instrumentalness • 36% Positiveness
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Edward Elgar
Sea Pictures, Op. 37: No. 2, In Haven (C...
86 bpm • C Maj • 01:44 • -26db
11% Popularity • 20% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
11% Popularity • 20% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Ralph Vaughan Williams
Linden Lea
86 bpm • F Maj • 02:44 • -26.67db
18% Popularity • 40% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
18% Popularity • 40% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Charles Gounod
Gounod: Roméo et Juliette, Act 2: Entr'...
94 bpm • F Maj • 02:25 • -42.58db
8% Popularity • 16% Danceability • 0% Energy • 18% Liveness
86% Instrumentalness • 9% Positiveness
8% Popularity • 16% Danceability • 0% Energy • 18% Liveness
86% Instrumentalness • 9% Positiveness
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Franz Lehár
Lehár: Zigeunerliebe: "Hör ich Cymbalk...
86 bpm • F min • 03:16 • -16.55db
8% Popularity • 33% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
8% Popularity • 33% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Richard Strauss
Wiener Philharmoniker Fanfare, TrV 248 (...
95 bpm • C Maj • 02:17 • -20.63db
16% Popularity • 40% Danceability • 19% Energy • 13% Liveness
93% Instrumentalness • 28% Positiveness
16% Popularity • 40% Danceability • 19% Energy • 13% Liveness
93% Instrumentalness • 28% Positiveness
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Arthur Sullivan
The Mikado: Tit Willow: On a tree by a r...
87 bpm • G# Maj • 02:59 • -34.53db
0% Popularity • 42% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
0% Popularity • 42% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Bonaventura Bottone
The Mikado: The Flowers That Bloom In th...
86 bpm • E Maj • 01:35 • -23.43db
9% Popularity • 66% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
9% Popularity • 66% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Giacomo Puccini
La fanciulla del West, Act III: Ch'ella ...
86 bpm • F# Maj • 01:54 • -15.39db
8% Popularity • 24% Danceability • 22% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
8% Popularity • 24% Danceability • 22% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
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London Philharmonic Choir
Pomp And Circumstance
95 bpm • D Maj • 06:33 • -16.95db
13% Popularity • 16% Danceability • 30% Energy • 16% Liveness
53% Instrumentalness • 15% Positiveness
13% Popularity • 16% Danceability • 30% Energy • 16% Liveness
53% Instrumentalness • 15% Positiveness
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Charles Gounod
Faust: Faust, Act I: Avant de quitter ce...
86 bpm • D# Maj • 04:14 • -12.07db
17% Popularity • 19% Danceability • 32% Energy • 12% Liveness
31% Instrumentalness • 15% Positiveness
17% Popularity • 19% Danceability • 32% Energy • 12% Liveness
31% Instrumentalness • 15% Positiveness
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Giuseppe Verdi
Don Carlo*: 'Spuntato ecco il di d'esult...
95 bpm • E Maj • 04:53 • -21.49db
11% Popularity • 28% Danceability • 19% Energy • 36% Liveness
90% Instrumentalness • 28% Positiveness
11% Popularity • 28% Danceability • 19% Energy • 36% Liveness
90% Instrumentalness • 28% Positiveness
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Arthur Sullivan
"Here's a man of jollity"
86 bpm • C Maj • 01:18 • -18.36db
0% Popularity • 52% Danceability • 34% Energy • 10% Liveness
52% Instrumentalness • 72% Positiveness
0% Popularity • 52% Danceability • 34% Energy • 10% Liveness
52% Instrumentalness • 72% Positiveness
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Francis Poulenc
Gloria, FP 144: V. Domine Deus, Agnus De...
95 bpm • E Maj • 05:55 • -23.16db
20% Popularity • 18% Danceability • 8% Energy • 11% Liveness
57% Instrumentalness • 4% Positiveness
20% Popularity • 18% Danceability • 8% Energy • 11% Liveness
57% Instrumentalness • 4% Positiveness
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Giacomo Puccini
La Fanciulla del West / Act 1: Hello, Mi...
86 bpm • F Maj • 03:46 • -21.13db
8% Popularity • 24% Danceability • 13% Energy • 59% Liveness
1% Instrumentalness • 6% Positiveness
8% Popularity • 24% Danceability • 13% Energy • 59% Liveness
1% Instrumentalness • 6% Positiveness
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Aaron Copland
The Little Horses (Lullaby)
95 bpm • B min • 02:26 • -25.96db
5% Popularity • 28% Danceability • 3% Energy • 8% Liveness
2% Instrumentalness • 9% Positiveness
5% Popularity • 28% Danceability • 3% Energy • 8% Liveness
2% Instrumentalness • 9% Positiveness
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Wolfgang Amadeus Mozart
The Magic Flute, Act I: If you can striv...
95 bpm • C Maj • 01:40 • -22.83db
9% Popularity • 28% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
9% Popularity • 28% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
The Queen of Spades, Op. 68, Act II: Ya ...
