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There is a flower
Songs like
There is a flower
by
Michael Praetorius
Based on a tempo of (+/- 10%) and a similar genre
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Johannes Ockeghem
Intemerata Dei Mater
110 bpm • C# min • 07:43 • -22.94db
15% Popularity • 18% Danceability • 21% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
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Michael Praetorius
Volta
110 bpm • G Maj • 00:56 • -24.79db
5% Popularity • 58% Danceability • 32% Energy • 12% Liveness
94% Instrumentalness • 75% Positiveness
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Arnold von Bruck
So trinken wir alle
110 bpm • F Maj • 01:12 • -16.09db
18% Popularity • 65% Danceability • 31% Energy • 5% Liveness
99% Instrumentalness • 73% Positiveness
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Piffaro
Ach Elslein, Liebes Elselein Mein
110 bpm • E min • 01:01 • -21.29db
27% Popularity • 16% Danceability • 8% Energy • 20% Liveness
90% Instrumentalness • 40% Positiveness
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John Johnson
Rogero
109 bpm • G Maj • 01:40 • -27.25db
20% Popularity • 44% Danceability • 14% Energy • 13% Liveness
87% Instrumentalness • 30% Positiveness
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Clément Janequin
La Battaglia
109 bpm • G Maj • 03:30 • -20db
9% Popularity • 30% Danceability • 20% Energy • 7% Liveness
94% Instrumentalness • 46% Positiveness
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Antonio Lotti
Miserere
109 bpm • G# min • 01:30 • -19db
38% Popularity • 18% Danceability • 17% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
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Michael Praetorius
Halleluja. Christ ist erstanden
111 bpm • A min • 07:00 • -22.27db
4% Popularity • 27% Danceability • 8% Energy • 22% Liveness
39% Instrumentalness • 17% Positiveness
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Francesco Manelli
Acceso mio cuore (Ciaconna)
109 bpm • C Maj • 02:42 • -24.61db
16% Popularity • 18% Danceability • 3% Energy • 13% Liveness
91% Instrumentalness • 10% Positiveness
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Thomas Morley
Now Is the Month of Maying: Now Is the M...
111 bpm • G Maj • 01:50 • -23db
11% Popularity • 61% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 62% Positiveness
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Francesco da Milano
Ricercar (13)
112 bpm • A min • 01:38 • -32.65db
37% Popularity • 52% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 58% Positiveness
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Clément Janequin
L'amour, la mort et la vie
111 bpm • D# Maj • 01:50 • -24db
11% Popularity • 24% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Robert Ballard
Suite de branles: Branles de la cornemus...
112 bpm • D min • 05:16 • -20.98db
5% Popularity • 36% Danceability • 20% Energy • 13% Liveness
1% Instrumentalness • 74% Positiveness
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Michael Praetorius
Terpsichore (arr. H. Baumer): Courante
111 bpm • G Maj • 02:20 • -20db
16% Popularity • 55% Danceability • 26% Energy • 12% Liveness
71% Instrumentalness • 63% Positiveness
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Tylman Susato
Susato: 12 Dances from the Danserye: III...
112 bpm • F Maj • 01:34 • -18db
18% Popularity • 56% Danceability • 23% Energy • 16% Liveness
92% Instrumentalness • 88% Positiveness
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Johann Sebastian Bach
Aria
108 bpm • C Maj • 03:55 • -44.2db
18% Popularity • 31% Danceability • 0% Energy • 10% Liveness
57% Instrumentalness • 10% Positiveness
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John Playford
The English Dancing Master: Parson's Far...
112 bpm • C Maj • 01:51 • -22.5db
29% Popularity • 62% Danceability • 10% Energy • 6% Liveness
87% Instrumentalness • 60% Positiveness
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John Taverner
In Nomine
108 bpm • E Maj • 02:25 • -32db
30% Popularity • 16% Danceability • 0% Energy • 22% Liveness
50% Instrumentalness • 7% Positiveness
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Mattio Rampollini
Bacco, Bacco
112 bpm • F Maj • 01:08 • -16db
22% Popularity • 49% Danceability • 54% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
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Michael Praetorius
Terpsichore*: a. Courante b. Courante c....
