Songs like There Ain't Half Been Some Clever Bastards by Ian Dury
Based on a tempo of (+/- 10%) and a similar genre
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The Monochrome Set
Jacob's Ladder
115 bpm • D Maj • 02:55 • -17.67db
12% Popularity • 56% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
12% Popularity • 56% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Them
Gloria
115 bpm • D Maj • 06:05 • -10.28db
34% Popularity • 56% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
34% Popularity • 56% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
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Ian Dury
There Ain't Half Been Some Clever Bastar...
115 bpm • D Maj • 03:03 • -16.72db
28% Popularity • 79% Danceability • 33% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 79% Danceability • 33% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Ronnie Carroll
Rainbowland
115 bpm • D Maj • 07:47 • -11.1db
1% Popularity • 64% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
1% Popularity • 64% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Skids
Animation
115 bpm • A min • 04:49 • -6.93db
15% Popularity • 61% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
15% Popularity • 61% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
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Blancmange
Living On The Ceiling
115 bpm • E Maj • 04:10 • -9.06db
47% Popularity • 70% Danceability • 74% Energy • 27% Liveness
4% Instrumentalness • 84% Positiveness
47% Popularity • 70% Danceability • 74% Energy • 27% Liveness
4% Instrumentalness • 84% Positiveness
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Fun Boy Three
The Lunatics (Have Taken over the Asylum...
115 bpm • G Maj • 03:14 • -12db
41% Popularity • 77% Danceability • 49% Energy • 6% Liveness
1% Instrumentalness • 62% Positiveness
41% Popularity • 77% Danceability • 49% Energy • 6% Liveness
1% Instrumentalness • 62% Positiveness
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Tom Robinson Band
Bully for You
116 bpm • D# Maj • 03:30 • -10.93db
11% Popularity • 71% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 71% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Ian Dury
I'm Partial to Your Abracadabra
114 bpm • E Maj • 03:13 • -8.52db
27% Popularity • 85% Danceability • 76% Energy • 32% Liveness
10% Instrumentalness • 88% Positiveness
27% Popularity • 85% Danceability • 76% Energy • 32% Liveness
10% Instrumentalness • 88% Positiveness
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The Clash
The Magnificent Seven - Remastered
116 bpm • C Maj • 05:33 • -8.21db
54% Popularity • 80% Danceability • 79% Energy • 3% Liveness
0% Instrumentalness • 83% Positiveness
54% Popularity • 80% Danceability • 79% Energy • 3% Liveness
0% Instrumentalness • 83% Positiveness
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John Cooper Clarke
Readers Wives
116 bpm • C# Maj • 03:12 • -14.74db
14% Popularity • 66% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
14% Popularity • 66% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Joe Jackson
Is She Really Going Out With Him?
116 bpm • D# Maj • 03:35 • -6.87db
58% Popularity • 87% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
58% Popularity • 87% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
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Marianne Faithfull
Why'd Ya Do It
114 bpm • B min • 06:48 • -10.87db
31% Popularity • 77% Danceability • 68% Energy • 19% Liveness
16% Instrumentalness • 97% Positiveness
31% Popularity • 77% Danceability • 68% Energy • 19% Liveness
16% Instrumentalness • 97% Positiveness
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Kilburn & The High Roads
Pam's Moods
114 bpm • G Maj • 03:40 • -11.25db
8% Popularity • 58% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 58% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Ian Dury
Dance of the Crackpots
116 bpm • F Maj • 02:35 • -6.83db
14% Popularity • 82% Danceability • 93% Energy • 44% Liveness
0% Instrumentalness • 74% Positiveness
14% Popularity • 82% Danceability • 93% Energy • 44% Liveness
0% Instrumentalness • 74% Positiveness
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Gruppo Sportivo
Beep Beep Love
116 bpm • B min • 02:56 • -8.19db
28% Popularity • 73% Danceability • 77% Energy • 47% Liveness
0% Instrumentalness • 72% Positiveness
28% Popularity • 73% Danceability • 77% Energy • 47% Liveness
0% Instrumentalness • 72% Positiveness
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Deaf School
Hi Jo Hi
113 bpm • C Maj • 02:22 • -8db
