Songs like There's No Way - Alle Farben Remix by Lauv
Based on a tempo of (+/- 10%) and a similar genre
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Lauv
Enemies
126 bpm • D# Maj • 03:14 • -4.64db
54% Popularity • 69% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
54% Popularity • 69% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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James Arthur
Rewrite The Stars
126 bpm • A# Maj • 03:38 • -4.99db
81% Popularity • 67% Danceability • 74% Energy • 46% Liveness
0% Instrumentalness • 57% Positiveness
81% Popularity • 67% Danceability • 74% Energy • 46% Liveness
0% Instrumentalness • 57% Positiveness
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shy martin
can I call you back?
126 bpm • A Maj • 02:33 • -9.99db
49% Popularity • 65% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
49% Popularity • 65% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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James TW
When You Love Someone
126 bpm • G Maj • 03:36 • -6.09db
70% Popularity • 68% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
70% Popularity • 68% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
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Conan Gray
People Watching
126 bpm • F Maj • 02:38 • -7.28db
78% Popularity • 53% Danceability • 59% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
78% Popularity • 53% Danceability • 59% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
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Dean Lewis
Be Alright
126 bpm • B Maj • 03:16 • -7.6db
78% Popularity • 55% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
78% Popularity • 55% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Lauv
Chasing Fire
126 bpm • F Maj • 03:25 • -5db
59% Popularity • 71% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
59% Popularity • 71% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
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SHAED
Trampoline
127 bpm • G min • 03:04 • -5.78db
69% Popularity • 62% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
69% Popularity • 62% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Zac Efron
Rewrite The Stars
125 bpm • A# Maj • 03:37 • -7.01db
74% Popularity • 68% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
74% Popularity • 68% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Fly By Midnight
Love Me Like a Friend
125 bpm • F# min • 03:22 • -5.57db
52% Popularity • 71% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
52% Popularity • 71% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Luke Chiang
Shouldn't Be
125 bpm • F# min • 03:30 • -10.34db
73% Popularity • 65% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
73% Popularity • 65% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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The Vamps
Just My Type
125 bpm • D min • 03:31 • -4.01db
60% Popularity • 61% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
60% Popularity • 61% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Lauv
Mine (You Can't Find Love in Mollywood)
126 bpm • C# min • 03:26 • -7.45db
41% Popularity • 73% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
41% Popularity • 73% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Zara Larsson
Ruin My Life
125 bpm • B Maj • 03:10 • -5db
63% Popularity • 61% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
63% Popularity • 61% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Christian French
head first
127 bpm • F# min • 02:34 • -6.22db
56% Popularity • 91% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
56% Popularity • 91% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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James TW
You & Me
127 bpm • B Maj • 03:51 • -6.33db
65% Popularity • 71% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
65% Popularity • 71% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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ZAYN
PILLOWTALK
125 bpm • B Maj • 03:22 • -4.28db
78% Popularity • 58% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
78% Popularity • 58% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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AJ Mitchell
Slow Dance
128 bpm • C# Maj • 02:58 • -7.66db
53% Popularity • 67% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
53% Popularity • 67% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Lauv
Invisible Things
125 bpm • G Maj • 03:17 • -7.41db
49% Popularity • 74% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
49% Popularity • 74% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Ruel
Dazed & Confused
128 bpm • D Maj • 03:09 • -7.41db
63% Popularity • 69% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
63% Popularity • 69% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
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FINNEAS
Let's Fall in Love for the Night
128 bpm • F Maj • 03:10 • -7.94db
70% Popularity • 74% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
70% Popularity • 74% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
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Jake Miller
Ross And Rachel
124 bpm • A Maj • 03:12 • -6.61db
51% Popularity • 66% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
51% Popularity • 66% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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5 Seconds of Summer
Old Me
128 bpm • C Maj • 03:06 • -3.64db
60% Popularity • 72% Danceability • 62% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
60% Popularity • 72% Danceability • 62% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
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One Direction
18
124 bpm • F# min • 04:08 • -7.76db
78% Popularity • 68% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