96 bpm • D# Maj • 04:01 • -22db
12% Popularity • 21% Danceability • 10% Energy • 30% Liveness
0% Instrumentalness • 12% Positiveness
12% Popularity • 21% Danceability • 10% Energy • 30% Liveness
0% Instrumentalness • 12% Positiveness
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Arthur Sullivan
"Hark! What was that, sir?" - "Who fired...
94 bpm • G Maj • 03:43 • -16.31db
0% Popularity • 50% Danceability • 36% Energy • 43% Liveness
0% Instrumentalness • 35% Positiveness
0% Popularity • 50% Danceability • 36% Energy • 43% Liveness
0% Instrumentalness • 35% Positiveness
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Franz Lehár
Die lustige Witwe (The Merry Widow) (200...
85 bpm • G Maj • 02:28 • -20.48db
35% Popularity • 21% Danceability • 8% Energy • 18% Liveness
1% Instrumentalness • 6% Positiveness
35% Popularity • 21% Danceability • 8% Energy • 18% Liveness
1% Instrumentalness • 6% Positiveness
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Giacomo Puccini
Suor Angelica: Nel silenzio di quei racc...
84 bpm • C# min • 02:53 • -24.43db
9% Popularity • 30% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 30% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Edward Elgar
The Dream of Gerontius, Op. 38: No. 8, "...
84 bpm • G# min • 02:10 • -27.08db
8% Popularity • 22% Danceability • 4% Energy • 12% Liveness
22% Instrumentalness • 6% Positiveness
8% Popularity • 22% Danceability • 4% Energy • 12% Liveness
22% Instrumentalness • 6% Positiveness
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Wolfgang Amadeus Mozart
Die Entführung aus dem Serail, K. 384, ...
85 bpm • C Maj • 06:41 • -17.03db
8% Popularity • 48% Danceability • 22% Energy • 51% Liveness
0% Instrumentalness • 43% Positiveness
8% Popularity • 48% Danceability • 22% Energy • 51% Liveness
0% Instrumentalness • 43% Positiveness
► Preview
Georges Bizet
Les Pêcheurs de perles: Leïla!...Dieu ...
84 bpm • F min • 06:43 • -21.44db
9% Popularity • 22% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
9% Popularity • 22% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
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Arthur Sullivan
Ruddigore (or, The Witch's Curse) (1987 ...
94 bpm • D# Maj • 02:49 • -22.77db
0% Popularity • 36% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
0% Popularity • 36% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Antonio Caldara
Come raggio di sol
84 bpm • C Maj • 02:44 • -21db
8% Popularity • 32% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 32% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Turandot, Act III: Nessun dorma!
84 bpm • D Maj • 03:00 • -14.35db
24% Popularity • 16% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 16% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Wagner
Tannhauser: O du mein holder Abendstern
84 bpm • G Maj • 04:45 • -20db
24% Popularity • 18% Danceability • 18% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
24% Popularity • 18% Danceability • 18% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K.492 / Act 4: "Deh ...
97 bpm • F Maj • 03:40 • -32.72db
27% Popularity • 23% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 4% Positiveness
27% Popularity • 23% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 4% Positiveness
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Georges Bizet
Les Pêcheurs de perles: O lumière sain...
84 bpm • G Maj • 01:30 • -17.83db
11% Popularity • 20% Danceability • 27% Energy • 54% Liveness
50% Instrumentalness • 15% Positiveness
11% Popularity • 20% Danceability • 27% Energy • 54% Liveness
50% Instrumentalness • 15% Positiveness
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Arthur Sullivan
H.M.S. Pinafore / Act 1: When I was a la...
97 bpm • A# Maj • 07:56 • -18.92db
15% Popularity • 62% Danceability • 19% Energy • 56% Liveness
0% Instrumentalness • 20% Positiveness
15% Popularity • 62% Danceability • 19% Energy • 56% Liveness
0% Instrumentalness • 20% Positiveness
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Franz Lehár
Die lustige Witwe / Act 2: Vilja-Lied
97 bpm • G Maj • 05:57 • -22.68db
13% Popularity • 30% Danceability • 10% Energy • 18% Liveness
1% Instrumentalness • 6% Positiveness
13% Popularity • 30% Danceability • 10% Energy • 18% Liveness
1% Instrumentalness • 6% Positiveness
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Leonard Bernstein
Mass: Gloria: Gloria in Excelsis (Chorus...
98 bpm • F Maj • 01:15 • -15.75db
10% Popularity • 55% Danceability • 25% Energy • 58% Liveness
0% Instrumentalness • 37% Positiveness
10% Popularity • 55% Danceability • 25% Energy • 58% Liveness
0% Instrumentalness • 37% Positiveness
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Giuseppe Verdi
Messa da Requiem for Soloists, Chorus an...
