Songs like Thème de Yoyo by Art Ensemble Of Chicago
Based on a tempo of (+/- 10%) and a similar genre
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Mulatu Astatke
Esketa Dance
130 bpm • A# min • 04:09 • -6.53db
32% Popularity • 70% Danceability • 61% Energy • 11% Liveness
91% Instrumentalness • 56% Positiveness
32% Popularity • 70% Danceability • 61% Energy • 11% Liveness
91% Instrumentalness • 56% Positiveness
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Art Ensemble Of Chicago
Thème de Yoyo
130 bpm • C min • 09:01 • -12.28db
25% Popularity • 48% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
25% Popularity • 48% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Archie Shepp
Quiet Dawn
129 bpm • G min • 06:12 • -14db
23% Popularity • 35% Danceability • 45% Energy • 10% Liveness
59% Instrumentalness • 38% Positiveness
23% Popularity • 35% Danceability • 45% Energy • 10% Liveness
59% Instrumentalness • 38% Positiveness
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Lloyd Miller
Electricone
129 bpm • F min • 03:41 • -12db
17% Popularity • 56% Danceability • 42% Energy • 10% Liveness
29% Instrumentalness • 69% Positiveness
17% Popularity • 56% Danceability • 42% Energy • 10% Liveness
29% Instrumentalness • 69% Positiveness
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Alice Coltrane
Ghana Nila
129 bpm • F# Maj • 06:26 • -11.62db
11% Popularity • 46% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 46% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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O'Donel Levy
Bad, Bad, Simba
131 bpm • C Maj • 07:14 • -10.42db
31% Popularity • 52% Danceability • 68% Energy • 10% Liveness
66% Instrumentalness • 76% Positiveness
31% Popularity • 52% Danceability • 68% Energy • 10% Liveness
66% Instrumentalness • 76% Positiveness
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Heshoo Beshoo Group
Armitage Road
129 bpm • G Maj • 07:30 • -11.14db
9% Popularity • 54% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
9% Popularity • 54% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Art Ensemble Of Chicago
Bell Song
130 bpm • F Maj • 06:38 • -11.55db
2% Popularity • 30% Danceability • 24% Energy • 14% Liveness
6% Instrumentalness • 3% Positiveness
2% Popularity • 30% Danceability • 24% Energy • 14% Liveness
6% Instrumentalness • 3% Positiveness
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Rahsaan Roland Kirk
Blacknuss
129 bpm • A# min • 05:12 • -13.96db
8% Popularity • 45% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
8% Popularity • 45% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Duke Ellington
Blue Pepper (Far East of the Blues)
128 bpm • G# Maj • 03:02 • -9.31db
24% Popularity • 54% Danceability • 73% Energy • 25% Liveness
4% Instrumentalness • 38% Positiveness
24% Popularity • 54% Danceability • 73% Energy • 25% Liveness
4% Instrumentalness • 38% Positiveness
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Donald Byrd
Love's So Far Away
128 bpm • F min • 06:03 • -10.89db
26% Popularity • 59% Danceability • 86% Energy • 9% Liveness
80% Instrumentalness • 97% Positiveness
26% Popularity • 59% Danceability • 86% Energy • 9% Liveness
80% Instrumentalness • 97% Positiveness
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Ornette Coleman
What Reason Could I Give
128 bpm • G Maj • 03:05 • -10db
24% Popularity • 23% Danceability • 49% Energy • 34% Liveness
92% Instrumentalness • 20% Positiveness
24% Popularity • 23% Danceability • 49% Energy • 34% Liveness
92% Instrumentalness • 20% Positiveness
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Karin Krog
Hold out Your Hand
132 bpm • F Maj • 02:24 • -10.7db
12% Popularity • 49% Danceability • 82% Energy • 10% Liveness
15% Instrumentalness • 73% Positiveness
12% Popularity • 49% Danceability • 82% Energy • 10% Liveness
15% Instrumentalness • 73% Positiveness
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Hailu Mergia
Tizita
128 bpm • G min • 10:00 • -9db
25% Popularity • 34% Danceability • 69% Energy • 24% Liveness
5% Instrumentalness • 48% Positiveness
25% Popularity • 34% Danceability • 69% Energy • 24% Liveness
5% Instrumentalness • 48% Positiveness
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Heshoo Beshoo Group
Wait and See
128 bpm • F# Maj • 04:02 • -11.48db
8% Popularity • 75% Danceability • 58% Energy • 17% Liveness
92% Instrumentalness • 50% Positiveness