11% Popularity • 82% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
11% Popularity • 82% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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The Charlatans
The Only One I Know
113 bpm • F Maj • 03:58 • -13.1db
58% Popularity • 55% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
58% Popularity • 55% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Adam & The Ants
Young Parisians
113 bpm • G Maj • 02:59 • -10.1db
19% Popularity • 87% Danceability • 24% Energy • 3% Liveness
0% Instrumentalness • 40% Positiveness
19% Popularity • 87% Danceability • 24% Energy • 3% Liveness
0% Instrumentalness • 40% Positiveness
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Kilburn & The High Roads
The Roadette Song
113 bpm • E min • 03:25 • -10.25db
11% Popularity • 72% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
11% Popularity • 72% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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Ian Dury
Yes and No (Paula)
116 bpm • C# Maj • 03:06 • -9.16db
9% Popularity • 71% Danceability • 78% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 71% Danceability • 78% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
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The Stone Roses
Fools Gold - Remastered 2009
113 bpm • G Maj • 09:54 • -6.39db
60% Popularity • 73% Danceability • 88% Energy • 29% Liveness
86% Instrumentalness • 16% Positiveness
60% Popularity • 73% Danceability • 88% Energy • 29% Liveness
86% Instrumentalness • 16% Positiveness
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Aztec Camera
Oblivious
112 bpm • F# min • 03:10 • -8db
44% Popularity • 65% Danceability • 78% Energy • 6% Liveness
12% Instrumentalness • 92% Positiveness
44% Popularity • 65% Danceability • 78% Energy • 6% Liveness
12% Instrumentalness • 92% Positiveness
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The Beat
Can't Get Used to Losing You - 2012 Rema...
113 bpm • A min • 03:05 • -11.4db
44% Popularity • 80% Danceability • 48% Energy • 6% Liveness
7% Instrumentalness • 90% Positiveness
44% Popularity • 80% Danceability • 48% Energy • 6% Liveness
7% Instrumentalness • 90% Positiveness
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Happy Mondays
Kinky Afro
118 bpm • F Maj • 03:59 • -12.55db
51% Popularity • 55% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
51% Popularity • 55% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
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Gary Numan
Music for Chameleons
112 bpm • A Maj • 06:06 • -9.77db
36% Popularity • 70% Danceability • 61% Energy • 24% Liveness
14% Instrumentalness • 70% Positiveness
36% Popularity • 70% Danceability • 61% Energy • 24% Liveness
14% Instrumentalness • 70% Positiveness
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Ian Dury
Common as Muck
114 bpm • A# Maj • 03:58 • -14.67db
16% Popularity • 61% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
16% Popularity • 61% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
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Kirsty MacColl
They Don't Know
112 bpm • B Maj • 03:06 • -9.47db
35% Popularity • 55% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
35% Popularity • 55% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
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The Fall
Hit the North - Part 1
112 bpm • D Maj • 04:01 • -8db
36% Popularity • 69% Danceability • 86% Energy • 7% Liveness
76% Instrumentalness • 91% Positiveness
36% Popularity • 69% Danceability • 86% Energy • 7% Liveness
76% Instrumentalness • 91% Positiveness
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It's Immaterial
Driving Away From Home (Jim's Tune)
112 bpm • G Maj • 04:13 • -14.23db
36% Popularity • 59% Danceability • 74% Energy • 34% Liveness
26% Instrumentalness • 90% Positiveness
36% Popularity • 59% Danceability • 74% Energy • 34% Liveness
26% Instrumentalness • 90% Positiveness
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Fun Boy Three
The Telephone Always Rings
118 bpm • C# Maj • 03:38 • -11db
33% Popularity • 72% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
33% Popularity • 72% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Big Audio Dynamite
Medicine Show
118 bpm • B min • 06:33 • -9.63db
34% Popularity • 80% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
34% Popularity • 80% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Ian Dury
Geraldine
117 bpm • C Maj • 03:37 • -9.15db
14% Popularity • 71% Danceability • 65% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
