Songs like Theme From "The Warriors" - From "The Warriors" Soundtrack by Barry Vorzon
Based on a tempo of (+/- 10%) and a similar genre
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David Bowie
Cat People (Putting Out Fire)
118 bpm • C min • 06:41 • -9db
51% Popularity • 70% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
51% Popularity • 70% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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David Holmes
Not Their Fight
118 bpm • A min • 01:17 • -7.95db
33% Popularity • 53% Danceability • 73% Energy • 11% Liveness
91% Instrumentalness • 56% Positiveness
33% Popularity • 53% Danceability • 73% Energy • 11% Liveness
91% Instrumentalness • 56% Positiveness
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Barry Vorzon
Baseball Furies Chase
118 bpm • D Maj • 02:28 • -10.97db
34% Popularity • 53% Danceability • 70% Energy • 10% Liveness
23% Instrumentalness • 49% Positiveness
34% Popularity • 53% Danceability • 70% Energy • 10% Liveness
23% Instrumentalness • 49% Positiveness
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John Clifford White
Romper Stomper Theme - 2018
118 bpm • G Maj • 00:54 • -16.47db
12% Popularity • 45% Danceability • 21% Energy • 11% Liveness
33% Instrumentalness • 14% Positiveness
12% Popularity • 45% Danceability • 21% Energy • 11% Liveness
33% Instrumentalness • 14% Positiveness
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M.S.
The Warriors: Baseball Furies Chase
118 bpm • D Maj • 02:17 • -4.72db
20% Popularity • 59% Danceability • 87% Energy • 7% Liveness
81% Instrumentalness • 63% Positiveness
20% Popularity • 59% Danceability • 87% Energy • 7% Liveness
81% Instrumentalness • 63% Positiveness
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The Human League
(Keep Feeling) Fascination
118 bpm • C Maj • 03:45 • -6.7db
51% Popularity • 72% Danceability • 65% Energy • 42% Liveness
0% Instrumentalness • 68% Positiveness
51% Popularity • 72% Danceability • 65% Energy • 42% Liveness
0% Instrumentalness • 68% Positiveness
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The Reds
Lector's Cell
118 bpm • A Maj • 01:47 • -23.94db
18% Popularity • 22% Danceability • 15% Energy • 7% Liveness
87% Instrumentalness • 3% Positiveness
18% Popularity • 22% Danceability • 15% Energy • 7% Liveness
87% Instrumentalness • 3% Positiveness
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Isaac Hayes
Title Theme "Three Tough Guys"
118 bpm • A min • 02:35 • -12.06db
33% Popularity • 58% Danceability • 75% Energy • 11% Liveness
3% Instrumentalness • 81% Positiveness
33% Popularity • 58% Danceability • 75% Energy • 11% Liveness
3% Instrumentalness • 81% Positiveness
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Lalo Schifrin
Scorpio's Theme
118 bpm • F Maj • 03:07 • -9.44db
9% Popularity • 33% Danceability • 86% Energy • 56% Liveness
22% Instrumentalness • 7% Positiveness
9% Popularity • 33% Danceability • 86% Energy • 56% Liveness
22% Instrumentalness • 7% Positiveness
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Barry Vorzon
Theme From "The Warriors"
118 bpm • D Maj • 03:57 • -9.16db
40% Popularity • 62% Danceability • 78% Energy • 66% Liveness
82% Instrumentalness • 76% Positiveness
40% Popularity • 62% Danceability • 78% Energy • 66% Liveness
82% Instrumentalness • 76% Positiveness
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George Fenton
Mobile Unit
117 bpm • A min • 01:31 • -15.64db
11% Popularity • 77% Danceability • 64% Energy • 66% Liveness
98% Instrumentalness • 32% Positiveness
11% Popularity • 77% Danceability • 64% Energy • 66% Liveness
98% Instrumentalness • 32% Positiveness
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Harold Faltermeyer
Axel F
117 bpm • C# Maj • 03:00 • -17.11db
60% Popularity • 80% Danceability • 49% Energy • 9% Liveness
84% Instrumentalness • 57% Positiveness
60% Popularity • 80% Danceability • 49% Energy • 9% Liveness
84% Instrumentalness • 57% Positiveness
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John Carpenter
The Final Escape (Lo Pan's Demise/Getawa...
