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Thème principal - Instrumental et voix
Songs like
Thème principal - Instrumental et voix
by
Camille Rocailleux
Based on a tempo of (+/- 10%) and a similar genre
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Georges Delerue
La Nuit américaine: Grand Choral
95 bpm • D Maj • 02:15 • -13.27db
18% Popularity • 30% Danceability • 25% Energy • 11% Liveness
90% Instrumentalness • 34% Positiveness
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Dominique A
Avec les autres
95 bpm • B min • 05:36 • -15.16db
19% Popularity • 59% Danceability • 28% Energy • 7% Liveness
22% Instrumentalness • 8% Positiveness
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Camille Rocailleux
Thème principal - Instrumental et voix
95 bpm • C min • 05:53 • -16.96db
10% Popularity • 14% Danceability • 3% Energy • 11% Liveness
65% Instrumentalness • 7% Positiveness
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Henry Purcell
King Arthur, or The British Worthy (1691...
95 bpm • B Maj • 03:09 • -13.8db
32% Popularity • 80% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Gabriel Yared
L'homme parfait pour toi
95 bpm • G min • 02:28 • -25.21db
23% Popularity • 50% Danceability • 5% Energy • 14% Liveness
93% Instrumentalness • 8% Positiveness
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Los Incas
Le rapace - Bande originale du film "Le ...
95 bpm • G Maj • 04:30 • -16.23db
15% Popularity • 39% Danceability • 31% Energy • 10% Liveness
94% Instrumentalness • 33% Positiveness
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Enrique Granados
Danses espagnoles: Orientale
94 bpm • A min • 05:06 • -33.36db
10% Popularity • 31% Danceability • 1% Energy • 9% Liveness
81% Instrumentalness • 14% Positiveness
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Georges Delerue
La nuit américaine
94 bpm • D Maj • 02:17 • -15.22db
19% Popularity • 28% Danceability • 32% Energy • 9% Liveness
86% Instrumentalness • 34% Positiveness
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Bachar Mar-Khalifé
Kyrie Eleison
96 bpm • C min • 04:45 • -12.94db
34% Popularity • 58% Danceability • 14% Energy • 8% Liveness
15% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Petite Messe solennelle: Kyrie
94 bpm • C Maj • 07:42 • -31.95db
7% Popularity • 14% Danceability • 4% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Sandrine Piau
Nabucco, Act III: Choir. Va piensero
96 bpm • F# Maj • 02:47 • -14.76db
8% Popularity • 40% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Johann Sebastian Bach
Herz und Mund und Tat und Leben, BWV 147...
96 bpm • C Maj • 02:58 • -16.72db
8% Popularity • 28% Danceability • 9% Energy • 67% Liveness
0% Instrumentalness • 21% Positiveness
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Dietrich Buxtehude
In dulci jubilo, BuxWV52
96 bpm • F Maj • 08:37 • -23.71db
9% Popularity • 21% Danceability • 7% Energy • 12% Liveness
25% Instrumentalness • 17% Positiveness
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Georges Delerue
Concerto de l'Adieu
96 bpm • F min • 09:43 • -19.14db
14% Popularity • 14% Danceability • 19% Energy • 12% Liveness
18% Instrumentalness • 5% Positiveness
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Bernard Lavilliers
Corruption
93 bpm • B min • 03:55 • -8.27db
16% Popularity • 60% Danceability • 66% Energy • 12% Liveness
12% Instrumentalness • 36% Positiveness
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Lavinia Meijer
Mom & Dad
97 bpm • C min • 05:11 • -18.22db
11% Popularity • 49% Danceability • 30% Energy • 26% Liveness
0% Instrumentalness • 29% Positiveness
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Henry Purcell
Purcell: King Arthur, Z. 628, Act III: P...