108 bpm • C Maj • 02:35 • -22db
13% Popularity • 56% Danceability • 3% Energy • 9% Liveness
7% Instrumentalness • 52% Positiveness
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Luis de Milán
Fantasia I
112 bpm • G min • 01:42 • -34db
28% Popularity • 42% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 44% Positiveness
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Julian Bream
Benjamin Britten: Gloriana:Courtly Dance...
113 bpm • A Maj • 02:36 • -27.79db
6% Popularity • 39% Danceability • 4% Energy • 8% Liveness
61% Instrumentalness • 9% Positiveness
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John Playford
Daphne
107 bpm • E Maj • 01:50 • -17.39db
25% Popularity • 48% Danceability • 15% Energy • 10% Liveness
56% Instrumentalness • 62% Positiveness
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John Dowland
Lachrimae Antiquae Novae from Lachrimae,...
113 bpm • G min • 03:40 • -29db
14% Popularity • 17% Danceability • 2% Energy • 11% Liveness
85% Instrumentalness • 11% Positiveness
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Giovanni Felice Sances
Lagrimosa beltÃ
107 bpm • G Maj • 03:33 • -25db
11% Popularity • 27% Danceability • 4% Energy • 8% Liveness
1% Instrumentalness • 14% Positiveness
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Michael Praetorius
Suite No. 2 in G Major: VII. Bransle gen...
108 bpm • C Maj • 02:05 • -15.37db
4% Popularity • 57% Danceability • 18% Energy • 6% Liveness
15% Instrumentalness • 74% Positiveness
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Giulio Caccini
All'imperio d'Amore: 5. Ineffabile ardor...
113 bpm • A# Maj • 01:00 • -17db
37% Popularity • 17% Danceability • 25% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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John Dunstable
O rosa bella - Quodlibet: O rosa bella (...
107 bpm • D min • 03:54 • -26db
9% Popularity • 21% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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John Playford
The English Dance Master, Part I: Kemps ...
107 bpm • D min • 01:40 • -20db
25% Popularity • 46% Danceability • 15% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
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Gilles Binchois
Chansons: Je me recommande humblement
107 bpm • C# Maj • 01:54 • -16db
14% Popularity • 58% Danceability • 21% Energy • 10% Liveness
97% Instrumentalness • 15% Positiveness
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Giovanni Girolamo Kapsberger
Libro I d'intavolatura di lauto: Toccata...
107 bpm • E Maj • 02:40 • -24.65db
25% Popularity • 47% Danceability • 7% Energy • 9% Liveness
87% Instrumentalness • 44% Positiveness
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Michael Praetorius
Suite No. 1 in C Major: II. Spagnoletta
112 bpm • C Maj • 02:59 • -18.51db
34% Popularity • 45% Danceability • 3% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
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Robert Lucas Pearsall
Sing we and chaunt it
107 bpm • C# min • 01:56 • -25db
33% Popularity • 26% Danceability • 19% Energy • 12% Liveness
18% Instrumentalness • 22% Positiveness
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John Dowland
The Earle of Essex Galiard from Lachrima...
107 bpm • F min • 01:30 • -23db
22% Popularity • 44% Danceability • 10% Energy • 10% Liveness
84% Instrumentalness • 47% Positiveness
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La Capella Reial De Catalunya
Alfons V El Magnà nim: Adoramus te (4v.)...
114 bpm • E min • 03:46 • -26db
16% Popularity • 21% Danceability • 2% Energy • 12% Liveness
44% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Zefiro torna
107 bpm • F Maj • 05:38 • -14db
14% Popularity • 50% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Pierre Clereau
Cléreau: Les Odes de Pierre de Ronsard ...
