Songs like Thérapie de groupe by Olivia Ruiz
Based on a tempo of (+/- 10%) and a similar genre
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Da Silva
La crise
130 bpm • C Maj • 03:30 • -10db
20% Popularity • 71% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
20% Popularity • 71% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Ridan
Le petit prince
130 bpm • D# min • 03:22 • -6.37db
16% Popularity • 85% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
16% Popularity • 85% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Les Wriggles
Tant pis !
130 bpm • D Maj • 02:14 • -7db
3% Popularity • 78% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
3% Popularity • 78% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Olivia Ruiz
Thérapie de groupe
130 bpm • D Maj • 03:20 • -4.97db
24% Popularity • 67% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
24% Popularity • 67% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
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Grégoire
Toi + Moi
130 bpm • C Maj • 03:02 • -7.45db
61% Popularity • 64% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 27% Positiveness
61% Popularity • 64% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 27% Positiveness
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Le Soldat Rose
La sieste
130 bpm • B min • 03:17 • -7.89db
24% Popularity • 70% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
24% Popularity • 70% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Jeanne Cherhal
La station
130 bpm • C Maj • 06:58 • -7db
12% Popularity • 48% Danceability • 37% Energy • 29% Liveness
0% Instrumentalness • 15% Positiveness
12% Popularity • 48% Danceability • 37% Energy • 29% Liveness
0% Instrumentalness • 15% Positiveness
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Ridan
Alerte à la bombe
130 bpm • C min • 03:41 • -8.25db
22% Popularity • 84% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
22% Popularity • 84% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Da Silva
Au moment des amours
130 bpm • F Maj • 02:50 • -5db
39% Popularity • 71% Danceability • 80% Energy • 12% Liveness
74% Instrumentalness • 56% Positiveness
39% Popularity • 71% Danceability • 80% Energy • 12% Liveness
74% Instrumentalness • 56% Positiveness
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Sanseverino
Tout le monde se presse
130 bpm • A min • 02:47 • -6.79db
32% Popularity • 82% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
32% Popularity • 82% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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Rose
La liste
130 bpm • A# Maj • 03:13 • -6.71db
52% Popularity • 63% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
52% Popularity • 63% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Tarmac
Ce Sourire Est Pour Moi
130 bpm • G min • 03:54 • -6.55db
31% Popularity • 68% Danceability • 85% Energy • 7% Liveness
2% Instrumentalness • 97% Positiveness
31% Popularity • 68% Danceability • 85% Energy • 7% Liveness
2% Instrumentalness • 97% Positiveness
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Jeanne Cherhal
Canicule
130 bpm • C# min • 03:04 • -17.02db
27% Popularity • 66% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 54% Positiveness
27% Popularity • 66% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 54% Positiveness
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Louise Attaque
Toute cette histoire
129 bpm • E min • 05:26 • -7.36db
38% Popularity • 45% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 56% Positiveness
38% Popularity • 45% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 56% Positiveness
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Oldelaf et Monsieur D.
Rue de Nantes
129 bpm • G Maj • 04:10 • -8.47db
31% Popularity • 59% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
31% Popularity • 59% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Da Silva
Rien n'a vraiment changé
131 bpm • D min • 02:15 • -4.69db
35% Popularity • 54% Danceability • 67% Energy • 16% Liveness
12% Instrumentalness • 84% Positiveness
35% Popularity • 54% Danceability • 67% Energy • 16% Liveness
12% Instrumentalness • 84% Positiveness
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Ridan
Rentre chez toi
131 bpm • G# Maj • 04:35 • -4.54db
27% Popularity • 64% Danceability • 89% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
27% Popularity • 64% Danceability • 89% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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Yves Jamait
Dis Quand Reviendras-tu
131 bpm • C# min • 03:21 • -6.74db
16% Popularity • 80% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
16% Popularity • 80% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Clarika
Lâche-Moi
132 bpm • G min • 03:20 • -9.14db
11% Popularity • 51% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
11% Popularity • 51% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Mademoiselle K
La corde
129 bpm • G# Maj • 03:27 • -6.22db
14% Popularity • 58% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
14% Popularity • 58% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Oldelaf et Monsieur D.