93 bpm • F# Maj • 03:23 • -26.27db
10% Popularity • 65% Danceability • 4% Energy • 89% Liveness
0% Instrumentalness • 15% Positiveness
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Vittorio Monti
Csárdás
97 bpm • D min • 04:45 • -15.01db
11% Popularity • 42% Danceability • 29% Energy • 5% Liveness
1% Instrumentalness • 23% Positiveness
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Nemanja Radulović
Manhã de carnaval
93 bpm • G min • 03:35 • -22.18db
16% Popularity • 16% Danceability • 6% Energy • 10% Liveness
50% Instrumentalness • 8% Positiveness
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Georges Delerue
La nuit américaine - Suite
93 bpm • D Maj • 02:00 • -11db
26% Popularity • 25% Danceability • 27% Energy • 19% Liveness
87% Instrumentalness • 34% Positiveness
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Rachel Portman
Portman: The First Morning of the World
93 bpm • C Maj • 08:25 • -19.59db
17% Popularity • 19% Danceability • 7% Energy • 7% Liveness
4% Instrumentalness • 5% Positiveness
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Wolfgang Amadeus Mozart
Requiem en ré mineur, k. 626
93 bpm • G min • 04:20 • -17.07db
8% Popularity • 13% Danceability • 22% Energy • 11% Liveness
57% Instrumentalness • 6% Positiveness
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Marguerite Monnot
Monnot / Orch. Ducros: Hymne à l'amour
93 bpm • G Maj • 03:41 • -21db
33% Popularity • 15% Danceability • 11% Energy • 9% Liveness
65% Instrumentalness • 8% Positiveness
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Christine Salem
Bondié
93 bpm • F# Maj • 03:49 • -9db
9% Popularity • 36% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Ibrahim Maalouf
Paris
98 bpm • E min • 03:14 • -15.45db
23% Popularity • 61% Danceability • 24% Energy • 8% Liveness
93% Instrumentalness • 52% Positiveness
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David Salkin
Oh Frozen Love
92 bpm • G# min • 02:58 • -10.52db
29% Popularity • 45% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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Johann Sebastian Bach
Matthäus Passion, BWV 244 / Zweite Teil...
98 bpm • A# min • 06:57 • -14.3db
11% Popularity • 19% Danceability • 20% Energy • 10% Liveness
2% Instrumentalness • 7% Positiveness
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Baptiste W. Hamon
Je m'abandonne à toi
98 bpm • C Maj • 03:35 • -9.12db
15% Popularity • 59% Danceability • 61% Energy • 21% Liveness
39% Instrumentalness • 40% Positiveness
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Benoît Daniel
Stromboli Spleen
92 bpm • A# min • 03:26 • -20.06db
20% Popularity • 29% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 19% Positiveness
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Pierre Lapointe
L'origine du mal
92 bpm • D min • 03:35 • -8db
22% Popularity • 54% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Ennio Morricone
Sergio Leone Suite: V. The Ecstasy of Go...
98 bpm • A min • 03:46 • -11.12db
12% Popularity • 25% Danceability • 36% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
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Giacomo Puccini
Puccini: Tosca: "Vissi d'arte" (Tosca, S...
92 bpm • D# Maj • 04:16 • -18.86db
16% Popularity • 23% Danceability • 21% Energy • 14% Liveness
15% Instrumentalness • 4% Positiveness
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Clément Ducol
Peter Von Kant - End Credits
92 bpm • F min • 02:21 • -15.09db
13% Popularity • 44% Danceability • 23% Energy • 15% Liveness
80% Instrumentalness • 29% Positiveness
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MB14
Nessun Dorma
92 bpm • D Maj • 03:27 • -9.36db
24% Popularity • 18% Danceability • 41% Energy • 37% Liveness
1% Instrumentalness • 20% Positiveness
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Alexander Balanescu
To the hills (Variation 1)
99 bpm • A min • 04:36 • -16db
22% Popularity • 30% Danceability • 2% Energy • 12% Liveness
25% Instrumentalness • 4% Positiveness
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Dominique A
La fadeur et l'intensité
99 bpm • C Maj • 03:16 • -15db
24% Popularity • 58% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Camille Rocailleux
Thème principal - Instruments à vent
100 bpm • C min • 02:23 • -21.33db
4% Popularity • 20% Danceability • 12% Energy • 42% Liveness
98% Instrumentalness • 11% Positiveness
► Preview
Georges Bizet
Les Pêcheurs de perles, WD 13, Act I: J...
90 bpm • C Maj • 03:45 • -31.09db
35% Popularity • 20% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Henry Purcell
King Arthur, Z. 628: Act III "What power...
91 bpm • A Maj • 03:09 • -19.04db
17% Popularity • 73% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Arno Alyvan
Homeward Bound
100 bpm • A min • 03:10 • -17.81db
13% Popularity • 63% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 31% Positiveness
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Benjamin Biolay
Expedit 1
100 bpm • G# Maj • 03:20 • -20.64db
8% Popularity • 27% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
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Bernard Lavilliers
Toi et moi
100 bpm • C Maj • 03:54 • -9.5db
28% Popularity • 72% Danceability • 72% Energy • 11% Liveness
6% Instrumentalness • 84% Positiveness
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Camille Rocailleux
Thème principal - Piano
100 bpm • C min • 03:30 • -39.63db
3% Popularity • 78% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 20% Positiveness
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Axel Bauer
C'est malin
90 bpm • B min • 06:27 • -11.03db
18% Popularity • 49% Danceability • 37% Energy • 12% Liveness
23% Instrumentalness • 5% Positiveness
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Johann Sebastian Bach
Ich ruf zu dir, Herr Jesu Christ, BWV 63...
90 bpm • F min • 03:29 • -31db
27% Popularity • 37% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 30% Positiveness
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Emily Loizeau
Celle qui vit vers le sud
100 bpm • A Maj • 03:04 • -14.25db
23% Popularity • 40% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Franz Schubert
Trio in E-Flat Major, D. 929: II. Andant...
101 bpm • C min • 09:41 • -19db
16% Popularity • 33% Danceability • 3% Energy • 12% Liveness
54% Instrumentalness • 7% Positiveness
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Gloria Lasso
Histoire D'un Amour
89 bpm • D min • 03:15 • -11.82db
33% Popularity • 32% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
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Ronan Maillard
Lakmé: Duo des fleurs. "Sous le dôme �...
89 bpm • B Maj • 04:53 • -16.23db
24% Popularity • 26% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Brigitte Fontaine
C'est normal
100 bpm • A# min • 04:41 • -9.02db
8% Popularity • 75% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Brad Mehldau
Fait chier Paris
101 bpm • G min • 04:37 • -13.63db
22% Popularity • 27% Danceability • 29% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
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Sergei Prokofiev
10 Pieces from Romeo and Juliet, Op. 75:...
101 bpm • A min • 04:20 • -19.36db
17% Popularity • 40% Danceability • 14% Energy • 10% Liveness
80% Instrumentalness • 12% Positiveness
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Franz Schubert
Piano Trio No. 2 in E flat, Op. 100 D.92...
101 bpm • C min • 08:58 • -20db
12% Popularity • 36% Danceability • 3% Energy • 8% Liveness
3% Instrumentalness • 15% Positiveness
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Zbigniew Preisner
Song for the Unification of Europe - Jul...
89 bpm • B min • 06:50 • -15.43db
23% Popularity • 18% Danceability • 14% Energy • 28% Liveness
17% Instrumentalness • 4% Positiveness
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Anne Gravouin
Sérénade
102 bpm • D Maj • 04:03 • -12.2db
17% Popularity • 22% Danceability • 23% Energy • 13% Liveness
12% Instrumentalness • 4% Positiveness
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Philip Glass Ensemble
Knee 1
102 bpm • G Maj • 08:04 • -30.63db
29% Popularity • 57% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Lee Jacobs
La Vergine Degli Angeli
102 bpm • G Maj • 03:00 • -18db
20% Popularity • 19% Danceability • 18% Energy • 13% Liveness
19% Instrumentalness • 4% Positiveness
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Slovak Radio Symphony Orchestra
Lakme: Lakme: Viens, Mallika... Dome Epa...
89 bpm • B Maj • 06:41 • -25db
23% Popularity • 33% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Henry Purcell
King Arthur, Z. 628: Cold song - Arr. fo...
88 bpm • C# Maj • 03:21 • -20db
29% Popularity • 69% Danceability • 11% Energy • 11% Liveness
1% Instrumentalness • 10% Positiveness
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Johann Sebastian Bach
Bach, JS: Matthäus-Passion, BWV 244, Pt...
88 bpm • E min • 07:32 • -22db
23% Popularity • 16% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 7% Positiveness
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Calogero
Les plus belles années d'une vie - Inte...
102 bpm • E Maj • 04:52 • -10.85db
17% Popularity • 37% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Léo Delibes
Lakmé: Viens, Mallika - Sous le dôme �...
88 bpm • B Maj • 05:52 • -21db
19% Popularity • 34% Danceability • 10% Energy • 13% Liveness
5% Instrumentalness • 5% Positiveness
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Nemanja Radulović
Gypsies Are Found Near Heaven
88 bpm • A min • 05:10 • -14.56db
13% Popularity • 31% Danceability • 12% Energy • 35% Liveness
18% Instrumentalness • 19% Positiveness
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Ernest Bloch
From Jewish Life, B. 55: I. Prayer
88 bpm • F min • 04:35 • -19.81db
32% Popularity • 11% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
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Melody Gardot
La chanson des vieux amants
103 bpm • A min • 05:42 • -13.39db
36% Popularity • 40% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
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Franz Liszt
Liszt: Grandes études de Paganini, S. 1...
103 bpm • G# min • 04:40 • -21.46db
8% Popularity • 33% Danceability • 24% Energy • 7% Liveness
88% Instrumentalness • 46% Positiveness
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John Barry
The Persuaders (Arr. Gonet)
103 bpm • E min • 01:19 • -12.57db
13% Popularity • 22% Danceability • 28% Energy • 7% Liveness
47% Instrumentalness • 48% Positiveness
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Giovanni Paisiello
Il barbiere di Siviglia (The Barber of S...
103 bpm • A# Maj • 04:10 • -21.84db
25% Popularity • 36% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Yael Naim
Tinassi-li - Epouse-moi
103 bpm • B Maj • 03:05 • -13.68db
23% Popularity • 52% Danceability • 18% Energy • 10% Liveness
1% Instrumentalness • 29% Positiveness
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Antonello Gotta
I pescatori di perle (les pécheurs de p...
87 bpm • A min • 03:52 • -10db
13% Popularity • 20% Danceability • 29% Energy • 13% Liveness
70% Instrumentalness • 7% Positiveness
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Bernard Lavilliers
Le cœur du monde
87 bpm • D min • 03:27 • -9.4db
34% Popularity • 71% Danceability • 57% Energy • 9% Liveness
2% Instrumentalness • 52% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244 / Part Two:...
87 bpm • A# min • 07:35 • -25db
17% Popularity • 17% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Emily Loizeau
Le poids de l'existence
104 bpm • D# Maj • 03:53 • -12.96db
10% Popularity • 54% Danceability • 39% Energy • 12% Liveness
62% Instrumentalness • 35% Positiveness
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Léo Delibes
Delibes: Lakmé, Act 1: "Viens, Mallika"...
87 bpm • B Maj • 05:56 • -23.89db
22% Popularity • 21% Danceability • 7% Energy • 10% Liveness
26% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Danse macabre (Chanson)
104 bpm • F min • 02:08 • -20.8db
11% Popularity • 61% Danceability • 18% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Juliette
Regarde bien, petit
104 bpm • A min • 05:45 • -11.51db
9% Popularity • 52% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Ensemble Contraste
Paraphrase gnossienne
104 bpm • C min • 04:04 • -15.37db
13% Popularity • 37% Danceability • 8% Energy • 11% Liveness
80% Instrumentalness • 12% Positiveness
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Johann Sebastian Bach
Chorale Prelude Wachtet auf, ruft uns di...
104 bpm • D# Maj • 04:18 • -37.41db
8% Popularity • 26% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 33% Positiveness
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Camille Rocailleux
Thème principal - Instruments à cordes...
87 bpm • C min • 04:36 • -28.25db
3% Popularity • 9% Danceability • 4% Energy • 33% Liveness
69% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Clarinet Concerto in A Major, K. 622: II...
87 bpm • D Maj • 06:59 • -22db
23% Popularity • 17% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 5% Positiveness
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Angela Hewitt
Walking To Court (Partita No. 2 In C Min...
104 bpm • C min • 01:18 • -22.14db
20% Popularity • 40% Danceability • 16% Energy • 12% Liveness
88% Instrumentalness • 70% Positiveness
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Franz Schubert
Fantasy in F Minor, D. 940, Op. 103: I. ...
105 bpm • F min • 07:31 • -21.73db
8% Popularity • 42% Danceability • 9% Energy • 10% Liveness
89% Instrumentalness • 16% Positiveness
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Jean Gabin
Maintenant Je Sais
105 bpm • A# Maj • 03:13 • -14.93db
23% Popularity • 65% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Johann Sebastian Bach
Ave Maria
86 bpm • D# Maj • 02:37 • -32db
34% Popularity • 35% Danceability • 1% Energy • 11% Liveness
2% Instrumentalness • 61% Positiveness
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Gregorio Allegri
Miserere
86 bpm • G min • 11:18 • -31.54db
12% Popularity • 13% Danceability • 3% Energy • 13% Liveness
56% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Song My Mother Taught Me
86 bpm • D Maj • 02:55 • -15.2db
14% Popularity • 24% Danceability • 22% Energy • 14% Liveness
22% Instrumentalness • 4% Positiveness
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The Limiñanas
Au début c'était le début
105 bpm • A min • 05:25 • -7.15db
29% Popularity • 50% Danceability • 55% Energy • 8% Liveness
39% Instrumentalness • 44% Positiveness
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Hildegard von Bingen
O frondens virga (Arr. Missy Mazzoli)
86 bpm • E min • 04:06 • -22db
14% Popularity • 16% Danceability • 4% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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Astor Piazzolla
Oblivion
86 bpm • C min • 04:28 • -22.1db
15% Popularity • 12% Danceability • 12% Energy • 10% Liveness
83% Instrumentalness • 5% Positiveness
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Georges Bizet
Les Pêcheurs de perles, Act I: Je crois...
86 bpm • A min • 03:11 • -24.35db
24% Popularity • 21% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Gabriel Fauré
Requiem, Op. 48, N. 97: III. Sanctus
105 bpm • D# Maj • 03:28 • -28.34db
13% Popularity • 15% Danceability • 2% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
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Ana Carla Maza
BahÃa
105 bpm • G Maj • 04:24 • -9.72db
14% Popularity • 57% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Alex Beaupain
Sorry Angel
106 bpm • A Maj • 03:16 • -8.09db
8% Popularity • 46% Danceability • 55% Energy • 8% Liveness
9% Instrumentalness • 18% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244 / Part One:...
85 bpm • D# min • 07:35 • -18.43db
3% Popularity • 14% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 11% Positiveness
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Wolfgang Amadeus Mozart
Die Zauberflöte - Arie: Ach, Ich Fühl'...
85 bpm • G Maj • 04:36 • -27db
17% Popularity • 20% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 3% Positiveness
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Ibrahim Maalouf
Mgr Lustiger
85 bpm • C min • 04:13 • -13.15db
15% Popularity • 35% Danceability • 32% Energy • 9% Liveness
76% Instrumentalness • 13% Positiveness
► Preview
George Frideric Handel
Rinaldo, HWV 7, Act II, Scene 4: Aria "L...
106 bpm • E Maj • 04:03 • -19.21db
30% Popularity • 33% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Trio SR9
Royals
85 bpm • D Maj • 03:28 • -12.62db
9% Popularity • 80% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Melting Pop Orchestra
14 romanes, Op. 34: 14. Vocalise
85 bpm • E min • 05:16 • -11.51db
9% Popularity • 12% Danceability • 31% Energy • 12% Liveness
23% Instrumentalness • 5% Positiveness
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Lonny
Comme la fin du monde
85 bpm • D min • 03:36 • -10db
20% Popularity • 62% Danceability • 62% Energy • 11% Liveness
8% Instrumentalness • 47% Positiveness
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Thème principal - Instrumental et voix