Songs like There is no rose of swych vertu [Trinity roll, England, 15th Century] by Anonymous
Based on a tempo of (+/- 10%) and a similar genre
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Dom Le Feuvre
A Marie, Mère de Dieu, Antienne Quomodo
95 bpm • E min • 01:02 • -23.3db
43% Popularity • 26% Danceability • 7% Energy • 12% Liveness
75% Instrumentalness • 8% Positiveness
43% Popularity • 26% Danceability • 7% Energy • 12% Liveness
75% Instrumentalness • 8% Positiveness
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Chœur des moniales Bénédictines de l'abbaye Notre-Dame d'Argentan
Gaudete in Domino semper
95 bpm • D min • 03:49 • -22.45db
10% Popularity • 24% Danceability • 5% Energy • 14% Liveness
47% Instrumentalness • 8% Positiveness
10% Popularity • 24% Danceability • 5% Energy • 14% Liveness
47% Instrumentalness • 8% Positiveness
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Anonymous
Traditor Autem - Benedictus - Antifona -...
95 bpm • E min • 04:40 • -21.67db
28% Popularity • 24% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
28% Popularity • 24% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Jacob Obrecht
Largire nunc mitissime
95 bpm • C Maj • 01:23 • -18db
34% Popularity • 15% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
34% Popularity • 15% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Girolamo Frescobaldi
Messa Delli Apostoli: Kyrye III
96 bpm • B Maj • 01:06 • -25.93db
28% Popularity • 22% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 38% Positiveness
28% Popularity • 22% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 38% Positiveness
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Francesco Soriano
Nihil tibi
96 bpm • E Maj • 01:10 • -26db
48% Popularity • 30% Danceability • 4% Energy • 6% Liveness
99% Instrumentalness • 7% Positiveness
48% Popularity • 30% Danceability • 4% Energy • 6% Liveness
99% Instrumentalness • 7% Positiveness
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Jordi Savall
Los set gotxs
96 bpm • E min • 06:24 • -13.54db
18% Popularity • 39% Danceability • 41% Energy • 20% Liveness
46% Instrumentalness • 51% Positiveness
18% Popularity • 39% Danceability • 41% Energy • 20% Liveness
46% Instrumentalness • 51% Positiveness
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Dmitry Bortniansky
Sacred Concerto No. 15, "Priidite, vospo...
94 bpm • D# min • 02:02 • -34db
26% Popularity • 24% Danceability • 2% Energy • 11% Liveness
52% Instrumentalness • 3% Positiveness
26% Popularity • 24% Danceability • 2% Energy • 11% Liveness
52% Instrumentalness • 3% Positiveness
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Anonymous
Alleluia, Dies Santificatus (Modo II)
94 bpm • F# min • 02:28 • -21.18db
28% Popularity • 19% Danceability • 7% Energy • 15% Liveness
6% Instrumentalness • 9% Positiveness
28% Popularity • 19% Danceability • 7% Energy • 15% Liveness
6% Instrumentalness • 9% Positiveness
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Pierre de la Rue
Myn hert altyt heeft verlanghen I
96 bpm • G min • 02:22 • -19db
24% Popularity • 17% Danceability • 17% Energy • 11% Liveness
10% Instrumentalness • 4% Positiveness
24% Popularity • 17% Danceability • 17% Energy • 11% Liveness
10% Instrumentalness • 4% Positiveness
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Monks Of The Abbey Of Notre Dame
Angelus
96 bpm • E Maj • 02:53 • -27db
42% Popularity • 22% Danceability • 4% Energy • 26% Liveness
66% Instrumentalness • 4% Positiveness
42% Popularity • 22% Danceability • 4% Energy • 26% Liveness
66% Instrumentalness • 4% Positiveness
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Hans Leo Hassler
Verbum caro factum est
94 bpm • G Maj • 02:56 • -21db
13% Popularity • 17% Danceability • 10% Energy • 6% Liveness
24% Instrumentalness • 8% Positiveness
13% Popularity • 17% Danceability • 10% Energy • 6% Liveness
24% Instrumentalness • 8% Positiveness
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Guillaume de Machaut
Messe de Notre-Dame: VI. Credo
97 bpm • D# Maj • 09:39 • -22.87db
17% Popularity • 14% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
17% Popularity • 14% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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Peter Philips
Christus resurgens
