Songs like Then I Heard A Bachelor's Cry by Benjamin Clementine

189 bpm • C Maj • 03:58 • -15.35db

51% Popularity • 31% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness

188 bpm • A min • 03:55 • -14db

47% Popularity • 61% Danceability • 66% Energy • 14% Liveness
3% Instrumentalness • 83% Positiveness

187 bpm • F min • 04:39 • -8.9db

38% Popularity • 26% Danceability • 46% Energy • 11% Liveness
14% Instrumentalness • 24% Positiveness

186 bpm • D min • 02:50 • -7db

50% Popularity • 33% Danceability • 40% Energy • 47% Liveness
12% Instrumentalness • 50% Positiveness

184 bpm • C min • 03:05 • -9.92db

29% Popularity • 43% Danceability • 48% Energy • 13% Liveness
1% Instrumentalness • 35% Positiveness

184 bpm • A# min • 04:51 • -8.6db

34% Popularity • 46% Danceability • 54% Energy • 14% Liveness
61% Instrumentalness • 61% Positiveness

200 bpm • C Maj • 04:11 • -13.7db

35% Popularity • 46% Danceability • 19% Energy • 11% Liveness
55% Instrumentalness • 46% Positiveness

182 bpm • F min • 05:11 • -10.06db

26% Popularity • 32% Danceability • 37% Energy • 9% Liveness
11% Instrumentalness • 17% Positiveness

180 bpm • G min • 04:11 • -7.63db

31% Popularity • 58% Danceability • 46% Energy • 10% Liveness
2% Instrumentalness • 29% Positiveness

180 bpm • C min • 05:25 • -13db

36% Popularity • 28% Danceability • 36% Energy • 14% Liveness
20% Instrumentalness • 54% Positiveness

201 bpm • C min • 03:20 • -11.71db

25% Popularity • 39% Danceability • 23% Energy • 12% Liveness
30% Instrumentalness • 30% Positiveness

180 bpm • B min • 03:35 • -11db

51% Popularity • 57% Danceability • 36% Energy • 10% Liveness
4% Instrumentalness • 48% Positiveness

178 bpm • C min • 03:49 • -10.79db

36% Popularity • 28% Danceability • 22% Energy • 11% Liveness
3% Instrumentalness • 21% Positiveness

178 bpm • F min • 02:07 • -8.71db

31% Popularity • 38% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness

176 bpm • E min • 04:17 • -13.63db

28% Popularity • 41% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness

175 bpm • D min • 04:33 • -18.96db

48% Popularity • 42% Danceability • 20% Energy • 11% Liveness
2% Instrumentalness • 34% Positiveness

175 bpm • C# Maj • 04:01 • -8.71db

43% Popularity • 50% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness

174 bpm • A min • 05:45 • -7db

33% Popularity • 29% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness

174 bpm • E Maj • 02:49 • -19db

24% Popularity • 61% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness

178 bpm • D# Maj • 04:25 • -10.31db

11% Popularity • 32% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness

173 bpm • A min • 05:31 • -9db

28% Popularity • 65% Danceability • 52% Energy • 8% Liveness
84% Instrumentalness • 36% Positiveness

174 bpm • C# min • 04:23 • -16.25db

44% Popularity • 48% Danceability • 22% Energy • 24% Liveness
85% Instrumentalness • 17% Positiveness

173 bpm • A Maj • 04:13 • -13.73db

43% Popularity • 28% Danceability • 16% Energy • 11% Liveness
12% Instrumentalness • 26% Positiveness

172 bpm • C min • 03:13 • -13db

47% Popularity • 39% Danceability • 18% Energy • 16% Liveness
96% Instrumentalness • 36% Positiveness

172 bpm • F# min • 05:04 • -9.51db

37% Popularity • 44% Danceability • 47% Energy • 12% Liveness
8% Instrumentalness • 19% Positiveness

176 bpm • C min • 03:02 • -7db

37% Popularity • 42% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness

172 bpm • B min • 03:32 • -10db

35% Popularity • 70% Danceability • 58% Energy • 13% Liveness
3% Instrumentalness • 54% Positiveness

171 bpm • E min • 03:36 • -5.33db

13% Popularity • 38% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness

172 bpm • F min • 02:58 • -12db

34% Popularity • 58% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness

171 bpm • C# min • 03:45 • -13.05db

19% Popularity • 33% Danceability • 24% Energy • 37% Liveness
0% Instrumentalness • 29% Positiveness

170 bpm • G min • 07:07 • -7.85db

65% Popularity • 28% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness

176 bpm • F min • 03:13 • -10.37db

35% Popularity • 73% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness

170 bpm • F min • 03:34 • -9.23db

22% Popularity • 36% Danceability • 38% Energy • 15% Liveness
1% Instrumentalness • 40% Positiveness

169 bpm • C# Maj • 04:32 • -10.17db

32% Popularity • 30% Danceability • 35% Energy • 11% Liveness
39% Instrumentalness • 15% Positiveness

168 bpm • D min • 05:08 • -9.73db

44% Popularity • 35% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness

168 bpm • E min • 03:58 • -9.74db

33% Popularity • 42% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness

169 bpm • F Maj • 04:59 • -7.89db

45% Popularity • 37% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness

168 bpm • F min • 02:45 • -7.38db

25% Popularity • 34% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness

167 bpm • C Maj • 01:20 • -11.05db

44% Popularity • 42% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness

171 bpm • G# Maj • 03:24 • -11.52db

23% Popularity • 37% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness

166 bpm • F# Maj • 02:49 • -9.31db

25% Popularity • 60% Danceability • 51% Energy • 26% Liveness
0% Instrumentalness • 44% Positiveness