Songs like There Is No Greater Love by Gene Ammons
Based on a tempo of (+/- 10%) and a similar genre
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John Coltrane Quartet
It's Easy To Remember - Take 13
133 bpm • G# Maj • 02:41 • -12.78db
43% Popularity • 47% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
43% Popularity • 47% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Cannonball Adderley Quartet
Barefoot Sunday Blues
133 bpm • F Maj • 07:03 • -11db
41% Popularity • 52% Danceability • 32% Energy • 14% Liveness
1% Instrumentalness • 42% Positiveness
41% Popularity • 52% Danceability • 32% Energy • 14% Liveness
1% Instrumentalness • 42% Positiveness
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Coleman Hawkins
It Never Entered My Mind
133 bpm • F Maj • 05:46 • -16db
48% Popularity • 56% Danceability • 10% Energy • 12% Liveness
6% Instrumentalness • 39% Positiveness
48% Popularity • 56% Danceability • 10% Energy • 12% Liveness
6% Instrumentalness • 39% Positiveness
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Duke Pearson
I'm Glad There Is You
133 bpm • F Maj • 04:52 • -14db
32% Popularity • 56% Danceability • 24% Energy • 10% Liveness
78% Instrumentalness • 14% Positiveness
32% Popularity • 56% Danceability • 24% Energy • 10% Liveness
78% Instrumentalness • 14% Positiveness
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John Lewis
Afternoon In Paris
134 bpm • F Maj • 09:17 • -18db
26% Popularity • 64% Danceability • 15% Energy • 9% Liveness
3% Instrumentalness • 48% Positiveness
26% Popularity • 64% Danceability • 15% Energy • 9% Liveness
3% Instrumentalness • 48% Positiveness
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McCoy Tyner Trio
Sunset - 2018 Digitally Remastered
132 bpm • D Maj • 04:43 • -22.01db
27% Popularity • 41% Danceability • 10% Energy • 11% Liveness
79% Instrumentalness • 8% Positiveness
27% Popularity • 41% Danceability • 10% Energy • 11% Liveness
79% Instrumentalness • 8% Positiveness
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Phil Woods
Night Bird - Take 1
134 bpm • G# Maj • 06:34 • -15.86db
11% Popularity • 51% Danceability • 33% Energy • 24% Liveness
1% Instrumentalness • 30% Positiveness
11% Popularity • 51% Danceability • 33% Energy • 24% Liveness
1% Instrumentalness • 30% Positiveness
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Charlie Parker Quartet
Cosmic Rays
132 bpm • F Maj • 03:06 • -13.32db
44% Popularity • 59% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
44% Popularity • 59% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Jackie McLean
Blues Inn - Remastered
132 bpm • F min • 09:05 • -9.58db
40% Popularity • 58% Danceability • 46% Energy • 16% Liveness
17% Instrumentalness • 52% Positiveness
40% Popularity • 58% Danceability • 46% Energy • 16% Liveness
17% Instrumentalness • 52% Positiveness
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Freddie Hubbard
Prophet Jennings - Remastered 1999/Rudy ...
134 bpm • E min • 05:31 • -9.57db
32% Popularity • 58% Danceability • 32% Energy • 9% Liveness
36% Instrumentalness • 40% Positiveness
32% Popularity • 58% Danceability • 32% Energy • 9% Liveness
36% Instrumentalness • 40% Positiveness
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Kenny Drew
Funk-Cosity - Rudy Van Gelder Edition/20...
