Songs like These Are the Days by Van Morrison
Based on a tempo of (+/- 10%) and a similar genre
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Van Morrison
These Are the Days
77 bpm • G Maj • 05:19 • -10.48db
54% Popularity • 56% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
54% Popularity • 56% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
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Bonnie Raitt
Love Has No Pride - 2008 Remaster
77 bpm • A Maj • 03:48 • -18db
44% Popularity • 45% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
44% Popularity • 45% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Norah Jones
Come Away With Me
77 bpm • C Maj • 03:18 • -13.27db
75% Popularity • 44% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
75% Popularity • 44% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Mick Jagger
Evening Gown
78 bpm • F Maj • 03:36 • -5db
38% Popularity • 49% Danceability • 74% Energy • 9% Liveness
2% Instrumentalness • 59% Positiveness
38% Popularity • 49% Danceability • 74% Energy • 9% Liveness
2% Instrumentalness • 59% Positiveness
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Ray LaMontagne
Such A Simple Thing
76 bpm • A# Maj • 04:56 • -11.22db
62% Popularity • 52% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
62% Popularity • 52% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Mary Gauthier
Mercy Now
76 bpm • A Maj • 05:50 • -11.14db
50% Popularity • 58% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
50% Popularity • 58% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Van Morrison
Every Time I See A River
78 bpm • D Maj • 04:43 • -10.85db
42% Popularity • 63% Danceability • 37% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
42% Popularity • 63% Danceability • 37% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
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Joni Mitchell
Both Sides Now
78 bpm • D Maj • 05:45 • -13.52db
53% Popularity • 26% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
53% Popularity • 26% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Tift Merritt
Another Country
76 bpm • D# Maj • 04:42 • -10db
27% Popularity • 58% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
27% Popularity • 58% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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The Commitments
The Dark End Of The Street
76 bpm • G Maj • 02:36 • -13.34db
40% Popularity • 61% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
40% Popularity • 61% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Ray LaMontagne
I Was Born To Love You
78 bpm • A Maj • 04:25 • -11.08db
56% Popularity • 65% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
56% Popularity • 65% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
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The Hollies
He Ain't Heavy He's My Brother - 1998 Re...
76 bpm • G Maj • 04:22 • -7.77db
63% Popularity • 30% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
63% Popularity • 30% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Van Morrison
Crazy Love - 2013 Remaster
77 bpm • A Maj • 02:35 • -19db
70% Popularity • 57% Danceability • 19% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
70% Popularity • 57% Danceability • 19% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
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Poco
Keep on Tryin'
79 bpm • B Maj • 02:43 • -9.32db
36% Popularity • 57% Danceability • 47% Energy • 87% Liveness
0% Instrumentalness • 65% Positiveness
36% Popularity • 57% Danceability • 47% Energy • 87% Liveness
0% Instrumentalness • 65% Positiveness
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Bill Withers
Lean on Me
75 bpm • C Maj • 04:18 • -13.84db
71% Popularity • 62% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
71% Popularity • 62% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Yusuf / Cat Stevens
Can't Keep It In - Remastered 2022
79 bpm • A Maj • 03:00 • -6.12db
53% Popularity • 59% Danceability • 86% Energy • 44% Liveness
1% Instrumentalness • 67% Positiveness
53% Popularity • 59% Danceability • 86% Energy • 44% Liveness
1% Instrumentalness • 67% Positiveness
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Ray LaMontagne
I Was Born To Love You
78 bpm • A Maj • 04:11 • -12.56db
55% Popularity • 66% Danceability • 24% Energy • 21% Liveness
0% Instrumentalness • 22% Positiveness
55% Popularity • 66% Danceability • 24% Energy • 21% Liveness
0% Instrumentalness • 22% Positiveness
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America
Lonely People
79 bpm • G Maj • 02:30 • -9.29db
63% Popularity • 56% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
63% Popularity • 56% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Van Morrison
Transformation
76 bpm • E Maj • 03:31 • -5.9db
43% Popularity • 55% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