Tire-fesses
129 bpm • E min • 03:07 • -5.71db
7% Popularity • 87% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
7% Popularity • 87% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
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ÉTÉ 67
Tu n'es pas lÃ
128 bpm • E min • 03:31 • -5.49db
18% Popularity • 39% Danceability • 78% Energy • 72% Liveness
0% Instrumentalness • 65% Positiveness
18% Popularity • 39% Danceability • 78% Energy • 72% Liveness
0% Instrumentalness • 65% Positiveness
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Vincent Delerm
Cosmopolitan
128 bpm • F min • 04:35 • -12.64db
19% Popularity • 43% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 43% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Les Wriggles
Papillons
128 bpm • E min • 03:26 • -9.76db
24% Popularity • 75% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
24% Popularity • 75% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Da Silva
Les loges de la colère
128 bpm • G min • 02:31 • -6.86db
26% Popularity • 80% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
26% Popularity • 80% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Tété
Fils de Cham
132 bpm • E min • 04:03 • -5db
33% Popularity • 68% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
33% Popularity • 68% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Miossec
La facture d'électricité
132 bpm • A min • 03:15 • -6db
25% Popularity • 66% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
25% Popularity • 66% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Les Fatals Picards
Coming Out
128 bpm • F# Maj • 03:30 • -4.03db
25% Popularity • 67% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
25% Popularity • 67% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
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Louis Chedid
La panthère noire en peluche
128 bpm • D Maj • 03:32 • -6.8db
26% Popularity • 84% Danceability • 54% Energy • 38% Liveness
0% Instrumentalness • 69% Positiveness
26% Popularity • 84% Danceability • 54% Energy • 38% Liveness
0% Instrumentalness • 69% Positiveness
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Clarika
Moi En Mieux
128 bpm • G min • 04:13 • -6db
10% Popularity • 65% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
10% Popularity • 65% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Da Silva
Tout va pour le mieux
132 bpm • F# Maj • 03:11 • -9.25db
40% Popularity • 67% Danceability • 50% Energy • 8% Liveness
29% Instrumentalness • 70% Positiveness
40% Popularity • 67% Danceability • 50% Energy • 8% Liveness
29% Instrumentalness • 70% Positiveness
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Ridan
Le quotidien
128 bpm • A# min • 03:57 • -8.07db
22% Popularity • 94% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 94% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Monsieur Roux
P'tite Pouff
132 bpm • G Maj • 02:44 • -10.58db
22% Popularity • 79% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
22% Popularity • 79% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Les Fatals Picards
Tonton
132 bpm • F# min • 02:14 • -9.66db
22% Popularity • 59% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
22% Popularity • 59% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Anaïs
La Vie Est Dure
132 bpm • D Maj • 04:47 • -9.93db
10% Popularity • 44% Danceability • 44% Energy • 71% Liveness
0% Instrumentalness • 43% Positiveness
10% Popularity • 44% Danceability • 44% Energy • 71% Liveness
0% Instrumentalness • 43% Positiveness
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Olivia Ruiz
Petite Fable
127 bpm • C min • 03:17 • -11db
16% Popularity • 46% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
16% Popularity • 46% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Vincent Delerm
Le monologue shakespearien
133 bpm • C Maj • 03:45 • -9.12db
25% Popularity • 61% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
25% Popularity • 61% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Les Wriggles
La petite olive
127 bpm • A Maj • 02:53 • -9.43db
33% Popularity • 61% Danceability • 35% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
33% Popularity • 61% Danceability • 35% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
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Yves Jamait
Gare au train
133 bpm • A Maj • 03:56 • -7.4db
16% Popularity • 74% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
16% Popularity • 74% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Oldelaf et Monsieur D.