107 bpm • D min • 04:18 • -21db
15% Popularity • 26% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Michael Praetorius
Suite No. 4 in G Major: V. Gavotte
112 bpm • G Maj • 02:40 • -17.07db
4% Popularity • 64% Danceability • 15% Energy • 21% Liveness
0% Instrumentalness • 86% Positiveness
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Giovanni Paolo Foscarini
Aria di Firenze per la C
114 bpm • D Maj • 01:07 • -25.9db
26% Popularity • 60% Danceability • 20% Energy • 13% Liveness
89% Instrumentalness • 96% Positiveness
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John Playford
The Dancing Master: Newcastle
114 bpm • G Maj • 01:54 • -24.8db
9% Popularity • 50% Danceability • 24% Energy • 10% Liveness
86% Instrumentalness • 17% Positiveness
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Francesco Landini
Nella partita
114 bpm • A Maj • 03:45 • -29db
11% Popularity • 25% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Francisco López Capillas
Ego enim a 6
106 bpm • F min • 02:51 • -17.26db
9% Popularity • 21% Danceability • 10% Energy • 11% Liveness
95% Instrumentalness • 13% Positiveness
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Alonso Mudarra
Tiento
106 bpm • F Maj • 01:45 • -35db
30% Popularity • 40% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 25% Positiveness
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Michael Praetorius
Early 17th Century Dances from Terpsicho...
107 bpm • G Maj • 02:10 • -24.34db
8% Popularity • 50% Danceability • 13% Energy • 10% Liveness
3% Instrumentalness • 86% Positiveness
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Francisco de Peñalosa
Sancta Maria succure miseris
106 bpm • A min • 02:28 • -19.32db
9% Popularity • 25% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 23% Positiveness
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John Playford
The Dancing Master: Hyde Park
114 bpm • D Maj • 01:21 • -20db
23% Popularity • 51% Danceability • 10% Energy • 17% Liveness
90% Instrumentalness • 22% Positiveness
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Giovanni Girolamo Kapsberger
Canarios: Canarios
115 bpm • F# Maj • 02:00 • -31.98db
31% Popularity • 41% Danceability • 10% Energy • 9% Liveness
94% Instrumentalness • 27% Positiveness
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Hopkinson Smith
Lachrimae Pavin
115 bpm • G min • 04:10 • -23.88db
24% Popularity • 44% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 22% Positiveness
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Pierre Attaingnant
Première suytte de Bransles d'Escosse
105 bpm • C min • 03:27 • -22db
13% Popularity • 47% Danceability • 20% Energy • 9% Liveness
98% Instrumentalness • 57% Positiveness
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Michael Praetorius
Suite No. 2 in G Major: IV. Bransle gay
114 bpm • D min • 01:23 • -15.23db
5% Popularity • 70% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Capella de Ministrers
Zappay [lo campo]
115 bpm • C Maj • 02:48 • -18.69db
14% Popularity • 54% Danceability • 25% Energy • 11% Liveness
90% Instrumentalness • 20% Positiveness
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Joan Ambrosio Dalza
Saltarello and Piva
115 bpm • C Maj • 04:54 • -28db
21% Popularity • 42% Danceability • 5% Energy • 13% Liveness
95% Instrumentalness • 46% Positiveness
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Paschal de l'Estocart
Veu que du tout (Ps. 11)
115 bpm • C# min • 01:38 • -18.46db
29% Popularity • 21% Danceability • 17% Energy • 11% Liveness
37% Instrumentalness • 6% Positiveness
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Manuel Machado
Dos estrellas le siguen
115 bpm • G min • 02:16 • -18.97db
10% Popularity • 38% Danceability • 17% Energy • 13% Liveness
39% Instrumentalness • 29% Positiveness
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Piffaro
Textless Carmen
115 bpm • D Maj • 01:04 • -20db
22% Popularity • 47% Danceability • 4% Energy • 21% Liveness
99% Instrumentalness • 51% Positiveness
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Michael Praetorius
Terpsichore*: La Bouree
106 bpm • D Maj • 02:30 • -15.22db
17% Popularity • 65% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
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John Playford
The English Dancing Master: Grimstock
105 bpm • G Maj • 01:31 • -16db
16% Popularity • 60% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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John Dowland