97 bpm • B Maj • 03:43 • -18db
25% Popularity • 29% Danceability • 14% Energy • 9% Liveness
17% Instrumentalness • 10% Positiveness
25% Popularity • 29% Danceability • 14% Energy • 9% Liveness
17% Instrumentalness • 10% Positiveness
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Anonymous
Requiem (arr. for 3 cellos and piano)
94 bpm • D Maj • 07:23 • -25db
24% Popularity • 16% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
24% Popularity • 16% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Girolamo Frescobaldi
Messa Della Domenica: Kyrye III
92 bpm • C# min • 01:03 • -25.36db
31% Popularity • 22% Danceability • 5% Energy • 13% Liveness
59% Instrumentalness • 6% Positiveness
31% Popularity • 22% Danceability • 5% Energy • 13% Liveness
59% Instrumentalness • 6% Positiveness
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Monks Of The Abbey Of Notre Dame
Salve Regina
93 bpm • A min • 01:38 • -26db
42% Popularity • 20% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 7% Positiveness
42% Popularity • 20% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 7% Positiveness
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Canonici Regolari Di Sant'Antimo
Tempo Della Glora E Della Vita. Sequenza...
92 bpm • E min • 01:36 • -26db
28% Popularity • 26% Danceability • 3% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
28% Popularity • 26% Danceability • 3% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
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Pierre Attaingnant
La Magdalena
92 bpm • C# min • 02:34 • -21.42db
31% Popularity • 32% Danceability • 19% Energy • 14% Liveness
85% Instrumentalness • 66% Positiveness
31% Popularity • 32% Danceability • 19% Energy • 14% Liveness
85% Instrumentalness • 66% Positiveness
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Rabanus Maurus
Hymn: Veni creator spiritus
98 bpm • A# Maj • 04:31 • -28.97db
24% Popularity • 23% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
24% Popularity • 23% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Anonymous
Los aretes
97 bpm • G# Maj • 02:30 • -12.72db
48% Popularity • 74% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
48% Popularity • 74% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Amor Artis Chamber Choir
Domine, Non Sum Dignus
92 bpm • A min • 01:15 • -22.41db
12% Popularity • 14% Danceability • 12% Energy • 12% Liveness
63% Instrumentalness • 9% Positiveness
12% Popularity • 14% Danceability • 12% Energy • 12% Liveness
63% Instrumentalness • 9% Positiveness
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Guillaume de Machaut
Messe de Notre-Dame: V. Alleluia. Adorab...
92 bpm • F Maj • 02:54 • -24.14db
13% Popularity • 15% Danceability • 10% Energy • 34% Liveness
1% Instrumentalness • 6% Positiveness
13% Popularity • 15% Danceability • 10% Energy • 34% Liveness
1% Instrumentalness • 6% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41, ...
92 bpm • C Maj • 03:04 • -20.14db
19% Popularity • 19% Danceability • 14% Energy • 10% Liveness
16% Instrumentalness • 4% Positiveness
19% Popularity • 19% Danceability • 14% Energy • 10% Liveness
16% Instrumentalness • 4% Positiveness
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Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan
Office des laudes : Antienne o quam glor...
99 bpm • G Maj • 00:48 • -29.45db
43% Popularity • 26% Danceability • 3% Energy • 10% Liveness
35% Instrumentalness • 4% Positiveness
43% Popularity • 26% Danceability • 3% Energy • 10% Liveness
35% Instrumentalness • 4% Positiveness
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Maddalena Casulana
Il desiderio: No. 3, Morir non può il m...
91 bpm • G Maj • 01:54 • -21db
32% Popularity • 18% Danceability • 9% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
32% Popularity • 18% Danceability • 9% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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Anonymous
Yek Mumik
97 bpm • C Maj • 05:51 • -6.19db
25% Popularity • 68% Danceability • 79% Energy • 40% Liveness
0% Instrumentalness • 78% Positiveness
25% Popularity • 68% Danceability • 79% Energy • 40% Liveness
0% Instrumentalness • 78% Positiveness
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Léonin
Léonin / Pérotin: Magnus Liber / Easte...
