Songs like These Are My Friends - From "Sweeney Todd" by Stephen Sondheim
Based on a tempo of (+/- 10%) and a similar genre
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Mindi Dickstein
The Weekly Volcano Press
87 bpm • D Maj • 07:47 • -9.2db
27% Popularity • 46% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
27% Popularity • 46% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
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Laura Benanti
Will He Like Me?
87 bpm • C# Maj • 03:36 • -10db
24% Popularity • 37% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
24% Popularity • 37% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
My Friend, the Dictionary
87 bpm • F Maj • 02:45 • -10.23db
32% Popularity • 47% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
32% Popularity • 47% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Stephen Sondheim
Marry Me a Little
87 bpm • C Maj • 03:53 • -9.12db
32% Popularity • 31% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
32% Popularity • 31% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Molly Ranson
Evening Prayers
87 bpm • F Maj • 04:23 • -7.12db
29% Popularity • 36% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
29% Popularity • 36% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Jekyll, John Utterson
Pursue the Truth
87 bpm • G# min • 01:27 • -14.65db
25% Popularity • 47% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
25% Popularity • 47% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Rosalie Craig
Someone Is Waiting
88 bpm • B min • 02:47 • -16.12db
26% Popularity • 29% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
26% Popularity • 29% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Alice Ripley
So Anyway
86 bpm • A Maj • 03:08 • -17.07db
30% Popularity • 43% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 43% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
Why We Like Spelling
88 bpm • F Maj • 02:51 • -8.67db
28% Popularity • 68% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
28% Popularity • 68% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Marin Mazzie
Back to Before
88 bpm • B min • 03:49 • -9db
31% Popularity • 30% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
31% Popularity • 30% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
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Aaron Tveit
Stuck Together (Strange but True)
86 bpm • A min • 04:06 • -8.38db
28% Popularity • 64% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 31% Positiveness
28% Popularity • 64% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 31% Positiveness
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Original Broadway Company of Natasha, Pierre and the Great Comet of 1812
Letters
86 bpm • A Maj • 06:27 • -7.36db
39% Popularity • 73% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
39% Popularity • 73% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Lindsay Mendez
Nothing Short of Wonderful
88 bpm • B Maj • 02:40 • -7.58db
33% Popularity • 45% Danceability • 54% Energy • 66% Liveness
0% Instrumentalness • 62% Positiveness
33% Popularity • 45% Danceability • 54% Energy • 66% Liveness
0% Instrumentalness • 62% Positiveness
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Maury Yeston
Barrett's Song
86 bpm • A min • 03:23 • -16.02db
27% Popularity • 31% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
27% Popularity • 31% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Josh Groban
My Friends
86 bpm • F# min • 03:51 • -10.03db
25% Popularity • 26% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
25% Popularity • 26% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
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Marin Mazzie
Stay Here Instead
86 bpm • A# Maj • 02:25 • -11.19db
25% Popularity • 46% Danceability • 22% Energy • 23% Liveness
0% Instrumentalness • 19% Positiveness
25% Popularity • 46% Danceability • 22% Energy • 23% Liveness
0% Instrumentalness • 19% Positiveness
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Laura Benanti
Vanilla Ice Cream
89 bpm • D Maj • 02:57 • -8.7db
31% Popularity • 44% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
31% Popularity • 44% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Laura Bell Bundy
Find My Way / Finale
89 bpm • G# Maj • 05:03 • -10db
43% Popularity • 45% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
43% Popularity • 45% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Lindsay Mendez
Before It's Over
86 bpm • C Maj • 03:44 • -7.4db
34% Popularity • 36% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
34% Popularity • 36% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Nancy Opel
Why Did I Listen to That Man?