14% Popularity • 71% Danceability • 65% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
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John Cooper Clarke
The Day My Pad Went Mad
118 bpm • D Maj • 03:12 • -10.51db
6% Popularity • 59% Danceability • 84% Energy • 73% Liveness
0% Instrumentalness • 77% Positiveness
6% Popularity • 59% Danceability • 84% Energy • 73% Liveness
0% Instrumentalness • 77% Positiveness
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Joe Jackson
It's Different For Girls
118 bpm • B Maj • 03:42 • -14.64db
46% Popularity • 70% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
46% Popularity • 70% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Redskins
Keep On Keeping On
112 bpm • B Maj • 03:50 • -3.73db
25% Popularity • 66% Danceability • 95% Energy • 14% Liveness
42% Instrumentalness • 95% Positiveness
25% Popularity • 66% Danceability • 95% Energy • 14% Liveness
42% Instrumentalness • 95% Positiveness
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Fun Boy Three
Things We Do
118 bpm • A# min • 03:35 • -12.78db
27% Popularity • 68% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
27% Popularity • 68% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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The Kinks
Autumn Almanac (Mono Mix)
119 bpm • A Maj • 03:03 • -7.82db
35% Popularity • 67% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
35% Popularity • 67% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Ian Dury
It Ain't Cool
117 bpm • C# Maj • 05:46 • -8.4db
13% Popularity • 54% Danceability • 86% Energy • 34% Liveness
4% Instrumentalness • 78% Positiveness
13% Popularity • 54% Danceability • 86% Energy • 34% Liveness
4% Instrumentalness • 78% Positiveness
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The Move
Do Ya - 2005 Remaster
119 bpm • D Maj • 04:06 • -9.48db
26% Popularity • 50% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 78% Positiveness
26% Popularity • 50% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 78% Positiveness
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Tom Robinson Band
Martin
119 bpm • D Maj • 02:50 • -10.25db
13% Popularity • 70% Danceability • 36% Energy • 97% Liveness
0% Instrumentalness • 47% Positiveness
13% Popularity • 70% Danceability • 36% Energy • 97% Liveness
0% Instrumentalness • 47% Positiveness
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Kid Creole And The Coconuts
Annie, I'm Not Your Daddy
111 bpm • F Maj • 03:47 • -12.21db
43% Popularity • 68% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
43% Popularity • 68% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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Kevin Ayers
Stranger in Blue Suede Shoes - 1999 Rema...
119 bpm • A Maj • 03:24 • -7db
35% Popularity • 72% Danceability • 85% Energy • 59% Liveness
79% Instrumentalness • 83% Positiveness
35% Popularity • 72% Danceability • 85% Energy • 59% Liveness
79% Instrumentalness • 83% Positiveness
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Malcolm McLaren
Double Dutch
120 bpm • C Maj • 04:41 • -13.13db
40% Popularity • 59% Danceability • 76% Energy • 91% Liveness
2% Instrumentalness • 88% Positiveness
40% Popularity • 59% Danceability • 76% Energy • 91% Liveness
2% Instrumentalness • 88% Positiveness
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Ian Dury
I Want To Be Straight
118 bpm • A Maj • 03:20 • -15.87db
30% Popularity • 85% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
30% Popularity • 85% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Wild Willy Barrett
Beware Of The Flowers ('Cause I'm Sure T...
111 bpm • D Maj • 02:30 • -14.72db
16% Popularity • 38% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
16% Popularity • 38% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
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Fun Boy Three
Summertime
111 bpm • A# min • 03:09 • -12.73db
32% Popularity • 69% Danceability • 54% Energy • 15% Liveness
2% Instrumentalness • 76% Positiveness
32% Popularity • 69% Danceability • 54% Energy • 15% Liveness
2% Instrumentalness • 76% Positiveness
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John Kongos
Tokolshe Man - 2014 Remastered Version
120 bpm • F Maj • 05:12 • -10.59db
21% Popularity • 49% Danceability • 80% Energy • 10% Liveness
1% Instrumentalness • 82% Positiveness
21% Popularity • 49% Danceability • 80% Energy • 10% Liveness
1% Instrumentalness • 82% Positiveness
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Spandau Ballet
Chant No. 1 (I Don't Need This Pressure ...