91 bpm • C Maj • 01:45 • -20db
9% Popularity • 27% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
9% Popularity • 27% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Guillaume de Machaut
Messe de Notre-Dame: IX. Sanctus
99 bpm • D min • 04:50 • -21db
12% Popularity • 13% Danceability • 16% Energy • 29% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 13% Danceability • 16% Energy • 29% Liveness
0% Instrumentalness • 4% Positiveness
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Schola Antiqua
Spiritus Domini
90 bpm • C Maj • 03:16 • -18.84db
34% Popularity • 26% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
34% Popularity • 26% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Cantarte Regensburg
Introitus: Resurrexi
100 bpm • A Maj • 03:48 • -19.03db
32% Popularity • 24% Danceability • 15% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
32% Popularity • 24% Danceability • 15% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
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Giovanni Gabrieli
Exaudi, Deus, orationem meam in F Minor,...
100 bpm • A Maj • 03:05 • -20db
21% Popularity • 19% Danceability • 13% Energy • 12% Liveness
56% Instrumentalness • 4% Positiveness
21% Popularity • 19% Danceability • 13% Energy • 12% Liveness
56% Instrumentalness • 4% Positiveness
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Anonymous
Dame tu Cumbia
92 bpm • F# Maj • 03:02 • -10.66db
37% Popularity • 72% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
37% Popularity • 72% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Léonin
Léonin / Pérotin: Magnus Liber / Easte...
91 bpm • C Maj • 06:06 • -17.19db
16% Popularity • 16% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
16% Popularity • 16% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Chrámový Zbor Campana
Omni die dic Mariae
101 bpm • A# Maj • 02:31 • -22.2db
20% Popularity • 19% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
20% Popularity • 19% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
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Nova Schola Gregoriana
Missa cunctipotens genitor Deus - Sanctu...
100 bpm • C Maj • 01:36 • -21.86db
37% Popularity • 20% Danceability • 10% Energy • 30% Liveness
4% Instrumentalness • 8% Positiveness
37% Popularity • 20% Danceability • 10% Energy • 30% Liveness
4% Instrumentalness • 8% Positiveness
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Monks Of The Abbey Of Notre Dame
Sanctum Et Immaculata
101 bpm • E min • 03:41 • -28db
45% Popularity • 19% Danceability • 4% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
45% Popularity • 19% Danceability • 4% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
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Ensemble des chants et choeurs russes orthodoxes
Ouvre Moi Les Portes Du Repentir, Pt. 1
89 bpm • F min • 02:07 • -16.07db
15% Popularity • 13% Danceability • 26% Energy • 12% Liveness
34% Instrumentalness • 4% Positiveness
15% Popularity • 13% Danceability • 26% Energy • 12% Liveness
34% Instrumentalness • 4% Positiveness
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Anonymous
Madrigal
100 bpm • C Maj • 04:26 • -14.56db
40% Popularity • 73% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
40% Popularity • 73% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Codex Calixtinus
Compostela "Ad vesperas Sancti Iacobi": ...
89 bpm • C# Maj • 05:55 • -21.72db
17% Popularity • 12% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 12% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Public Domaine
Kyrie Eleison: Iv Gregorianske Messe
89 bpm • B Maj • 01:35 • -28.12db
28% Popularity • 20% Danceability • 3% Energy • 10% Liveness
66% Instrumentalness • 5% Positiveness
28% Popularity • 20% Danceability • 3% Energy • 10% Liveness
66% Instrumentalness • 5% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 4. Respice (Repe...
89 bpm • D Maj • 01:27 • -15.9db
34% Popularity • 19% Danceability • 28% Energy • 3% Liveness
5% Instrumentalness • 4% Positiveness
34% Popularity • 19% Danceability • 28% Energy • 3% Liveness
5% Instrumentalness • 4% Positiveness
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Adam de la Halle
Mout me fu grief li departir / Robin m'a...
89 bpm • G Maj • 01:01 • -19db
21% Popularity • 18% Danceability • 16% Energy • 47% Liveness
0% Instrumentalness • 28% Positiveness
21% Popularity • 18% Danceability • 16% Energy • 47% Liveness
0% Instrumentalness • 28% Positiveness
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St. Petersburg Optina Pustyn Male Choir
On Flute I Play my Sad Verses
89 bpm • A# Maj • 02:25 • -17.26db
23% Popularity • 22% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
23% Popularity • 22% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Anonymous
Genuit puerpera regem - AntÃfona y Salm...
90 bpm • F min • 03:00 • -17.43db
26% Popularity • 20% Danceability • 11% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
26% Popularity • 20% Danceability • 11% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
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Prima Luce
Florete Flores
102 bpm • A Maj • 01:20 • -29.89db
18% Popularity • 23% Danceability • 1% Energy • 29% Liveness
0% Instrumentalness • 5% Positiveness
18% Popularity • 23% Danceability • 1% Energy • 29% Liveness
0% Instrumentalness • 5% Positiveness
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Margaret Rizza
Sanctum Nomen
88 bpm • C Maj • 04:13 • -24.53db
12% Popularity • 14% Danceability • 10% Energy • 7% Liveness
56% Instrumentalness • 6% Positiveness
12% Popularity • 14% Danceability • 10% Energy • 7% Liveness
56% Instrumentalness • 6% Positiveness
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Thomas Morley
A lieta vita (Sing and we chant it)
103 bpm • F# Maj • 01:31 • -22db
24% Popularity • 48% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
24% Popularity • 48% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
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Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan
Messe de la toussaint : Sanctus iii
88 bpm • D min • 01:33 • -30db
40% Popularity • 17% Danceability • 3% Energy • 25% Liveness
41% Instrumentalness • 9% Positiveness
40% Popularity • 17% Danceability • 3% Energy • 25% Liveness
41% Instrumentalness • 9% Positiveness
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Choir of the Moscow Church
Bless the Lord, O my Soul
88 bpm • G min • 05:13 • -20.45db
21% Popularity • 12% Danceability • 19% Energy • 9% Liveness
97% Instrumentalness • 3% Positiveness
21% Popularity • 12% Danceability • 19% Energy • 9% Liveness
97% Instrumentalness • 3% Positiveness
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Anonymous
Lieder ohne Worte (Song without Words), ...
102 bpm • A Maj • 02:42 • -24.95db
25% Popularity • 20% Danceability • 6% Energy • 7% Liveness
84% Instrumentalness • 15% Positiveness
25% Popularity • 20% Danceability • 6% Energy • 7% Liveness
84% Instrumentalness • 15% Positiveness
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Makar Ekmalian
En signe de foi
88 bpm • G Maj • 03:42 • -23.27db
10% Popularity • 18% Danceability • 12% Energy • 34% Liveness
98% Instrumentalness • 4% Positiveness
10% Popularity • 18% Danceability • 12% Energy • 34% Liveness
98% Instrumentalness • 4% Positiveness
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Schola Gregoriana Del Coro F. Paer
Novus annus
87 bpm • C# min • 03:02 • -22.83db
8% Popularity • 17% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
8% Popularity • 17% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Alexander Gretchaninov
Vecheri tvoeya tainïya (Of Thy mystical...