85 bpm • G min • 03:08 • -10.17db
30% Popularity • 63% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 63% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Imelda Staunton
Worst Pies In London
89 bpm • F Maj • 03:03 • -8db
21% Popularity • 54% Danceability • 44% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
21% Popularity • 54% Danceability • 44% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
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Marin Mazzie
When There's No One
88 bpm • C Maj • 03:16 • -9.3db
25% Popularity • 34% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
25% Popularity • 34% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Stephen Sondheim
Sorry-Grateful
85 bpm • D Maj • 03:43 • -16.44db
28% Popularity • 31% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
28% Popularity • 31% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Jeanine Tesori
"This Is What I Have of You..."
85 bpm • A min • 01:44 • -21.9db
25% Popularity • 46% Danceability • 7% Energy • 23% Liveness
0% Instrumentalness • 18% Positiveness
25% Popularity • 46% Danceability • 7% Energy • 23% Liveness
0% Instrumentalness • 18% Positiveness
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Lindsay Mendez
Mister Snow
85 bpm • G Maj • 05:02 • -10.69db
29% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
29% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Maury Yeston
Lady's Maid
85 bpm • G Maj • 04:31 • -16.99db
25% Popularity • 40% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
25% Popularity • 40% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Stephanie J. Block, Marc Kudisch and Ensemble
The Dance o' Death
89 bpm • D Maj • 03:35 • -8.71db
28% Popularity • 44% Danceability • 39% Energy • 92% Liveness
0% Instrumentalness • 38% Positiveness
28% Popularity • 44% Danceability • 39% Energy • 92% Liveness
0% Instrumentalness • 38% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
Pandemonium
89 bpm • D Maj • 02:52 • -7db
38% Popularity • 55% Danceability • 48% Energy • 44% Liveness
0% Instrumentalness • 74% Positiveness
38% Popularity • 55% Danceability • 48% Energy • 44% Liveness
0% Instrumentalness • 74% Positiveness
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Josh Groban
A Little Priest
89 bpm • F# Maj • 07:45 • -11.51db
44% Popularity • 57% Danceability • 33% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
44% Popularity • 57% Danceability • 33% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
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Corey Cott
Donny Novitski
85 bpm • B Maj • 03:44 • -8db
28% Popularity • 56% Danceability • 52% Energy • 46% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 56% Danceability • 52% Energy • 46% Liveness
0% Instrumentalness • 50% Positiveness
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Original Broadway Cast Of 'Passion'
Happiness
85 bpm • B Maj • 05:10 • -18.57db
18% Popularity • 31% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 17% Positiveness
18% Popularity • 31% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 17% Positiveness
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Andrew Rannells
The Games I Play
85 bpm • A Maj • 02:45 • -9db
43% Popularity • 42% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
43% Popularity • 42% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Christy Altomare
Epilogue
84 bpm • E Maj • 02:29 • -11db
26% Popularity • 34% Danceability • 11% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
26% Popularity • 34% Danceability • 11% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
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Stephen Sondheim
Not While I'm Around
89 bpm • G# Maj • 03:56 • -12.52db
28% Popularity • 38% Danceability • 20% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
28% Popularity • 38% Danceability • 20% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
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Mindi Dickstein
Astonishing
90 bpm • C# Maj • 04:35 • -7.96db
39% Popularity • 34% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
39% Popularity • 34% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Patina Miller
Stay With Me
84 bpm • D# Maj • 02:54 • -12.1db
35% Popularity • 37% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
35% Popularity • 37% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Rachel Bay Jones
Kind of Woman
90 bpm • D Maj • 02:55 • -9db
31% Popularity • 36% Danceability • 36% Energy • 31% Liveness
0% Instrumentalness • 28% Positiveness
31% Popularity • 36% Danceability • 36% Energy • 31% Liveness
0% Instrumentalness • 28% Positiveness