132 bpm • F Maj • 08:25 • -9db
26% Popularity • 55% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
26% Popularity • 55% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Paul Gonsalves
Impulsive
135 bpm • A# Maj • 05:01 • -8.21db
8% Popularity • 64% Danceability • 41% Energy • 14% Liveness
53% Instrumentalness • 60% Positiveness
8% Popularity • 64% Danceability • 41% Energy • 14% Liveness
53% Instrumentalness • 60% Positiveness
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Aldo Romano
L.A. 58
131 bpm • C Maj • 04:06 • -11.62db
39% Popularity • 48% Danceability • 49% Energy • 14% Liveness
8% Instrumentalness • 58% Positiveness
39% Popularity • 48% Danceability • 49% Energy • 14% Liveness
8% Instrumentalness • 58% Positiveness
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Various Artists
Autumn Leaves-Barney Kessel
131 bpm • C min • 04:52 • -17.95db
22% Popularity • 62% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 20% Positiveness
22% Popularity • 62% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 20% Positiveness
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Tommy Flanagan Trio
In The Blue Of The Evening
135 bpm • F Maj • 03:41 • -20db
52% Popularity • 48% Danceability • 24% Energy • 15% Liveness
90% Instrumentalness • 57% Positiveness
52% Popularity • 48% Danceability • 24% Energy • 15% Liveness
90% Instrumentalness • 57% Positiveness
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Freddie Hubbard
Here's That Rainy Day
132 bpm • D# Maj • 05:16 • -22db
25% Popularity • 43% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 17% Positiveness
25% Popularity • 43% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 17% Positiveness
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Howard McGhee
The Sound Of Music
131 bpm • F Maj • 03:22 • -19.91db
9% Popularity • 63% Danceability • 15% Energy • 11% Liveness
10% Instrumentalness • 49% Positiveness
9% Popularity • 63% Danceability • 15% Energy • 11% Liveness
10% Instrumentalness • 49% Positiveness
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Cannonball Adderley Quartet
Poor Butterfly
135 bpm • G# Maj • 05:10 • -7db
36% Popularity • 56% Danceability • 41% Energy • 9% Liveness
1% Instrumentalness • 55% Positiveness
36% Popularity • 56% Danceability • 41% Energy • 9% Liveness
1% Instrumentalness • 55% Positiveness
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Dizzy Reece
The Things We Did Last Summer
131 bpm • G# Maj • 06:17 • -14db
40% Popularity • 57% Danceability • 19% Energy • 12% Liveness
88% Instrumentalness • 31% Positiveness
40% Popularity • 57% Danceability • 19% Energy • 12% Liveness
88% Instrumentalness • 31% Positiveness
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Stanley Turrentine & The Three Sounds
Gee Baby, Ain't I Good To You - Alternat...
130 bpm • G# Maj • 05:33 • -18.39db
7% Popularity • 60% Danceability • 4% Energy • 11% Liveness
79% Instrumentalness • 22% Positiveness
7% Popularity • 60% Danceability • 4% Energy • 11% Liveness
79% Instrumentalness • 22% Positiveness
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Joshua Redman Quartet
Come What May
135 bpm • A# min • 06:46 • -13.66db
41% Popularity • 53% Danceability • 22% Energy • 28% Liveness
69% Instrumentalness • 20% Positiveness
41% Popularity • 53% Danceability • 22% Energy • 28% Liveness
69% Instrumentalness • 20% Positiveness
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Herbie Nichols
2300 Skiddoo
136 bpm • G# min • 04:43 • -18.22db
18% Popularity • 59% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
18% Popularity • 59% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Jackie McLean
Francisco - Rudy Van Gelder Edition/2002...
130 bpm • C min • 09:33 • -11.65db
15% Popularity • 50% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
15% Popularity • 50% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Shirley Horn
My Funny Valentine
136 bpm • A# min • 05:34 • -21.51db
36% Popularity • 38% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
36% Popularity • 38% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Ben Webster
Tenderly
136 bpm • D# Maj • 03:01 • -17db
52% Popularity • 46% Danceability • 7% Energy • 13% Liveness
8% Instrumentalness • 23% Positiveness
52% Popularity • 46% Danceability • 7% Energy • 13% Liveness
8% Instrumentalness • 23% Positiveness
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Tina Brooks
Talkin' About - Remastered 1999
136 bpm • D# Maj • 07:41 • -13db
16% Popularity • 61% Danceability • 45% Energy • 15% Liveness
2% Instrumentalness • 62% Positiveness
16% Popularity • 61% Danceability • 45% Energy • 15% Liveness
2% Instrumentalness • 62% Positiveness
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Cedar Walton
Sophisticated Lady
130 bpm • A# min • 03:30 • -20.41db
38% Popularity • 39% Danceability • 14% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
38% Popularity • 39% Danceability • 14% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
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The Ben Webster Quintet
Lover Come Back To Me
130 bpm • A# Maj • 08:28 • -16.48db
32% Popularity • 59% Danceability • 12% Energy • 12% Liveness
3% Instrumentalness • 42% Positiveness
32% Popularity • 59% Danceability • 12% Energy • 12% Liveness
3% Instrumentalness • 42% Positiveness
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Joe Lovano
Star Crossed Lovers
130 bpm • G# Maj • 07:34 • -13.13db
27% Popularity • 50% Danceability • 16% Energy • 9% Liveness
24% Instrumentalness • 27% Positiveness
27% Popularity • 50% Danceability • 16% Energy • 9% Liveness
24% Instrumentalness • 27% Positiveness
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Herb Geller
A Room With A View
130 bpm • G Maj • 04:09 • -12.72db
33% Popularity • 65% Danceability • 15% Energy • 13% Liveness
24% Instrumentalness • 45% Positiveness
33% Popularity • 65% Danceability • 15% Energy • 13% Liveness
24% Instrumentalness • 45% Positiveness
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Kenny Drew Trio
Stella By Starlight
137 bpm • D Maj • 02:28 • -11.85db
36% Popularity • 54% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
36% Popularity • 54% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Kenny Drew
Chartreuse
130 bpm • D Maj • 04:33 • -18.37db
39% Popularity • 54% Danceability • 13% Energy • 13% Liveness
90% Instrumentalness • 10% Positiveness
39% Popularity • 54% Danceability • 13% Energy • 13% Liveness
90% Instrumentalness • 10% Positiveness
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Bud Powell Trio
Bud's Bubble - 1990 Remaster
137 bpm • F min • 02:36 • -19db
41% Popularity • 49% Danceability • 31% Energy • 14% Liveness
92% Instrumentalness • 90% Positiveness
41% Popularity • 49% Danceability • 31% Energy • 14% Liveness
92% Instrumentalness • 90% Positiveness
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John Coltrane Quartet
Too Young To Go Steady
130 bpm • F Maj • 04:19 • -12.48db
51% Popularity • 55% Danceability • 18% Energy • 7% Liveness
37% Instrumentalness • 35% Positiveness
51% Popularity • 55% Danceability • 18% Energy • 7% Liveness
37% Instrumentalness • 35% Positiveness
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Milt Jackson Quartet
A Beautiful Romance
129 bpm • F min • 02:29 • -25.78db
43% Popularity • 49% Danceability • 5% Energy • 13% Liveness
13% Instrumentalness • 27% Positiveness
43% Popularity • 49% Danceability • 5% Energy • 13% Liveness
13% Instrumentalness • 27% Positiveness
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Pepper Adams
Star-Crossed Lovers
137 bpm • C# Maj • 03:55 • -19db
34% Popularity • 34% Danceability • 5% Energy • 13% Liveness
86% Instrumentalness • 14% Positiveness
34% Popularity • 34% Danceability • 5% Energy • 13% Liveness
86% Instrumentalness • 14% Positiveness
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Gerry Mulligan Quartet
Walkin' Shoes
137 bpm • D Maj • 03:13 • -12db
43% Popularity • 60% Danceability • 26% Energy • 11% Liveness
20% Instrumentalness • 46% Positiveness
43% Popularity • 60% Danceability • 26% Energy • 11% Liveness
20% Instrumentalness • 46% Positiveness
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Tommy Flanagan Trio
Willow Weep for Me
129 bpm • G Maj • 06:27 • -14.24db
37% Popularity • 51% Danceability • 27% Energy • 10% Liveness
66% Instrumentalness • 22% Positiveness
37% Popularity • 51% Danceability • 27% Energy • 10% Liveness
66% Instrumentalness • 22% Positiveness
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Don Byas
September In The Rain
137 bpm • F min • 02:58 • -13.09db
27% Popularity • 56% Danceability • 22% Energy • 13% Liveness
86% Instrumentalness • 80% Positiveness
27% Popularity • 56% Danceability • 22% Energy • 13% Liveness
86% Instrumentalness • 80% Positiveness
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John Lewis
Easy Living
129 bpm • G# Maj • 04:19 • -13.07db
19% Popularity • 53% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
19% Popularity • 53% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Sonny Stitt Quartet
Just Friends
137 bpm • G# Maj • 03:50 • -12db
35% Popularity • 55% Danceability • 35% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
35% Popularity • 55% Danceability • 35% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
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Duke Jordan
They Can't Take That Away From Me
129 bpm • D min • 04:34 • -17.19db
28% Popularity • 63% Danceability • 17% Energy • 6% Liveness
47% Instrumentalness • 47% Positiveness
28% Popularity • 63% Danceability • 17% Energy • 6% Liveness
47% Instrumentalness • 47% Positiveness
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Stanley Turrentine & The Three Sounds
Gee Baby, Ain't I Good To You - Remaster...
128 bpm • F Maj • 05:23 • -14.95db
35% Popularity • 60% Danceability • 10% Energy • 9% Liveness
80% Instrumentalness • 19% Positiveness
35% Popularity • 60% Danceability • 10% Energy • 9% Liveness
80% Instrumentalness • 19% Positiveness
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Charlie Parker Quartet
Star Eyes - Incomplete
128 bpm • F min • 02:04 • -8.07db
49% Popularity • 59% Danceability • 34% Energy • 24% Liveness
7% Instrumentalness • 76% Positiveness
49% Popularity • 59% Danceability • 34% Energy • 24% Liveness
7% Instrumentalness • 76% Positiveness
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Courtney Pine
The Morning After the Night Before
128 bpm • C min • 04:52 • -14.6db
28% Popularity • 46% Danceability • 14% Energy • 10% Liveness
23% Instrumentalness • 29% Positiveness
28% Popularity • 46% Danceability • 14% Energy • 10% Liveness
23% Instrumentalness • 29% Positiveness
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Mulgrew Miller
The Sequel
128 bpm • A min • 08:05 • -13.04db
27% Popularity • 54% Danceability • 37% Energy • 6% Liveness
57% Instrumentalness • 27% Positiveness
27% Popularity • 54% Danceability • 37% Energy • 6% Liveness
57% Instrumentalness • 27% Positiveness
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Otis Williams
In Paradise
128 bpm • D# Maj • 03:35 • -14.75db
24% Popularity • 56% Danceability • 23% Energy • 7% Liveness
1% Instrumentalness • 40% Positiveness
24% Popularity • 56% Danceability • 23% Energy • 7% Liveness
1% Instrumentalness • 40% Positiveness
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Tommy Flanagan Trio
Skål Brothers
127 bpm • C# Maj • 02:32 • -11.39db
52% Popularity • 71% Danceability • 48% Energy • 10% Liveness
65% Instrumentalness • 52% Positiveness
52% Popularity • 71% Danceability • 48% Energy • 10% Liveness
65% Instrumentalness • 52% Positiveness
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Thad Jones
Something To Remember You By - Remastere...
139 bpm • G# Maj • 03:53 • -14db
36% Popularity • 38% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
36% Popularity • 38% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Phil Woods
Prelude And Part 1 - Remastered
139 bpm • F Maj • 06:37 • -15.5db
22% Popularity • 45% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
22% Popularity • 45% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Gerry Mulligan Sextet
Prelude In E Minor
139 bpm • E min • 04:16 • -21.52db
55% Popularity • 57% Danceability • 5% Energy • 11% Liveness
79% Instrumentalness • 38% Positiveness
55% Popularity • 57% Danceability • 5% Energy • 11% Liveness
79% Instrumentalness • 38% Positiveness
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Barry Harris
If You Could See Me Now
139 bpm • C Maj • 05:30 • -15.62db
36% Popularity • 44% Danceability • 22% Energy • 16% Liveness
80% Instrumentalness • 13% Positiveness
36% Popularity • 44% Danceability • 22% Energy • 16% Liveness
80% Instrumentalness • 13% Positiveness
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Mary Lou Williams
It Ain't Necessarily So - Remastered
127 bpm • E min • 04:42 • -22.59db
43% Popularity • 49% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 23% Positiveness
43% Popularity • 49% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 23% Positiveness
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Tina Brooks
Nutville
140 bpm • F min • 08:52 • -13db
12% Popularity • 52% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
12% Popularity • 52% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Sonny Clark Trio
Softly As In A Morning Sunrise - Remaste...
127 bpm • C min • 06:33 • -15db
50% Popularity • 58% Danceability • 20% Energy • 14% Liveness
9% Instrumentalness • 45% Positiveness
50% Popularity • 58% Danceability • 20% Energy • 14% Liveness
9% Instrumentalness • 45% Positiveness
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Hampton Hawes
Crazeology - Instrumental
127 bpm • C# Maj • 06:43 • -17db
25% Popularity • 57% Danceability • 32% Energy • 26% Liveness
56% Instrumentalness • 68% Positiveness
25% Popularity • 57% Danceability • 32% Energy • 26% Liveness
56% Instrumentalness • 68% Positiveness
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McCoy Tyner Trio
Blues Stride
126 bpm • F Maj • 03:35 • -14db
39% Popularity • 55% Danceability • 25% Energy • 10% Liveness
86% Instrumentalness • 47% Positiveness
39% Popularity • 55% Danceability • 25% Energy • 10% Liveness
86% Instrumentalness • 47% Positiveness
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Sonny Criss
The Blues For Rose
140 bpm • F Maj • 02:30 • -7.87db
18% Popularity • 57% Danceability • 48% Energy • 10% Liveness
55% Instrumentalness • 72% Positiveness
18% Popularity • 57% Danceability • 48% Energy • 10% Liveness
55% Instrumentalness • 72% Positiveness
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Art Blakey Quartet
Just Knock On My Door
126 bpm • G# Maj • 06:55 • -10db
31% Popularity • 60% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
31% Popularity • 60% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Serge Chaloff
A Handful Of Stars
126 bpm • F min • 05:35 • -16db
21% Popularity • 62% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
21% Popularity • 62% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Gene Ammons
El Sino
141 bpm • F min • 03:11 • -13.66db
0% Popularity • 58% Danceability • 17% Energy • 10% Liveness
86% Instrumentalness • 54% Positiveness
0% Popularity • 58% Danceability • 17% Energy • 10% Liveness
86% Instrumentalness • 54% Positiveness
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Freddie Hubbard
Blues For Brenda - 1997 Remastered
141 bpm • A# min • 06:59 • -12db
27% Popularity • 51% Danceability • 45% Energy • 19% Liveness
3% Instrumentalness • 47% Positiveness
27% Popularity • 51% Danceability • 45% Energy • 19% Liveness
3% Instrumentalness • 47% Positiveness
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Jimmy Forrest
Bolo Blues
125 bpm • F# Maj • 04:07 • -15db
25% Popularity • 58% Danceability • 19% Energy • 8% Liveness
72% Instrumentalness • 31% Positiveness
25% Popularity • 58% Danceability • 19% Energy • 8% Liveness
72% Instrumentalness • 31% Positiveness
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McCoy Tyner Trio
Speak Low - 2018 Digitally Remastered
142 bpm • C Maj • 06:17 • -19.25db
26% Popularity • 36% Danceability • 31% Energy • 8% Liveness
1% Instrumentalness • 56% Positiveness
26% Popularity • 36% Danceability • 31% Energy • 8% Liveness
1% Instrumentalness • 56% Positiveness
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Lou Donaldson
Autumn Nocturne
124 bpm • C Maj • 04:54 • -18.04db
57% Popularity • 54% Danceability • 7% Energy • 11% Liveness
17% Instrumentalness • 26% Positiveness
57% Popularity • 54% Danceability • 7% Energy • 11% Liveness
17% Instrumentalness • 26% Positiveness
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Coleman Hawkins Quartet
Love Song From "Apache"
124 bpm • A min • 04:12 • -15.17db
52% Popularity • 47% Danceability • 4% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
52% Popularity • 47% Danceability • 4% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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Gene Ammons
Papa Was A Rolling Stone
126 bpm • G# Maj • 04:31 • -10.03db
7% Popularity • 60% Danceability • 48% Energy • 7% Liveness
82% Instrumentalness • 61% Positiveness
7% Popularity • 60% Danceability • 48% Energy • 7% Liveness
82% Instrumentalness • 61% Positiveness
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Freddie Hubbard
Dedicated To You
125 bpm • A# Maj • 03:22 • -15db
49% Popularity • 42% Danceability • 15% Energy • 12% Liveness
96% Instrumentalness • 9% Positiveness
49% Popularity • 42% Danceability • 15% Energy • 12% Liveness
96% Instrumentalness • 9% Positiveness
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Gerry Mulligan Quartet
Lullaby Of The Leaves
124 bpm • C Maj • 03:16 • -11.91db
40% Popularity • 44% Danceability • 18% Energy • 9% Liveness
90% Instrumentalness • 52% Positiveness
40% Popularity • 44% Danceability • 18% Energy • 9% Liveness
90% Instrumentalness • 52% Positiveness
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Barney Kessel
Love Walked In
143 bpm • A min • 03:06 • -17.97db
26% Popularity • 64% Danceability • 20% Energy • 11% Liveness
93% Instrumentalness • 38% Positiveness
26% Popularity • 64% Danceability • 20% Energy • 11% Liveness
93% Instrumentalness • 38% Positiveness
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Hank Mobley
Dig Dis - Remastered 1999/Rudy Van Gelde...