43% Popularity • 55% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Tracy Chapman
Baby Can I Hold You
74 bpm • D Maj • 03:13 • -10.53db
76% Popularity • 69% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
76% Popularity • 69% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Norah Jones
Carry On
80 bpm • A# Maj • 02:48 • -14.91db
68% Popularity • 55% Danceability • 22% Energy • 11% Liveness
21% Instrumentalness • 36% Positiveness
68% Popularity • 55% Danceability • 22% Energy • 11% Liveness
21% Instrumentalness • 36% Positiveness
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Simon & Garfunkel
Bridge Over Troubled Water
80 bpm • D# Maj • 04:53 • -13.89db
70% Popularity • 15% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
70% Popularity • 15% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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The Little Willies
Roll On
74 bpm • C# Maj • 03:06 • -12db
52% Popularity • 59% Danceability • 32% Energy • 12% Liveness
1% Instrumentalness • 62% Positiveness
52% Popularity • 59% Danceability • 32% Energy • 12% Liveness
1% Instrumentalness • 62% Positiveness
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Don Henley
A Younger Man
80 bpm • F# Maj • 04:20 • -11.67db
23% Popularity • 64% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
23% Popularity • 64% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Van Morrison
Hungry for Your Love - Remastered
76 bpm • G# Maj • 03:44 • -8db
30% Popularity • 66% Danceability • 51% Energy • 12% Liveness
1% Instrumentalness • 72% Positiveness
30% Popularity • 66% Danceability • 51% Energy • 12% Liveness
1% Instrumentalness • 72% Positiveness
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The Band
The Last Waltz Suite: The Weight
74 bpm • A Maj • 04:35 • -8.17db
43% Popularity • 56% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
43% Popularity • 56% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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John Illsley
Streets of Heaven
80 bpm • D Maj • 04:23 • -9.9db
29% Popularity • 64% Danceability • 40% Energy • 16% Liveness
8% Instrumentalness • 37% Positiveness
29% Popularity • 64% Danceability • 40% Energy • 16% Liveness
8% Instrumentalness • 37% Positiveness
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Gerry Rafferty
Don't Give Up On Me
80 bpm • D Maj • 04:59 • -9.13db
34% Popularity • 50% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
34% Popularity • 50% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Keb' Mo'
Life Is Beautiful
80 bpm • D Maj • 04:16 • -9db
46% Popularity • 65% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
46% Popularity • 65% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Gretchen Peters
On a Bus to St. Cloud
80 bpm • C Maj • 04:48 • -11.94db
26% Popularity • 34% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
26% Popularity • 34% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
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Van Morrison
These Are The Days
78 bpm • G Maj • 03:51 • -5.11db
26% Popularity • 54% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
26% Popularity • 54% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Ralph McTell
Clear Water
80 bpm • C Maj • 03:18 • -7.5db
28% Popularity • 19% Danceability • 41% Energy • 14% Liveness
1% Instrumentalness • 36% Positiveness
28% Popularity • 19% Danceability • 41% Energy • 14% Liveness
1% Instrumentalness • 36% Positiveness
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The Secret Sisters
Hold You Dear
74 bpm • G Maj • 03:51 • -12.99db
49% Popularity • 43% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
49% Popularity • 43% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Bonnie Raitt
Just Like That
81 bpm • D Maj • 05:05 • -10.03db
50% Popularity • 47% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
50% Popularity • 47% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Peter Gabriel
Don't Give Up
81 bpm • D# Maj • 06:34 • -14.2db
60% Popularity • 67% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
60% Popularity • 67% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Buddy Guy
Feels Like Rain
73 bpm • C Maj • 04:35 • -13.45db
55% Popularity • 57% Danceability • 35% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
55% Popularity • 57% Danceability • 35% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
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Van Morrison
And It Stoned Me - 2013 Remaster
76 bpm • G Maj • 04:32 • -11.17db
60% Popularity • 59% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
60% Popularity • 59% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Gerry Rafferty
Don't Speak Of My Heart
81 bpm • F# Maj • 05:56 • -8db
29% Popularity • 42% Danceability • 57% Energy • 10% Liveness
2% Instrumentalness • 34% Positiveness
29% Popularity • 42% Danceability • 57% Energy • 10% Liveness