117 bpm • D Maj • 07:01 • -15.76db
14% Popularity • 44% Danceability • 68% Energy • 12% Liveness
82% Instrumentalness • 35% Positiveness
14% Popularity • 44% Danceability • 68% Energy • 12% Liveness
82% Instrumentalness • 35% Positiveness
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Isaac Hayes
Run Fay Run
119 bpm • C min • 02:45 • -11.61db
25% Popularity • 76% Danceability • 84% Energy • 5% Liveness
68% Instrumentalness • 96% Positiveness
25% Popularity • 76% Danceability • 84% Energy • 5% Liveness
68% Instrumentalness • 96% Positiveness
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Meco
Other Galactic Funk
119 bpm • A# min • 12:31 • -7.76db
18% Popularity • 74% Danceability • 92% Energy • 6% Liveness
95% Instrumentalness • 75% Positiveness
18% Popularity • 74% Danceability • 92% Energy • 6% Liveness
95% Instrumentalness • 75% Positiveness
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John Harrison
Escape Invasion
117 bpm • A min • 03:56 • -10.73db
19% Popularity • 70% Danceability • 54% Energy • 59% Liveness
54% Instrumentalness • 23% Positiveness
19% Popularity • 70% Danceability • 54% Energy • 59% Liveness
54% Instrumentalness • 23% Positiveness
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Klint
Diamond
119 bpm • G# Maj • 03:14 • -7.59db
39% Popularity • 66% Danceability • 78% Energy • 12% Liveness
91% Instrumentalness • 37% Positiveness
39% Popularity • 66% Danceability • 78% Energy • 12% Liveness
91% Instrumentalness • 37% Positiveness
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John Carpenter
Christine
117 bpm • E min • 04:15 • -10.47db
27% Popularity • 55% Danceability • 46% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
27% Popularity • 55% Danceability • 46% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Paul Hertzog
The Eagle Lands
117 bpm • D min • 04:02 • -11.5db
41% Popularity • 48% Danceability • 60% Energy • 10% Liveness
62% Instrumentalness • 53% Positiveness
41% Popularity • 48% Danceability • 60% Energy • 10% Liveness
62% Instrumentalness • 53% Positiveness
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Isaac Hayes
Run Fay Run
119 bpm • C min • 02:47 • -9.95db
16% Popularity • 75% Danceability • 92% Energy • 4% Liveness
75% Instrumentalness • 96% Positiveness
16% Popularity • 75% Danceability • 92% Energy • 4% Liveness
75% Instrumentalness • 96% Positiveness
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Cozy Powell
Dance with the Devil
119 bpm • E Maj • 03:33 • -10.13db
33% Popularity • 58% Danceability • 94% Energy • 8% Liveness
81% Instrumentalness • 72% Positiveness
33% Popularity • 58% Danceability • 94% Energy • 8% Liveness
81% Instrumentalness • 72% Positiveness
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Lalo Schifrin
Bullitt (Main Title) - Movie
119 bpm • G Maj • 03:08 • -9db
28% Popularity • 52% Danceability • 42% Energy • 9% Liveness
79% Instrumentalness • 28% Positiveness
28% Popularity • 52% Danceability • 42% Energy • 9% Liveness
79% Instrumentalness • 28% Positiveness
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Beastie Boys
Shambala
117 bpm • C Maj • 03:40 • -14.8db
37% Popularity • 58% Danceability • 65% Energy • 17% Liveness
96% Instrumentalness • 40% Positiveness
37% Popularity • 58% Danceability • 65% Energy • 17% Liveness
96% Instrumentalness • 40% Positiveness
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Stu Phillips
Automobile Heaven / Piece Of Cake / Drea...
119 bpm • D Maj • 03:09 • -9db
13% Popularity • 50% Danceability • 77% Energy • 24% Liveness
40% Instrumentalness • 44% Positiveness
13% Popularity • 50% Danceability • 77% Energy • 24% Liveness
40% Instrumentalness • 44% Positiveness
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Paul Hertzog
The Eagle Lands Album Mix
117 bpm • D Maj • 04:33 • -9.04db
31% Popularity • 63% Danceability • 64% Energy • 8% Liveness
83% Instrumentalness • 46% Positiveness
31% Popularity • 63% Danceability • 64% Energy • 8% Liveness
83% Instrumentalness • 46% Positiveness
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The Byrds
Stranger in a Strange Land - Instrumenta...