143 bpm • F min • 06:09 • -8.65db
51% Popularity • 60% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
51% Popularity • 60% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Stanley Turrentine & The Three Sounds
Blue Riff - Remastered
143 bpm • F min • 06:26 • -13db
30% Popularity • 64% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
30% Popularity • 64% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Gene Ammons
You'd Be So Nice To Come Home To
141 bpm • G min • 04:18 • -14db
8% Popularity • 64% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
8% Popularity • 64% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Leo Parker
Rollin' With Leo - Remastered
124 bpm • G min • 06:25 • -9.49db
22% Popularity • 61% Danceability • 33% Energy • 10% Liveness
80% Instrumentalness • 53% Positiveness
22% Popularity • 61% Danceability • 33% Energy • 10% Liveness
80% Instrumentalness • 53% Positiveness
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Horace Parlan
Us Three - Remastered
123 bpm • D# Maj • 04:35 • -13db
23% Popularity • 65% Danceability • 56% Energy • 11% Liveness
95% Instrumentalness • 68% Positiveness
23% Popularity • 65% Danceability • 56% Energy • 11% Liveness
95% Instrumentalness • 68% Positiveness
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Red Garland Trio
My Romance - Instrumental
123 bpm • D# Maj • 06:48 • -18.98db
25% Popularity • 56% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 13% Positiveness
25% Popularity • 56% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 13% Positiveness
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Shelly Manne And His Friends
Show Me - Instrumental
123 bpm • G Maj • 03:41 • -27db
32% Popularity • 58% Danceability • 6% Energy • 9% Liveness
94% Instrumentalness • 38% Positiveness
32% Popularity • 58% Danceability • 6% Energy • 9% Liveness
94% Instrumentalness • 38% Positiveness
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Bud Powell Trio
I'll Remember April - 1990 Remasterd Ver...
144 bpm • G Maj • 02:53 • -21db
41% Popularity • 43% Danceability • 19% Energy • 11% Liveness
84% Instrumentalness • 69% Positiveness
41% Popularity • 43% Danceability • 19% Energy • 11% Liveness
84% Instrumentalness • 69% Positiveness
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Stanley Turrentine & The Three Sounds
I Want A Little Girl - 24 Bit / Remaster...
143 bpm • F min • 07:06 • -15db
17% Popularity • 58% Danceability • 11% Energy • 11% Liveness
78% Instrumentalness • 21% Positiveness
17% Popularity • 58% Danceability • 11% Energy • 11% Liveness
78% Instrumentalness • 21% Positiveness
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Ray Bryant
Threesome
123 bpm • C# Maj • 02:47 • -16.52db
21% Popularity • 48% Danceability • 49% Energy • 12% Liveness
80% Instrumentalness • 70% Positiveness
21% Popularity • 48% Danceability • 49% Energy • 12% Liveness
80% Instrumentalness • 70% Positiveness
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Bob Berg
Summer Wind
123 bpm • G Maj • 04:37 • -13.08db
33% Popularity • 44% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
33% Popularity • 44% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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John Coltrane Quartet
What's New
144 bpm • C min • 03:43 • -12db
38% Popularity • 44% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
38% Popularity • 44% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Paul Gonsalves
Things Ain't What They Used To Be
123 bpm • A# min • 04:43 • -10.05db
33% Popularity • 58% Danceability • 45% Energy • 11% Liveness
68% Instrumentalness • 71% Positiveness
33% Popularity • 58% Danceability • 45% Energy • 11% Liveness
68% Instrumentalness • 71% Positiveness
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Joshua Redman
The Folks Who Live on the Hill
123 bpm • C Maj • 04:00 • -8.89db
34% Popularity • 43% Danceability • 30% Energy • 17% Liveness
66% Instrumentalness • 24% Positiveness
34% Popularity • 43% Danceability • 30% Energy • 17% Liveness
66% Instrumentalness • 24% Positiveness
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Miles Davis Quartet
When the Lights Are Now
122 bpm • F Maj • 03:26 • -14db
34% Popularity • 64% Danceability • 14% Energy • 12% Liveness
3% Instrumentalness • 53% Positiveness
34% Popularity • 64% Danceability • 14% Energy • 12% Liveness
3% Instrumentalness • 53% Positiveness
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Lafayette Harris, Jr.