2% Instrumentalness • 34% Positiveness
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Billy Vera & The Beaters
At This Moment (studio Version)
81 bpm • F# Maj • 03:54 • -10.46db
40% Popularity • 57% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
40% Popularity • 57% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Crosby, Stills & Nash
Southern Cross - 2005 Remaster
81 bpm • D Maj • 04:41 • -11.12db
62% Popularity • 67% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
62% Popularity • 67% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
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Mickey Newbury
An American Trilogy
73 bpm • D# Maj • 04:54 • -14.18db
26% Popularity • 27% Danceability • 13% Energy • 12% Liveness
2% Instrumentalness • 10% Positiveness
26% Popularity • 27% Danceability • 13% Energy • 12% Liveness
2% Instrumentalness • 10% Positiveness
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Don Henley
Taking You Home
72 bpm • E min • 05:31 • -6.63db
43% Popularity • 57% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
43% Popularity • 57% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Van Morrison
Avalon of the Heart
74 bpm • A Maj • 04:50 • -7.75db
29% Popularity • 48% Danceability • 48% Energy • 8% Liveness
6% Instrumentalness • 36% Positiveness
29% Popularity • 48% Danceability • 48% Energy • 8% Liveness
6% Instrumentalness • 36% Positiveness
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Them
Hey Girl
82 bpm • G Maj • 03:00 • -12db
27% Popularity • 52% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
27% Popularity • 52% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
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Gordon Lightfoot
The Watchman's Gone
82 bpm • D Maj • 04:18 • -15db
46% Popularity • 56% Danceability • 49% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
46% Popularity • 56% Danceability • 49% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
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Gretchen Peters
The Aviator's Song
82 bpm • C Maj • 04:40 • -10.91db
25% Popularity • 49% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
25% Popularity • 49% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Bap Kennedy
I Should Have Said
82 bpm • C Maj • 03:17 • -12db
22% Popularity • 68% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
22% Popularity • 68% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Ray LaMontagne
Such A Simple Thing - Recorded at Sound ...
72 bpm • A# Maj • 05:07 • -10.73db
49% Popularity • 55% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
49% Popularity • 55% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Van Morrison
Memories
82 bpm • A Maj • 04:29 • -9.89db
23% Popularity • 55% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
23% Popularity • 55% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Tim Hardin
Reason To Believe
82 bpm • C Maj • 01:59 • -16.86db
53% Popularity • 65% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
53% Popularity • 65% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Yusuf / Cat Stevens
Peace Train - Remastered 2021
82 bpm • C Maj • 04:13 • -8.86db
68% Popularity • 59% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
68% Popularity • 59% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Bruce Hornsby
Every Little Kiss
83 bpm • A# Maj • 05:48 • -11.83db
45% Popularity • 55% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
45% Popularity • 55% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Roger Whittaker
New World In The Morning
83 bpm • A min • 02:23 • -11.36db
42% Popularity • 47% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
42% Popularity • 47% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Amos Lee
Wait Up For Me
83 bpm • A# Maj • 03:45 • -15.69db
45% Popularity • 65% Danceability • 24% Energy • 8% Liveness
1% Instrumentalness • 26% Positiveness
45% Popularity • 65% Danceability • 24% Energy • 8% Liveness
1% Instrumentalness • 26% Positiveness
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Van Morrison
Orangefield
82 bpm • G Maj • 03:52 • -7.99db
32% Popularity • 57% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
32% Popularity • 57% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Jim Croce
Hey Tomorrow
83 bpm • C Maj • 02:46 • -13.53db
49% Popularity • 59% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
49% Popularity • 59% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Bee Gees
I've Gotta Get A Message To You
83 bpm • D min • 02:57 • -6db
56% Popularity • 44% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
56% Popularity • 44% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
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Roger Daltrey
Giving It All Away
84 bpm • F Maj • 03:27 • -6.21db
42% Popularity • 32% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