83 bpm • A Maj • 10:42 • -26.86db
11% Popularity • 15% Danceability • 5% Energy • 8% Liveness
41% Instrumentalness • 4% Positiveness
11% Popularity • 15% Danceability • 5% Energy • 8% Liveness
41% Instrumentalness • 4% Positiveness
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Edward Elgar
Sea Pictures, Op. 37: No. 5, The Swimmer
98 bpm • E min • 05:51 • -18.21db
9% Popularity • 31% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
9% Popularity • 31% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Gérard Souzay
Chausson: Le Charme
98 bpm • D# Maj • 02:07 • -20db
12% Popularity • 25% Danceability • 10% Energy • 14% Liveness
33% Instrumentalness • 7% Positiveness
12% Popularity • 25% Danceability • 10% Energy • 14% Liveness
33% Instrumentalness • 7% Positiveness
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Arthur Sullivan
HMS Pinafore: 25. Act II, Octet. Farewel...
86 bpm • C Maj • 02:50 • -23.52db
1% Popularity • 34% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
1% Popularity • 34% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann (1989 Digital Rema...
98 bpm • A Maj • 01:41 • -13.33db
9% Popularity • 46% Danceability • 30% Energy • 45% Liveness
0% Instrumentalness • 56% Positiveness
9% Popularity • 46% Danceability • 30% Energy • 45% Liveness
0% Instrumentalness • 56% Positiveness
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Richard Wagner
Lohengrin, WWV 75, Act I Scene 2: Einsam...
82 bpm • G# Maj • 05:15 • -24.53db
11% Popularity • 23% Danceability • 3% Energy • 20% Liveness
0% Instrumentalness • 6% Positiveness
11% Popularity • 23% Danceability • 3% Energy • 20% Liveness
0% Instrumentalness • 6% Positiveness
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Wolfgang Amadeus Mozart
Die Entführung aus dem Serail, K. 384, ...
98 bpm • A Maj • 05:12 • -19.71db
7% Popularity • 35% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
7% Popularity • 35% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Giacomo Puccini
Puccini: Turandot, Act 2: "Popolo di Pek...
82 bpm • G Maj • 01:32 • -26.44db
10% Popularity • 31% Danceability • 6% Energy • 7% Liveness
6% Instrumentalness • 4% Positiveness
10% Popularity • 31% Danceability • 6% Energy • 7% Liveness
6% Instrumentalness • 4% Positiveness
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Malcolm Rivers
The Pirates of Penzance: Oh, Better Far ...
98 bpm • G Maj • 02:31 • -21db
9% Popularity • 60% Danceability • 15% Energy • 4% Liveness
0% Instrumentalness • 44% Positiveness
9% Popularity • 60% Danceability • 15% Energy • 4% Liveness
0% Instrumentalness • 44% Positiveness
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Arthur Sullivan
H.M.S. Pinafore / Act 1: The nightingale...
85 bpm • G# Maj • 02:17 • -28.51db
11% Popularity • 17% Danceability • 5% Energy • 18% Liveness
0% Instrumentalness • 9% Positiveness
11% Popularity • 17% Danceability • 5% Energy • 18% Liveness
0% Instrumentalness • 9% Positiveness
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Leonard Bernstein
Mass A Theatre Piece for Singers, Player...
99 bpm • A min • 01:13 • -17.53db
1% Popularity • 63% Danceability • 16% Energy • 32% Liveness
0% Instrumentalness • 47% Positiveness
1% Popularity • 63% Danceability • 16% Energy • 32% Liveness
0% Instrumentalness • 47% Positiveness
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Edward Elgar
The Dream of Gerontius, Op. 38, Pt.2: Pr...
82 bpm • E min • 05:47 • -24.99db
0% Popularity • 24% Danceability • 7% Energy • 12% Liveness
1% Instrumentalness • 6% Positiveness
0% Popularity • 24% Danceability • 7% Energy • 12% Liveness
1% Instrumentalness • 6% Positiveness
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Giovanni Battista Pergolesi
Tre giorni son che Nina
99 bpm • G min • 01:43 • -19db
23% Popularity • 31% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
23% Popularity • 31% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Gilbert & Sullivan Society of Houston
H.M.S. Pinafore, Act II: Entr’acte
82 bpm • G Maj • 01:07 • -23db
10% Popularity • 15% Danceability • 7% Energy • 17% Liveness
88% Instrumentalness • 22% Positiveness
10% Popularity • 15% Danceability • 7% Energy • 17% Liveness
88% Instrumentalness • 22% Positiveness
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Giuseppe Verdi
Rigoletto, Act I: "Caro nome"
82 bpm • E Maj • 06:17 • -22.51db
8% Popularity • 28% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 28% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
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Arthur Sullivan
HMS Pinafore (or, The Lass that Loved a ...
96 bpm • A Maj • 01:58 • -15db
5% Popularity • 56% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
5% Popularity • 56% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