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Hailey Kilgore
Waiting for Life
84 bpm • A Maj • 03:25 • -10db
39% Popularity • 54% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
39% Popularity • 54% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Carrie: The Musical Ensemble
A Night We'll Never Forget
90 bpm • F Maj • 04:49 • -7db
32% Popularity • 50% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 50% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Ramin Karimloo
Still
84 bpm • F min • 02:36 • -10.59db
41% Popularity • 29% Danceability • 41% Energy • 50% Liveness
0% Instrumentalness • 7% Positiveness
41% Popularity • 29% Danceability • 41% Energy • 50% Liveness
0% Instrumentalness • 7% Positiveness
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Audra McDonald
Sarah Brown Eyes
90 bpm • C Maj • 03:27 • -19db
25% Popularity • 32% Danceability • 11% Energy • 42% Liveness
0% Instrumentalness • 14% Positiveness
25% Popularity • 32% Danceability • 11% Energy • 42% Liveness
0% Instrumentalness • 14% Positiveness
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Patina Miller
Witch's Lament
84 bpm • A min • 02:18 • -13.12db
32% Popularity • 30% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
32% Popularity • 30% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
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Danny Burstein
I Am Aldolpho
84 bpm • E min • 02:34 • -9.04db
30% Popularity • 54% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 54% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Josh Groban
The Ballad of Sweeney Todd (Finale)
91 bpm • D# Maj • 03:06 • -11.01db
38% Popularity • 40% Danceability • 41% Energy • 40% Liveness
0% Instrumentalness • 23% Positiveness
38% Popularity • 40% Danceability • 41% Energy • 40% Liveness
0% Instrumentalness • 23% Positiveness
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Alice Ripley
Maybe (Next to Normal)
84 bpm • G# Maj • 04:00 • -17.43db
30% Popularity • 33% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 33% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Anna Kendrick
A Very Nice Prince
91 bpm • D Maj • 01:31 • -15.21db
39% Popularity • 58% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
39% Popularity • 58% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Utterson, Jekyll, Emma, Sir Danvers
Your Work--And Nothing More
83 bpm • G min • 02:47 • -9.98db
25% Popularity • 26% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 26% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Patina Miller
Last Midnight
91 bpm • C# Maj • 03:15 • -9.21db
36% Popularity • 45% Danceability • 34% Energy • 64% Liveness
0% Instrumentalness • 38% Positiveness
36% Popularity • 45% Danceability • 34% Energy • 64% Liveness
0% Instrumentalness • 38% Positiveness
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Erin Rose Doyle
The Factory Girls / Come Up to My Office
91 bpm • C min • 04:59 • -9db
31% Popularity • 32% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
31% Popularity • 32% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
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Josh Groban
Epiphany
84 bpm • C min • 03:07 • -8.26db
33% Popularity • 42% Danceability • 52% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
33% Popularity • 42% Danceability • 52% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
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Annaleigh Ashford
The Worst Pies in London
91 bpm • F# Maj • 02:33 • -8.24db
45% Popularity • 66% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
45% Popularity • 66% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
Finale
83 bpm • C Maj • 01:01 • -6.27db
28% Popularity • 64% Danceability • 39% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
28% Popularity • 64% Danceability • 39% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
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Jonathan Pryce
Reviewing the Situation - Reprise
83 bpm • F min • 01:03 • -17.08db
25% Popularity • 42% Danceability • 8% Energy • 29% Liveness
0% Instrumentalness • 16% Positiveness
25% Popularity • 42% Danceability • 8% Energy • 29% Liveness
0% Instrumentalness • 16% Positiveness
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Natalie Cortez
What I Did for Love
83 bpm • G# Maj • 03:36 • -10.81db
42% Popularity • 25% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 16% Positiveness
42% Popularity • 25% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 16% Positiveness
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Sara Ramirez
Twice In Every Show - Original Broadway ...
