Songs like There's Room In My Heart by The New Mayfair Dance Orchestra
Based on a tempo of (+/- 10%) and a similar genre
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The New Mayfair Dance Orchestra
There's Room In My Heart
172 bpm • G# Maj • 03:12 • -10.44db
1% Popularity • 38% Danceability • 20% Energy • 35% Liveness
9% Instrumentalness • 61% Positiveness
1% Popularity • 38% Danceability • 20% Energy • 35% Liveness
9% Instrumentalness • 61% Positiveness
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Charlie Barnet & His Orchestra
Cherokee
172 bpm • A# Maj • 03:21 • -14.14db
30% Popularity • 56% Danceability • 28% Energy • 22% Liveness
46% Instrumentalness • 78% Positiveness
30% Popularity • 56% Danceability • 28% Energy • 22% Liveness
46% Instrumentalness • 78% Positiveness
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Ambrose
Mona
173 bpm • A# Maj • 03:10 • -13.75db
8% Popularity • 52% Danceability • 33% Energy • 9% Liveness
30% Instrumentalness • 65% Positiveness
8% Popularity • 52% Danceability • 33% Energy • 9% Liveness
30% Instrumentalness • 65% Positiveness
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Fred Astaire (performer), The MGM Studio Chorus
The Ritz Roll and Rock
171 bpm • F Maj • 03:35 • -11.7db
23% Popularity • 48% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
23% Popularity • 48% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Kitty Kallen
They're Either Too Young or Too Old
173 bpm • A# Maj • 03:06 • -13.23db
26% Popularity • 52% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
26% Popularity • 52% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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Al Jolson
April Showers (Recorded 1921)
171 bpm • G Maj • 03:07 • -21.4db
10% Popularity • 25% Danceability • 10% Energy • 20% Liveness
95% Instrumentalness • 24% Positiveness
10% Popularity • 25% Danceability • 10% Energy • 20% Liveness
95% Instrumentalness • 24% Positiveness
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The New Mayfair Dance Orchestra
Any Time's the Time to Fall in Love
173 bpm • C Maj • 02:33 • -8.43db
0% Popularity • 44% Danceability • 46% Energy • 15% Liveness
2% Instrumentalness • 78% Positiveness
0% Popularity • 44% Danceability • 46% Energy • 15% Liveness
2% Instrumentalness • 78% Positiveness
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Guy Lombardo & His Royal Canadians
Sweet Georgia Brown
174 bpm • F Maj • 02:00 • -12.02db
33% Popularity • 68% Danceability • 21% Energy • 69% Liveness
82% Instrumentalness • 78% Positiveness
33% Popularity • 68% Danceability • 21% Energy • 69% Liveness
82% Instrumentalness • 78% Positiveness
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Ambrose
I'm on a Diet of Love
173 bpm • F Maj • 02:55 • -13.99db
11% Popularity • 64% Danceability • 30% Energy • 16% Liveness
12% Instrumentalness • 89% Positiveness
11% Popularity • 64% Danceability • 30% Energy • 16% Liveness
12% Instrumentalness • 89% Positiveness
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Joséphine Baker
Breezing Along with the Breeze
170 bpm • A# Maj • 02:56 • -10.34db
9% Popularity • 41% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 41% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Larry Clinton & His Orchestra
Dipsy Doodle
174 bpm • A# Maj • 03:02 • -21.07db
25% Popularity • 55% Danceability • 20% Energy • 28% Liveness
0% Instrumentalness • 89% Positiveness
25% Popularity • 55% Danceability • 20% Energy • 28% Liveness
0% Instrumentalness • 89% Positiveness
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Larry Clinton
Remember
174 bpm • C min • 02:46 • -9.78db
30% Popularity • 55% Danceability • 36% Energy • 12% Liveness
2% Instrumentalness • 77% Positiveness
30% Popularity • 55% Danceability • 36% Energy • 12% Liveness
2% Instrumentalness • 77% Positiveness
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The New Mayfair Dance Orchestra
Any Time's The Time To Fall In Love
170 bpm • C Maj • 02:37 • -20.86db
0% Popularity • 55% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