8% Popularity • 75% Danceability • 58% Energy • 17% Liveness
92% Instrumentalness • 50% Positiveness
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Art Ensemble Of Chicago
Ericka - Abrupt ending (cut)
132 bpm • F min • 03:22 • -25.58db
0% Popularity • 51% Danceability • 4% Energy • 23% Liveness
0% Instrumentalness • 20% Positiveness
0% Popularity • 51% Danceability • 4% Energy • 23% Liveness
0% Instrumentalness • 20% Positiveness
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Warmth
A Song the Children Dance To
132 bpm • F min • 05:35 • -11.09db
23% Popularity • 44% Danceability • 41% Energy • 10% Liveness
96% Instrumentalness • 51% Positiveness
23% Popularity • 44% Danceability • 41% Energy • 10% Liveness
96% Instrumentalness • 51% Positiveness
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Full Moon Ensemble
Samba Miaou
133 bpm • G Maj • 07:32 • -10.79db
7% Popularity • 32% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
7% Popularity • 32% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
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Donald Byrd
Fufu
127 bpm • E min • 09:39 • -16.44db
9% Popularity • 40% Danceability • 41% Energy • 9% Liveness
26% Instrumentalness • 35% Positiveness
9% Popularity • 40% Danceability • 41% Energy • 9% Liveness
26% Instrumentalness • 35% Positiveness
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Idris Ackamoor
We Be All Africans
127 bpm • D# min • 06:09 • -5.97db
8% Popularity • 72% Danceability • 90% Energy • 6% Liveness
12% Instrumentalness • 86% Positiveness
8% Popularity • 72% Danceability • 90% Energy • 6% Liveness
12% Instrumentalness • 86% Positiveness
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Don Cherry
Makondi
127 bpm • A Maj • 03:48 • -17db
15% Popularity • 59% Danceability • 54% Energy • 13% Liveness
81% Instrumentalness • 74% Positiveness
15% Popularity • 59% Danceability • 54% Energy • 13% Liveness
81% Instrumentalness • 74% Positiveness
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Lorez Alexandria
Send In The Clowns
127 bpm • G# Maj • 03:57 • -13db
22% Popularity • 68% Danceability • 36% Energy • 10% Liveness
1% Instrumentalness • 51% Positiveness
22% Popularity • 68% Danceability • 36% Energy • 10% Liveness
1% Instrumentalness • 51% Positiveness
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Les McCann
Doin That Thing
127 bpm • E min • 08:30 • -16.67db
25% Popularity • 54% Danceability • 38% Energy • 12% Liveness
95% Instrumentalness • 45% Positiveness
25% Popularity • 54% Danceability • 38% Energy • 12% Liveness
95% Instrumentalness • 45% Positiveness
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Art Ensemble Of Chicago
Charlie M
127 bpm • A# min • 09:17 • -15db
14% Popularity • 47% Danceability • 31% Energy • 15% Liveness
17% Instrumentalness • 36% Positiveness
14% Popularity • 47% Danceability • 31% Energy • 15% Liveness
17% Instrumentalness • 36% Positiveness
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Donald Byrd
Street Lady
133 bpm • C# Maj • 05:40 • -9.2db
23% Popularity • 61% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
23% Popularity • 61% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Ornette Coleman
Peace
127 bpm • B Maj • 09:04 • -15db
32% Popularity • 61% Danceability • 6% Energy • 11% Liveness
44% Instrumentalness • 19% Positiveness
32% Popularity • 61% Danceability • 6% Energy • 11% Liveness
44% Instrumentalness • 19% Positiveness
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Joe Harriott
Hum Dono
127 bpm • G Maj • 06:54 • -18db
16% Popularity • 60% Danceability • 41% Energy • 10% Liveness
88% Instrumentalness • 59% Positiveness
16% Popularity • 60% Danceability • 41% Energy • 10% Liveness
88% Instrumentalness • 59% Positiveness
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Ethnic Heritage Ensemble
Pharoah
133 bpm • C Maj • 07:11 • -12.49db
7% Popularity • 58% Danceability • 36% Energy • 9% Liveness
3% Instrumentalness • 57% Positiveness
7% Popularity • 58% Danceability • 36% Energy • 9% Liveness
3% Instrumentalness • 57% Positiveness
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Angel Bat Dawid
Transition East
133 bpm • A Maj • 03:23 • -12.39db
26% Popularity • 55% Danceability • 28% Energy • 11% Liveness
85% Instrumentalness • 50% Positiveness
26% Popularity • 55% Danceability • 28% Energy • 11% Liveness
85% Instrumentalness • 50% Positiveness
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Marion Brown
Sweet Earth Flying - Pt. 1
127 bpm • A Maj • 03:40 • -24db
25% Popularity • 35% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 10% Positiveness
25% Popularity • 35% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 10% Positiveness
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Mark Murphy
On The Red Clay
134 bpm • A# min • 04:38 • -7.55db
12% Popularity • 61% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
12% Popularity • 61% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Charles Mingus
Devil Blues
134 bpm • F min • 09:22 • -10.15db
18% Popularity • 55% Danceability • 53% Energy • 40% Liveness
0% Instrumentalness • 72% Positiveness
18% Popularity • 55% Danceability • 53% Energy • 40% Liveness
0% Instrumentalness • 72% Positiveness
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Kip Hanrahan
Whatever I Want
134 bpm • D Maj • 05:44 • -10.96db
3% Popularity • 68% Danceability • 65% Energy • 7% Liveness
22% Instrumentalness • 82% Positiveness
3% Popularity • 68% Danceability • 65% Energy • 7% Liveness
22% Instrumentalness • 82% Positiveness
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The Undisputed Truth
Ungena Za Ulimwengu (Unite The World)
126 bpm • C min • 08:51 • -15db
32% Popularity • 84% Danceability • 42% Energy • 7% Liveness
29% Instrumentalness • 82% Positiveness
32% Popularity • 84% Danceability • 42% Energy • 7% Liveness
29% Instrumentalness • 82% Positiveness
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T. P. Orchestre Poly-Rythmo
It's A Vanity
134 bpm • F# Maj • 04:22 • -5.61db
33% Popularity • 76% Danceability • 84% Energy • 14% Liveness
1% Instrumentalness • 93% Positiveness
33% Popularity • 76% Danceability • 84% Energy • 14% Liveness
1% Instrumentalness • 93% Positiveness
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Herbie Hancock
You'll Know When You Get There
126 bpm • E min • 10:14 • -15.31db
20% Popularity • 36% Danceability • 25% Energy • 8% Liveness
71% Instrumentalness • 11% Positiveness
20% Popularity • 36% Danceability • 25% Energy • 8% Liveness
71% Instrumentalness • 11% Positiveness
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Annette Peacock
Pony
134 bpm • C Maj • 06:17 • -11db
32% Popularity • 68% Danceability • 43% Energy • 9% Liveness
18% Instrumentalness • 63% Positiveness
32% Popularity • 68% Danceability • 43% Energy • 9% Liveness
18% Instrumentalness • 63% Positiveness
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William Onyeabor
Something You Will Never Forget
135 bpm • D Maj • 10:07 • -4.87db
19% Popularity • 66% Danceability • 87% Energy • 9% Liveness
2% Instrumentalness • 80% Positiveness
19% Popularity • 66% Danceability • 87% Energy • 9% Liveness
2% Instrumentalness • 80% Positiveness
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Hailu Mergia
Lomi Tera-tera
135 bpm • A min • 04:06 • -7.88db
17% Popularity • 49% Danceability • 53% Energy • 8% Liveness
5% Instrumentalness • 76% Positiveness
17% Popularity • 49% Danceability • 53% Energy • 8% Liveness
5% Instrumentalness • 76% Positiveness
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The Lounge Lizards
Yak
126 bpm • G min • 05:39 • -10.75db
15% Popularity • 71% Danceability • 54% Energy • 9% Liveness
1% Instrumentalness • 66% Positiveness
15% Popularity • 71% Danceability • 54% Energy • 9% Liveness
1% Instrumentalness • 66% Positiveness
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Philip Cohran & The Artistic Heritage Ensemble
The Minstrel
135 bpm • G min • 09:37 • -11.83db
10% Popularity • 53% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
10% Popularity • 53% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Mulatu Astatke
Soul Power
135 bpm • G Maj • 05:17 • -7.91db
8% Popularity • 80% Danceability • 48% Energy • 12% Liveness
90% Instrumentalness • 58% Positiveness
8% Popularity • 80% Danceability • 48% Energy • 12% Liveness
90% Instrumentalness • 58% Positiveness
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Albert Ayler
Heart Love
125 bpm • G Maj • 05:33 • -7.95db
13% Popularity • 61% Danceability • 80% Energy • 11% Liveness
10% Instrumentalness • 46% Positiveness
13% Popularity • 61% Danceability • 80% Energy • 11% Liveness
10% Instrumentalness • 46% Positiveness
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Gil Scott-Heron
Is That Jazz?
135 bpm • G# min • 03:44 • -12.43db
32% Popularity • 62% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
32% Popularity • 62% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Hailu Mergia
Musicawi Silt
125 bpm • G Maj • 03:49 • -7.02db
23% Popularity • 40% Danceability • 86% Energy • 8% Liveness
4% Instrumentalness • 80% Positiveness
23% Popularity • 40% Danceability • 86% Energy • 8% Liveness
4% Instrumentalness • 80% Positiveness
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Barney Wilen
Zombizar
135 bpm • C# Maj • 07:16 • -12.23db
13% Popularity • 77% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
13% Popularity • 77% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Art Ensemble Of Chicago
Third Decade
125 bpm • A# min • 08:19 • -17.1db
3% Popularity • 53% Danceability • 32% Energy • 11% Liveness
67% Instrumentalness • 29% Positiveness
3% Popularity • 53% Danceability • 32% Energy • 11% Liveness
67% Instrumentalness • 29% Positiveness
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Alfred panou
Le moral nécessaire
125 bpm • D# Maj • 06:03 • -13.05db
2% Popularity • 53% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
2% Popularity • 53% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Booker Little
Man Of Words - Remastered
136 bpm • F min • 04:51 • -16.19db
26% Popularity • 36% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
26% Popularity • 36% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
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The Ananda Shankar Experience
Streets of Calcutta - Live
136 bpm • D Maj • 04:44 • -6.25db
13% Popularity • 54% Danceability • 87% Energy • 68% Liveness
81% Instrumentalness • 49% Positiveness
13% Popularity • 54% Danceability • 87% Energy • 68% Liveness
81% Instrumentalness • 49% Positiveness
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Archie Shepp
Mama Too Tight
136 bpm • D min • 05:25 • -8db
7% Popularity • 48% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
7% Popularity • 48% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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Mulatu Astatke
Gubèlyé (My Gubel)
124 bpm • F min • 04:40 • -13.01db
38% Popularity • 46% Danceability • 28% Energy • 16% Liveness
41% Instrumentalness • 26% Positiveness
38% Popularity • 46% Danceability • 28% Energy • 16% Liveness
41% Instrumentalness • 26% Positiveness
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Pete La Roca
Turkish Women at the Bath
136 bpm • C min • 05:47 • -13.61db
14% Popularity • 43% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
14% Popularity • 43% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Wadada Leo Smith
Uprising
136 bpm • E min • 04:41 • -11db
11% Popularity • 44% Danceability • 66% Energy • 9% Liveness
14% Instrumentalness • 62% Positiveness
11% Popularity • 44% Danceability • 66% Energy • 9% Liveness
14% Instrumentalness • 62% Positiveness
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The Lounge Lizards
Voice of Chunk
136 bpm • A min • 05:25 • -12.93db
27% Popularity • 43% Danceability • 60% Energy • 15% Liveness
42% Instrumentalness • 62% Positiveness
27% Popularity • 43% Danceability • 60% Energy • 15% Liveness
42% Instrumentalness • 62% Positiveness
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Jaimie Branch
Theme 001
136 bpm • G Maj • 03:53 • -6.67db
15% Popularity • 54% Danceability • 74% Energy • 31% Liveness
78% Instrumentalness • 49% Positiveness
15% Popularity • 54% Danceability • 74% Energy • 31% Liveness
78% Instrumentalness • 49% Positiveness
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The Braz Gonsalves 7
Raga Rock
124 bpm • F Maj • 06:12 • -13.05db
11% Popularity • 49% Danceability • 57% Energy • 11% Liveness
58% Instrumentalness • 47% Positiveness
11% Popularity • 49% Danceability • 57% Energy • 11% Liveness
58% Instrumentalness • 47% Positiveness
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Dave Pike
Blind Man Blind Man
124 bpm • A# Maj • 06:52 • -8db
26% Popularity • 64% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
26% Popularity • 64% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Archie Shepp
Blues For Brother George Jackson
124 bpm • B Maj • 04:00 • -14.24db
17% Popularity • 53% Danceability • 49% Energy • 20% Liveness
59% Instrumentalness • 68% Positiveness
17% Popularity • 53% Danceability • 49% Energy • 20% Liveness
59% Instrumentalness • 68% Positiveness
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Marvin Pontiac
Wanna Wanna
124 bpm • G Maj • 04:50 • -8.91db
15% Popularity • 59% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
15% Popularity • 59% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Dave Holland Quartet
Conference Of The Birds
123 bpm • A# Maj • 04:37 • -22.25db
41% Popularity • 39% Danceability • 17% Energy • 20% Liveness
36% Instrumentalness • 29% Positiveness
41% Popularity • 39% Danceability • 17% Energy • 20% Liveness
36% Instrumentalness • 29% Positiveness
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Marion Brown
Sweet Earth Flying - Pt. 4 : Prince Will...
137 bpm • E Maj • 05:57 • -14.64db
7% Popularity • 46% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
7% Popularity • 46% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Don Ellis
Turkish Bath
137 bpm • G# Maj • 10:28 • -10db
20% Popularity • 51% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
20% Popularity • 51% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
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Albert Ayler
Summertime
137 bpm • A# Maj • 08:47 • -16db
36% Popularity • 45% Danceability • 19% Energy • 30% Liveness
57% Instrumentalness • 29% Positiveness
36% Popularity • 45% Danceability • 19% Energy • 30% Liveness
57% Instrumentalness • 29% Positiveness
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Roland Kirk Quartet
Serenade To A Cuckoo
137 bpm • F min • 04:35 • -20db
21% Popularity • 58% Danceability • 15% Energy • 17% Liveness
49% Instrumentalness • 50% Positiveness
21% Popularity • 58% Danceability • 15% Energy • 17% Liveness
49% Instrumentalness • 50% Positiveness
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Archie Shepp
Invocation To Mr. Parker
137 bpm • A Maj • 03:16 • -28.92db
13% Popularity • 46% Danceability • 7% Energy • 19% Liveness
90% Instrumentalness • 4% Positiveness
13% Popularity • 46% Danceability • 7% Energy • 19% Liveness
90% Instrumentalness • 4% Positiveness
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Karin Krog
Mr. Joy
123 bpm • A min • 08:05 • -12.17db
8% Popularity • 40% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
8% Popularity • 40% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Jack McDuff
Oblighetto
123 bpm • C Maj • 06:36 • -9.75db
32% Popularity • 45% Danceability • 73% Energy • 18% Liveness
43% Instrumentalness • 28% Positiveness
32% Popularity • 45% Danceability • 73% Energy • 18% Liveness
43% Instrumentalness • 28% Positiveness
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Jan Garbarek Quartet
Afric Pepperbird
137 bpm • C Maj • 07:58 • -15.86db
12% Popularity • 47% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
12% Popularity • 47% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Rahsaan Roland Kirk
Theme for the Eulipions
137 bpm • F min • 09:30 • -13db
20% Popularity • 38% Danceability • 37% Energy • 33% Liveness
0% Instrumentalness • 46% Positiveness
20% Popularity • 38% Danceability • 37% Energy • 33% Liveness
0% Instrumentalness • 46% Positiveness
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Dorothy Ashby
Pawky
137 bpm • D min • 07:05 • -14.57db
23% Popularity • 52% Danceability • 24% Energy • 11% Liveness
2% Instrumentalness • 41% Positiveness
23% Popularity • 52% Danceability • 24% Energy • 11% Liveness
2% Instrumentalness • 41% Positiveness
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Sun Ra & His Arkestra
Moonship Journey
137 bpm • F Maj • 06:13 • -19.94db
8% Popularity • 55% Danceability • 23% Energy • 12% Liveness
14% Instrumentalness • 73% Positiveness
8% Popularity • 55% Danceability • 23% Energy • 12% Liveness
14% Instrumentalness • 73% Positiveness
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Horace Silver
I've Had A Little Talk
123 bpm • F# Maj • 03:49 • -6.09db
25% Popularity • 59% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
25% Popularity • 59% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Heshoo Beshoo Group
Emakhaya
123 bpm • D Maj • 07:18 • -9db
29% Popularity • 79% Danceability • 69% Energy • 17% Liveness
63% Instrumentalness • 45% Positiveness
29% Popularity • 79% Danceability • 69% Energy • 17% Liveness
63% Instrumentalness • 45% Positiveness
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Terry Callier
Dancing Girl
122 bpm • C# min • 09:01 • -14.08db
28% Popularity • 35% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
28% Popularity • 35% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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The Pharaohs
Damballa
138 bpm • D min • 08:03 • -8.48db
7% Popularity • 55% Danceability • 74% Energy • 8% Liveness
3% Instrumentalness • 66% Positiveness
7% Popularity • 55% Danceability • 74% Energy • 8% Liveness
3% Instrumentalness • 66% Positiveness
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Nina Simone
Funkier Than a Mosquito's Tweeter
139 bpm • G# min • 05:20 • -15.73db
42% Popularity • 53% Danceability • 55% Energy • 70% Liveness
1% Instrumentalness • 78% Positiveness
42% Popularity • 53% Danceability • 55% Energy • 70% Liveness
1% Instrumentalness • 78% Positiveness
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Sun Ra & His Arkestra
Springtime Again
123 bpm • F Maj • 09:15 • -11.99db
33% Popularity • 36% Danceability • 43% Energy • 14% Liveness
40% Instrumentalness • 18% Positiveness
33% Popularity • 36% Danceability • 43% Energy • 14% Liveness
40% Instrumentalness • 18% Positiveness
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The Headhunters
Music
122 bpm • G# min • 03:33 • -11.27db
11% Popularity • 50% Danceability • 61% Energy • 11% Liveness
71% Instrumentalness • 50% Positiveness
11% Popularity • 50% Danceability • 61% Energy • 11% Liveness
71% Instrumentalness • 50% Positiveness
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Lloyd Miller
Gol-E-Gandom
122 bpm • D min • 04:11 • -9.44db
13% Popularity • 29% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 51% Positiveness
13% Popularity • 29% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 51% Positiveness
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Donald Byrd
Chant
122 bpm • C min • 07:31 • -11.26db
19% Popularity • 54% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 54% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Gary Bartz
Dr. Follow's Dance
122 bpm • G min • 10:31 • -12.74db
7% Popularity • 53% Danceability • 62% Energy • 65% Liveness
18% Instrumentalness • 84% Positiveness
7% Popularity • 53% Danceability • 62% Energy • 65% Liveness
18% Instrumentalness • 84% Positiveness
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Oliver Nelson
Skull Session
139 bpm • D min • 06:04 • -6db
23% Popularity • 27% Danceability • 80% Energy • 8% Liveness
4% Instrumentalness • 49% Positiveness
23% Popularity • 27% Danceability • 80% Energy • 8% Liveness
4% Instrumentalness • 49% Positiveness
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The Fabulous Three
Recording 82
121 bpm • F min • 03:20 • -12db
28% Popularity • 55% Danceability • 71% Energy • 11% Liveness
91% Instrumentalness • 65% Positiveness
28% Popularity • 55% Danceability • 71% Energy • 11% Liveness
91% Instrumentalness • 65% Positiveness
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Pete La Roca
Basra - Remastered 2004
139 bpm • D Maj • 09:59 • -11db
12% Popularity • 50% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
12% Popularity • 50% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Milt Jackson
Bags & Trane
121 bpm • F# min • 07:22 • -17.2db
7% Popularity • 49% Danceability • 19% Energy • 11% Liveness
2% Instrumentalness • 23% Positiveness
7% Popularity • 49% Danceability • 19% Energy • 11% Liveness
2% Instrumentalness • 23% Positiveness
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Harry Warren
I Only Have Eyes For You
140 bpm • F Maj • 10:29 • -19.48db
12% Popularity • 50% Danceability • 8% Energy • 30% Liveness
39% Instrumentalness • 21% Positiveness
12% Popularity • 50% Danceability • 8% Energy • 30% Liveness
39% Instrumentalness • 21% Positiveness
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Moussa Doumbia
Keleya
121 bpm • B min • 06:42 • -9.66db
30% Popularity • 79% Danceability • 63% Energy • 35% Liveness
7% Instrumentalness • 45% Positiveness
30% Popularity • 79% Danceability • 63% Energy • 35% Liveness
7% Instrumentalness • 45% Positiveness
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Art Ensemble Of Chicago
Promenade: Cote Bamako II
140 bpm • D Maj • 05:57 • -19.08db
1% Popularity • 49% Danceability • 48% Energy • 97% Liveness
82% Instrumentalness • 38% Positiveness
1% Popularity • 49% Danceability • 48% Energy • 97% Liveness
82% Instrumentalness • 38% Positiveness
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Cecil Taylor
Port Of Call - Remastered
121 bpm • F min • 04:20 • -17.38db
22% Popularity • 40% Danceability • 40% Energy • 14% Liveness
81% Instrumentalness • 56% Positiveness
22% Popularity • 40% Danceability • 40% Energy • 14% Liveness
81% Instrumentalness • 56% Positiveness
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Jaimie Branch
Theme Nothing
140 bpm • C# min • 05:16 • -6db
10% Popularity • 48% Danceability • 83% Energy • 5% Liveness
86% Instrumentalness • 62% Positiveness
10% Popularity • 48% Danceability • 83% Energy • 5% Liveness
86% Instrumentalness • 62% Positiveness
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Donald Byrd
Black Byrd
121 bpm • A# Maj • 07:21 • -9.49db
27% Popularity • 74% Danceability • 74% Energy • 10% Liveness
6% Instrumentalness • 96% Positiveness
27% Popularity • 74% Danceability • 74% Energy • 10% Liveness
6% Instrumentalness • 96% Positiveness
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Don Cherry
I Walk
121 bpm • G Maj • 03:11 • -13.27db
16% Popularity • 82% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
16% Popularity • 82% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Ornette Coleman
Tomorrow Is The Question! - Instrumental
120 bpm • D Maj • 03:10 • -19db
27% Popularity • 66% Danceability • 26% Energy • 10% Liveness
85% Instrumentalness • 76% Positiveness
27% Popularity • 66% Danceability • 26% Energy • 10% Liveness
85% Instrumentalness • 76% Positiveness
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Art Ensemble Of Chicago
Thème de Céline
121 bpm • G min • 03:03 • -5db
11% Popularity • 41% Danceability • 84% Energy • 11% Liveness
79% Instrumentalness • 53% Positiveness
11% Popularity • 41% Danceability • 84% Energy • 11% Liveness
79% Instrumentalness • 53% Positiveness
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Sarah Webster Fabio
Sweet Songs
120 bpm • B min • 05:10 • -19.2db
18% Popularity • 58% Danceability • 49% Energy • 6% Liveness
1% Instrumentalness • 79% Positiveness
18% Popularity • 58% Danceability • 49% Energy • 6% Liveness
1% Instrumentalness • 79% Positiveness
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Albert Ayler
Message From Albert / New Grass
120 bpm • D# Maj • 03:55 • -9.65db
9% Popularity • 40% Danceability • 55% Energy • 22% Liveness
2% Instrumentalness • 73% Positiveness
9% Popularity • 40% Danceability • 55% Energy • 22% Liveness
2% Instrumentalness • 73% Positiveness
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Herbie Hancock
Wiggle Waggle
120 bpm • F min • 05:51 • -9db
35% Popularity • 48% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
35% Popularity • 48% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