Raoul mon pitbull
127 bpm • E min • 03:33 • -6.33db
32% Popularity • 83% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
32% Popularity • 83% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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Shirley
Chien et chat
127 bpm • F min • 03:32 • -5.47db
30% Popularity • 83% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
30% Popularity • 83% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Gaëtan Roussel
J’entends des voix
127 bpm • C min • 03:04 • -6.42db
39% Popularity • 69% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
39% Popularity • 69% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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Olivia Ruiz
Non-dits
127 bpm • A# min • 04:01 • -6.61db
30% Popularity • 57% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
30% Popularity • 57% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
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Les Wriggles
Des laisses
127 bpm • G Maj • 02:48 • -9.6db
3% Popularity • 79% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
3% Popularity • 79% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Leila Huissoud
Ecrit d'invention
127 bpm • G# min • 02:54 • -7.29db
15% Popularity • 81% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
15% Popularity • 81% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Allain Leprest
Etes-vous là ?
126 bpm • E Maj • 04:19 • -6.13db
7% Popularity • 63% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
7% Popularity • 63% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Jean Corti
La javanaise
126 bpm • C Maj • 03:03 • -11.89db
5% Popularity • 44% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
5% Popularity • 44% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Louise Attaque
Tu dis rien
134 bpm • D min • 02:21 • -5.86db
48% Popularity • 54% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
48% Popularity • 54% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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Pierre Lapointe
Nous n'irons pas
134 bpm • E min • 02:00 • -14.52db
17% Popularity • 91% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
17% Popularity • 91% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Ridan
Ulysse
134 bpm • D min • 03:39 • -7.36db
55% Popularity • 87% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
55% Popularity • 87% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Yves Jamait
C'est L'heure
134 bpm • F# min • 03:15 • -5.67db
18% Popularity • 76% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
18% Popularity • 76% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Jeanne Cherhal
Douze fois par an
134 bpm • A min • 02:32 • -13db
34% Popularity • 74% Danceability • 42% Energy • 13% Liveness
5% Instrumentalness • 60% Positiveness
34% Popularity • 74% Danceability • 42% Energy • 13% Liveness
5% Instrumentalness • 60% Positiveness
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Daphné
Le petit navire
126 bpm • G# min • 03:41 • -7db
8% Popularity • 76% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
8% Popularity • 76% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Lynda Lemay
Rends-moi ma bicyclette
126 bpm • F# min • 04:13 • -8.89db
13% Popularity • 45% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
13% Popularity • 45% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Les Innocents
Je vais à Bang-Bang
126 bpm • D Maj • 03:49 • -5.95db
23% Popularity • 64% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
23% Popularity • 64% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Louise Attaque
Arrache-moi
126 bpm • A Maj • 02:00 • -11.28db
37% Popularity • 45% Danceability • 26% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
37% Popularity • 45% Danceability • 26% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
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Olivia Ruiz
L'éternité
135 bpm • A Maj • 04:26 • -6.71db
9% Popularity • 55% Danceability • 61% Energy • 32% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 55% Danceability • 61% Energy • 32% Liveness
0% Instrumentalness • 35% Positiveness
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Jeanne Cherhal
Une tonne
126 bpm • D Maj • 04:02 • -11db
12% Popularity • 72% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
12% Popularity • 72% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Oldelaf et Monsieur D.