0% Popularity • 55% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Bunny Berigan
On the Beach With You
169 bpm • D# Maj • 03:05 • -9.42db
17% Popularity • 58% Danceability • 34% Energy • 21% Liveness
1% Instrumentalness • 76% Positiveness
17% Popularity • 58% Danceability • 34% Energy • 21% Liveness
1% Instrumentalness • 76% Positiveness
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Jesse Crawford
I`ve Got A Feeling I`m Falling
175 bpm • F min • 02:41 • -12db
16% Popularity • 37% Danceability • 32% Energy • 30% Liveness
96% Instrumentalness • 86% Positiveness
16% Popularity • 37% Danceability • 32% Energy • 30% Liveness
96% Instrumentalness • 86% Positiveness
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Bennie Moten
Kansas City Shuffle (Alternate Take)
169 bpm • D# Maj • 02:53 • -11.08db
21% Popularity • 62% Danceability • 49% Energy • 15% Liveness
88% Instrumentalness • 93% Positiveness
21% Popularity • 62% Danceability • 49% Energy • 15% Liveness
88% Instrumentalness • 93% Positiveness
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Al Bowlly
Wanderer (Swing-Fox)
175 bpm • G# Maj • 02:49 • -15.47db
8% Popularity • 49% Danceability • 18% Energy • 20% Liveness
4% Instrumentalness • 55% Positiveness
8% Popularity • 49% Danceability • 18% Energy • 20% Liveness
4% Instrumentalness • 55% Positiveness
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Ray Noble
My Hat's On the Side of My Head
175 bpm • F Maj • 02:51 • -7.36db
9% Popularity • 65% Danceability • 43% Energy • 13% Liveness
6% Instrumentalness • 82% Positiveness
9% Popularity • 65% Danceability • 43% Energy • 13% Liveness
6% Instrumentalness • 82% Positiveness
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The Charleston Chasers
Wabash Blues
175 bpm • D# Maj • 02:42 • -17.51db
11% Popularity • 64% Danceability • 22% Energy • 8% Liveness
87% Instrumentalness • 96% Positiveness
11% Popularity • 64% Danceability • 22% Energy • 8% Liveness
87% Instrumentalness • 96% Positiveness
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Ray Noble, Al Bowlly
Top Hat White Tie and Tails
176 bpm • F Maj • 03:29 • -9db
14% Popularity • 56% Danceability • 53% Energy • 70% Liveness
1% Instrumentalness • 86% Positiveness
14% Popularity • 56% Danceability • 53% Energy • 70% Liveness
1% Instrumentalness • 86% Positiveness
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Lu Watters Yerba Buena Jazz Band
At A Georgia Camp Meeting
176 bpm • C# Maj • 03:29 • -11.14db
16% Popularity • 62% Danceability • 58% Energy • 43% Liveness
97% Instrumentalness • 97% Positiveness
16% Popularity • 62% Danceability • 58% Energy • 43% Liveness
97% Instrumentalness • 97% Positiveness
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Bob Crosby
Boogie Woogie Maxxie
176 bpm • C Maj • 02:39 • -11.01db
12% Popularity • 52% Danceability • 42% Energy • 38% Liveness
76% Instrumentalness • 91% Positiveness
12% Popularity • 52% Danceability • 42% Energy • 38% Liveness
76% Instrumentalness • 91% Positiveness
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Al Bowlly
Poor me, Poor You
168 bpm • G min • 02:40 • -14.95db
1% Popularity • 60% Danceability • 16% Energy • 14% Liveness
70% Instrumentalness • 63% Positiveness
1% Popularity • 60% Danceability • 16% Energy • 14% Liveness
70% Instrumentalness • 63% Positiveness
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Lee Wiley
Down with Love
168 bpm • G min • 02:46 • -16.31db
23% Popularity • 53% Danceability • 16% Energy • 11% Liveness
61% Instrumentalness • 71% Positiveness
23% Popularity • 53% Danceability • 16% Energy • 11% Liveness
61% Instrumentalness • 71% Positiveness
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Betty Hutton
Doctor, Lawyer, Indian Chief
176 bpm • G# Maj • 03:06 • -10db
35% Popularity • 70% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
35% Popularity • 70% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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The New Mayfair Dance Orchestra
Encore
168 bpm • C min • 03:11 • -22.44db
0% Popularity • 46% Danceability • 4% Energy • 11% Liveness
1% Instrumentalness • 48% Positiveness
0% Popularity • 46% Danceability • 4% Energy • 11% Liveness
1% Instrumentalness • 48% Positiveness
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Harry Babbitt
On A Slow Boat To China
168 bpm • G Maj • 03:17 • -9.45db
28% Popularity • 48% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
28% Popularity • 48% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Bunny Berigan
Ain't She Sweet
176 bpm • C min • 02:35 • -6.98db
30% Popularity • 65% Danceability • 48% Energy • 9% Liveness
51% Instrumentalness • 86% Positiveness
30% Popularity • 65% Danceability • 48% Energy • 9% Liveness
51% Instrumentalness • 86% Positiveness
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Al Bowlly
That's What Life Is Made Of (Foxtrott)
176 bpm • G# Maj • 03:10 • -13.09db
20% Popularity • 58% Danceability • 38% Energy • 11% Liveness
42% Instrumentalness • 84% Positiveness
20% Popularity • 58% Danceability • 38% Energy • 11% Liveness
42% Instrumentalness • 84% Positiveness
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Ray Noble & His Orchestra
My Hat's On The Side Of My Head
177 bpm • G min • 02:44 • -22.14db
8% Popularity • 63% Danceability • 9% Energy • 21% Liveness
48% Instrumentalness • 78% Positiveness
8% Popularity • 63% Danceability • 9% Energy • 21% Liveness
48% Instrumentalness • 78% Positiveness
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Guy Lombardo Trio
This Cant Be Love
177 bpm • G Maj • 02:25 • -14db
26% Popularity • 55% Danceability • 22% Energy • 34% Liveness
37% Instrumentalness • 92% Positiveness
26% Popularity • 55% Danceability • 22% Energy • 34% Liveness
37% Instrumentalness • 92% Positiveness
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Charlie Kunz
Tea For Two
167 bpm • F# Maj • 00:57 • -31.42db
22% Popularity • 52% Danceability • 5% Energy • 9% Liveness
82% Instrumentalness • 75% Positiveness
22% Popularity • 52% Danceability • 5% Energy • 9% Liveness
82% Instrumentalness • 75% Positiveness
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Bix Beiderbecke
Clementine
177 bpm • D# Maj • 03:02 • -10.87db
18% Popularity • 65% Danceability • 33% Energy • 30% Liveness
89% Instrumentalness • 93% Positiveness
18% Popularity • 65% Danceability • 33% Energy • 30% Liveness
89% Instrumentalness • 93% Positiveness
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Bunny Berigan
Ain't She Sweet
177 bpm • C min • 02:39 • -10.28db
21% Popularity • 62% Danceability • 42% Energy • 6% Liveness
91% Instrumentalness • 94% Positiveness
21% Popularity • 62% Danceability • 42% Energy • 6% Liveness
91% Instrumentalness • 94% Positiveness
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Larry Clinton & His Orchestra
I Want To Rock
177 bpm • G min • 02:35 • -21.57db
20% Popularity • 51% Danceability • 12% Energy • 16% Liveness
16% Instrumentalness • 78% Positiveness
20% Popularity • 51% Danceability • 12% Energy • 16% Liveness
16% Instrumentalness • 78% Positiveness
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Al Bowlly
Top Hat: Top Hat (Foxtrott)
177 bpm • F Maj • 03:26 • -15.57db
19% Popularity • 58% Danceability • 20% Energy • 61% Liveness
15% Instrumentalness • 75% Positiveness
19% Popularity • 58% Danceability • 20% Energy • 61% Liveness
15% Instrumentalness • 75% Positiveness
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Jimmie Lunceford
Slumming On Park Avenue
167 bpm • D min • 03:01 • -6.13db
9% Popularity • 72% Danceability • 36% Energy • 7% Liveness
1% Instrumentalness • 82% Positiveness
9% Popularity • 72% Danceability • 36% Energy • 7% Liveness
1% Instrumentalness • 82% Positiveness
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Ambrose
Tip-Toe Through the Tulips With Me
178 bpm • G# Maj • 02:59 • -14.12db
18% Popularity • 73% Danceability • 26% Energy • 28% Liveness
90% Instrumentalness • 89% Positiveness
18% Popularity • 73% Danceability • 26% Energy • 28% Liveness
90% Instrumentalness • 89% Positiveness
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Guy Lombardo & His Royal Canadians
Music! Music! Music!