78% Popularity • 68% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Fly By Midnight
No Choice
124 bpm • D# Maj • 03:51 • -4.8db
56% Popularity • 57% Danceability • 73% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
56% Popularity • 57% Danceability • 73% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
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Tate McRae
you broke me first
124 bpm • E Maj • 02:50 • -9.36db
86% Popularity • 66% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
86% Popularity • 66% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Chris James
Not Angry
124 bpm • F min • 03:19 • -12.42db
60% Popularity • 85% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
60% Popularity • 85% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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DallasK
Try Again
124 bpm • C min • 03:09 • -7.26db
50% Popularity • 74% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
50% Popularity • 74% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Ruel
Painkiller
129 bpm • F Maj • 03:33 • -6.51db
66% Popularity • 68% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
66% Popularity • 68% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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Lauv
Come Back Home
124 bpm • A# Maj • 03:51 • -8.24db
45% Popularity • 44% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
45% Popularity • 44% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Gryffin
Body Back
123 bpm • G# Maj • 03:34 • -4.43db
58% Popularity • 69% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
58% Popularity • 69% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
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MAX
Checklist
123 bpm • G min • 02:16 • -4.02db
51% Popularity • 79% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
51% Popularity • 79% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
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New Hope Club
Know Me Too Well
123 bpm • C# min • 03:20 • -4.39db
58% Popularity • 76% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
58% Popularity • 76% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Clean Bandit
Symphony
123 bpm • C min • 03:32 • -5.13db
78% Popularity • 72% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
78% Popularity • 72% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
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Pink Sweat$
17
130 bpm • F Maj • 02:40 • -8.7db
56% Popularity • 65% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
56% Popularity • 65% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Lauv
Tattoos Together
123 bpm • E Maj • 03:06 • -7.49db
61% Popularity • 86% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
61% Popularity • 86% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Anson Seabra
That's Us
129 bpm • A# Maj • 04:30 • -15.4db
59% Popularity • 62% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
59% Popularity • 62% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Ava Max
Kings & Queens, Pt. 2
130 bpm • C# min • 02:55 • -4db
53% Popularity • 66% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
53% Popularity • 66% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
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Lost Kings
When We Were Young
130 bpm • G# Maj • 03:13 • -5.62db
55% Popularity • 55% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
55% Popularity • 55% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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keshi
LIMBO
130 bpm • G# Maj • 03:32 • -11.79db
76% Popularity • 58% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
76% Popularity • 58% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Taylor Swift
cardigan
130 bpm • C min • 03:59 • -8.59db
89% Popularity • 61% Danceability • 58% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
89% Popularity • 61% Danceability • 58% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
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Lauv
Superhero
130 bpm • G Maj • 02:59 • -8.62db
56% Popularity • 68% Danceability • 34% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
56% Popularity • 68% Danceability • 34% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
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Hailee Steinfeld
Afterlife
122 bpm • C# min • 03:29 • -4.73db
56% Popularity • 67% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
56% Popularity • 67% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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The Vamps
Middle Of The Night
130 bpm • B min • 02:54 • -4.32db
54% Popularity • 59% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
54% Popularity • 59% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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One Direction
You & I
131 bpm • C# Maj • 03:57 • -6.83db
77% Popularity • 57% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
77% Popularity • 57% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Maggie Lindemann
Pretty Girl - Cheat Codes X CADE Remix
121 bpm • G min • 03:13 • -4.66db
67% Popularity • 70% Danceability • 87% Energy • 10% Liveness
13% Instrumentalness • 73% Positiveness
67% Popularity • 70% Danceability • 87% Energy • 10% Liveness
13% Instrumentalness • 73% Positiveness
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Sasha Alex Sloan
Too Sad To Cry
120 bpm • A# Maj • 03:28 • -9.94db
58% Popularity • 52% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
58% Popularity • 52% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Lauv
Sad Forever
122 bpm • F Maj • 03:23 • -8.93db
54% Popularity • 75% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
54% Popularity • 75% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Nicky Youre
Sunroof
131 bpm • A# Maj • 02:43 • -5.11db
83% Popularity • 77% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