117 bpm • B min • 03:03 • -11.54db
29% Popularity • 56% Danceability • 73% Energy • 7% Liveness
79% Instrumentalness • 88% Positiveness
29% Popularity • 56% Danceability • 73% Energy • 7% Liveness
79% Instrumentalness • 88% Positiveness
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Basil Poledouris
Rock Shop
119 bpm • F min • 03:45 • -16db
29% Popularity • 31% Danceability • 26% Energy • 7% Liveness
9% Instrumentalness • 13% Positiveness
29% Popularity • 31% Danceability • 26% Energy • 7% Liveness
9% Instrumentalness • 13% Positiveness
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Quincy Jones
"Sanford & Son Theme" - NBC-TV (The Stre...
117 bpm • C Maj • 03:05 • -11.5db
26% Popularity • 70% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
26% Popularity • 70% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Iron Butterfly
In-A-Gadda-Da-Vida - Single Version
119 bpm • C Maj • 02:53 • -9.51db
45% Popularity • 47% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 77% Positiveness
45% Popularity • 47% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 77% Positiveness
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Claudio Simonetti
Tenebre
117 bpm • A min • 04:32 • -14.46db
32% Popularity • 70% Danceability • 51% Energy • 15% Liveness
41% Instrumentalness • 84% Positiveness
32% Popularity • 70% Danceability • 51% Energy • 15% Liveness
41% Instrumentalness • 84% Positiveness
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Stewart Copeland
Bud's Scam
119 bpm • F Maj • 02:51 • -15.41db
11% Popularity • 58% Danceability • 52% Energy • 7% Liveness
44% Instrumentalness • 54% Positiveness
11% Popularity • 58% Danceability • 52% Energy • 7% Liveness
44% Instrumentalness • 54% Positiveness
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The Cartoonz
Streets of San Francisco
120 bpm • E min • 01:07 • -13db
14% Popularity • 63% Danceability • 63% Energy • 13% Liveness
30% Instrumentalness • 90% Positiveness
14% Popularity • 63% Danceability • 63% Energy • 13% Liveness
30% Instrumentalness • 90% Positiveness
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Roberto Donati
NYC Main Title
116 bpm • C Maj • 02:21 • -6.37db
16% Popularity • 66% Danceability • 64% Energy • 7% Liveness
92% Instrumentalness • 63% Positiveness
16% Popularity • 66% Danceability • 64% Energy • 7% Liveness
92% Instrumentalness • 63% Positiveness
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Billy Preston
Slaughter
116 bpm • D Maj • 02:45 • -5.64db
12% Popularity • 66% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 56% Positiveness
12% Popularity • 66% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 56% Positiveness
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Iron Butterfly
In-A-Gadda-Da-Vida
120 bpm • C Maj • 08:19 • -24.57db
17% Popularity • 53% Danceability • 15% Energy • 16% Liveness
3% Instrumentalness • 41% Positiveness
17% Popularity • 53% Danceability • 15% Energy • 16% Liveness
3% Instrumentalness • 41% Positiveness
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Robert Rodriguez
Grindhouse (Main Titles)
116 bpm • B Maj • 03:30 • -7.62db
28% Popularity • 63% Danceability • 73% Energy • 52% Liveness
89% Instrumentalness • 5% Positiveness
28% Popularity • 63% Danceability • 73% Energy • 52% Liveness
89% Instrumentalness • 5% Positiveness
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Claudio Simonetti
Waiting Death
116 bpm • D min • 04:18 • -13.98db
14% Popularity • 57% Danceability • 42% Energy • 19% Liveness
83% Instrumentalness • 13% Positiveness
14% Popularity • 57% Danceability • 42% Energy • 19% Liveness
83% Instrumentalness • 13% Positiveness
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Frank Harris
Training Sequence - Orig '85
120 bpm • A# min • 01:34 • -11.01db
34% Popularity • 68% Danceability • 76% Energy • 9% Liveness
80% Instrumentalness • 31% Positiveness
34% Popularity • 68% Danceability • 76% Energy • 9% Liveness
80% Instrumentalness • 31% Positiveness
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The Art Of Noise
Peter Gunn
120 bpm • A# Maj • 03:48 • -7db
38% Popularity • 66% Danceability • 92% Energy • 20% Liveness
83% Instrumentalness • 88% Positiveness
38% Popularity • 66% Danceability • 92% Energy • 20% Liveness
83% Instrumentalness • 88% Positiveness
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Francis Monkman
The Long Good Friday - Main Title / Mono...
120 bpm • A min • 01:52 • -8.84db
28% Popularity • 50% Danceability • 70% Energy • 28% Liveness
88% Instrumentalness • 36% Positiveness
28% Popularity • 50% Danceability • 70% Energy • 28% Liveness
88% Instrumentalness • 36% Positiveness
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Franco Micalizzi & The Big Bubbling Band
Italia a Mano Armata
120 bpm • G# Maj • 03:04 • -3.27db
21% Popularity • 82% Danceability • 81% Energy • 20% Liveness
90% Instrumentalness • 59% Positiveness
21% Popularity • 82% Danceability • 81% Energy • 20% Liveness
90% Instrumentalness • 59% Positiveness
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Genesis
The Brazilian - 2007 Remaster
120 bpm • B min • 05:04 • -9.13db
38% Popularity • 59% Danceability • 82% Energy • 18% Liveness
89% Instrumentalness • 34% Positiveness
38% Popularity • 59% Danceability • 82% Energy • 18% Liveness
89% Instrumentalness • 34% Positiveness
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![Signal Failure [GTA Version] cover art](https://i.scdn.co/image/ab67616d00001e0207225afa68b7668cc937f67a)
Padded Cell
Signal Failure [GTA Version]
120 bpm • G Maj • 07:44 • -12.16db
23% Popularity • 79% Danceability • 77% Energy • 11% Liveness
86% Instrumentalness • 36% Positiveness
23% Popularity • 79% Danceability • 77% Energy • 11% Liveness
86% Instrumentalness • 36% Positiveness
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John Carpenter
The Fog
120 bpm • B min • 03:03 • -11.23db
25% Popularity • 54% Danceability • 27% Energy • 6% Liveness
36% Instrumentalness • 4% Positiveness
25% Popularity • 54% Danceability • 27% Energy • 6% Liveness
36% Instrumentalness • 4% Positiveness
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The Art Of Noise
Dragnet '88
120 bpm • F min • 02:59 • -10db
25% Popularity • 65% Danceability • 83% Energy • 12% Liveness
78% Instrumentalness • 90% Positiveness
25% Popularity • 65% Danceability • 83% Energy • 12% Liveness
78% Instrumentalness • 90% Positiveness
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Francis Monkman
Taken - Stereo Remaster
120 bpm • A min • 02:50 • -8.58db
15% Popularity • 66% Danceability • 64% Energy • 13% Liveness
40% Instrumentalness • 46% Positiveness
15% Popularity • 66% Danceability • 64% Energy • 13% Liveness
40% Instrumentalness • 46% Positiveness
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Brooke Blair
We Got Ourselves A Serial Killer
116 bpm • F Maj • 02:22 • -9.62db
18% Popularity • 62% Danceability • 86% Energy • 7% Liveness
89% Instrumentalness • 30% Positiveness
18% Popularity • 62% Danceability • 86% Energy • 7% Liveness
89% Instrumentalness • 30% Positiveness
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Marco Beltrami
Willow Sprints
120 bpm • F# min • 01:19 • -9.51db
22% Popularity • 62% Danceability • 75% Energy • 43% Liveness
80% Instrumentalness • 40% Positiveness
22% Popularity • 62% Danceability • 75% Energy • 43% Liveness
80% Instrumentalness • 40% Positiveness
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Ennio Morricone
The Strength Of The Righteous (Main Titl...
120 bpm • E min • 02:27 • -17.56db
25% Popularity • 81% Danceability • 33% Energy • 9% Liveness
4% Instrumentalness • 23% Positiveness
25% Popularity • 81% Danceability • 33% Energy • 9% Liveness
4% Instrumentalness • 23% Positiveness
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Philip Glass
Pruit Igoe
120 bpm • F Maj • 07:03 • -16.34db
37% Popularity • 29% Danceability • 22% Energy • 11% Liveness
96% Instrumentalness • 7% Positiveness
37% Popularity • 29% Danceability • 22% Energy • 11% Liveness
96% Instrumentalness • 7% Positiveness
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Magnetic System
Godzilla - Colonna sonora del film "Godz...
120 bpm • G Maj • 04:41 • -22.23db
9% Popularity • 59% Danceability • 30% Energy • 11% Liveness
94% Instrumentalness • 22% Positiveness
9% Popularity • 59% Danceability • 30% Energy • 11% Liveness
94% Instrumentalness • 22% Positiveness
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Bill Wyman
Opera Theme
120 bpm • D Maj • 04:07 • -16.73db
9% Popularity • 67% Danceability • 26% Energy • 5% Liveness
6% Instrumentalness • 14% Positiveness
9% Popularity • 67% Danceability • 26% Energy • 5% Liveness
6% Instrumentalness • 14% Positiveness
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Sparks
When I'm With You - Instrumental
120 bpm • A min • 03:47 • -10.75db
12% Popularity • 79% Danceability • 66% Energy • 24% Liveness
44% Instrumentalness • 92% Positiveness
12% Popularity • 79% Danceability • 66% Energy • 24% Liveness
44% Instrumentalness • 92% Positiveness
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Man Parrish
Hip Hop Be Bop
116 bpm • C# Maj • 05:36 • -13.51db
35% Popularity • 82% Danceability • 70% Energy • 12% Liveness
56% Instrumentalness • 79% Positiveness
35% Popularity • 82% Danceability • 70% Energy • 12% Liveness
56% Instrumentalness • 79% Positiveness
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Ennio Morricone
Per qualche dollaro in più - Titoli
116 bpm • D min • 02:48 • -13db
47% Popularity • 40% Danceability • 50% Energy • 7% Liveness
70% Instrumentalness • 31% Positiveness
47% Popularity • 40% Danceability • 50% Energy • 7% Liveness
70% Instrumentalness • 31% Positiveness
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Stu Phillips
Main Title
116 bpm • F# Maj • 01:20 • -10.04db
41% Popularity • 60% Danceability • 79% Energy • 10% Liveness
52% Instrumentalness • 89% Positiveness
41% Popularity • 60% Danceability • 79% Energy • 10% Liveness
52% Instrumentalness • 89% Positiveness
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Luis Bacalov
Motorcycle Circus
116 bpm • C Maj • 03:41 • -15db
24% Popularity • 43% Danceability • 53% Energy • 15% Liveness
82% Instrumentalness • 77% Positiveness
24% Popularity • 43% Danceability • 53% Energy • 15% Liveness
82% Instrumentalness • 77% Positiveness
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Rick Patterson
Airwolf Season 4 - End Title (long)
120 bpm • G Maj • 02:44 • -13.55db
33% Popularity • 62% Danceability • 62% Energy • 19% Liveness
91% Instrumentalness • 57% Positiveness
33% Popularity • 62% Danceability • 62% Energy • 19% Liveness
91% Instrumentalness • 57% Positiveness
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Quincy Jones
It's Caper Time (The Self Preservation S...
121 bpm • A Maj • 03:13 • -5.86db
24% Popularity • 73% Danceability • 96% Energy • 7% Liveness
1% Instrumentalness • 70% Positiveness
24% Popularity • 73% Danceability • 96% Energy • 7% Liveness
1% Instrumentalness • 70% Positiveness
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Claudio Simonetti
Tenebre (Remix) - Bonus Track
115 bpm • A min • 05:08 • -15.37db
9% Popularity • 72% Danceability • 46% Energy • 19% Liveness
44% Instrumentalness • 62% Positiveness
9% Popularity • 72% Danceability • 46% Energy • 19% Liveness
44% Instrumentalness • 62% Positiveness
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Ennio Morricone
For a Few Dollars More - Main Theme
121 bpm • A# min • 03:50 • -9.61db
45% Popularity • 39% Danceability • 82% Energy • 12% Liveness
44% Instrumentalness • 22% Positiveness
45% Popularity • 39% Danceability • 82% Energy • 12% Liveness
44% Instrumentalness • 22% Positiveness
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Stu Phillips
End Title
116 bpm • F# Maj • 01:17 • -11db
28% Popularity • 58% Danceability • 82% Energy • 25% Liveness
80% Instrumentalness • 72% Positiveness
28% Popularity • 58% Danceability • 82% Energy • 25% Liveness
80% Instrumentalness • 72% Positiveness
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William Orbit
Out Of The Ice
115 bpm • A Maj • 03:18 • -15.61db
16% Popularity • 54% Danceability • 60% Energy • 8% Liveness
37% Instrumentalness • 35% Positiveness
16% Popularity • 54% Danceability • 60% Energy • 8% Liveness
37% Instrumentalness • 35% Positiveness
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Liquid Liquid
Scraper
115 bpm • E Maj • 03:39 • -9.11db
19% Popularity • 75% Danceability • 92% Energy • 12% Liveness
84% Instrumentalness • 34% Positiveness
19% Popularity • 75% Danceability • 92% Energy • 12% Liveness
84% Instrumentalness • 34% Positiveness
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Jan Hammer
Miami Vice Theme
115 bpm • G Maj • 02:27 • -10db
41% Popularity • 57% Danceability • 92% Energy • 43% Liveness
90% Instrumentalness • 85% Positiveness
41% Popularity • 57% Danceability • 92% Energy • 43% Liveness
90% Instrumentalness • 85% Positiveness
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After The Fire
Der Kommissar - 7" Version
121 bpm • D Maj • 04:08 • -8.2db
48% Popularity • 69% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
48% Popularity • 69% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Claudio Simonetti
Cruel Demon
121 bpm • C Maj • 01:07 • -12.41db
27% Popularity • 52% Danceability • 69% Energy • 14% Liveness
76% Instrumentalness • 3% Positiveness
27% Popularity • 52% Danceability • 69% Energy • 14% Liveness
76% Instrumentalness • 3% Positiveness
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Stu Phillips
Test Drive
115 bpm • F# Maj • 00:48 • -12db
31% Popularity • 65% Danceability • 76% Energy • 8% Liveness
80% Instrumentalness • 53% Positiveness
31% Popularity • 65% Danceability • 76% Energy • 8% Liveness
80% Instrumentalness • 53% Positiveness
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Gogglebox
Knight Rider
115 bpm • F# Maj • 01:18 • -7.96db
30% Popularity • 59% Danceability • 93% Energy • 13% Liveness
88% Instrumentalness • 92% Positiveness
30% Popularity • 59% Danceability • 93% Energy • 13% Liveness
88% Instrumentalness • 92% Positiveness
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The Movie Band
Theme From Knight Rider
115 bpm • F# Maj • 01:17 • -6.54db
24% Popularity • 70% Danceability • 90% Energy • 6% Liveness
95% Instrumentalness • 97% Positiveness
24% Popularity • 70% Danceability • 90% Energy • 6% Liveness
95% Instrumentalness • 97% Positiveness
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Jan Hammer
Miami Vice Theme (XL Mix)
115 bpm • G Maj • 03:19 • -11.24db
29% Popularity • 51% Danceability • 87% Energy • 40% Liveness
86% Instrumentalness • 66% Positiveness
29% Popularity • 51% Danceability • 87% Energy • 40% Liveness
86% Instrumentalness • 66% Positiveness
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John Barry
On Her Majesty's Secret Service
121 bpm • C# Maj • 02:40 • -17.47db
25% Popularity • 43% Danceability • 39% Energy • 12% Liveness
29% Instrumentalness • 30% Positiveness
25% Popularity • 43% Danceability • 39% Energy • 12% Liveness
29% Instrumentalness • 30% Positiveness
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Skatt Bros
Walk The Night - 12" Version
115 bpm • G Maj • 05:19 • -12.88db
29% Popularity • 75% Danceability • 52% Energy • 32% Liveness
3% Instrumentalness • 51% Positiveness
29% Popularity • 75% Danceability • 52% Energy • 32% Liveness
3% Instrumentalness • 51% Positiveness
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The Cartoonz
Miami Vice
115 bpm • G min • 01:02 • -12.51db
24% Popularity • 55% Danceability • 91% Energy • 38% Liveness
57% Instrumentalness • 88% Positiveness
24% Popularity • 55% Danceability • 91% Energy • 38% Liveness
57% Instrumentalness • 88% Positiveness
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Paul Hertzog
Kumite
115 bpm • B Maj • 02:25 • -12.8db
41% Popularity • 64% Danceability • 74% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
41% Popularity • 64% Danceability • 74% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
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Brad Fiedel
Reese Dreams of Future War
115 bpm • D# min • 01:51 • -15.52db
33% Popularity • 35% Danceability • 84% Energy • 12% Liveness
86% Instrumentalness • 18% Positiveness
33% Popularity • 35% Danceability • 84% Energy • 12% Liveness
86% Instrumentalness • 18% Positiveness
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Jan Hammer
Original Miami Vice Theme
115 bpm • A# Maj • 00:59 • -7.6db
38% Popularity • 51% Danceability • 95% Energy • 41% Liveness
94% Instrumentalness • 85% Positiveness
38% Popularity • 51% Danceability • 95% Energy • 41% Liveness
94% Instrumentalness • 85% Positiveness
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The Blues Brothers
Peter Gunn Theme
121 bpm • F# min • 03:50 • -7.99db
50% Popularity • 81% Danceability • 62% Energy • 3% Liveness
66% Instrumentalness • 87% Positiveness
50% Popularity • 81% Danceability • 62% Energy • 3% Liveness
66% Instrumentalness • 87% Positiveness
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Rick Patterson
Airwolf Season 4 - Main Title
122 bpm • G Maj • 01:02 • -12db
29% Popularity • 68% Danceability • 75% Energy • 8% Liveness
93% Instrumentalness • 61% Positiveness
29% Popularity • 68% Danceability • 75% Energy • 8% Liveness
93% Instrumentalness • 61% Positiveness
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Material
Bustin' Out
122 bpm • D Maj • 06:42 • -7.66db
30% Popularity • 60% Danceability • 90% Energy • 20% Liveness
2% Instrumentalness • 58% Positiveness
30% Popularity • 60% Danceability • 90% Energy • 20% Liveness
2% Instrumentalness • 58% Positiveness
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Genya Ravan
Love Is A Fire
114 bpm • A Maj • 04:50 • -7.7db
31% Popularity • 58% Danceability • 90% Energy • 69% Liveness
0% Instrumentalness • 50% Positiveness
31% Popularity • 58% Danceability • 90% Energy • 69% Liveness
0% Instrumentalness • 50% Positiveness
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Skatt Bros
Walk The Night
114 bpm • G Maj • 03:56 • -13.33db
40% Popularity • 73% Danceability • 54% Energy • 36% Liveness
32% Instrumentalness • 51% Positiveness
40% Popularity • 73% Danceability • 54% Energy • 36% Liveness
32% Instrumentalness • 51% Positiveness
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Jerry Ross
Venus
114 bpm • B min • 02:44 • -14.55db
10% Popularity • 56% Danceability • 69% Energy • 26% Liveness
15% Instrumentalness • 78% Positiveness
10% Popularity • 56% Danceability • 69% Energy • 26% Liveness
15% Instrumentalness • 78% Positiveness
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Stavely Makepeace
Slippery Rock 70s
122 bpm • F# min • 02:51 • -8.34db
18% Popularity • 65% Danceability • 55% Energy • 10% Liveness
66% Instrumentalness • 69% Positiveness
18% Popularity • 65% Danceability • 55% Energy • 10% Liveness
66% Instrumentalness • 69% Positiveness
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Eric Clapton
Mr. Joshua
114 bpm • E min • 04:05 • -11.25db
13% Popularity • 34% Danceability • 55% Energy • 24% Liveness
3% Instrumentalness • 13% Positiveness
13% Popularity • 34% Danceability • 55% Energy • 24% Liveness
3% Instrumentalness • 13% Positiveness
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Lalo Schifrin
Shifting Gears
122 bpm • G Maj • 03:17 • -17.58db
24% Popularity • 45% Danceability • 38% Energy • 8% Liveness
16% Instrumentalness • 21% Positiveness
24% Popularity • 45% Danceability • 38% Energy • 8% Liveness
16% Instrumentalness • 21% Positiveness
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Gogglebox
The Equalizer
122 bpm • A# min • 01:04 • -12db
17% Popularity • 66% Danceability • 85% Energy • 8% Liveness
73% Instrumentalness • 74% Positiveness
17% Popularity • 66% Danceability • 85% Energy • 8% Liveness
73% Instrumentalness • 74% Positiveness
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James Brown
Living in America
114 bpm • C Maj • 04:44 • -10db
43% Popularity • 72% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
43% Popularity • 72% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
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Cozy Powell
Theme One
122 bpm • D Maj • 03:35 • -14.77db
17% Popularity • 50% Danceability • 80% Energy • 12% Liveness
91% Instrumentalness • 80% Positiveness
17% Popularity • 50% Danceability • 80% Energy • 12% Liveness
91% Instrumentalness • 80% Positiveness
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Talking Heads
I Zimbra - 2005 Remaster
114 bpm • G# Maj • 03:08 • -10.37db
42% Popularity • 67% Danceability • 74% Energy • 24% Liveness
22% Instrumentalness • 93% Positiveness
42% Popularity • 67% Danceability • 74% Energy • 24% Liveness
22% Instrumentalness • 93% Positiveness
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John Carpenter
Tenement/White Tiger
114 bpm • D min • 03:48 • -21.22db
14% Popularity • 75% Danceability • 53% Energy • 13% Liveness
92% Instrumentalness • 72% Positiveness
14% Popularity • 75% Danceability • 53% Energy • 13% Liveness
92% Instrumentalness • 72% Positiveness
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Lalo Schifrin
Theme from Enter the Dragon - Main Title
122 bpm • C Maj • 02:22 • -6db
34% Popularity • 51% Danceability • 72% Energy • 5% Liveness
31% Instrumentalness • 47% Positiveness
34% Popularity • 51% Danceability • 72% Energy • 5% Liveness
31% Instrumentalness • 47% Positiveness
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Jan Hammer
The Kick
122 bpm • A# Maj • 02:14 • -11.4db
15% Popularity • 60% Danceability • 88% Energy • 13% Liveness
32% Instrumentalness • 24% Positiveness
15% Popularity • 60% Danceability • 88% Energy • 13% Liveness
32% Instrumentalness • 24% Positiveness
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The Clash
This is Radio Clash
122 bpm • B min • 04:12 • -6db
42% Popularity • 92% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
42% Popularity • 92% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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Sam Spence
Game Plan For Sudden Death
114 bpm • C Maj • 02:42 • -12.06db
16% Popularity • 60% Danceability • 62% Energy • 27% Liveness
85% Instrumentalness • 42% Positiveness
16% Popularity • 60% Danceability • 62% Energy • 27% Liveness
85% Instrumentalness • 42% Positiveness
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Roberto Donati
Cannibal Ferox
122 bpm • G# Maj • 01:28 • -8.05db
25% Popularity • 42% Danceability • 41% Energy • 13% Liveness
76% Instrumentalness • 17% Positiveness
25% Popularity • 42% Danceability • 41% Energy • 13% Liveness
76% Instrumentalness • 17% Positiveness
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Roy Ayers
Aragon
122 bpm • G# Maj • 02:55 • -8db
33% Popularity • 76% Danceability • 74% Energy • 13% Liveness
62% Instrumentalness • 96% Positiveness
33% Popularity • 76% Danceability • 74% Energy • 13% Liveness
62% Instrumentalness • 96% Positiveness
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Lalo Schifrin
Shifting Gears
122 bpm • G Maj • 03:14 • -10.31db
21% Popularity • 59% Danceability • 52% Energy • 9% Liveness
87% Instrumentalness • 10% Positiveness
21% Popularity • 59% Danceability • 52% Energy • 9% Liveness
87% Instrumentalness • 10% Positiveness