87 bpm • E Maj • 06:12 • -31.39db
15% Popularity • 9% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
15% Popularity • 9% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
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OCP Session Choir
Asperges Me - Chant Mass
103 bpm • D Maj • 01:48 • -23.76db
39% Popularity • 20% Danceability • 12% Energy • 22% Liveness
22% Instrumentalness • 4% Positiveness
39% Popularity • 20% Danceability • 12% Energy • 22% Liveness
22% Instrumentalness • 4% Positiveness
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The Russian State Symphony Cappella
Grant Us This O Lord
87 bpm • G# Maj • 02:07 • -24.01db
21% Popularity • 16% Danceability • 10% Energy • 23% Liveness
87% Instrumentalness • 3% Positiveness
21% Popularity • 16% Danceability • 10% Energy • 23% Liveness
87% Instrumentalness • 3% Positiveness
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Choeur des moines de l'abbaye Notre Dame de Fontgombault
Kyrie XVII b
104 bpm • G Maj • 02:07 • -23db
34% Popularity • 23% Danceability • 6% Energy • 11% Liveness
66% Instrumentalness • 4% Positiveness
34% Popularity • 23% Danceability • 6% Energy • 11% Liveness
66% Instrumentalness • 4% Positiveness
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Guillaume de Machaut
Messe de Notre-Dame: X. Agnus Dei
87 bpm • F# Maj • 03:27 • -28db
22% Popularity • 18% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
22% Popularity • 18% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Schola Gregoriana Del Coro F. Paer
Alle Psallite
104 bpm • G min • 01:51 • -18.47db
14% Popularity • 33% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 12% Positiveness
14% Popularity • 33% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 12% Positiveness
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The Tallis Scholars
Tallis: Sancte Deus - 1. Sancte Deus
104 bpm • A min • 01:46 • -23.94db
36% Popularity • 25% Danceability • 11% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
36% Popularity • 25% Danceability • 11% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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Jacob Clemens non Papa
Adesto dolori meo
87 bpm • A# Maj • 06:23 • -25.6db
19% Popularity • 22% Danceability • 8% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
19% Popularity • 22% Danceability • 8% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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The Benedictine Monks of Worth Abbey
Morning Prayer: III. Psalm 1
87 bpm • D# Maj • 02:00 • -31.78db
29% Popularity • 28% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 28% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Anonymous
Puer qui natus est nobis - Introitus/In ...
87 bpm • G Maj • 02:54 • -29.6db
32% Popularity • 24% Danceability • 3% Energy • 10% Liveness
13% Instrumentalness • 6% Positiveness
32% Popularity • 24% Danceability • 3% Energy • 10% Liveness
13% Instrumentalness • 6% Positiveness
► Preview
Victor Kalinnikov
Hymn To The Mother Of God (Bogoroditse D...
87 bpm • D min • 01:23 • -42db
31% Popularity • 21% Danceability • 2% Energy • 9% Liveness
98% Instrumentalness • 6% Positiveness
31% Popularity • 21% Danceability • 2% Energy • 9% Liveness
98% Instrumentalness • 6% Positiveness
► Preview
Canonici Regolari Di Sant'Antimo
Tempo Della Chiesa: Pater Noster
86 bpm • G Maj • 01:22 • -23.09db
40% Popularity • 34% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
40% Popularity • 34% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Clément Janequin
Au joly jeu
105 bpm • C Maj • 01:38 • -28db
38% Popularity • 32% Danceability • 2% Energy • 13% Liveness
82% Instrumentalness • 59% Positiveness
38% Popularity • 32% Danceability • 2% Energy • 13% Liveness
82% Instrumentalness • 59% Positiveness
► Preview
Léonin
Léonin / Pérotin: Magnus Liber / Feast...
86 bpm • G Maj • 01:32 • -16db
10% Popularity • 15% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
10% Popularity • 15% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
The Songs of Taize Session Singers
Adoramus Te Domine
86 bpm • G Maj • 02:56 • -23.27db
32% Popularity • 14% Danceability • 6% Energy • 8% Liveness
21% Instrumentalness • 7% Positiveness
32% Popularity • 14% Danceability • 6% Energy • 8% Liveness
21% Instrumentalness • 7% Positiveness
► Preview
Anonymous
Inviolata - Sequentia in Honorem Beatae ...
86 bpm • F# Maj • 01:45 • -23.62db
27% Popularity • 21% Danceability • 10% Energy • 21% Liveness
0% Instrumentalness • 9% Positiveness
27% Popularity • 21% Danceability • 10% Energy • 21% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
The Schola Cantorum of St. Peter's in the Loop
Phos Hilaron
86 bpm • C min • 01:48 • -22.54db
26% Popularity • 21% Danceability • 10% Energy • 18% Liveness
1% Instrumentalness • 16% Positiveness
26% Popularity • 21% Danceability • 10% Energy • 18% Liveness
1% Instrumentalness • 16% Positiveness
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St. Peter St. Paul Cathedral Choir of Minsk
Hvali Dusze Moja, Gospoda
86 bpm • A# Maj • 02:00 • -18.13db
18% Popularity • 24% Danceability • 15% Energy • 12% Liveness
44% Instrumentalness • 17% Positiveness
18% Popularity • 24% Danceability • 15% Energy • 12% Liveness
44% Instrumentalness • 17% Positiveness
► Preview
Ensemble Discantus
Cantiga de Santa Maria 300: Muito deveri...
105 bpm • F# Maj • 04:22 • -21.94db
9% Popularity • 22% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
9% Popularity • 22% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Millikin University Choir
Stetit Angelus
86 bpm • A min • 04:38 • -24db
28% Popularity • 12% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
28% Popularity • 12% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Guillaume de Machaut
Messe de Notre-Dame: III. Gloria
86 bpm • A# min • 05:59 • -24db
16% Popularity • 11% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
16% Popularity • 11% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Anonymous
Lauda Sion: Nunc dimittis - Sequentia in...
106 bpm • A Maj • 06:56 • -22.54db
29% Popularity • 23% Danceability • 11% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
29% Popularity • 23% Danceability • 11% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
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authentic Kiev chant
Thy Resurrection-(authentic Kiev chant)
106 bpm • C# min • 04:28 • -13.77db
24% Popularity • 21% Danceability • 27% Energy • 15% Liveness
9% Instrumentalness • 5% Positiveness
24% Popularity • 21% Danceability • 27% Energy • 15% Liveness
9% Instrumentalness • 5% Positiveness
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St. Peter St. Paul Cathedral Choir of Minsk
Triswiatoje
106 bpm • D# min • 01:31 • -18.99db
20% Popularity • 27% Danceability • 8% Energy • 17% Liveness
2% Instrumentalness • 6% Positiveness
20% Popularity • 27% Danceability • 8% Energy • 17% Liveness
2% Instrumentalness • 6% Positiveness
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Hieromonk, Jonathan
Plotiyu usnuv (In the flesh Thou didst f...
85 bpm • A min • 03:05 • -37db
14% Popularity • 13% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 3% Positiveness
14% Popularity • 13% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 3% Positiveness
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Francisco de Peñalosa
Sancta Maria succure miseris
106 bpm • A min • 02:28 • -19.32db
8% Popularity • 25% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 23% Positiveness
8% Popularity • 25% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 23% Positiveness
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"The Orthodox Singers" Male Choir
Lord Of My Days
85 bpm • E min • 02:19 • -26db
12% Popularity • 21% Danceability • 10% Energy • 10% Liveness
9% Instrumentalness • 4% Positiveness
12% Popularity • 21% Danceability • 10% Energy • 10% Liveness
9% Instrumentalness • 4% Positiveness
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Anonymous
Kyrie fons bonitatis. Tropo (Modo III) -...
106 bpm • A# min • 04:05 • -17db
23% Popularity • 26% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
23% Popularity • 26% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Francesco Landini
Echo la primavera
85 bpm • F Maj • 01:17 • -28db
26% Popularity • 22% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
26% Popularity • 22% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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The Male Choir of Valaam Singing Culture Institute
Taking Up Into Heaven
107 bpm • F# min • 01:34 • -19.99db
17% Popularity • 21% Danceability • 21% Energy • 11% Liveness
80% Instrumentalness • 5% Positiveness
17% Popularity • 21% Danceability • 21% Energy • 11% Liveness
80% Instrumentalness • 5% Positiveness
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The Benedictine Nuns of St. Cecilia's Abbey
Short Responsory
107 bpm • G Maj • 01:06 • -23.13db
32% Popularity • 26% Danceability • 9% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
32% Popularity • 26% Danceability • 9% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
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Robert Lucas Pearsall
Sing we and chaunt it
107 bpm • C# min • 01:56 • -25db
33% Popularity • 26% Danceability • 19% Energy • 12% Liveness
18% Instrumentalness • 22% Positiveness
33% Popularity • 26% Danceability • 19% Energy • 12% Liveness
18% Instrumentalness • 22% Positiveness
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"Drevnerussky Rospev" Male Choir
Glorious Miracle
107 bpm • A# Maj • 01:14 • -29db
26% Popularity • 26% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
26% Popularity • 26% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Anonymous
Amazing Grace
85 bpm • A Maj • 04:16 • -21db
15% Popularity • 9% Danceability • 8% Energy • 16% Liveness
77% Instrumentalness • 4% Positiveness
15% Popularity • 9% Danceability • 8% Energy • 16% Liveness
77% Instrumentalness • 4% Positiveness
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Monks Choir of Kyiv Pechersk Monastery
Fall Asleep by the Flash
107 bpm • C Maj • 02:07 • -16db
20% Popularity • 17% Danceability • 25% Energy • 10% Liveness
72% Instrumentalness • 4% Positiveness
20% Popularity • 17% Danceability • 25% Energy • 10% Liveness
72% Instrumentalness • 4% Positiveness
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Coro Solemnis
Rorate Caeli Desuper
84 bpm • F Maj • 05:32 • -24.04db
23% Popularity • 14% Danceability • 5% Energy • 13% Liveness
1% Instrumentalness • 3% Positiveness
23% Popularity • 14% Danceability • 5% Energy • 13% Liveness
1% Instrumentalness • 3% Positiveness
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Nova Schola Gregoriana
Missa orbis factor - Kyrie
107 bpm • G# Maj • 01:39 • -23db
40% Popularity • 28% Danceability • 5% Energy • 11% Liveness
7% Instrumentalness • 11% Positiveness
40% Popularity • 28% Danceability • 5% Energy • 11% Liveness
7% Instrumentalness • 11% Positiveness
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St. Petersburg Optina Pustyn Male Choir
3 Choruses from Tsar Fyodor Ioannovich: ...
84 bpm • C min • 03:44 • -24db
30% Popularity • 9% Danceability • 4% Energy • 10% Liveness
13% Instrumentalness • 3% Positiveness
30% Popularity • 9% Danceability • 4% Energy • 10% Liveness
13% Instrumentalness • 3% Positiveness
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The Tallis Scholars
Palestrina: Missa Papae Marcelli - 1c. K...
84 bpm • B Maj • 01:15 • -18.5db
37% Popularity • 21% Danceability • 30% Energy • 7% Liveness
91% Instrumentalness • 25% Positiveness
37% Popularity • 21% Danceability • 30% Energy • 7% Liveness
91% Instrumentalness • 25% Positiveness
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Anonymous
Saint Sacrement : Panis Angelicus
106 bpm • A# min • 01:40 • -19.21db
39% Popularity • 28% Danceability • 16% Energy • 24% Liveness
6% Instrumentalness • 6% Positiveness
39% Popularity • 28% Danceability • 16% Energy • 24% Liveness
6% Instrumentalness • 6% Positiveness
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José MaurÃcio Nunes Garcia
Missa pastoril para a noite de Natal: Ky...
84 bpm • C Maj • 02:37 • -21.75db
13% Popularity • 21% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
13% Popularity • 21% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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St. Peter St. Paul Cathedral Choir of Minsk
Otcze Nasz
84 bpm • C Maj • 01:54 • -24.65db
31% Popularity • 28% Danceability • 5% Energy • 9% Liveness
75% Instrumentalness • 7% Positiveness
31% Popularity • 28% Danceability • 5% Energy • 9% Liveness
75% Instrumentalness • 7% Positiveness
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Jakob van Berchem
O Jesu Christe
84 bpm • D# Maj • 03:13 • -22.85db
12% Popularity • 11% Danceability • 18% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
12% Popularity • 11% Danceability • 18% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
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Guglielmo Ebreo da Pesaro
Falla con misuras
84 bpm • E min • 01:26 • -27db
35% Popularity • 14% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 24% Positiveness
35% Popularity • 14% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 24% Positiveness
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Alfonso X El Sabio
Cantigas de Santa Maria, No. 60: Entre A...
84 bpm • F Maj • 03:20 • -20.89db
20% Popularity • 36% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
20% Popularity • 36% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