83 bpm • A# Maj • 01:17 • -7.46db
33% Popularity • 51% Danceability • 33% Energy • 56% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 51% Danceability • 33% Energy • 56% Liveness
0% Instrumentalness • 32% Positiveness
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Brittain Ashford
Sonya & Natasha
83 bpm • C min • 04:12 • -8.61db
34% Popularity • 37% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
34% Popularity • 37% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Stephen Sondheim
Not While I'm Around
91 bpm • G Maj • 04:31 • -16.13db
16% Popularity • 46% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
16% Popularity • 46% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Rosalie Craig
Being Alive
83 bpm • A# Maj • 05:01 • -12.55db
31% Popularity • 37% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
31% Popularity • 37% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Katie Rose Clarke
Not a Day Goes By
83 bpm • F Maj • 02:04 • -10.22db
35% Popularity • 30% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
35% Popularity • 30% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Nicholas Barasch
Try Me
83 bpm • D Maj • 03:41 • -10.41db
24% Popularity • 49% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
24% Popularity • 49% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Natasha Richardson
Maybe This Time
83 bpm • G Maj • 03:00 • -12.88db
41% Popularity • 25% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
41% Popularity • 25% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Alice Ripley
Just Another Day
83 bpm • E min • 03:49 • -7.52db
37% Popularity • 52% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
37% Popularity • 52% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Lisa O'Hare
Poor Monty
83 bpm • F min • 03:17 • -11db
23% Popularity • 41% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
23% Popularity • 41% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Marin Mazzie
Our Children
82 bpm • B min • 03:29 • -14.45db
20% Popularity • 31% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
20% Popularity • 31% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Faith Prince
Adelaide's Lament
92 bpm • C# Maj • 03:40 • -19.09db
34% Popularity • 58% Danceability • 12% Energy • 87% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 58% Danceability • 12% Energy • 87% Liveness
0% Instrumentalness • 32% Positiveness
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2021 London Cast of Cabaret
Money
92 bpm • F min • 04:18 • -11.75db
35% Popularity • 59% Danceability • 43% Energy • 91% Liveness
0% Instrumentalness • 55% Positiveness
35% Popularity • 59% Danceability • 43% Energy • 91% Liveness
0% Instrumentalness • 55% Positiveness
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Sherman Edwards
1776: Is Anybody There?
92 bpm • C min • 02:46 • -12.83db
23% Popularity • 42% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 42% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Burke Moses
Me
82 bpm • F# min • 02:48 • -17.3db
37% Popularity • 66% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
37% Popularity • 66% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
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Joel Grey
Mister Cellophane
92 bpm • A Maj • 04:23 • -18db
32% Popularity • 46% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
32% Popularity • 46% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Mark Jacoby
New Music
82 bpm • F Maj • 04:03 • -11.74db
24% Popularity • 23% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 11% Positiveness
24% Popularity • 23% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 11% Positiveness
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Lin-Manuel Miranda
Hundreds of Stories
92 bpm • G# Maj • 03:40 • -9.56db
35% Popularity • 61% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
35% Popularity • 61% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Denée Benton
Sunday Morning
82 bpm • G# min • 02:05 • -9.24db
34% Popularity • 51% Danceability • 29% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
34% Popularity • 51% Danceability • 29% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
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Phillipa Soo
No One Is Alone
82 bpm • C# Maj • 03:43 • -13.48db
42% Popularity • 33% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
42% Popularity • 33% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Michael McGrath
Sounds While Selling
92 bpm • E Maj • 02:02 • -8db
26% Popularity • 66% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 66% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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'Come From Away' Company
Darkness And Trees
82 bpm • E min • 03:08 • -12.61db
41% Popularity • 63% Danceability • 40% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
41% Popularity • 63% Danceability • 40% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
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Natasha Richardson
Perfectly Marvelous
93 bpm • E min • 02:46 • -12.95db
32% Popularity • 66% Danceability • 26% Energy • 59% Liveness
0% Instrumentalness • 62% Positiveness
32% Popularity • 66% Danceability • 26% Energy • 59% Liveness
0% Instrumentalness • 62% Positiveness
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Leonard Bernstein
West Side Story, Act 1: Maria from West ...
