Songs like There's a Little Bit of Good in Everyone by Johnny Richardson
Based on a tempo of (+/- 10%) and a similar genre
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Peggy Seeger
Leatherwing Bat
137 bpm • A min • 02:11 • -21.4db
13% Popularity • 58% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
13% Popularity • 58% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Ewan MacColl
Lord Randall - Child 12
137 bpm • B Maj • 03:41 • -17.98db
8% Popularity • 68% Danceability • 4% Energy • 34% Liveness
0% Instrumentalness • 39% Positiveness
8% Popularity • 68% Danceability • 4% Energy • 34% Liveness
0% Instrumentalness • 39% Positiveness
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Johnny Richardson
Johnny Built a Horse
137 bpm • A# Maj • 01:51 • -26.28db
0% Popularity • 70% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
0% Popularity • 70% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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The Weavers
Aweigh, Santy Ano
137 bpm • C Maj • 02:37 • -15.62db
10% Popularity • 53% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
10% Popularity • 53% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Alan Young
Don't Sell It, Don't Give It Away
136 bpm • G Maj • 02:53 • -19.03db
7% Popularity • 58% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
7% Popularity • 58% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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The Forum
There Is No Point Worrying
136 bpm • C Maj • 01:02 • -10.92db
13% Popularity • 42% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
13% Popularity • 42% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Lightning Tommy
Sunny Sunday
136 bpm • B Maj • 02:56 • -11.88db
9% Popularity • 48% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
9% Popularity • 48% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Bert Jansch
Blues Run The Game - Live
136 bpm • A Maj • 04:15 • -18.49db
12% Popularity • 64% Danceability • 19% Energy • 9% Liveness
19% Instrumentalness • 57% Positiveness
12% Popularity • 64% Danceability • 19% Energy • 9% Liveness
19% Instrumentalness • 57% Positiveness
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Johnny Richardson
The Big Rock Candy Mountain
137 bpm • G# Maj • 01:59 • -16.34db
0% Popularity • 65% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
0% Popularity • 65% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Oscar Brand
Old Number Nine
136 bpm • B Maj • 01:46 • -8.51db
8% Popularity • 67% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
8% Popularity • 67% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
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Gordon Bok
Wiscasset Schooners
136 bpm • B Maj • 05:05 • -22.43db
8% Popularity • 38% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
8% Popularity • 38% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Pine & Fire
Walkin' Song
138 bpm • C Maj • 02:03 • -11.93db
12% Popularity • 63% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
12% Popularity • 63% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Johnny Lindula
No Whiskey Shots
138 bpm • D Maj • 01:46 • -14.95db
13% Popularity • 57% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
13% Popularity • 57% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Charlie White
You're No Good for Me
136 bpm • E Maj • 02:15 • -16.93db
14% Popularity • 51% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
14% Popularity • 51% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Dora MacAdam
Your Eyes
136 bpm • C Maj • 04:08 • -18.68db
23% Popularity • 63% Danceability • 22% Energy • 29% Liveness
2% Instrumentalness • 58% Positiveness
23% Popularity • 63% Danceability • 22% Energy • 29% Liveness
2% Instrumentalness • 58% Positiveness
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Peter, Paul and Mary
Autumn to May
139 bpm • D min • 02:46 • -18.56db
10% Popularity • 53% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
10% Popularity • 53% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Ewan MacColl
Waly. Waly
139 bpm • F# Maj • 04:05 • -17.77db
0% Popularity • 40% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
0% Popularity • 40% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Virgil Dickinson
Many Kinds of People
139 bpm • A min • 01:42 • -21.86db
21% Popularity • 64% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
21% Popularity • 64% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Connie Converse
There Is a Vine
135 bpm • G Maj • 01:48 • -16.29db
10% Popularity • 40% Danceability • 6% Energy • 12% Liveness
48% Instrumentalness • 47% Positiveness
10% Popularity • 40% Danceability • 6% Energy • 12% Liveness
48% Instrumentalness • 47% Positiveness
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Oscar Brand
Destroyer Life
135 bpm • G Maj • 01:50 • -12.31db
9% Popularity • 66% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
9% Popularity • 66% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
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Dora MacAdam
Photographs
140 bpm • F min • 03:28 • -24.36db
23% Popularity • 72% Danceability • 13% Energy • 12% Liveness
7% Instrumentalness • 34% Positiveness
23% Popularity • 72% Danceability • 13% Energy • 12% Liveness
7% Instrumentalness • 34% Positiveness
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Johnny Richardson
Who's Afraid of the Wiggly Snake?
134 bpm • C# Maj • 01:37 • -26.54db
0% Popularity • 62% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
0% Popularity • 62% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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T M Hanna
Macrofiche
140 bpm • G# Maj • 03:22 • -16.02db
13% Popularity • 71% Danceability • 29% Energy • 12% Liveness
2% Instrumentalness • 91% Positiveness
13% Popularity • 71% Danceability • 29% Energy • 12% Liveness
2% Instrumentalness • 91% Positiveness
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Sanders & King's We '73 Band
Amazing Grace Equal in God's Heart
140 bpm • D Maj • 09:02 • -46.71db
29% Popularity • 31% Danceability • 0% Energy • 8% Liveness
12% Instrumentalness • 40% Positiveness
29% Popularity • 31% Danceability • 0% Energy • 8% Liveness
12% Instrumentalness • 40% Positiveness
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Elton Britt
They're Burning Down The House I was Bru...
134 bpm • G# Maj • 02:17 • -19.39db
13% Popularity • 73% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
13% Popularity • 73% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Even Page
Candid Moments
140 bpm • A# Maj • 02:07 • -18.13db
21% Popularity • 44% Danceability • 20% Energy • 15% Liveness
19% Instrumentalness • 45% Positiveness
21% Popularity • 44% Danceability • 20% Energy • 15% Liveness
19% Instrumentalness • 45% Positiveness
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Cliff Daalmeijer
Always Ready
140 bpm • C Maj • 04:52 • -16.11db
21% Popularity • 59% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 36% Positiveness
21% Popularity • 59% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 36% Positiveness
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Johnny Richardson
You Can't Make a Turtle Come Out
134 bpm • D Maj • 01:40 • -27.39db
0% Popularity • 69% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
0% Popularity • 69% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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The Weavers
Wreck Of The "John B"
140 bpm • E Maj • 02:20 • -20.2db
9% Popularity • 53% Danceability • 27% Energy • 68% Liveness
0% Instrumentalness • 65% Positiveness
9% Popularity • 53% Danceability • 27% Energy • 68% Liveness
0% Instrumentalness • 65% Positiveness
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ShmúwAL Wahli
My Eyes Have Seen the Glory
140 bpm • A min • 05:30 • -8.04db
11% Popularity • 58% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 58% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Gordon Bok
The Brandy Tree
134 bpm • A# min • 03:26 • -25.88db
8% Popularity • 49% Danceability • 3% Energy • 12% Liveness
41% Instrumentalness • 25% Positiveness
8% Popularity • 49% Danceability • 3% Energy • 12% Liveness
41% Instrumentalness • 25% Positiveness
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Contact Outrageous
Spell Introduction
133 bpm • A Maj • 03:42 • -4.97db
17% Popularity • 53% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 53% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
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Wade Hemsworth
Donkey Riding
134 bpm • B Maj • 01:35 • -12.36db
9% Popularity • 82% Danceability • 25% Energy • 11% Liveness
6% Instrumentalness • 69% Positiveness
9% Popularity • 82% Danceability • 25% Energy • 11% Liveness
6% Instrumentalness • 69% Positiveness
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Johnny Richardson
My Dog Pal
140 bpm • C Maj • 01:47 • -15.62db
0% Popularity • 61% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
0% Popularity • 61% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
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Milkweed
Mordred, King Arthur's Son
133 bpm • C# Maj • 01:37 • -12.69db
12% Popularity • 55% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
12% Popularity • 55% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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The Forum
The Old Train Ride
141 bpm • C Maj • 01:04 • -11.63db
14% Popularity • 55% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
14% Popularity • 55% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Mandel Yerkes
Crossing Road
133 bpm • F Maj • 01:40 • -18.07db
17% Popularity • 54% Danceability • 16% Energy • 12% Liveness
50% Instrumentalness • 44% Positiveness
17% Popularity • 54% Danceability • 16% Energy • 12% Liveness
50% Instrumentalness • 44% Positiveness
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Alessio Dupont
Don't Know What to Do
133 bpm • G# min • 03:23 • -14.69db
20% Popularity • 47% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
20% Popularity • 47% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Sugarlegg
Roll Me Over
133 bpm • E Maj • 04:20 • -16.65db
16% Popularity • 72% Danceability • 14% Energy • 11% Liveness
6% Instrumentalness • 66% Positiveness
16% Popularity • 72% Danceability • 14% Energy • 11% Liveness
6% Instrumentalness • 66% Positiveness
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Johnny Richardson
Mississippi
141 bpm • G# Maj • 01:57 • -24.91db
0% Popularity • 66% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
0% Popularity • 66% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Bob Gibson
Horse Named Bill (Live)
133 bpm • A# Maj • 02:32 • -14.73db
7% Popularity • 58% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
7% Popularity • 58% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Leroy Troy
Alabama Jubilee
133 bpm • G Maj • 02:31 • -16.72db
16% Popularity • 74% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
16% Popularity • 74% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Gordon Bok
The Hills of Isle Au Haut
142 bpm • C# Maj • 03:27 • -14.87db
11% Popularity • 47% Danceability • 28% Energy • 7% Liveness
2% Instrumentalness • 64% Positiveness
11% Popularity • 47% Danceability • 28% Energy • 7% Liveness
2% Instrumentalness • 64% Positiveness
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T M Hanna
The No Power Waltz (Instrumental)
132 bpm • C Maj • 01:04 • -20.57db
11% Popularity • 60% Danceability • 23% Energy • 11% Liveness
10% Instrumentalness • 21% Positiveness
11% Popularity • 60% Danceability • 23% Energy • 11% Liveness
10% Instrumentalness • 21% Positiveness
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Peggy Seeger
The Young Man Who Wouldn't Hoe Corn
132 bpm • E min • 01:49 • -24.43db
9% Popularity • 63% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
9% Popularity • 63% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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Johnny Richardson
Lady Bug
142 bpm • E Maj • 02:00 • -15.74db
1% Popularity • 63% Danceability • 7% Energy • 10% Liveness
4% Instrumentalness • 50% Positiveness
1% Popularity • 63% Danceability • 7% Energy • 10% Liveness
4% Instrumentalness • 50% Positiveness
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Dora MacAdam
Touch
131 bpm • C Maj • 01:42 • -16.41db
23% Popularity • 72% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
23% Popularity • 72% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Daniel lork
Cupcake
131 bpm • D Maj • 02:22 • -34.46db
11% Popularity • 70% Danceability • 3% Energy • 11% Liveness
54% Instrumentalness • 80% Positiveness
11% Popularity • 70% Danceability • 3% Energy • 11% Liveness
54% Instrumentalness • 80% Positiveness
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Sascha Volk
To the Skies
130 bpm • D min • 02:22 • -24.45db
20% Popularity • 50% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
20% Popularity • 50% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Frank Proffitt
Johnson Boys
131 bpm • B Maj • 01:46 • -12.86db
10% Popularity • 60% Danceability • 40% Energy • 21% Liveness
82% Instrumentalness • 74% Positiveness
10% Popularity • 60% Danceability • 40% Energy • 21% Liveness
82% Instrumentalness • 74% Positiveness
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Blind Willie Johnson
Trouble Soon Be Over
130 bpm • C# Maj • 03:07 • -21.08db
10% Popularity • 48% Danceability • 13% Energy • 21% Liveness
0% Instrumentalness • 74% Positiveness
10% Popularity • 48% Danceability • 13% Energy • 21% Liveness
0% Instrumentalness • 74% Positiveness
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Johnny Lindula
I Really Done It
130 bpm • C Maj • 01:34 • -15.12db
15% Popularity • 57% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
15% Popularity • 57% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Tatiana Bookbinder
Take The High Road
144 bpm • A Maj • 05:01 • -12.73db
12% Popularity • 56% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
12% Popularity • 56% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Uncle Dave Macon
Rabbit in the Pea Patch
130 bpm • D Maj • 01:44 • -16.51db
8% Popularity • 64% Danceability • 31% Energy • 21% Liveness
81% Instrumentalness • 82% Positiveness
8% Popularity • 64% Danceability • 31% Energy • 21% Liveness
81% Instrumentalness • 82% Positiveness
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Robbie Burgess
What's the Point
130 bpm • D min • 04:12 • -13.54db
21% Popularity • 77% Danceability • 36% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
21% Popularity • 77% Danceability • 36% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
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The Forum
El Gem
145 bpm • C Maj • 01:07 • -14.91db
13% Popularity • 40% Danceability • 12% Energy • 21% Liveness
1% Instrumentalness • 43% Positiveness
13% Popularity • 40% Danceability • 12% Energy • 21% Liveness
1% Instrumentalness • 43% Positiveness
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Peggy Seeger
Long Lonesome Road
129 bpm • G Maj • 02:17 • -25.71db
10% Popularity • 58% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
10% Popularity • 58% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Knokynhayr
Traces (2017 Remix)
145 bpm • G Maj • 03:28 • -13.04db
13% Popularity • 52% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
13% Popularity • 52% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Johnny Richardson
Hopping with the Kangaroo
129 bpm • C Maj • 01:40 • -24.82db
0% Popularity • 73% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
0% Popularity • 73% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Stanley Mills
Where to Go
145 bpm • D Maj • 03:48 • -14.61db
21% Popularity • 48% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
21% Popularity • 48% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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T M Hanna
The No Power Waltz (Thinking of You)
129 bpm • A Maj • 03:38 • -17db
15% Popularity • 55% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
15% Popularity • 55% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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The Rooftop Singers
Cool Water
129 bpm • F# Maj • 02:58 • -20.49db
7% Popularity • 72% Danceability • 3% Energy • 10% Liveness
3% Instrumentalness • 53% Positiveness
7% Popularity • 72% Danceability • 3% Energy • 10% Liveness
3% Instrumentalness • 53% Positiveness
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Last Moment
Zany
146 bpm • A# min • 01:50 • -18.11db
17% Popularity • 44% Danceability • 7% Energy • 13% Liveness
24% Instrumentalness • 4% Positiveness
17% Popularity • 44% Danceability • 7% Energy • 13% Liveness
24% Instrumentalness • 4% Positiveness
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Peggy Seeger
Jane Jane
129 bpm • B min • 01:32 • -11.43db
16% Popularity • 90% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
16% Popularity • 90% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Masks Phantoms
Goodnight New York
146 bpm • E Maj • 01:24 • -10.32db
12% Popularity • 66% Danceability • 75% Energy • 55% Liveness
92% Instrumentalness • 71% Positiveness
12% Popularity • 66% Danceability • 75% Energy • 55% Liveness
92% Instrumentalness • 71% Positiveness
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Wade Hemsworth
Ye Girls of Old Ontario
128 bpm • C# Maj • 02:47 • -17.86db
10% Popularity • 80% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 70% Positiveness
10% Popularity • 80% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 70% Positiveness
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Johnny Richardson
Buzz,Buzz,Buzz
146 bpm • F# Maj • 02:37 • -27.42db
0% Popularity • 61% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
0% Popularity • 61% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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The Last River Bottomed Fig Plucker
How to Get Back
128 bpm • C Maj • 03:43 • -9.39db
18% Popularity • 62% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
18% Popularity • 62% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Casey Hiatus
Scorch The Earth
147 bpm • A# Maj • 04:40 • -10.68db
10% Popularity • 48% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
10% Popularity • 48% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
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Peggy Seeger
House Carpenter
146 bpm • F Maj • 04:08 • -22.59db
10% Popularity • 53% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
10% Popularity • 53% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Hunter Knatchbull
I Wish
128 bpm • C Maj • 02:50 • -9.04db
21% Popularity • 46% Danceability • 38% Energy • 13% Liveness
1% Instrumentalness • 35% Positiveness
21% Popularity • 46% Danceability • 38% Energy • 13% Liveness
1% Instrumentalness • 35% Positiveness
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SOJE BEATS
Loita
128 bpm • G Maj • 01:30 • -15.46db
13% Popularity • 59% Danceability • 21% Energy • 33% Liveness
0% Instrumentalness • 41% Positiveness
13% Popularity • 59% Danceability • 21% Energy • 33% Liveness
0% Instrumentalness • 41% Positiveness
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Johnny Lindula
Time & Dollars
127 bpm • C Maj • 01:59 • -14.6db
13% Popularity • 66% Danceability • 29% Energy • 26% Liveness
2% Instrumentalness • 58% Positiveness
13% Popularity • 66% Danceability • 29% Energy • 26% Liveness
2% Instrumentalness • 58% Positiveness
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Father Son and Friends
High Lonesome
127 bpm • D Maj • 03:59 • -15.42db
7% Popularity • 68% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
7% Popularity • 68% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Johnny Richardson
Baby Bumblebee
127 bpm • G Maj • 01:50 • -17.57db
0% Popularity • 82% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
0% Popularity • 82% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Ed McCurdy
O Suzanna
127 bpm • C Maj • 01:13 • -14.91db
16% Popularity • 74% Danceability • 33% Energy • 27% Liveness
14% Instrumentalness • 92% Positiveness
16% Popularity • 74% Danceability • 33% Energy • 27% Liveness
14% Instrumentalness • 92% Positiveness
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Alan Young
Caught Us Doing It
127 bpm • A# min • 02:25 • -15.46db
7% Popularity • 74% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
7% Popularity • 74% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Teddy Metselaar
I'm Lost
127 bpm • C# min • 03:14 • -14.88db
21% Popularity • 54% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
21% Popularity • 54% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Leslie Fish
Banned from Argo
126 bpm • A Maj • 05:59 • -8.18db
15% Popularity • 70% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
15% Popularity • 70% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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Translate Ahead
Evaluate Client
126 bpm • B min • 04:24 • -11.03db
17% Popularity • 66% Danceability • 55% Energy • 32% Liveness
1% Instrumentalness • 93% Positiveness
17% Popularity • 66% Danceability • 55% Energy • 32% Liveness
1% Instrumentalness • 93% Positiveness
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Dayborn
This Astral Plane
149 bpm • E Maj • 02:52 • -6.6db
11% Popularity • 52% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
11% Popularity • 52% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Jim Reeves
Standing In My Way - New demo
127 bpm • A Maj • 02:06 • -11.58db
9% Popularity • 61% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
9% Popularity • 61% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Sonny Morris Jazzmen
After You've Gone
125 bpm • C# Maj • 04:06 • -5.2db
0% Popularity • 71% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
0% Popularity • 71% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
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Harry McClintock
Hedge Hog
150 bpm • C min • 01:04 • -20.21db
16% Popularity • 57% Danceability • 9% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
16% Popularity • 57% Danceability • 9% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
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Alex Alavi
Purposeful Dirtbag
125 bpm • G# Maj • 02:17 • -8db
11% Popularity • 57% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
11% Popularity • 57% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Bob Neary
Lots Of Worms
125 bpm • D min • 02:25 • -14.56db
14% Popularity • 58% Danceability • 22% Energy • 13% Liveness
14% Instrumentalness • 60% Positiveness
14% Popularity • 58% Danceability • 22% Energy • 13% Liveness
14% Instrumentalness • 60% Positiveness
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Rick Stevens
Have You ever really seen the rain
150 bpm • G Maj • 03:42 • -19.79db
14% Popularity • 58% Danceability • 36% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
14% Popularity • 58% Danceability • 36% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
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Chad Mitchell Trio
Super Skier
150 bpm • B Maj • 02:37 • -10.75db
11% Popularity • 46% Danceability • 74% Energy • 85% Liveness
6% Instrumentalness • 67% Positiveness
11% Popularity • 46% Danceability • 74% Energy • 85% Liveness
6% Instrumentalness • 67% Positiveness
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Sonny Morris Jazzmen
Avalon
125 bpm • F# Maj • 03:12 • -6.76db
0% Popularity • 81% Danceability • 76% Energy • 4% Liveness
95% Instrumentalness • 98% Positiveness
0% Popularity • 81% Danceability • 76% Energy • 4% Liveness
95% Instrumentalness • 98% Positiveness
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Alan Young
Po' Boy
125 bpm • G Maj • 03:07 • -14.82db
7% Popularity • 57% Danceability • 46% Energy • 12% Liveness
28% Instrumentalness • 55% Positiveness
7% Popularity • 57% Danceability • 46% Energy • 12% Liveness
28% Instrumentalness • 55% Positiveness
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Richard Burton
A Death Shall Have No Dominion
150 bpm • C# Maj • 01:40 • -27.42db
8% Popularity • 65% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
8% Popularity • 65% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Spencer Coverdale
Songs Of Pinies Rag
151 bpm • A# Maj • 02:52 • -17.2db
10% Popularity • 49% Danceability • 26% Energy • 26% Liveness
2% Instrumentalness • 94% Positiveness
10% Popularity • 49% Danceability • 26% Energy • 26% Liveness
2% Instrumentalness • 94% Positiveness
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The Forum
Nostalgie
125 bpm • C Maj • 01:07 • -10.51db
14% Popularity • 54% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
14% Popularity • 54% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Johnny Richardson
Little John Brown
125 bpm • A Maj • 02:10 • -17.74db
0% Popularity • 72% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
0% Popularity • 72% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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The Spinners
Green Grow the Rushes O
124 bpm • C Maj • 02:49 • -12.05db
8% Popularity • 82% Danceability • 55% Energy • 17% Liveness
4% Instrumentalness • 95% Positiveness
8% Popularity • 82% Danceability • 55% Energy • 17% Liveness
4% Instrumentalness • 95% Positiveness
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Bob Gibson
Super Skier's Last Race
124 bpm • A# Maj • 03:15 • -13.28db
9% Popularity • 77% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
9% Popularity • 77% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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John "Paul" Blackman
Take-Off No. 1
124 bpm • F Maj • 01:29 • -11.22db
7% Popularity • 70% Danceability • 88% Energy • 4% Liveness
74% Instrumentalness • 50% Positiveness
7% Popularity • 70% Danceability • 88% Energy • 4% Liveness
74% Instrumentalness • 50% Positiveness
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The Tiny Tax Band
Firewall
124 bpm • A# Maj • 01:36 • -10.55db
20% Popularity • 68% Danceability • 36% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
20% Popularity • 68% Danceability • 36% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
