Songs like There Was This Girl by Riley Green
Based on a tempo of (+/- 10%) and a similar genre
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Chris Young
I'm Comin' Over
128 bpm • A# Maj • 03:17 • -3.84db
65% Popularity • 57% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
65% Popularity • 57% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Morgan Wallen
Cover Me Up
128 bpm • G Maj • 04:53 • -8.19db
76% Popularity • 55% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
76% Popularity • 55% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Riley Green
There Was This Girl
128 bpm • C# Maj • 03:14 • -4.22db
68% Popularity • 62% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
68% Popularity • 62% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Luke Combs
When It Rains It Pours
128 bpm • F# Maj • 04:00 • -5.07db
80% Popularity • 55% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
80% Popularity • 55% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
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George Strait
Here For A Good Time
128 bpm • F# Maj • 03:00 • -6.75db
66% Popularity • 60% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
66% Popularity • 60% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Megan Moroney
I'm Not Pretty
128 bpm • A# Maj • 03:01 • -5.56db
72% Popularity • 57% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
72% Popularity • 57% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Billy Currington
We Are Tonight
128 bpm • B Maj • 03:52 • -5.35db
60% Popularity • 56% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
60% Popularity • 56% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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ERNEST
Flower Shops
128 bpm • G Maj • 03:34 • -6db
71% Popularity • 53% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
71% Popularity • 53% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Riley Green
I Hope She's Drinkin' Tonight
128 bpm • C# min • 03:08 • -5db
60% Popularity • 55% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
60% Popularity • 55% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Brooks & Dunn
Brand New Man
128 bpm • G Maj • 02:59 • -4.36db
63% Popularity • 64% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
63% Popularity • 64% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Travis Tritt
It's A Great Day To Be Alive
129 bpm • G Maj • 04:01 • -4.94db
71% Popularity • 60% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
71% Popularity • 60% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
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Midland
Longneck Way To Go
129 bpm • F Maj • 03:08 • -4.91db
53% Popularity • 48% Danceability • 88% Energy • 37% Liveness
0% Instrumentalness • 60% Positiveness
53% Popularity • 48% Danceability • 88% Energy • 37% Liveness
0% Instrumentalness • 60% Positiveness
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Jamey Johnson
In Color
130 bpm • D# Maj • 04:50 • -8.75db
69% Popularity • 54% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
69% Popularity • 54% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Morgan Wallen
Up Down
130 bpm • F# Maj • 03:17 • -3.04db
73% Popularity • 59% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
73% Popularity • 59% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
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Koe Wetzel
Forever
130 bpm • C Maj • 02:57 • -6.7db
64% Popularity • 56% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
64% Popularity • 56% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Brooks & Dunn
Brand New Man - with Luke Combs
127 bpm • G Maj • 03:11 • -4.87db
67% Popularity • 57% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
67% Popularity • 57% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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Zac Brown Band
Toes
130 bpm • B Maj • 04:22 • -5.4db
72% Popularity • 80% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
72% Popularity • 80% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Florida Georgia Line
Long Live
130 bpm • G Maj • 02:33 • -3.55db
61% Popularity • 61% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
61% Popularity • 61% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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HARDY
GIVE HEAVEN SOME HELL
126 bpm • B Maj • 03:37 • -4.98db
71% Popularity • 64% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
71% Popularity • 64% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Bryan Martin
Memory to Drown
126 bpm • F# Maj • 03:35 • -3.29db
72% Popularity • 66% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
72% Popularity • 66% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Koe Wetzel
Something to Talk About
130 bpm • A min • 03:24 • -5.13db
68% Popularity • 61% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
68% Popularity • 61% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Morgan Wallen
More Than My Hometown
126 bpm • F# Maj • 03:36 • -5.48db
79% Popularity • 62% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
79% Popularity • 62% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Thomas Rhett
Crash and Burn
130 bpm • F min • 03:10 • -5.1db
63% Popularity • 69% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
63% Popularity • 69% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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Kane Brown
What Ifs
126 bpm • A# Maj • 03:08 • -4.6db
75% Popularity • 61% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
75% Popularity • 61% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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Sam Hunt
Hard To Forget
130 bpm • E Maj • 03:24 • -5.52db
63% Popularity • 69% Danceability • 69% Energy • 57% Liveness
0% Instrumentalness • 66% Positiveness
63% Popularity • 69% Danceability • 69% Energy • 57% Liveness
0% Instrumentalness • 66% Positiveness
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Cody Jinks
Must Be the Whiskey
126 bpm • D# min • 03:25 • -5.81db
67% Popularity • 55% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
67% Popularity • 55% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Brooks & Dunn
Boot Scootin' Boogie
130 bpm • B min • 03:18 • -4.3db
71% Popularity • 66% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
71% Popularity • 66% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
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Joe Diffie
John Deere Green
130 bpm • G Maj • 04:32 • -5.05db
59% Popularity • 70% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
59% Popularity • 70% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Thomas Rhett
Unforgettable
130 bpm • G Maj • 02:37 • -5.5db
66% Popularity • 66% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
66% Popularity • 66% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Alan Jackson
Drive (For Daddy Gene)
125 bpm • B Maj • 04:02 • -8.07db
66% Popularity • 71% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
66% Popularity • 71% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Parker McCollum
Like A Cowboy
125 bpm • E Maj • 03:46 • -6.79db
58% Popularity • 49% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
58% Popularity • 49% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Kane Brown
Like I Love Country Music
125 bpm • G# Maj • 03:54 • -6.73db
63% Popularity • 53% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
63% Popularity • 53% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
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Brooks & Dunn
My Maria
126 bpm • D# Maj • 03:28 • -4.63db
68% Popularity • 67% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
68% Popularity • 67% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
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Southall
Why
125 bpm • C Maj • 03:17 • -8.03db
68% Popularity • 67% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
68% Popularity • 67% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Riley Green
Damn Good Day To Leave
125 bpm • A# Maj • 03:31 • -5.02db
57% Popularity • 57% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
57% Popularity • 57% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
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Tanner Usrey
Come Back Down
131 bpm • G# Maj • 04:33 • -4.48db
59% Popularity • 44% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
59% Popularity • 44% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Jordan Davis
What My World Spins Around
125 bpm • D Maj • 03:06 • -6db
75% Popularity • 69% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
75% Popularity • 69% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Luke Bryan
Knockin' Boots
132 bpm • D Maj • 03:20 • -3.75db
69% Popularity • 73% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
69% Popularity • 73% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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Parker McCollum
Pretty Heart
132 bpm • G Maj • 04:05 • -4.45db
67% Popularity • 57% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
67% Popularity • 57% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Ryan Hurd
Chasing After You
132 bpm • E Maj • 03:27 • -6.36db
65% Popularity • 60% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
65% Popularity • 60% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Koe Wetzel
Love
124 bpm • G Maj • 03:43 • -7.53db
63% Popularity • 63% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
63% Popularity • 63% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
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HARDY
SIGNED, SOBER YOU
132 bpm • C Maj • 03:28 • -7.97db
59% Popularity • 54% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
59% Popularity • 54% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Rodney Atkins
Caught Up In The Country
124 bpm • G Maj • 02:40 • -7db
72% Popularity • 60% Danceability • 81% Energy • 54% Liveness
0% Instrumentalness • 68% Positiveness
72% Popularity • 60% Danceability • 81% Energy • 54% Liveness
0% Instrumentalness • 68% Positiveness
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Dylan Scott
Hooked
132 bpm • A Maj • 02:29 • -6db
59% Popularity • 60% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
59% Popularity • 60% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Riley Green
Jesus And Wranglers
124 bpm • E Maj • 03:03 • -5.25db
47% Popularity • 58% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
47% Popularity • 58% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Tim McGraw
I Like It, I Love It
124 bpm • C Maj • 03:25 • -5.3db
70% Popularity • 64% Danceability • 96% Energy • 95% Liveness
0% Instrumentalness • 96% Positiveness
70% Popularity • 64% Danceability • 96% Energy • 95% Liveness
0% Instrumentalness • 96% Positiveness
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Chase Matthew
Love You Again
132 bpm • A# min • 02:53 • -5.32db
71% Popularity • 56% Danceability • 82% Energy • 43% Liveness
0% Instrumentalness • 47% Positiveness
71% Popularity • 56% Danceability • 82% Energy • 43% Liveness
0% Instrumentalness • 47% Positiveness
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HARDY
TRUCK BED
132 bpm • C Maj • 02:47 • -4.89db
78% Popularity • 66% Danceability • 77% Energy • 35% Liveness
0% Instrumentalness • 77% Positiveness
78% Popularity • 66% Danceability • 77% Energy • 35% Liveness
0% Instrumentalness • 77% Positiveness
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George Strait
Write This Down
124 bpm • D# Maj • 03:39 • -7.47db
69% Popularity • 73% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
69% Popularity • 73% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
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Muscadine Bloodline
Pieces
124 bpm • F# Maj • 03:16 • -11.5db
72% Popularity • 49% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
72% Popularity • 49% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Toby Keith
Should've Been A Cowboy
133 bpm • G Maj • 03:31 • -8db
76% Popularity • 62% Danceability • 67% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
76% Popularity • 62% Danceability • 67% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
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Billy Currington
Good Directions
123 bpm • F Maj • 03:35 • -2.18db
72% Popularity • 72% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
72% Popularity • 72% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Brothers Osborne
It Ain't My Fault
123 bpm • A Maj • 03:36 • -5.9db
65% Popularity • 74% Danceability • 83% Energy • 29% Liveness
22% Instrumentalness • 76% Positiveness
65% Popularity • 74% Danceability • 83% Energy • 29% Liveness
22% Instrumentalness • 76% Positiveness
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HARDY
UNAPOLOGETICALLY COUNTRY AS HELL
124 bpm • C# Maj • 03:55 • -4.96db
63% Popularity • 54% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
63% Popularity • 54% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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Rodney Atkins
Farmer's Daughter
134 bpm • F# Maj • 03:27 • -3.52db
65% Popularity • 61% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
65% Popularity • 61% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Chase Matthew
County Line
134 bpm • D# min • 03:28 • -6.03db
71% Popularity • 54% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
71% Popularity • 54% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Riley Green
Get That Man A Beer
134 bpm • E Maj • 03:22 • -4.67db
59% Popularity • 56% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
59% Popularity • 56% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Russell Dickerson
Yours
134 bpm • B Maj • 03:36 • -6db
63% Popularity • 55% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
63% Popularity • 55% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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George Strait
Every Little Honky Tonk Bar
122 bpm • F Maj • 03:14 • -5.1db
60% Popularity • 66% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
60% Popularity • 66% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Kenny Chesney
She Thinks My Tractor's Sexy
122 bpm • A# min • 04:08 • -7.07db
65% Popularity • 69% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
65% Popularity • 69% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
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Trey Lewis
Dicked Down in Dallas
122 bpm • F# Maj • 03:21 • -4.69db
69% Popularity • 51% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
69% Popularity • 51% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Scotty McCreery
In Between
122 bpm • B Maj • 03:41 • -5.4db
52% Popularity • 59% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
52% Popularity • 59% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Riley Green
In Love By Now
134 bpm • D Maj • 03:26 • -4.74db
45% Popularity • 58% Danceability • 89% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
45% Popularity • 58% Danceability • 89% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
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Aaron Lewis
Country Boy
122 bpm • F# Maj • 04:43 • -6.44db
62% Popularity • 60% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
62% Popularity • 60% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Bailey Zimmerman
Rock and A Hard Place
122 bpm • C# Maj • 03:27 • -7.3db
80% Popularity • 58% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
80% Popularity • 58% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Hailey Whitters
Everything She Ain’t
122 bpm • D Maj • 02:31 • -6.13db
65% Popularity • 80% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
65% Popularity • 80% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
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Cole Swindell
She Had Me At Heads Carolina
135 bpm • G# Maj • 03:26 • -3.45db
74% Popularity • 61% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
74% Popularity • 61% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
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Josh Turner
Why Don't We Just Dance
122 bpm • F Maj • 03:12 • -5.93db
70% Popularity • 68% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
70% Popularity • 68% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Shenandoah
Two Dozen Roses
121 bpm • E Maj • 03:24 • -9.14db
70% Popularity • 69% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
70% Popularity • 69% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
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Lee Brice
Soul
121 bpm • B Maj • 02:47 • -8.3db
66% Popularity • 79% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
66% Popularity • 79% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Kenny Chesney
All the Pretty Girls
121 bpm • F# Maj • 03:32 • -3.74db
63% Popularity • 61% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
63% Popularity • 61% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
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Bailey Zimmerman
Fall In Love
136 bpm • A Maj • 03:52 • -6.06db
76% Popularity • 52% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
76% Popularity • 52% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
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Zac Brown Band
Colder Weather
136 bpm • D# Maj • 04:33 • -7.49db
70% Popularity • 67% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
70% Popularity • 67% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Dustin Lynch
Huntin' Land
136 bpm • E Maj • 03:01 • -3.64db
50% Popularity • 62% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 86% Positiveness
50% Popularity • 62% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 86% Positiveness
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Brooks & Dunn
Red Dirt Road
136 bpm • F Maj • 04:20 • -3.8db
66% Popularity • 56% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
66% Popularity • 56% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Cole Swindell
You Should Be Here
136 bpm • G Maj • 03:10 • -4.46db
63% Popularity • 49% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
63% Popularity • 49% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Pecos & the Rooftops
This Damn Song
120 bpm • C Maj • 04:40 • -6.74db
72% Popularity • 65% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 17% Positiveness
72% Popularity • 65% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 17% Positiveness
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Muscadine Bloodline
Porch Swing Angel
136 bpm • D Maj • 03:50 • -7.9db
67% Popularity • 52% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
67% Popularity • 52% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Warren Zeiders
Dark Night - 717 Tapes
120 bpm • A# min • 02:37 • -5.87db
62% Popularity • 78% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
62% Popularity • 78% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
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Josh Ross
Trouble
120 bpm • B Maj • 03:34 • -5.03db
72% Popularity • 64% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
72% Popularity • 64% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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HARDY
TRUCK
120 bpm • D Maj • 03:38 • -3.7db
60% Popularity • 58% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 45% Positiveness
60% Popularity • 58% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 45% Positiveness
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Joe Nichols
Sunny and 75
120 bpm • C Maj • 03:26 • -4.42db
57% Popularity • 53% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
57% Popularity • 53% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Dustin Lynch
Momma’s House
120 bpm • B min • 03:40 • -3.51db
54% Popularity • 63% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
54% Popularity • 63% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
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Koe Wetzel
Drunk Driving
120 bpm • C Maj • 03:58 • -5.62db
66% Popularity • 33% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
66% Popularity • 33% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Dierks Bentley
Free And Easy (Down The Road I Go)
120 bpm • F# Maj • 03:19 • -5db
59% Popularity • 58% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
59% Popularity • 58% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Cody Jinks
Mamma Song
120 bpm • A# Maj • 04:19 • -6.86db
61% Popularity • 57% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
61% Popularity • 57% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Florida Georgia Line
Talk You Out Of It
120 bpm • E Maj • 03:22 • -4.79db
59% Popularity • 65% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
59% Popularity • 65% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Morgan Wallen
You Proof
120 bpm • A Maj • 02:37 • -5.01db
83% Popularity • 73% Danceability • 84% Energy • 60% Liveness
0% Instrumentalness • 63% Positiveness
83% Popularity • 73% Danceability • 84% Energy • 60% Liveness
0% Instrumentalness • 63% Positiveness
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Toby Keith
As Good As I Once Was
119 bpm • F Maj • 03:47 • -4db
74% Popularity • 68% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
74% Popularity • 68% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Luke Combs
Lovin' On You
119 bpm • E Maj • 03:14 • -4.87db
70% Popularity • 57% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
70% Popularity • 57% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Dierks Bentley
Burning Man
119 bpm • F Maj • 03:58 • -7.22db
64% Popularity • 61% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
64% Popularity • 61% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Old Dominion
Memory Lane
119 bpm • F# Maj • 02:52 • -5.14db
71% Popularity • 65% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
71% Popularity • 65% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Riley Green
Damn Country Music
119 bpm • E Maj • 03:35 • -9.91db
49% Popularity • 49% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
49% Popularity • 49% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Larry Fleet
Where I Find God
138 bpm • B Maj • 04:09 • -6.2db
64% Popularity • 59% Danceability • 52% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
64% Popularity • 59% Danceability • 52% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
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Toby Keith
Beer For My Horses
119 bpm • A# Maj • 03:24 • -5.33db
72% Popularity • 72% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
72% Popularity • 72% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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Cole Swindell
Chillin' It
138 bpm • A Maj • 03:16 • -3.06db
64% Popularity • 58% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
64% Popularity • 58% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Morgan Wallen
The Way I Talk
138 bpm • E Maj • 03:28 • -3.39db
74% Popularity • 60% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
74% Popularity • 60% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Rodney Atkins
Watching You
138 bpm • D Maj • 03:55 • -4.01db
66% Popularity • 62% Danceability • 85% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
66% Popularity • 62% Danceability • 85% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