83% Popularity • 77% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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5 Seconds of Summer
Youngblood
120 bpm • G min • 03:23 • -5.11db
82% Popularity • 60% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
82% Popularity • 60% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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One Direction
Story of My Life
121 bpm • D# Maj • 04:05 • -5.8db
84% Popularity • 60% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
84% Popularity • 60% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Martin Garrix
Drown
120 bpm • A Maj • 02:54 • -5.46db
63% Popularity • 57% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
63% Popularity • 57% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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Jake Miller
The Girl That's Underneath
120 bpm • F# min • 03:06 • -6.36db
45% Popularity • 75% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
45% Popularity • 75% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Lauv
All 4 Nothing (I'm So In Love)
132 bpm • C# Maj • 03:03 • -4.59db
65% Popularity • 72% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
65% Popularity • 72% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Post Malone
Circles
120 bpm • C Maj • 03:35 • -3.5db
86% Popularity • 70% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
86% Popularity • 70% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Astrid S
Hurts So Good
120 bpm • G min • 03:28 • -5.07db
69% Popularity • 67% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
69% Popularity • 67% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Fly By Midnight
Different Lives
120 bpm • C min • 03:21 • -5.5db
56% Popularity • 67% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
56% Popularity • 67% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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IU
eight(Prod.&SUGA of BTS)
120 bpm • C# Maj • 02:47 • -1.57db
71% Popularity • 68% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
71% Popularity • 68% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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One Direction
Night Changes
120 bpm • G# Maj • 03:46 • -7.75db
88% Popularity • 67% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
88% Popularity • 67% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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NIKI
High School in Jakarta
120 bpm • G min • 03:39 • -8.29db
67% Popularity • 87% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
67% Popularity • 87% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Marshmello
Leave Before You Love Me
120 bpm • G Maj • 02:34 • -4.77db
83% Popularity • 72% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
83% Popularity • 72% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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BTS
Boy With Luv
120 bpm • B min • 03:49 • -4.76db
76% Popularity • 64% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
76% Popularity • 64% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
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Fly By Midnight
In The Night
120 bpm • F min • 03:26 • -3.64db
60% Popularity • 60% Danceability • 93% Energy • 31% Liveness
0% Instrumentalness • 82% Positiveness
60% Popularity • 60% Danceability • 93% Energy • 31% Liveness
0% Instrumentalness • 82% Positiveness
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LANY
Thru These Tears
120 bpm • B Maj • 03:24 • -7.7db
67% Popularity • 71% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
67% Popularity • 71% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
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Rangga Jones
Favourite Things
120 bpm • A Maj • 02:53 • -8.29db
55% Popularity • 53% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
55% Popularity • 53% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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RINI
My Favourite Clothes
120 bpm • D Maj • 04:17 • -9.04db
65% Popularity • 75% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
65% Popularity • 75% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Lauv
The Story Never Ends
120 bpm • A Maj • 03:49 • -9.4db
59% Popularity • 60% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
59% Popularity • 60% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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PRETTYMUCH
Gone 2 Long
120 bpm • C Maj • 03:15 • -9db
42% Popularity • 72% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
42% Popularity • 72% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Ruel
Not Thinkin' Bout You
120 bpm • A# min • 03:08 • -8.55db
52% Popularity • 66% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
52% Popularity • 66% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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keshi
like i need u
120 bpm • F Maj • 03:02 • -8.16db
70% Popularity • 75% Danceability • 46% Energy • 29% Liveness
0% Instrumentalness • 41% Positiveness
70% Popularity • 75% Danceability • 46% Energy • 29% Liveness
0% Instrumentalness • 41% Positiveness
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Ashe
Moral of the Story - Bonus Track
120 bpm • A# Maj • 03:18 • -8.9db
71% Popularity • 58% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
71% Popularity • 58% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
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Julia Michaels
What A Time
133 bpm • C Maj • 02:53 • -6.18db
78% Popularity • 52% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
78% Popularity • 52% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Bruno Major
Easily
119 bpm • G min • 03:30 • -8.55db
69% Popularity • 77% Danceability • 26% Energy • 14% Liveness
1% Instrumentalness • 36% Positiveness
69% Popularity • 77% Danceability • 26% Energy • 14% Liveness
1% Instrumentalness • 36% Positiveness
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NIKI
Lose
134 bpm • C Maj • 04:16 • -8.13db
64% Popularity • 39% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
64% Popularity • 39% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Ruel
Say
120 bpm • D# Maj • 03:47 • -8db
54% Popularity • 62% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
54% Popularity • 62% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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HONNE
free love
134 bpm • A Maj • 03:29 • -8.2db
58% Popularity • 71% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
58% Popularity • 71% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Lauv
Never Not
134 bpm • F Maj • 03:28 • -9db
68% Popularity • 47% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
68% Popularity • 47% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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LANY
13
134 bpm • G# min • 03:54 • -8.15db
71% Popularity • 78% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
71% Popularity • 78% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
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Alec Benjamin
Water Fountain
134 bpm • G# Maj • 03:38 • -5.57db
74% Popularity • 72% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
74% Popularity • 72% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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LAY
Run Back To You
118 bpm • A# Maj • 03:08 • -5.76db
76% Popularity • 92% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
76% Popularity • 92% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Halsey
Bad At Love
118 bpm • C Maj • 03:01 • -3.54db
74% Popularity • 68% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
74% Popularity • 68% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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ZAYN
I Don’t Wanna Live Forever (Fifty Shad...
118 bpm • C Maj • 04:07 • -8.42db
83% Popularity • 73% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
83% Popularity • 73% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Conor Matthews
Forever Right Now
118 bpm • F Maj • 02:21 • -5db
56% Popularity • 75% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
56% Popularity • 75% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Peder Elias
Bonfire
118 bpm • G# Maj • 02:46 • -8db
52% Popularity • 87% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
52% Popularity • 87% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
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NIKI
lowkey
118 bpm • C Maj • 02:51 • -8.18db
77% Popularity • 75% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
77% Popularity • 75% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Alessia Cara
Out Of Love
118 bpm • G Maj • 03:47 • -9.25db
69% Popularity • 48% Danceability • 27% Energy • 25% Liveness
0% Instrumentalness • 14% Positiveness
69% Popularity • 48% Danceability • 27% Energy • 25% Liveness
0% Instrumentalness • 14% Positiveness
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Jake Miller
LAST TEXT
135 bpm • G Maj • 02:54 • -6.11db
37% Popularity • 69% Danceability • 59% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
37% Popularity • 69% Danceability • 59% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
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Fly By Midnight
Automatic
135 bpm • G# Maj • 02:37 • -6.18db
58% Popularity • 60% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
58% Popularity • 60% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Boy In Space
7UP
135 bpm • C Maj • 03:23 • -7db
50% Popularity • 62% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
50% Popularity • 62% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Fiji Blue
I Should've Told You
117 bpm • G# Maj • 03:17 • -7db
47% Popularity • 72% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
47% Popularity • 72% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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vaultboy
aftermath
117 bpm • A Maj • 02:46 • -9.28db
59% Popularity • 62% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
59% Popularity • 62% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Ruth B.
Dandelions
117 bpm • C# Maj • 03:53 • -2.96db
88% Popularity • 61% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
88% Popularity • 61% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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JP Saxe
The Few Things (With Charlotte Lawrence)
136 bpm • G Maj • 03:31 • -10.45db
59% Popularity • 54% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
59% Popularity • 54% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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James Bay
Peer Pressure
136 bpm • C# min • 02:56 • -6.08db
67% Popularity • 63% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
67% Popularity • 63% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Khalid
Talk
136 bpm • C Maj • 03:17 • -8.58db
72% Popularity • 90% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
72% Popularity • 90% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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keshi
beside you
136 bpm • C Maj • 02:46 • -6.34db
71% Popularity • 71% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
71% Popularity • 71% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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vaultboy
rocket science
136 bpm • A# Maj • 02:32 • -8.01db
67% Popularity • 74% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
67% Popularity • 74% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Halsey
Without Me
136 bpm • F# Maj • 03:21 • -7.05db
81% Popularity • 75% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
81% Popularity • 75% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