82 bpm • G# Maj • 02:21 • -16.76db
17% Popularity • 30% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
17% Popularity • 30% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Jordan Fisher
Ah, Miss
82 bpm • D# Maj • 02:02 • -12.24db
40% Popularity • 49% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
40% Popularity • 49% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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Stephen Sondheim
The Worst Pies in London
93 bpm • C# Maj • 02:25 • -9.71db
34% Popularity • 68% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
34% Popularity • 68% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Ramin Karimloo
The Neva Flows
93 bpm • A# Maj • 02:53 • -11.85db
42% Popularity • 36% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
42% Popularity • 36% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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'Falsettos' 2016 Broadway Company
Jason's Bar Mitzvah
82 bpm • E Maj • 05:08 • -8.72db
35% Popularity • 38% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
35% Popularity • 38% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Mindi Dickstein
Sometimes When You Dream - Reprise
81 bpm • D Maj • 00:57 • -10db
23% Popularity • 36% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
23% Popularity • 36% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Samantha Massell
Far from the Home I Love
93 bpm • C Maj • 02:48 • -9.48db
26% Popularity • 31% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
26% Popularity • 31% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
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Norbert Leo Butz
Shiksa Goddess
81 bpm • D Maj • 03:58 • -7.62db
30% Popularity • 51% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
30% Popularity • 51% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Stephen Sondheim
Poor Baby
93 bpm • C# Maj • 02:54 • -12.26db
23% Popularity • 47% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
23% Popularity • 47% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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John Cameron Mitchell
Winter's on the Wing
81 bpm • G Maj • 02:33 • -12.48db
24% Popularity • 46% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
24% Popularity • 46% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Stephanie J. Block
Holding to the Ground
81 bpm • B Maj • 02:34 • -10db
37% Popularity • 55% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
37% Popularity • 55% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Josh Groban
Pierre
93 bpm • E min • 04:04 • -7.1db
42% Popularity • 48% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
42% Popularity • 48% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Premiere Cast
Why Not Me?
93 bpm • A Maj • 03:18 • -7db
26% Popularity • 41% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
26% Popularity • 41% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Gavin Creel
Goodbye, Georg
94 bpm • D# min • 01:58 • -10.87db
21% Popularity • 64% Danceability • 42% Energy • 39% Liveness
0% Instrumentalness • 52% Positiveness
21% Popularity • 64% Danceability • 42% Energy • 39% Liveness
0% Instrumentalness • 52% Positiveness
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Kerry Butler
Fly, Fly Away
94 bpm • F# Maj • 04:48 • -9.41db
38% Popularity • 34% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
38% Popularity • 34% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
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Sara Ramirez
Diva's Lament (What Ever Happened To My ...
94 bpm • B min • 02:32 • -4.52db
38% Popularity • 40% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
38% Popularity • 40% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Bryce Pinkham
Poison in My Pocket
81 bpm • C# Maj • 03:38 • -11.05db
26% Popularity • 62% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 62% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Denée Benton
The Ball
93 bpm • F Maj • 05:49 • -8.98db
34% Popularity • 39% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
34% Popularity • 39% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Josh Groban
Pretty Women (Pt. 2)
81 bpm • G Maj • 02:58 • -13.64db
39% Popularity • 46% Danceability • 34% Energy • 64% Liveness
0% Instrumentalness • 56% Positiveness
39% Popularity • 46% Danceability • 34% Energy • 64% Liveness
0% Instrumentalness • 56% Positiveness
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Marin Mazzie
Till We Reach That Day
81 bpm • G# Maj • 04:11 • -10.95db
23% Popularity • 23% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
23% Popularity • 23% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Phillipa Soo
The Simple Joys of Maidenhood
81 bpm • B Maj • 03:03 • -11.49db
24% Popularity • 37% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
24% Popularity • 37% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Matthew James Thomas
Morning Glow
81 bpm • C# Maj • 04:16 • -7.86db
37% Popularity • 19% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
37% Popularity • 19% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness