Songs like Theme from Bartok's Violin Concerto No. 2, Second Movement, Andante Tranquillo by Peter King
Based on a tempo of (+/- 10%) and a similar genre
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Pat Thomas
Odoo Be Ba
111 bpm • F# min • 04:54 • -8db
32% Popularity • 68% Danceability • 81% Energy • 6% Liveness
1% Instrumentalness • 92% Positiveness
32% Popularity • 68% Danceability • 81% Energy • 6% Liveness
1% Instrumentalness • 92% Positiveness
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Gildas Scouarnec Quintet
Minor Mood
111 bpm • D Maj • 09:56 • -11.43db
0% Popularity • 46% Danceability • 44% Energy • 11% Liveness
64% Instrumentalness • 19% Positiveness
0% Popularity • 46% Danceability • 44% Energy • 11% Liveness
64% Instrumentalness • 19% Positiveness
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Peter King
Afro-Funk
111 bpm • F Maj • 03:52 • -8.76db
26% Popularity • 66% Danceability • 80% Energy • 25% Liveness
1% Instrumentalness • 96% Positiveness
26% Popularity • 66% Danceability • 80% Energy • 25% Liveness
1% Instrumentalness • 96% Positiveness
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The Semi Colon
Nekwaha Semi Colon
111 bpm • A Maj • 03:31 • -9.27db
15% Popularity • 55% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
15% Popularity • 55% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
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The Hygrades
Keep On Moving
111 bpm • C Maj • 04:02 • -7.2db
21% Popularity • 74% Danceability • 62% Energy • 26% Liveness
1% Instrumentalness • 74% Positiveness
21% Popularity • 74% Danceability • 62% Energy • 26% Liveness
1% Instrumentalness • 74% Positiveness
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La Tromba
Calaba Calabao
111 bpm • C# Maj • 03:49 • -6.51db
21% Popularity • 64% Danceability • 85% Energy • 9% Liveness
12% Instrumentalness • 77% Positiveness
21% Popularity • 64% Danceability • 85% Energy • 9% Liveness
12% Instrumentalness • 77% Positiveness
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The Funkees
Akula Owu Onyeara
111 bpm • F min • 07:28 • -10.32db
35% Popularity • 70% Danceability • 70% Energy • 24% Liveness
5% Instrumentalness • 88% Positiveness
35% Popularity • 70% Danceability • 70% Energy • 24% Liveness
5% Instrumentalness • 88% Positiveness
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Ebo Taylor
What Is Life?
111 bpm • G Maj • 04:37 • -6.66db
27% Popularity • 83% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
27% Popularity • 83% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Peter King
King's Zydeco
111 bpm • C Maj • 02:51 • -20.36db
0% Popularity • 60% Danceability • 43% Energy • 6% Liveness
86% Instrumentalness • 75% Positiveness
0% Popularity • 60% Danceability • 43% Energy • 6% Liveness
86% Instrumentalness • 75% Positiveness
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The Hykkers
Stone the Flower
111 bpm • D Maj • 02:52 • -11.17db
16% Popularity • 80% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
16% Popularity • 80% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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The Barbecues
Aaya Lolo
112 bpm • F# min • 03:48 • -6db
21% Popularity • 67% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
21% Popularity • 67% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Black Truth Rhythm Band
Ifetayo
112 bpm • D Maj • 05:48 • -12.57db
10% Popularity • 59% Danceability • 51% Energy • 15% Liveness
76% Instrumentalness • 64% Positiveness
10% Popularity • 59% Danceability • 51% Energy • 15% Liveness
76% Instrumentalness • 64% Positiveness
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The Funkees
Onye Mmanya
112 bpm • C Maj • 05:52 • -9.66db
22% Popularity • 59% Danceability • 74% Energy • 19% Liveness
25% Instrumentalness • 60% Positiveness
22% Popularity • 59% Danceability • 74% Energy • 19% Liveness
25% Instrumentalness • 60% Positiveness
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The Hygrades
Rough Rider
112 bpm • D min • 03:53 • -8db
39% Popularity • 72% Danceability • 65% Energy • 9% Liveness
79% Instrumentalness • 93% Positiveness
39% Popularity • 72% Danceability • 65% Energy • 9% Liveness
79% Instrumentalness • 93% Positiveness
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Gyedu-Blay Ambolley
This Hustling World
110 bpm • G min • 04:18 • -10.83db
31% Popularity • 70% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
31% Popularity • 70% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
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Gildas Scouarnec Quintet
Soul Eyes
112 bpm • G# Maj • 08:11 • -7.19db
0% Popularity • 58% Danceability • 28% Energy • 11% Liveness
22% Instrumentalness • 21% Positiveness
0% Popularity • 58% Danceability • 28% Energy • 11% Liveness
22% Instrumentalness • 21% Positiveness
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Peter King
African Dialects
110 bpm • D Maj • 04:49 • -9.66db
9% Popularity • 67% Danceability • 76% Energy • 17% Liveness
76% Instrumentalness • 47% Positiveness
9% Popularity • 67% Danceability • 76% Energy • 17% Liveness
76% Instrumentalness • 47% Positiveness
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Mukhtar Ramadan Idii
Check up Your Head
112 bpm • G Maj • 05:50 • -11.02db
27% Popularity • 90% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
27% Popularity • 90% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Itadi
Live in Other World
110 bpm • G Maj • 04:52 • -10.55db
11% Popularity • 63% Danceability • 71% Energy • 10% Liveness
67% Instrumentalness • 76% Positiveness
11% Popularity • 63% Danceability • 71% Energy • 10% Liveness
67% Instrumentalness • 76% Positiveness
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Pat Thomas
Onfa Nkosi Hwee
112 bpm • A min • 05:06 • -10db
31% Popularity • 78% Danceability • 85% Energy • 39% Liveness
0% Instrumentalness • 96% Positiveness
31% Popularity • 78% Danceability • 85% Energy • 39% Liveness
0% Instrumentalness • 96% Positiveness
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Dele Sosimi
E Go Betta
110 bpm • G min • 06:09 • -8db
32% Popularity • 88% Danceability • 78% Energy • 7% Liveness
79% Instrumentalness • 78% Positiveness
32% Popularity • 88% Danceability • 78% Energy • 7% Liveness
79% Instrumentalness • 78% Positiveness
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The Sahara All Stars
Alikali Adajo
112 bpm • C# Maj • 08:58 • -11.27db
7% Popularity • 70% Danceability • 68% Energy • 11% Liveness
11% Instrumentalness • 71% Positiveness
7% Popularity • 70% Danceability • 68% Energy • 11% Liveness
11% Instrumentalness • 71% Positiveness
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Peter King
African Dialects
110 bpm • D Maj • 04:56 • -8.79db
34% Popularity • 67% Danceability • 80% Energy • 12% Liveness
69% Instrumentalness • 55% Positiveness
34% Popularity • 67% Danceability • 80% Energy • 12% Liveness
69% Instrumentalness • 55% Positiveness
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Ebo Taylor
Amponsah
110 bpm • F Maj • 04:17 • -5.15db
31% Popularity • 71% Danceability • 84% Energy • 10% Liveness
9% Instrumentalness • 90% Positiveness
31% Popularity • 71% Danceability • 84% Energy • 10% Liveness
9% Instrumentalness • 90% Positiveness
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Verckys & L'Orchestre Vévé
Bassala Hot
112 bpm • C Maj • 07:41 • -11.58db
15% Popularity • 64% Danceability • 54% Energy • 11% Liveness
88% Instrumentalness • 86% Positiveness
15% Popularity • 64% Danceability • 54% Energy • 11% Liveness
88% Instrumentalness • 86% Positiveness
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Boncana Maïga
Petroci
113 bpm • C min • 02:24 • -8.5db
26% Popularity • 62% Danceability • 74% Energy • 9% Liveness
85% Instrumentalness • 96% Positiveness
26% Popularity • 62% Danceability • 74% Energy • 9% Liveness
85% Instrumentalness • 96% Positiveness
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Rob
Loose Up Yourself
113 bpm • G Maj • 03:24 • -9.96db
21% Popularity • 84% Danceability • 65% Energy • 8% Liveness
34% Instrumentalness • 79% Positiveness
21% Popularity • 84% Danceability • 65% Energy • 8% Liveness
34% Instrumentalness • 79% Positiveness
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Antibalas
Dirty Money
113 bpm • F# min • 06:15 • -6.17db
37% Popularity • 71% Danceability • 96% Energy • 6% Liveness
55% Instrumentalness • 90% Positiveness
37% Popularity • 71% Danceability • 96% Energy • 6% Liveness
55% Instrumentalness • 90% Positiveness
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Tony Tete Harbor
Tete Muo Bu Muo
110 bpm • F Maj • 05:12 • -7.9db
15% Popularity • 73% Danceability • 88% Energy • 14% Liveness
54% Instrumentalness • 91% Positiveness
15% Popularity • 73% Danceability • 88% Energy • 14% Liveness
54% Instrumentalness • 91% Positiveness
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Ebo Taylor
Atwer Abroba
110 bpm • F min • 08:12 • -7db
37% Popularity • 72% Danceability • 88% Energy • 10% Liveness
30% Instrumentalness • 85% Positiveness
37% Popularity • 72% Danceability • 88% Energy • 10% Liveness
30% Instrumentalness • 85% Positiveness
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Peter King
Boxer's Demise
109 bpm • C# Maj • 06:22 • -17.82db
0% Popularity • 41% Danceability • 25% Energy • 22% Liveness
92% Instrumentalness • 12% Positiveness
0% Popularity • 41% Danceability • 25% Energy • 22% Liveness
92% Instrumentalness • 12% Positiveness
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Alex Rodriguez
El Mercado
113 bpm • G Maj • 04:57 • -7.36db
16% Popularity • 61% Danceability • 86% Energy • 14% Liveness
74% Instrumentalness • 85% Positiveness
16% Popularity • 61% Danceability • 86% Energy • 14% Liveness
74% Instrumentalness • 85% Positiveness
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Pat Thomas
Awurade Mpaebo
113 bpm • F# Maj • 03:26 • -8.67db
34% Popularity • 75% Danceability • 57% Energy • 5% Liveness
6% Instrumentalness • 77% Positiveness
34% Popularity • 75% Danceability • 57% Energy • 5% Liveness
6% Instrumentalness • 77% Positiveness
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Orchestre Poly-Rythmo de Cotonou
Karateka - Sato
113 bpm • F min • 03:59 • -8.38db
9% Popularity • 60% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
9% Popularity • 60% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
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African Music Machine
Tropical
109 bpm • D Maj • 02:22 • -7.99db
24% Popularity • 88% Danceability • 87% Energy • 6% Liveness
93% Instrumentalness • 97% Positiveness
24% Popularity • 88% Danceability • 87% Energy • 6% Liveness
93% Instrumentalness • 97% Positiveness
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Ebo Taylor
Victory
109 bpm • A# min • 04:18 • -7db
27% Popularity • 80% Danceability • 82% Energy • 5% Liveness
3% Instrumentalness • 69% Positiveness
27% Popularity • 80% Danceability • 82% Energy • 5% Liveness
3% Instrumentalness • 69% Positiveness
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K. Frimpong & His Cubano Fiestas
Hwehwe Mu Na Yi Wo Mpena
109 bpm • C Maj • 07:50 • -9db
23% Popularity • 65% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
23% Popularity • 65% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Peter King
Lover Man
113 bpm • F Maj • 06:59 • -15.33db
0% Popularity • 54% Danceability • 36% Energy • 73% Liveness
88% Instrumentalness • 22% Positiveness
0% Popularity • 54% Danceability • 36% Energy • 73% Liveness
88% Instrumentalness • 22% Positiveness
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Dur-Dur Band
Yabaal
109 bpm • E Maj • 05:57 • -10db
32% Popularity • 62% Danceability • 78% Energy • 23% Liveness
10% Instrumentalness • 79% Positiveness
32% Popularity • 62% Danceability • 78% Energy • 23% Liveness
10% Instrumentalness • 79% Positiveness
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The Scorpios
Mashena: We Went
109 bpm • C Maj • 03:10 • -11.39db
20% Popularity • 61% Danceability • 54% Energy • 3% Liveness
6% Instrumentalness • 97% Positiveness
20% Popularity • 61% Danceability • 54% Energy • 3% Liveness
6% Instrumentalness • 97% Positiveness
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Monomono
Plain Fighting
109 bpm • C Maj • 05:39 • -8.52db
12% Popularity • 72% Danceability • 64% Energy • 9% Liveness
17% Instrumentalness • 74% Positiveness
12% Popularity • 72% Danceability • 64% Energy • 9% Liveness
17% Instrumentalness • 74% Positiveness
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Ebo Taylor
Love And Death
109 bpm • C Maj • 08:17 • -7.46db
29% Popularity • 81% Danceability • 92% Energy • 8% Liveness
9% Instrumentalness • 81% Positiveness
29% Popularity • 81% Danceability • 92% Energy • 8% Liveness
9% Instrumentalness • 81% Positiveness
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Moussa Doumbia
Keleya - Original 45 Version
114 bpm • C# min • 04:52 • -4.63db
16% Popularity • 85% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
16% Popularity • 85% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Peter King
The Road to Ubatuba
113 bpm • E Maj • 03:38 • -9.77db
1% Popularity • 63% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
1% Popularity • 63% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Tony Allen & His Afro Messengers
No Discrimination
108 bpm • C# Maj • 08:18 • -8db
23% Popularity • 68% Danceability • 75% Energy • 7% Liveness
13% Instrumentalness • 97% Positiveness
23% Popularity • 68% Danceability • 75% Energy • 7% Liveness
13% Instrumentalness • 97% Positiveness
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Louis Stewart
Everything I Have Is Yours
108 bpm • F Maj • 06:26 • -16.93db
3% Popularity • 47% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
3% Popularity • 47% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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Monomono
Tire Loma da Nigbehin
108 bpm • B min • 04:48 • -8db
34% Popularity • 57% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
34% Popularity • 57% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Ebo Taylor
Saana
109 bpm • C Maj • 05:52 • -12.69db
30% Popularity • 68% Danceability • 57% Energy • 10% Liveness
29% Instrumentalness • 86% Positiveness
30% Popularity • 68% Danceability • 57% Energy • 10% Liveness
29% Instrumentalness • 86% Positiveness
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The Strangers
Onye Ije
114 bpm • G min • 02:49 • -7.32db
17% Popularity • 60% Danceability • 84% Energy • 34% Liveness
40% Instrumentalness • 91% Positiveness
17% Popularity • 60% Danceability • 84% Energy • 34% Liveness
40% Instrumentalness • 91% Positiveness
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Peter King
Lafayette Zydeco
113 bpm • C Maj • 03:35 • -17.69db
0% Popularity • 55% Danceability • 55% Energy • 6% Liveness
33% Instrumentalness • 83% Positiveness
0% Popularity • 55% Danceability • 55% Energy • 6% Liveness
33% Instrumentalness • 83% Positiveness
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Orlando Julius
Love Thy Neighbour
108 bpm • G min • 04:18 • -6.01db
27% Popularity • 63% Danceability • 93% Energy • 10% Liveness
80% Instrumentalness • 70% Positiveness
27% Popularity • 63% Danceability • 93% Energy • 10% Liveness
80% Instrumentalness • 70% Positiveness
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The Funkees
Point of No Return
114 bpm • F# Maj • 03:27 • -12.12db
13% Popularity • 54% Danceability • 80% Energy • 7% Liveness
28% Instrumentalness • 97% Positiveness
13% Popularity • 54% Danceability • 80% Energy • 7% Liveness
28% Instrumentalness • 97% Positiveness
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Pat Thomas
Brebrebre
108 bpm • C Maj • 05:22 • -6db
23% Popularity • 88% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 88% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Tunde Mabadu
Viva Disco - Instrumental
108 bpm • A min • 05:39 • -9.09db
19% Popularity • 55% Danceability • 68% Energy • 26% Liveness
80% Instrumentalness • 96% Positiveness
19% Popularity • 55% Danceability • 68% Energy • 26% Liveness
80% Instrumentalness • 96% Positiveness
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Sahara All Stars Band Jos.
Enjoy Yourself
114 bpm • D min • 06:02 • -7.09db
26% Popularity • 63% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
26% Popularity • 63% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Peter King
Now I'm a Man
108 bpm • A min • 03:38 • -8.14db
9% Popularity • 66% Danceability • 56% Energy • 16% Liveness
83% Instrumentalness • 71% Positiveness
9% Popularity • 66% Danceability • 56% Energy • 16% Liveness
83% Instrumentalness • 71% Positiveness
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Jingo
Fever
114 bpm • B Maj • 06:43 • -6.94db
19% Popularity • 63% Danceability • 78% Energy • 24% Liveness
13% Instrumentalness • 96% Positiveness
19% Popularity • 63% Danceability • 78% Energy • 24% Liveness
13% Instrumentalness • 96% Positiveness
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The Budos Band
The Volcano Song
114 bpm • B min • 02:50 • -6.17db
42% Popularity • 67% Danceability • 96% Energy • 13% Liveness
89% Instrumentalness • 97% Positiveness
42% Popularity • 67% Danceability • 96% Energy • 13% Liveness
89% Instrumentalness • 97% Positiveness
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Pat Thomas
Obra E Yebo Yi
108 bpm • D# Maj • 03:21 • -7.05db
29% Popularity • 54% Danceability • 83% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 54% Danceability • 83% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
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Freedom Family
Lala Li
114 bpm • F Maj • 04:38 • -14db
20% Popularity • 62% Danceability • 68% Energy • 33% Liveness
7% Instrumentalness • 85% Positiveness
20% Popularity • 62% Danceability • 68% Energy • 33% Liveness
7% Instrumentalness • 85% Positiveness
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BLO
Gotta Get Me a Better Head
107 bpm • C Maj • 04:32 • -12.11db
11% Popularity • 78% Danceability • 49% Energy • 16% Liveness
14% Instrumentalness • 84% Positiveness
11% Popularity • 78% Danceability • 49% Energy • 16% Liveness
14% Instrumentalness • 84% Positiveness
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Peter King
Omo Lewa
108 bpm • F min • 05:18 • -9.71db
24% Popularity • 71% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 97% Positiveness
24% Popularity • 71% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 97% Positiveness
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The Rwenzori's
Handsome Boy (E Wara) - Pt. 1 & 2
108 bpm • A# min • 06:44 • -8.31db
32% Popularity • 67% Danceability • 80% Energy • 20% Liveness
73% Instrumentalness • 85% Positiveness
32% Popularity • 67% Danceability • 80% Energy • 20% Liveness
73% Instrumentalness • 85% Positiveness
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Tunde Mabadu
Viva Disco - Instrumental
107 bpm • A min • 05:38 • -6.05db
16% Popularity • 51% Danceability • 82% Energy • 32% Liveness
74% Instrumentalness • 92% Positiveness
16% Popularity • 51% Danceability • 82% Energy • 32% Liveness
74% Instrumentalness • 92% Positiveness
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Antibalas
Nesta. 75
107 bpm • C Maj • 04:05 • -10.96db
27% Popularity • 77% Danceability • 90% Energy • 8% Liveness
87% Instrumentalness • 96% Positiveness
27% Popularity • 77% Danceability • 90% Energy • 8% Liveness
87% Instrumentalness • 96% Positiveness
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Bola Johnson
Lagos Sisi
107 bpm • A# min • 03:23 • -9.05db
36% Popularity • 72% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
36% Popularity • 72% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Gyedu-Blay Ambolley
Simigwa Soca
115 bpm • A# min • 03:43 • -10.84db
26% Popularity • 81% Danceability • 71% Energy • 6% Liveness
7% Instrumentalness • 94% Positiveness
26% Popularity • 81% Danceability • 71% Energy • 6% Liveness
7% Instrumentalness • 94% Positiveness
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Peter King
Yere Africa
107 bpm • C Maj • 04:28 • -8.25db
5% Popularity • 59% Danceability • 90% Energy • 34% Liveness
13% Instrumentalness • 96% Positiveness
5% Popularity • 59% Danceability • 90% Energy • 34% Liveness
13% Instrumentalness • 96% Positiveness
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Stan Tracey Orchestra
Round Midnight - Live
115 bpm • A# min • 07:50 • -15.52db
0% Popularity • 36% Danceability • 32% Energy • 68% Liveness
18% Instrumentalness • 39% Positiveness
0% Popularity • 36% Danceability • 32% Energy • 68% Liveness
18% Instrumentalness • 39% Positiveness
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Herbert Howells
Magnificat in G Major
107 bpm • C Maj • 05:29 • -22.62db
0% Popularity • 17% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
0% Popularity • 17% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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The Lijadu Sisters
Orere-Elejigbo
107 bpm • B min • 04:16 • -11.97db
36% Popularity • 63% Danceability • 54% Energy • 37% Liveness
0% Instrumentalness • 82% Positiveness
36% Popularity • 63% Danceability • 54% Energy • 37% Liveness
0% Instrumentalness • 82% Positiveness
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Bola Johnson
Ezuku Buzo
115 bpm • F Maj • 02:55 • -8.29db
20% Popularity • 72% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
20% Popularity • 72% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
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The Faces
Tug Of War
107 bpm • G# min • 04:19 • -8.63db
18% Popularity • 67% Danceability • 88% Energy • 24% Liveness
80% Instrumentalness • 96% Positiveness
18% Popularity • 67% Danceability • 88% Energy • 24% Liveness
80% Instrumentalness • 96% Positiveness
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Peter King
El Gato Negro
107 bpm • A Maj • 03:05 • -12.84db
0% Popularity • 81% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
0% Popularity • 81% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
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Joni Haastrup
Wake Up Your Mind
115 bpm • D Maj • 05:59 • -6db
21% Popularity • 64% Danceability • 89% Energy • 18% Liveness
5% Instrumentalness • 86% Positiveness
21% Popularity • 64% Danceability • 89% Energy • 18% Liveness
5% Instrumentalness • 86% Positiveness
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Effi Duke
The Time Is Come
116 bpm • A# Maj • 04:43 • -7.58db
21% Popularity • 66% Danceability • 92% Energy • 37% Liveness
60% Instrumentalness • 87% Positiveness
21% Popularity • 66% Danceability • 92% Energy • 37% Liveness
60% Instrumentalness • 87% Positiveness
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Magnum
Evolution
107 bpm • G# min • 05:50 • -10db
31% Popularity • 56% Danceability • 84% Energy • 11% Liveness
38% Instrumentalness • 76% Positiveness
31% Popularity • 56% Danceability • 84% Energy • 11% Liveness
38% Instrumentalness • 76% Positiveness
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Embryo
Wajang Woman
106 bpm • D min • 03:17 • -9.82db
28% Popularity • 73% Danceability • 89% Energy • 19% Liveness
4% Instrumentalness • 81% Positiveness
28% Popularity • 73% Danceability • 89% Energy • 19% Liveness
4% Instrumentalness • 81% Positiveness
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Zafari
Addis Ababa
116 bpm • D# Maj • 03:40 • -8.79db
22% Popularity • 66% Danceability • 49% Energy • 10% Liveness
89% Instrumentalness • 55% Positiveness
22% Popularity • 66% Danceability • 49% Energy • 10% Liveness
89% Instrumentalness • 55% Positiveness
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Peter King
Ajo
107 bpm • A# Maj • 03:57 • -9db
28% Popularity • 75% Danceability • 84% Energy • 35% Liveness
5% Instrumentalness • 96% Positiveness
28% Popularity • 75% Danceability • 84% Energy • 35% Liveness
5% Instrumentalness • 96% Positiveness
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The Psychedelic Aliens
Gbomei Adesai
116 bpm • A# Maj • 03:08 • -7db
34% Popularity • 62% Danceability • 73% Energy • 12% Liveness
42% Instrumentalness • 68% Positiveness
34% Popularity • 62% Danceability • 73% Energy • 12% Liveness
42% Instrumentalness • 68% Positiveness
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Boncana Maïga
Yala M'le
106 bpm • F# min • 04:30 • -7.98db
19% Popularity • 78% Danceability • 88% Energy • 12% Liveness
16% Instrumentalness • 96% Positiveness
19% Popularity • 78% Danceability • 88% Energy • 12% Liveness
16% Instrumentalness • 96% Positiveness
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Itadi
Peace and Freedom
116 bpm • C Maj • 05:53 • -9.05db
13% Popularity • 58% Danceability • 77% Energy • 24% Liveness
75% Instrumentalness • 75% Positiveness
13% Popularity • 58% Danceability • 77% Energy • 24% Liveness
75% Instrumentalness • 75% Positiveness
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Bokoor Band
Onukpa Shawarpo
106 bpm • G# min • 03:15 • -12.97db
26% Popularity • 77% Danceability • 63% Energy • 22% Liveness
24% Instrumentalness • 94% Positiveness
26% Popularity • 77% Danceability • 63% Energy • 22% Liveness
24% Instrumentalness • 94% Positiveness
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Gildas Scouarnec Quintet
93 / 94
106 bpm • F min • 03:40 • -5.84db
0% Popularity • 55% Danceability • 59% Energy • 16% Liveness
7% Instrumentalness • 42% Positiveness
0% Popularity • 55% Danceability • 59% Energy • 16% Liveness
7% Instrumentalness • 42% Positiveness
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Peter King
Congo
106 bpm • A min • 04:10 • -9.36db
5% Popularity • 72% Danceability • 84% Energy • 6% Liveness
35% Instrumentalness • 93% Positiveness
5% Popularity • 72% Danceability • 84% Energy • 6% Liveness
35% Instrumentalness • 93% Positiveness
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Pat Thomas
Atesem
106 bpm • C Maj • 04:56 • -9db
29% Popularity • 80% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 80% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Trad
Come Faithful People, Come Away
116 bpm • G Maj • 03:15 • -20.1db
0% Popularity • 48% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 20% Positiveness
0% Popularity • 48% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 20% Positiveness
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The Ogyatanaa Show Band
Yaa Amponsah
116 bpm • D Maj • 05:03 • -7db
18% Popularity • 71% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
18% Popularity • 71% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
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Itadi
Hustle
116 bpm • A# Maj • 04:14 • -8.05db
15% Popularity • 60% Danceability • 70% Energy • 27% Liveness
38% Instrumentalness • 66% Positiveness
15% Popularity • 60% Danceability • 70% Energy • 27% Liveness
38% Instrumentalness • 66% Positiveness
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Gildas Scouarnec Quintet
93-94 - Live at Radio France
116 bpm • F min • 09:19 • -14.62db
0% Popularity • 48% Danceability • 44% Energy • 68% Liveness
92% Instrumentalness • 35% Positiveness
0% Popularity • 48% Danceability • 44% Energy • 68% Liveness
92% Instrumentalness • 35% Positiveness
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The Funkees
Dance with Me
106 bpm • D Maj • 04:00 • -10db
18% Popularity • 66% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
18% Popularity • 66% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
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Peter King
That's My Girl
116 bpm • C min • 03:19 • -9.15db
0% Popularity • 65% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
0% Popularity • 65% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Ebo Taylor
Nga Nga
106 bpm • G# Maj • 05:24 • -7db
31% Popularity • 67% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
31% Popularity • 67% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Joni Haastrup
Greetings
117 bpm • A Maj • 06:14 • -5.37db
13% Popularity • 70% Danceability • 87% Energy • 44% Liveness
22% Instrumentalness • 83% Positiveness
13% Popularity • 70% Danceability • 87% Energy • 44% Liveness
22% Instrumentalness • 83% Positiveness
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Matata
Return To You
106 bpm • E min • 03:30 • -10.9db
10% Popularity • 82% Danceability • 64% Energy • 9% Liveness
36% Instrumentalness • 58% Positiveness
10% Popularity • 82% Danceability • 64% Energy • 9% Liveness
36% Instrumentalness • 58% Positiveness
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Marijata
No Condition Is Permanent
106 bpm • C Maj • 07:01 • -14db
31% Popularity • 69% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
31% Popularity • 69% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Boncana Maïga
Koyma Hondo
106 bpm • C min • 04:00 • -8db
38% Popularity • 69% Danceability • 74% Energy • 31% Liveness
22% Instrumentalness • 96% Positiveness
38% Popularity • 69% Danceability • 74% Energy • 31% Liveness
22% Instrumentalness • 96% Positiveness