Frogg Galliard
105 bpm • B Maj • 01:58 • -43.19db
15% Popularity • 27% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 24% Positiveness
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William Mundy
In Nomine, "Fantasia": Fantasia
115 bpm • B Maj • 04:02 • -25db
15% Popularity • 17% Danceability • 4% Energy • 17% Liveness
88% Instrumentalness • 16% Positiveness
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Alonso Mudarra
Pavana II
115 bpm • B min • 02:11 • -22.05db
24% Popularity • 51% Danceability • 7% Energy • 9% Liveness
80% Instrumentalness • 58% Positiveness
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Thomas Morley
April is in my mistress' face
105 bpm • G min • 01:13 • -19.98db
19% Popularity • 31% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Michael Praetorius
Terpsichore*: Ballet des coqs
106 bpm • C Maj • 02:06 • -14.79db
20% Popularity • 46% Danceability • 37% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
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Clément Janequin
Au joly jeu
105 bpm • C Maj • 01:38 • -28db
38% Popularity • 32% Danceability • 2% Energy • 13% Liveness
82% Instrumentalness • 59% Positiveness
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Matthew Locke
Fantasy For 2 Trebles And Bass
105 bpm • B Maj • 04:11 • -22.76db
28% Popularity • 17% Danceability • 5% Energy • 12% Liveness
62% Instrumentalness • 5% Positiveness
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Claude Gervaise
Suite I: Gaillarde
116 bpm • A# Maj • 00:56 • -21.12db
19% Popularity • 49% Danceability • 18% Energy • 14% Liveness
94% Instrumentalness • 29% Positiveness
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Diego Oritz
Recercada primera, quarta, ottava
116 bpm • C# min • 04:33 • -25db
36% Popularity • 42% Danceability • 7% Energy • 11% Liveness
87% Instrumentalness • 27% Positiveness
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Claudio Monteverdi
Madrigali amorosi: No. 9, Canzonetta by ...
104 bpm • C Maj • 01:25 • -29db
39% Popularity • 26% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Michael Praetorius
Suite No. 1 in C Major: III. Ballet des ...
105 bpm • C Maj • 01:43 • -13.74db
6% Popularity • 58% Danceability • 67% Energy • 24% Liveness
82% Instrumentalness • 86% Positiveness
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Anonymous
En m'en revenant de sainct nicolas / Que...
116 bpm • F# Maj • 02:06 • -17db
6% Popularity • 41% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 40% Positiveness
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Diego Ortiz
Recercada Passamezzo
116 bpm • C Maj • 01:57 • -15db
15% Popularity • 51% Danceability • 17% Energy • 10% Liveness
91% Instrumentalness • 46% Positiveness
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Claude Gervaise
Allemande 4 - 1557
117 bpm • G min • 02:22 • -20db
23% Popularity • 57% Danceability • 22% Energy • 16% Liveness
96% Instrumentalness • 72% Positiveness
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Francesco da Milano
Fantasia [Castelfranco Manuscript]
117 bpm • G min • 03:58 • -28.95db
20% Popularity • 42% Danceability • 4% Energy • 17% Liveness
88% Instrumentalness • 54% Positiveness
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The Tallis Scholars
Tallis: Sancte Deus - 1. Sancte Deus
104 bpm • A min • 01:46 • -23.94db
37% Popularity • 25% Danceability • 11% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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Michael Praetorius
Terpsichore (arr. H. Baumer): La Canarie
105 bpm • G Maj • 02:35 • -24.07db
14% Popularity • 52% Danceability • 9% Energy • 33% Liveness
1% Instrumentalness • 48% Positiveness
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Andrea Falconieri
L’Eroica
117 bpm • G Maj • 04:19 • -15.63db
9% Popularity • 42% Danceability • 30% Energy • 15% Liveness
33% Instrumentalness • 56% Positiveness
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Diego Ortiz
Recercada No. 1: Recercada primera
104 bpm • D min • 01:14 • -27.06db
24% Popularity • 46% Danceability • 25% Energy • 10% Liveness
99% Instrumentalness • 37% Positiveness
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John Playford
The Dancing Master: Jog On
117 bpm • C Maj • 01:12 • -25.89db
16% Popularity • 46% Danceability • 14% Energy • 34% Liveness
17% Instrumentalness • 8% Positiveness
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Oswald von Wolkenstein
Skak - Frolich geschrai so well wir mach...