Et si on chantait
135 bpm • D min • 04:57 • -9db
24% Popularity • 75% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
24% Popularity • 75% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Mademoiselle K
Reste lÃ
125 bpm • C# min • 02:01 • -8.23db
42% Popularity • 88% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 98% Positiveness
42% Popularity • 88% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 98% Positiveness
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Brigitte
Jesus sex symbol
125 bpm • F Maj • 07:44 • -10db
23% Popularity • 52% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
23% Popularity • 52% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Louise Attaque
L'imposture
135 bpm • B min • 02:23 • -5.78db
45% Popularity • 48% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
45% Popularity • 48% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
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Arthur H
La beauté de l'amour
136 bpm • A# min • 03:22 • -5.73db
28% Popularity • 56% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
28% Popularity • 56% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Magyd Cherfi
Les gens tristes
136 bpm • A min • 03:57 • -7.45db
14% Popularity • 68% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
14% Popularity • 68% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Brigitte Fontaine
Partir Ou Rester
124 bpm • G# min • 03:43 • -6.63db
7% Popularity • 66% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
7% Popularity • 66% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
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Mademoiselle K
Plus le cœur à ça
136 bpm • A min • 04:18 • -10.51db
24% Popularity • 57% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
24% Popularity • 57% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Louis Garrel
Delta Charlie Delta
124 bpm • F min • 03:05 • -12.52db
19% Popularity • 61% Danceability • 68% Energy • 17% Liveness
69% Instrumentalness • 66% Positiveness
19% Popularity • 61% Danceability • 68% Energy • 17% Liveness
69% Instrumentalness • 66% Positiveness
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Brigitte
Le goût du sel de tes larmes
135 bpm • C min • 03:35 • -10.95db
23% Popularity • 46% Danceability • 19% Energy • 14% Liveness
4% Instrumentalness • 8% Positiveness
23% Popularity • 46% Danceability • 19% Energy • 14% Liveness
4% Instrumentalness • 8% Positiveness
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Louise Attaque
See You Later Alligator
124 bpm • B min • 02:56 • -10.09db
34% Popularity • 74% Danceability • 69% Energy • 14% Liveness
14% Instrumentalness • 63% Positiveness
34% Popularity • 74% Danceability • 69% Energy • 14% Liveness
14% Instrumentalness • 63% Positiveness
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Oldelaf et Monsieur D.
Pas d'Bras
124 bpm • A# Maj • 02:52 • -6.17db
15% Popularity • 89% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 59% Positiveness
15% Popularity • 89% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 59% Positiveness
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Hustla
Les règles
124 bpm • G# min • 04:29 • -11.06db
2% Popularity • 56% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
2% Popularity • 56% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Mademoiselle K
Jalouse
136 bpm • G Maj • 03:46 • -7.38db
43% Popularity • 65% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 31% Positiveness
43% Popularity • 65% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 31% Positiveness
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Camille
Paris
136 bpm • D# min • 03:46 • -8db
34% Popularity • 47% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
34% Popularity • 47% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Jacques Higelin
Tom Bonbadilom
123 bpm • D Maj • 04:04 • -8db
27% Popularity • 78% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
27% Popularity • 78% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Louise Attaque
Pour un oui pour un non
123 bpm • C Maj • 02:13 • -3.46db
35% Popularity • 50% Danceability • 86% Energy • 28% Liveness
0% Instrumentalness • 90% Positiveness
35% Popularity • 50% Danceability • 86% Energy • 28% Liveness
0% Instrumentalness • 90% Positiveness
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Les Wriggles
Fenêtre sur coeur
137 bpm • B Maj • 02:54 • -8.29db
1% Popularity • 80% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
1% Popularity • 80% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Luke
Dans l'ombre
123 bpm • B min • 05:35 • -8.65db
9% Popularity • 67% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 38% Positiveness
9% Popularity • 67% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 38% Positiveness
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Mozart Opera Rock
Tatoue moi
123 bpm • D# Maj • 03:21 • -6.46db
53% Popularity • 61% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