Wonder Why
145 bpm • G# Maj • 05:15 • -17db
46% Popularity • 48% Danceability • 28% Energy • 9% Liveness
36% Instrumentalness • 36% Positiveness
46% Popularity • 48% Danceability • 28% Energy • 9% Liveness
36% Instrumentalness • 36% Positiveness
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Stan Getz Quartet
Like Someone In Love
122 bpm • G# Maj • 06:30 • -14.95db
38% Popularity • 58% Danceability • 21% Energy • 21% Liveness
2% Instrumentalness • 39% Positiveness
38% Popularity • 58% Danceability • 21% Energy • 21% Liveness
2% Instrumentalness • 39% Positiveness
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Horace Silver Quintet
Senor Blues - Alternate 45 Take/ Remaste...
145 bpm • A# min • 06:38 • -10db
29% Popularity • 52% Danceability • 37% Energy • 11% Liveness
80% Instrumentalness • 77% Positiveness
29% Popularity • 52% Danceability • 37% Energy • 11% Liveness
80% Instrumentalness • 77% Positiveness
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Coleman Hawkins Quartet
Swingin' Scotch
122 bpm • D min • 05:31 • -13db
29% Popularity • 56% Danceability • 47% Energy • 25% Liveness
1% Instrumentalness • 74% Positiveness
29% Popularity • 56% Danceability • 47% Energy • 25% Liveness
1% Instrumentalness • 74% Positiveness
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Bill Mobley
I'm Glad There Is You
121 bpm • F min • 08:04 • -15.92db
33% Popularity • 55% Danceability • 25% Energy • 26% Liveness
83% Instrumentalness • 30% Positiveness
33% Popularity • 55% Danceability • 25% Energy • 26% Liveness
83% Instrumentalness • 30% Positiveness
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Gene Ammons
When You Wish Upon a Star
121 bpm • D# Maj • 04:37 • -14.44db
2% Popularity • 63% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
2% Popularity • 63% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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McCoy Tyner Trio
Have You Met Miss Jones
146 bpm • G# Maj • 03:46 • -14.24db
43% Popularity • 57% Danceability • 49% Energy • 9% Liveness
27% Instrumentalness • 74% Positiveness
43% Popularity • 57% Danceability • 49% Energy • 9% Liveness
27% Instrumentalness • 74% Positiveness
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Yusef Lateef
Don't Blame Me - Remastered 2023
121 bpm • C Maj • 04:57 • -18.64db
41% Popularity • 46% Danceability • 8% Energy • 11% Liveness
15% Instrumentalness • 19% Positiveness
41% Popularity • 46% Danceability • 8% Energy • 11% Liveness
15% Instrumentalness • 19% Positiveness
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Phil Woods
Stolen Moments
121 bpm • C min • 09:36 • -5db
22% Popularity • 48% Danceability • 63% Energy • 10% Liveness
1% Instrumentalness • 32% Positiveness
22% Popularity • 48% Danceability • 63% Energy • 10% Liveness
1% Instrumentalness • 32% Positiveness
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Charlie Parker And His Orchestra
My Little Suede Shoes
146 bpm • C min • 03:04 • -14db
43% Popularity • 62% Danceability • 42% Energy • 8% Liveness
25% Instrumentalness • 93% Positiveness
43% Popularity • 62% Danceability • 42% Energy • 8% Liveness
25% Instrumentalness • 93% Positiveness
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Eddie Harris
The Shadow of Your Smile
121 bpm • E min • 05:32 • -13db
20% Popularity • 58% Danceability • 28% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
20% Popularity • 58% Danceability • 28% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
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The Ben Webster Quintet
Late Date
121 bpm • G# Maj • 07:15 • -15db
21% Popularity • 74% Danceability • 25% Energy • 14% Liveness
2% Instrumentalness • 41% Positiveness
21% Popularity • 74% Danceability • 25% Energy • 14% Liveness
2% Instrumentalness • 41% Positiveness
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Woody Shaw
Imagination
121 bpm • D# Maj • 07:28 • -12.77db
9% Popularity • 45% Danceability • 25% Energy • 7% Liveness
77% Instrumentalness • 13% Positiveness
9% Popularity • 45% Danceability • 25% Energy • 7% Liveness
77% Instrumentalness • 13% Positiveness