178 bpm • G# min • 02:57 • -12db
24% Popularity • 65% Danceability • 23% Energy • 5% Liveness
46% Instrumentalness • 88% Positiveness
24% Popularity • 65% Danceability • 23% Energy • 5% Liveness
46% Instrumentalness • 88% Positiveness
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Bennie Moten's Kansas City Orchestra
South 2
178 bpm • D# Maj • 02:35 • -11db
16% Popularity • 64% Danceability • 44% Energy • 3% Liveness
83% Instrumentalness • 96% Positiveness
16% Popularity • 64% Danceability • 44% Energy • 3% Liveness
83% Instrumentalness • 96% Positiveness
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Larry Clinton & His Orchestra
Martha
178 bpm • F Maj • 03:21 • -21db
20% Popularity • 47% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
20% Popularity • 47% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Isham Jones
It Had to Be You
178 bpm • G Maj • 03:04 • -6db
23% Popularity • 45% Danceability • 46% Energy • 20% Liveness
85% Instrumentalness • 87% Positiveness
23% Popularity • 45% Danceability • 46% Energy • 20% Liveness
85% Instrumentalness • 87% Positiveness
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The New Mayfair Dance Orchestra
Deep Hollow
179 bpm • B min • 03:19 • -21.57db
0% Popularity • 46% Danceability • 10% Energy • 10% Liveness
80% Instrumentalness • 54% Positiveness
0% Popularity • 46% Danceability • 10% Energy • 10% Liveness
80% Instrumentalness • 54% Positiveness
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Ray Noble & His Orchestra
Freckle Face, You're Beautiful
165 bpm • G min • 02:38 • -19db
16% Popularity • 65% Danceability • 21% Energy • 13% Liveness
84% Instrumentalness • 80% Positiveness
16% Popularity • 65% Danceability • 21% Energy • 13% Liveness
84% Instrumentalness • 80% Positiveness
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The Charleston Chasers
Delirium
179 bpm • C# Maj • 03:14 • -13.69db
14% Popularity • 60% Danceability • 27% Energy • 6% Liveness
32% Instrumentalness • 91% Positiveness
14% Popularity • 60% Danceability • 27% Energy • 6% Liveness
32% Instrumentalness • 91% Positiveness
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The Jungle Band
Rent Party Blues
165 bpm • D# Maj • 03:27 • -10.32db
14% Popularity • 70% Danceability • 48% Energy • 61% Liveness
74% Instrumentalness • 89% Positiveness
14% Popularity • 70% Danceability • 48% Energy • 61% Liveness
74% Instrumentalness • 89% Positiveness
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Red McKenzie
I May Be Wrong (But I Think You're Wonde...
181 bpm • D# Maj • 02:55 • -10.29db
7% Popularity • 45% Danceability • 33% Energy • 19% Liveness
13% Instrumentalness • 79% Positiveness
7% Popularity • 45% Danceability • 33% Energy • 19% Liveness
13% Instrumentalness • 79% Positiveness
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Jimmie Lunceford
Annie Laurie
164 bpm • D# Maj • 03:15 • -1.62db
5% Popularity • 58% Danceability • 72% Energy • 8% Liveness
76% Instrumentalness • 71% Positiveness
5% Popularity • 58% Danceability • 72% Energy • 8% Liveness
76% Instrumentalness • 71% Positiveness
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The New Mayfair Dance Orchestra
A Thousand Goodnights
180 bpm • G min • 02:46 • -12.19db
1% Popularity • 46% Danceability • 30% Energy • 11% Liveness
3% Instrumentalness • 79% Positiveness
1% Popularity • 46% Danceability • 30% Energy • 11% Liveness
3% Instrumentalness • 79% Positiveness
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Nino Rota
La Dolce Vita
164 bpm • A min • 02:51 • -13.29db
6% Popularity • 22% Danceability • 34% Energy • 8% Liveness
87% Instrumentalness • 39% Positiveness
6% Popularity • 22% Danceability • 34% Energy • 8% Liveness
87% Instrumentalness • 39% Positiveness
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Members Of The Glenn Miller Orchestra
American Patrol
181 bpm • G min • 02:35 • -20.57db
44% Popularity • 31% Danceability • 23% Energy • 7% Liveness
56% Instrumentalness • 65% Positiveness
44% Popularity • 31% Danceability • 23% Energy • 7% Liveness
56% Instrumentalness • 65% Positiveness
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The BBC Dance Orchestra
I Get A Kick Out Of You
181 bpm • F min • 02:59 • -24db
12% Popularity • 33% Danceability • 5% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
12% Popularity • 33% Danceability • 5% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Charlie Barnet
Spanish Kick
181 bpm • D# Maj • 02:49 • -11db
32% Popularity • 53% Danceability • 36% Energy • 10% Liveness
82% Instrumentalness • 92% Positiveness
32% Popularity • 53% Danceability • 36% Energy • 10% Liveness
82% Instrumentalness • 92% Positiveness
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Bunny Berigan
What Would You Do
182 bpm • G min • 02:52 • -10db
15% Popularity • 69% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
15% Popularity • 69% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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The New Mayfair Dance Orchestra
I'm Crazy Over You
163 bpm • G Maj • 03:12 • -23.67db
0% Popularity • 56% Danceability • 5% Energy • 10% Liveness
7% Instrumentalness • 75% Positiveness
0% Popularity • 56% Danceability • 5% Energy • 10% Liveness
7% Instrumentalness • 75% Positiveness
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Henry Hall
Wild Ride
163 bpm • D min • 03:08 • -16.08db
1% Popularity • 55% Danceability • 35% Energy • 10% Liveness
78% Instrumentalness • 84% Positiveness
1% Popularity • 55% Danceability • 35% Energy • 10% Liveness
78% Instrumentalness • 84% Positiveness
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Billy Merrin And His Commanders
We'll Make Hay While The Sun Shines
163 bpm • F Maj • 02:54 • -27.67db
11% Popularity • 73% Danceability • 7% Energy • 8% Liveness
51% Instrumentalness • 77% Positiveness
11% Popularity • 73% Danceability • 7% Energy • 8% Liveness
51% Instrumentalness • 77% Positiveness
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Whispering Jack Smith
Funny Face (Excerpts From "Funny Faces")
182 bpm • B Maj • 02:51 • -15.26db
0% Popularity • 32% Danceability • 29% Energy • 22% Liveness
63% Instrumentalness • 51% Positiveness
0% Popularity • 32% Danceability • 29% Energy • 22% Liveness
63% Instrumentalness • 51% Positiveness
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Ben Selvin & His Orchestra
You'd Fall in Love
182 bpm • C Maj • 02:53 • -10.64db
9% Popularity • 56% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
9% Popularity • 56% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
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Eddie Condon
I'll Build a Stairway to Paradise
162 bpm • C Maj • 02:51 • -11db
14% Popularity • 51% Danceability • 43% Energy • 32% Liveness
22% Instrumentalness • 90% Positiveness
14% Popularity • 51% Danceability • 43% Energy • 32% Liveness
22% Instrumentalness • 90% Positiveness
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The New Mayfair Dance Orchestra
I'll Be Getting Along
163 bpm • A# Maj • 03:13 • -22.99db
0% Popularity • 52% Danceability • 4% Energy • 38% Liveness
2% Instrumentalness • 57% Positiveness
0% Popularity • 52% Danceability • 4% Energy • 38% Liveness
2% Instrumentalness • 57% Positiveness
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Woody Herman & His Orchestra
Dallas Blues
183 bpm • C# Maj • 02:58 • -11.31db
20% Popularity • 60% Danceability • 42% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
20% Popularity • 60% Danceability • 42% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
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Pee Wee Russell
Love Is Just Around The Corner
182 bpm • C Maj • 03:08 • -10.1db
27% Popularity • 52% Danceability • 50% Energy • 10% Liveness
15% Instrumentalness • 92% Positiveness
27% Popularity • 52% Danceability • 50% Energy • 10% Liveness
15% Instrumentalness • 92% Positiveness
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Count Basie Orchestra
Jive At Five
183 bpm • G# Maj • 02:31 • -12.31db
14% Popularity • 73% Danceability • 38% Energy • 9% Liveness
3% Instrumentalness • 73% Positiveness
14% Popularity • 73% Danceability • 38% Energy • 9% Liveness
3% Instrumentalness • 73% Positiveness
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Charlie Barnet & His Orchestra
The Gal From Joe's
162 bpm • A# min • 03:22 • -12db
30% Popularity • 68% Danceability • 17% Energy • 8% Liveness
25% Instrumentalness • 84% Positiveness
30% Popularity • 68% Danceability • 17% Energy • 8% Liveness
25% Instrumentalness • 84% Positiveness
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Larry Clinton
Shades of Hades
183 bpm • G# Maj • 02:43 • -16.06db
14% Popularity • 58% Danceability • 22% Energy • 18% Liveness
94% Instrumentalness • 95% Positiveness
14% Popularity • 58% Danceability • 22% Energy • 18% Liveness
94% Instrumentalness • 95% Positiveness
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Lew Stone & His Band
Anything Goes
183 bpm • C Maj • 02:51 • -20db
17% Popularity • 65% Danceability • 19% Energy • 5% Liveness
27% Instrumentalness • 90% Positiveness
17% Popularity • 65% Danceability • 19% Energy • 5% Liveness
27% Instrumentalness • 90% Positiveness
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Hal Kemp And His Orchestra
With Plenty Of Money And You
184 bpm • G min • 03:03 • -20db
27% Popularity • 59% Danceability • 7% Energy • 12% Liveness
88% Instrumentalness • 64% Positiveness
27% Popularity • 59% Danceability • 7% Energy • 12% Liveness
88% Instrumentalness • 64% Positiveness
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The New Mayfair Dance Orchestra
My Southern Home
161 bpm • F Maj • 03:18 • -23.87db
0% Popularity • 45% Danceability • 4% Energy • 9% Liveness
41% Instrumentalness • 62% Positiveness
0% Popularity • 45% Danceability • 4% Energy • 9% Liveness
41% Instrumentalness • 62% Positiveness
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Al Bowlly
I Wished on the Moon: The Big Broadcast ...
161 bpm • A# Maj • 02:39 • -13.9db
0% Popularity • 50% Danceability • 25% Energy • 29% Liveness
25% Instrumentalness • 70% Positiveness
0% Popularity • 50% Danceability • 25% Energy • 29% Liveness
25% Instrumentalness • 70% Positiveness
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The Dukes Of Dixieland
Dill Pickles
185 bpm • C Maj • 01:56 • -17db
8% Popularity • 62% Danceability • 26% Energy • 11% Liveness
95% Instrumentalness • 84% Positiveness
8% Popularity • 62% Danceability • 26% Energy • 11% Liveness
95% Instrumentalness • 84% Positiveness
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Bunny Berigan
Heigh-Ho (The Dwarfs Marching Song)
186 bpm • G# Maj • 02:48 • -9.73db
15% Popularity • 55% Danceability • 38% Energy • 9% Liveness
1% Instrumentalness • 96% Positiveness
15% Popularity • 55% Danceability • 38% Energy • 9% Liveness
1% Instrumentalness • 96% Positiveness
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Stan Kenton & His Orchestra
Tampico
159 bpm • G# Maj • 02:43 • -10.08db
36% Popularity • 66% Danceability • 43% Energy • 44% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 66% Danceability • 43% Energy • 44% Liveness
0% Instrumentalness • 96% Positiveness
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Henry Hall
Hummin' to Myself
187 bpm • G Maj • 02:57 • -9.63db
21% Popularity • 61% Danceability • 40% Energy • 11% Liveness
5% Instrumentalness • 89% Positiveness
21% Popularity • 61% Danceability • 40% Energy • 11% Liveness
5% Instrumentalness • 89% Positiveness
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The New Mayfair Dance Orchestra
My Ohio Home
187 bpm • F Maj • 02:52 • -22.67db
0% Popularity • 53% Danceability • 12% Energy • 14% Liveness
91% Instrumentalness • 79% Positiveness
0% Popularity • 53% Danceability • 12% Energy • 14% Liveness
91% Instrumentalness • 79% Positiveness
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Al Bowlly
Did You Ever See a Dream Walking
159 bpm • G# Maj • 03:05 • -9.54db
21% Popularity • 61% Danceability • 30% Energy • 6% Liveness
62% Instrumentalness • 79% Positiveness
21% Popularity • 61% Danceability • 30% Energy • 6% Liveness
62% Instrumentalness • 79% Positiveness
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Joe Loss & His Orchestra
Let Him Go Let Him Tarry (Elizabeth Bate...
188 bpm • F Maj • 03:10 • -12.68db
11% Popularity • 59% Danceability • 24% Energy • 37% Liveness
0% Instrumentalness • 84% Positiveness
11% Popularity • 59% Danceability • 24% Energy • 37% Liveness
0% Instrumentalness • 84% Positiveness
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Andy Kirk & His Twelve Clouds Of Joy
Mess-a-Stomp
189 bpm • F# Maj • 02:40 • -6db
18% Popularity • 64% Danceability • 66% Energy • 11% Liveness
95% Instrumentalness • 76% Positiveness
18% Popularity • 64% Danceability • 66% Energy • 11% Liveness
95% Instrumentalness • 76% Positiveness
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Eddie Condon
Balling The Jack
189 bpm • C min • 02:13 • -19db
18% Popularity • 60% Danceability • 44% Energy • 31% Liveness
92% Instrumentalness • 90% Positiveness
18% Popularity • 60% Danceability • 44% Energy • 31% Liveness
92% Instrumentalness • 90% Positiveness
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Baltimore Bell-Hops
Button up Your Overcoat
191 bpm • G Maj • 02:44 • -11.07db
23% Popularity • 71% Danceability • 36% Energy • 5% Liveness
88% Instrumentalness • 96% Positiveness
23% Popularity • 71% Danceability • 36% Energy • 5% Liveness
88% Instrumentalness • 96% Positiveness
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Sammy Kaye
Daddy
154 bpm • A# Maj • 02:55 • -11.89db
25% Popularity • 68% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
25% Popularity • 68% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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The New Mayfair Dance Orchestra
Sitting On A Rainbow
154 bpm • D# Maj • 02:57 • -22.66db
0% Popularity • 64% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
0% Popularity • 64% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Bunny Berigan
Peg O'my Heart
195 bpm • F min • 03:15 • -10.38db
17% Popularity • 51% Danceability • 62% Energy • 30% Liveness
65% Instrumentalness • 90% Positiveness
17% Popularity • 51% Danceability • 62% Energy • 30% Liveness
65% Instrumentalness • 90% Positiveness
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Cole Porter (composer), The MGM Studio Orchestra
All of You (Vielli Russio)
150 bpm • C# Maj • 01:45 • -21.74db
28% Popularity • 42% Danceability • 7% Energy • 16% Liveness
91% Instrumentalness • 70% Positiveness
28% Popularity • 42% Danceability • 7% Energy • 16% Liveness
91% Instrumentalness • 70% Positiveness
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Stan Kenton & His Orchestra
Eager Beaver
151 bpm • F min • 03:09 • -11db
24% Popularity • 53% Danceability • 33% Energy • 14% Liveness
87% Instrumentalness • 52% Positiveness
24% Popularity • 53% Danceability • 33% Energy • 14% Liveness
87% Instrumentalness • 52% Positiveness
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Glenn Miller & The Army Air Force Band
Peggy, The Pin-up Girl - Remastered 2001
198 bpm • G# Maj • 03:21 • -10.98db
22% Popularity • 51% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
22% Popularity • 51% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Edmond Hall
It's Only A Shanty In Old Shanty Town
149 bpm • C Maj • 02:45 • -9db
9% Popularity • 73% Danceability • 23% Energy • 13% Liveness
93% Instrumentalness • 70% Positiveness
9% Popularity • 73% Danceability • 23% Energy • 13% Liveness
93% Instrumentalness • 70% Positiveness
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Jimmie Lunceford
Ain't She Sweet
149 bpm • C# Maj • 02:30 • -18.73db
30% Popularity • 76% Danceability • 14% Energy • 11% Liveness
2% Instrumentalness • 70% Positiveness
30% Popularity • 76% Danceability • 14% Energy • 11% Liveness
2% Instrumentalness • 70% Positiveness
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Ben Pollack
'Deed I Do
200 bpm • F Maj • 03:24 • -15db
12% Popularity • 55% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
12% Popularity • 55% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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Richard Himber Orchestra
Lullaby of Broadway
200 bpm • G Maj • 02:30 • -10.64db
9% Popularity • 42% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
9% Popularity • 42% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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H. Rome
South America, Take It Away
148 bpm • G Maj • 02:49 • -18db
11% Popularity • 49% Danceability • 22% Energy • 20% Liveness
1% Instrumentalness • 47% Positiveness
11% Popularity • 49% Danceability • 22% Energy • 20% Liveness
1% Instrumentalness • 47% Positiveness
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Erskine Hawkins & His Orchestra
Tuxedo Junction
147 bpm • A# Maj • 03:17 • -11db
29% Popularity • 56% Danceability • 32% Energy • 17% Liveness
71% Instrumentalness • 72% Positiveness
29% Popularity • 56% Danceability • 32% Energy • 17% Liveness
71% Instrumentalness • 72% Positiveness
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Larry Clinton & His Orchestra
I Double Dare You
201 bpm • E min • 02:48 • -21.2db
29% Popularity • 54% Danceability • 18% Energy • 19% Liveness
1% Instrumentalness • 84% Positiveness
29% Popularity • 54% Danceability • 18% Energy • 19% Liveness
1% Instrumentalness • 84% Positiveness
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Jimmie Lunceford
Ain't She Sweet
148 bpm • C# Maj • 02:26 • -15db
25% Popularity • 78% Danceability • 18% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
25% Popularity • 78% Danceability • 18% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
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Henry Hall
Let's Have Another Cup o' Coffee
201 bpm • D# Maj • 02:37 • -15db
18% Popularity • 62% Danceability • 37% Energy • 12% Liveness
10% Instrumentalness • 88% Positiveness
18% Popularity • 62% Danceability • 37% Energy • 12% Liveness
10% Instrumentalness • 88% Positiveness
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Bunny Berigan
Let's Do It
202 bpm • A# Maj • 03:17 • -9db
10% Popularity • 59% Danceability • 48% Energy • 8% Liveness
90% Instrumentalness • 93% Positiveness
10% Popularity • 59% Danceability • 48% Energy • 8% Liveness
90% Instrumentalness • 93% Positiveness
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Harry Carlton
Mickey Mouse (comedy fox)
205 bpm • G# Maj • 02:29 • -11.99db
0% Popularity • 61% Danceability • 26% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
0% Popularity • 61% Danceability • 26% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
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King Oliver
Rhythm Club Stomp
202 bpm • A min • 02:59 • -10db
19% Popularity • 52% Danceability • 40% Energy • 9% Liveness
47% Instrumentalness • 88% Positiveness
19% Popularity • 52% Danceability • 40% Energy • 9% Liveness
47% Instrumentalness • 88% Positiveness