53% Popularity • 61% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Yves Jamait
Ok, Tu T'en Vas
138 bpm • G Maj • 03:04 • -7db
33% Popularity • 82% Danceability • 54% Energy • 34% Liveness
0% Instrumentalness • 65% Positiveness
33% Popularity • 82% Danceability • 54% Energy • 34% Liveness
0% Instrumentalness • 65% Positiveness
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Blankass
Anna
138 bpm • E min • 04:05 • -4.96db
14% Popularity • 60% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 60% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Louise Attaque
Vous avez l'heure
123 bpm • G Maj • 02:25 • -8.79db
47% Popularity • 52% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
47% Popularity • 52% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Da Silva
Se fendre les joues
138 bpm • F# min • 02:32 • -6.88db
42% Popularity • 65% Danceability • 57% Energy • 13% Liveness
4% Instrumentalness • 88% Positiveness
42% Popularity • 65% Danceability • 57% Energy • 13% Liveness
4% Instrumentalness • 88% Positiveness
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Jeanne Cherhal
Un couple normal
138 bpm • D Maj • 04:45 • -9.03db
24% Popularity • 71% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 71% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Melissmell
Sens Ma Fatigue
122 bpm • F# min • 03:27 • -10.98db
11% Popularity • 67% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
11% Popularity • 67% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Brigitte
Battez-vous
122 bpm • C Maj • 04:03 • -7.39db
53% Popularity • 63% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
53% Popularity • 63% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Miossec
La fidélité
121 bpm • B min • 03:07 • -8db
23% Popularity • 68% Danceability • 50% Energy • 4% Liveness
4% Instrumentalness • 93% Positiveness
23% Popularity • 68% Danceability • 50% Energy • 4% Liveness
4% Instrumentalness • 93% Positiveness
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Ridan
Madame la république - Original version
121 bpm • F min • 03:22 • -8.99db
27% Popularity • 76% Danceability • 60% Energy • 35% Liveness
0% Instrumentalness • 93% Positiveness
27% Popularity • 76% Danceability • 60% Energy • 35% Liveness
0% Instrumentalness • 93% Positiveness
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Da Silva
L'averse
138 bpm • A min • 03:01 • -4.68db
36% Popularity • 67% Danceability • 84% Energy • 66% Liveness
3% Instrumentalness • 92% Positiveness
36% Popularity • 67% Danceability • 84% Energy • 66% Liveness
3% Instrumentalness • 92% Positiveness
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Jeanne Cherhal
Super 8
139 bpm • G# Maj • 03:35 • -7.85db
16% Popularity • 68% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
16% Popularity • 68% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Daphné
Déclaration à celui
140 bpm • G# min • 03:33 • -11.22db
8% Popularity • 46% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
8% Popularity • 46% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Yves Jamait
Prendre la route
140 bpm • F# min • 04:09 • -5.36db
24% Popularity • 74% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
24% Popularity • 74% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Hubert-Félix Thiéfaine
Fièvre resurrectionnelle
140 bpm • A# min • 03:32 • -7db
34% Popularity • 59% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
34% Popularity • 59% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
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Yannick Noah
Aux arbres citoyens
140 bpm • F min • 03:15 • -4db
50% Popularity • 62% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
50% Popularity • 62% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
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Ridan
60 millions d'amis
140 bpm • B min • 03:04 • -4.65db
13% Popularity • 79% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
13% Popularity • 79% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Matmatah
Derrière ton dos
140 bpm • F# min • 04:01 • -4.27db
40% Popularity • 51% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
40% Popularity • 51% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Les Wriggles
Plouf
140 bpm • C# min • 01:56 • -7.2db
31% Popularity • 76% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
31% Popularity • 76% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Mademoiselle K
Grave
121 bpm • C Maj • 03:03 • -7.32db
28% Popularity • 71% Danceability • 70% Energy • 14% Liveness
1% Instrumentalness • 48% Positiveness
28% Popularity • 71% Danceability • 70% Energy • 14% Liveness
1% Instrumentalness • 48% Positiveness
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La Rue Kétanou
Elle est belle
140 bpm • D min • 02:44 • -7.97db
37% Popularity • 59% Danceability • 49% Energy • 24% Liveness
0% Instrumentalness • 83% Positiveness
37% Popularity • 59% Danceability • 49% Energy • 24% Liveness
0% Instrumentalness • 83% Positiveness