120 bpm • B min • 04:09 • -6db
42% Popularity • 74% Danceability • 84% Energy • 9% Liveness
4% Instrumentalness • 88% Positiveness
42% Popularity • 74% Danceability • 84% Energy • 9% Liveness
4% Instrumentalness • 88% Positiveness
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The Sensational Alex Harvey Band
Next - Remastered 2002
110 bpm • A Maj • 04:03 • -10db
23% Popularity • 57% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
23% Popularity • 57% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Ian Dury
Jack Shit George
118 bpm • C# min • 04:23 • -6.98db
18% Popularity • 64% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
18% Popularity • 64% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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John Lennon
Instant Karma! (We All Shine On) - Remas...
120 bpm • A Maj • 03:20 • -9.97db
54% Popularity • 63% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
54% Popularity • 63% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Mel Croucher
Decline
120 bpm • G Maj • 02:30 • -15.81db
0% Popularity • 69% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
0% Popularity • 69% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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The Osmonds
Crazy Horses
120 bpm • D Maj • 02:33 • -4.51db
41% Popularity • 51% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
41% Popularity • 51% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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Aztec Camera
Good Morning Britain
120 bpm • B Maj • 04:02 • -10db
40% Popularity • 57% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
40% Popularity • 57% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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The Clash
The Call Up - Remastered
120 bpm • C Maj • 05:28 • -7.83db
33% Popularity • 82% Danceability • 91% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
33% Popularity • 82% Danceability • 91% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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Ian Dury
Spasticus Autisticus (Live)
112 bpm • A Maj • 05:01 • -9.23db
21% Popularity • 57% Danceability • 92% Energy • 98% Liveness
0% Instrumentalness • 69% Positiveness
21% Popularity • 57% Danceability • 92% Energy • 98% Liveness
0% Instrumentalness • 69% Positiveness
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Generation X
King Rocker
120 bpm • D Maj • 02:17 • -8.76db
28% Popularity • 40% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
28% Popularity • 40% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Mel Croucher
The Song of the Sperm (Parts 1 2 & 3)
120 bpm • C# Maj • 03:53 • -23.81db
0% Popularity • 50% Danceability • 23% Energy • 31% Liveness
1% Instrumentalness • 36% Positiveness
0% Popularity • 50% Danceability • 23% Energy • 31% Liveness
1% Instrumentalness • 36% Positiveness
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Kid Creole And The Coconuts
Annie, I'm Not Your Daddy
110 bpm • E Maj • 06:15 • -10.95db
18% Popularity • 68% Danceability • 83% Energy • 26% Liveness
1% Instrumentalness • 91% Positiveness
18% Popularity • 68% Danceability • 83% Energy • 26% Liveness
1% Instrumentalness • 91% Positiveness
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Prefab Sprout
Faron Young - 2007 Remastered Version
121 bpm • A# min • 03:43 • -7db
38% Popularity • 62% Danceability • 94% Energy • 10% Liveness
3% Instrumentalness • 83% Positiveness
38% Popularity • 62% Danceability • 94% Energy • 10% Liveness
3% Instrumentalness • 83% Positiveness
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The Stranglers
96 Tears
121 bpm • B min • 03:13 • -4db
39% Popularity • 67% Danceability • 93% Energy • 26% Liveness
7% Instrumentalness • 96% Positiveness
39% Popularity • 67% Danceability • 93% Energy • 26% Liveness
7% Instrumentalness • 96% Positiveness
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Ian Dury
Reasons to Be Cheerful, Pt. 3
118 bpm • G Maj • 04:45 • -15.95db
41% Popularity • 83% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
41% Popularity • 83% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Squeeze
Up The Junction
121 bpm • A Maj • 03:11 • -12.97db
57% Popularity • 50% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
57% Popularity • 50% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Mel Croucher
Fertilizer
120 bpm • B min • 02:36 • -18.98db
0% Popularity • 77% Danceability • 40% Energy • 12% Liveness
7% Instrumentalness • 28% Positiveness
0% Popularity • 77% Danceability • 40% Energy • 12% Liveness
7% Instrumentalness • 28% Positiveness
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Redskins
Bring It Down
109 bpm • A min • 04:35 • -6.28db
16% Popularity • 64% Danceability • 89% Energy • 33% Liveness
4% Instrumentalness • 51% Positiveness
16% Popularity • 64% Danceability • 89% Energy • 33% Liveness
4% Instrumentalness • 51% Positiveness
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The Boomtown Rats
Neon Heart
121 bpm • C Maj • 03:54 • -1.93db
15% Popularity • 67% Danceability • 73% Energy • 7% Liveness
1% Instrumentalness • 96% Positiveness
15% Popularity • 67% Danceability • 73% Energy • 7% Liveness
1% Instrumentalness • 96% Positiveness
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Fun Boy Three
The Tunnel of Love
121 bpm • C# Maj • 03:09 • -11.82db
44% Popularity • 74% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
44% Popularity • 74% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Ian Dury
Poo-Poo in the Prawn
112 bpm • C# Maj • 03:17 • -11.01db
14% Popularity • 90% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
14% Popularity • 90% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Scritti Politti
Asylums in Jerusalem - 2001 Remaster
109 bpm • A# Maj • 03:15 • -4.48db
16% Popularity • 58% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 58% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Simple Minds
Chelsea Girl - Remastered 2002
109 bpm • A Maj • 04:34 • -9.27db
27% Popularity • 59% Danceability • 62% Energy • 25% Liveness
0% Instrumentalness • 88% Positiveness
27% Popularity • 59% Danceability • 62% Energy • 25% Liveness
0% Instrumentalness • 88% Positiveness
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Kid Creole And The Coconuts
Stool Pigeon
109 bpm • F min • 03:57 • -12db
40% Popularity • 84% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
40% Popularity • 84% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Mel Croucher
Replay
109 bpm • C Maj • 03:22 • -12.89db
1% Popularity • 56% Danceability • 48% Energy • 12% Liveness
82% Instrumentalness • 69% Positiveness
1% Popularity • 56% Danceability • 48% Energy • 12% Liveness
82% Instrumentalness • 69% Positiveness
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Fun Boy Three
We're Having All the Fun
122 bpm • C# min • 02:49 • -9.92db
33% Popularity • 80% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 80% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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The Human League
Love Action (I Believe In Love)
122 bpm • C Maj • 05:01 • -9.74db
52% Popularity • 70% Danceability • 59% Energy • 18% Liveness
2% Instrumentalness • 73% Positiveness
52% Popularity • 70% Danceability • 59% Energy • 18% Liveness
2% Instrumentalness • 73% Positiveness
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Ian Dury
Apples
119 bpm • A# Maj • 04:32 • -11.98db
15% Popularity • 71% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
15% Popularity • 71% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Lou Reed
Satellite of Love
122 bpm • F Maj • 03:41 • -10.19db
58% Popularity • 46% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
58% Popularity • 46% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
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Tom Robinson Band
Too Good to Be True
122 bpm • E min • 03:35 • -11db
20% Popularity • 86% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
20% Popularity • 86% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Thin Lizzy
Whiskey In The Jar - BBC Radio 1 John Pe...
122 bpm • G Maj • 05:54 • -14.55db
20% Popularity • 57% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
20% Popularity • 57% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Orange Juice
What Presence?!
122 bpm • A Maj • 03:57 • -9db
27% Popularity • 63% Danceability • 70% Energy • 23% Liveness
1% Instrumentalness • 80% Positiveness
27% Popularity • 63% Danceability • 70% Energy • 23% Liveness
1% Instrumentalness • 80% Positiveness
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Half Man Half Biscuit
The Light at the End of the Tunnel (Is t...
122 bpm • E Maj • 02:32 • -4.77db
27% Popularity • 43% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
27% Popularity • 43% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Ian Dury
Blackmail Man
119 bpm • D Maj • 02:15 • -7.46db
21% Popularity • 46% Danceability • 96% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
21% Popularity • 46% Danceability • 96% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
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Marianne Faithfull
Broken English
122 bpm • C Maj • 04:35 • -11.77db
39% Popularity • 83% Danceability • 48% Energy • 22% Liveness
1% Instrumentalness • 96% Positiveness
39% Popularity • 83% Danceability • 48% Energy • 22% Liveness
1% Instrumentalness • 96% Positiveness
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The Equals
Black Skinned Blue Eyed Boys
122 bpm • A# Maj • 02:42 • -15.24db
24% Popularity • 75% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
24% Popularity • 75% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
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Dexys Midnight Runners
Dance Stance
123 bpm • C# min • 03:40 • -9db
21% Popularity • 72% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
21% Popularity • 72% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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The Regents
7 Teen
123 bpm • D Maj • 03:25 • -10.28db
19% Popularity • 65% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
19% Popularity • 65% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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10cc
I'm Mandy Fly Me
108 bpm • G Maj • 05:23 • -10db
42% Popularity • 43% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
42% Popularity • 43% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Ian Dury
Don't Ask Me
111 bpm • F min • 03:19 • -8.37db
18% Popularity • 65% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 80% Positiveness
18% Popularity • 65% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 80% Positiveness
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The All Seeing I
Walk Like A Panther - 7" Version
108 bpm • G# Maj • 04:27 • -3.94db
35% Popularity • 77% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
35% Popularity • 77% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Altered Images
Don't Talk to Me About Love
123 bpm • F Maj • 04:51 • -12db
42% Popularity • 63% Danceability • 55% Energy • 53% Liveness
28% Instrumentalness • 66% Positiveness
42% Popularity • 63% Danceability • 55% Energy • 53% Liveness
28% Instrumentalness • 66% Positiveness
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Squeeze
Take Me I'm Yours
123 bpm • G Maj • 03:46 • -14.41db
16% Popularity • 73% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
16% Popularity • 73% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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The Move
Flowers In The Rain - 2007 Remaster
123 bpm • A Maj • 02:35 • -6.97db
36% Popularity • 52% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 49% Positiveness
36% Popularity • 52% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 49% Positiveness
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Nick Lowe
I Love the Sound of Breaking Glass
108 bpm • G Maj • 03:14 • -10.64db
42% Popularity • 71% Danceability • 62% Energy • 10% Liveness
92% Instrumentalness • 92% Positiveness
42% Popularity • 71% Danceability • 62% Energy • 10% Liveness
92% Instrumentalness • 92% Positiveness
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Ian Dury
Pardon
111 bpm • E min • 02:39 • -10.19db
15% Popularity • 83% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
15% Popularity • 83% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Tom Robinson Band
Better Decide Which Side You're On
107 bpm • F# min • 02:50 • -5.53db
13% Popularity • 60% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
13% Popularity • 60% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Dr. Feelgood
Roxette
123 bpm • C Maj • 02:55 • -13.54db
39% Popularity • 82% Danceability • 46% Energy • 9% Liveness
29% Instrumentalness • 97% Positiveness
39% Popularity • 82% Danceability • 46% Energy • 9% Liveness
29% Instrumentalness • 97% Positiveness
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Squeeze
Take Me I'm Yours
123 bpm • G Maj • 02:48 • -8db
44% Popularity • 72% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
44% Popularity • 72% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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Lou Reed
Dirty Blvd.
123 bpm • D Maj • 03:29 • -13.87db
50% Popularity • 71% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
50% Popularity • 71% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