117 bpm • D min • 01:13 • -18.24db
18% Popularity • 44% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Robert de Visée
Suite in G Major: VI. Chaconne
117 bpm • F Maj • 08:13 • -27.72db
32% Popularity • 34% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 36% Positiveness
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Michael Praetorius
Terpsichore*: a. Volte b. Volte c. Volte
105 bpm • G Maj • 03:02 • -18db
12% Popularity • 63% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 25% Positiveness
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Trio Mediæval
Sulla lulla
103 bpm • E Maj • 02:16 • -35.04db
12% Popularity • 26% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Claude Gervaise
Allemandes - Arranged by Piffaro
118 bpm • G# Maj • 03:17 • -22db
11% Popularity • 38% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 42% Positiveness
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Thomas Morley
A lieta vita (Sing and we chant it)
103 bpm • F# Maj • 01:31 • -22db
23% Popularity • 48% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
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Guillaume Dufay
Se la face ay pale
103 bpm • A# Maj • 02:53 • -23db
13% Popularity • 22% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Paul O'Dette
Anthony Holborne (d. 1602): The Fairy Ro...
118 bpm • B Maj • 08:46 • -40.4db
8% Popularity • 34% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 22% Positiveness
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Michael Praetorius
Terpsichore*: a. Bransle Gay 1 b. Bransl...
105 bpm • D# Maj • 02:35 • -22.93db
20% Popularity • 52% Danceability • 13% Energy • 12% Liveness
1% Instrumentalness • 51% Positiveness
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Gaspar Sanz
Canarios I & II
102 bpm • D Maj • 03:03 • -21.44db
15% Popularity • 41% Danceability • 29% Energy • 27% Liveness
70% Instrumentalness • 58% Positiveness
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Hopkinson Smith
Frogg Galliard
119 bpm • G Maj • 02:44 • -22db
38% Popularity • 36% Danceability • 15% Energy • 17% Liveness
82% Instrumentalness • 44% Positiveness
► Preview
Piffaro
Im Maien
119 bpm • E min • 01:37 • -14db
20% Popularity • 51% Danceability • 40% Energy • 18% Liveness
2% Instrumentalness • 10% Positiveness
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Anthony Holborne
The Fairy Round (Galliard)
102 bpm • F# Maj • 03:24 • -25db
31% Popularity • 40% Danceability • 12% Energy • 12% Liveness
83% Instrumentalness • 51% Positiveness
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Syntagma Musicum
L'Amor Donna, Ch'Io Te Porto (Anonymous)
119 bpm • A# Maj • 02:08 • -19db
9% Popularity • 54% Danceability • 13% Energy • 10% Liveness
8% Instrumentalness • 21% Positiveness
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Michael Praetorius
Terpsichore (arr. H. Baumer): Courante
116 bpm • G Maj • 01:39 • -23.55db
24% Popularity • 57% Danceability • 10% Energy • 7% Liveness
81% Instrumentalness • 68% Positiveness
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John Dowland
M. Buctons his Galiard (Susanna Galliard...
101 bpm • F min • 01:31 • -26.29db
28% Popularity • 34% Danceability • 3% Energy • 12% Liveness
60% Instrumentalness • 25% Positiveness
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Gasparo Zanetti
La Mantovana
101 bpm • A min • 02:16 • -16.84db
25% Popularity • 51% Danceability • 21% Energy • 11% Liveness
92% Instrumentalness • 48% Positiveness
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Piffaro
Greiner, Zancker, Schnöpfitzer
102 bpm • D Maj • 01:02 • -17.88db
23% Popularity • 47% Danceability • 9% Energy • 13% Liveness
97% Instrumentalness • 74% Positiveness
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Alonso Mudarra
Fantasia - Instrumental
119 bpm • F Maj • 01:34 • -24db
33% Popularity • 33% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 92% Positiveness
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Francis Pilkington
Eccho or Allmane
119 bpm • G Maj • 02:06 • -19db
35% Popularity • 55% Danceability • 16% Energy • 11% Liveness
67% Instrumentalness • 63% Positiveness
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Michael Praetorius
Mit Fried und Freud ich fahr dahin
104 bpm • C Maj • 07:55 • -23.17db
0% Popularity • 25% Danceability • 6% Energy • 11% Liveness
2% Instrumentalness • 15% Positiveness
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Hopkinson Smith
A Dream
119 bpm • G min • 04:03 • -23.94db
24% Popularity • 43% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 36% Positiveness
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John Dowland
The King of Denmarks Galiard from Lachri...
120 bpm • D# Maj • 01:26 • -25.33db
24% Popularity • 50% Danceability • 6% Energy • 15% Liveness
75% Instrumentalness • 44% Positiveness
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There is a flower