42% Popularity • 32% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
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Loggins & Messina
Watching the River Run
83 bpm • G Maj • 03:26 • -10db
41% Popularity • 55% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
41% Popularity • 55% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Sam Cooke
Bring It On Home to Me
71 bpm • C Maj • 02:44 • -7db
67% Popularity • 49% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
67% Popularity • 49% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Van Morrison
Bring It On Home To Me
82 bpm • A Maj • 05:39 • -7db
33% Popularity • 48% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
33% Popularity • 48% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
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Don Henley
The Brand New Tennessee Waltz
84 bpm • E Maj • 03:20 • -9.88db
24% Popularity • 59% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
24% Popularity • 59% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
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Don McLean
Crossroads
84 bpm • G Maj • 03:39 • -20.39db
45% Popularity • 40% Danceability • 8% Energy • 8% Liveness
1% Instrumentalness • 18% Positiveness
45% Popularity • 40% Danceability • 8% Energy • 8% Liveness
1% Instrumentalness • 18% Positiveness
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Teddy Thompson
Tonight Will Be Fine
84 bpm • F# Maj • 03:36 • -9db
38% Popularity • 30% Danceability • 35% Energy • 69% Liveness
0% Instrumentalness • 11% Positiveness
38% Popularity • 30% Danceability • 35% Energy • 69% Liveness
0% Instrumentalness • 11% Positiveness
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Tom Petty
Free Fallin'
84 bpm • F Maj • 04:16 • -13.33db
78% Popularity • 62% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
78% Popularity • 62% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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B.B. King
Early In The Morning
85 bpm • A Maj • 04:47 • -7db
33% Popularity • 63% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
33% Popularity • 63% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Van Morrison
If I Ever Needed Someone
83 bpm • G Maj • 03:49 • -6.38db
47% Popularity • 59% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
47% Popularity • 59% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Crystal Gayle
Don't It Make My Brown Eyes Blue
85 bpm • F# Maj • 02:37 • -13.47db
64% Popularity • 74% Danceability • 32% Energy • 6% Liveness
1% Instrumentalness • 34% Positiveness
64% Popularity • 74% Danceability • 32% Energy • 6% Liveness
1% Instrumentalness • 34% Positiveness
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Don McLean
Castles in the Air
85 bpm • E Maj • 03:42 • -13.44db
52% Popularity • 42% Danceability • 47% Energy • 29% Liveness
0% Instrumentalness • 72% Positiveness
52% Popularity • 42% Danceability • 47% Energy • 29% Liveness
0% Instrumentalness • 72% Positiveness
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Gordon Lightfoot
Carefree Highway
85 bpm • E Maj • 03:42 • -14db
55% Popularity • 54% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
55% Popularity • 54% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Brandi Carlile
Every Time I Hear That Song
85 bpm • G Maj • 04:01 • -6.75db
50% Popularity • 58% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
50% Popularity • 58% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Amy Speace
Nothing Good Can Come from This
86 bpm • A Maj • 03:11 • -12.49db
40% Popularity • 61% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
40% Popularity • 61% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Van Morrison
When Will I Ever Learn to Live In God
83 bpm • G Maj • 05:38 • -10.46db
29% Popularity • 56% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
29% Popularity • 56% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Poco
Rose of Cimarron
86 bpm • D Maj • 04:15 • -10.41db
20% Popularity • 48% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 48% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Lyle Lovett
Nobody Knows Me
86 bpm • D Maj • 03:06 • -20db
34% Popularity • 35% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
34% Popularity • 35% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Tom Waits
Jersey Girl
86 bpm • D Maj • 05:11 • -14.14db
45% Popularity • 48% Danceability • 33% Energy • 8% Liveness
39% Instrumentalness • 24% Positiveness
45% Popularity • 48% Danceability • 33% Energy • 8% Liveness
39% Instrumentalness • 24% Positiveness
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Tom Petty
Wildflowers
87 bpm • F Maj • 03:10 • -13.79db
68% Popularity • 54% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
68% Popularity • 54% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
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Elliott Murphy
A touch of kindness
87 bpm • E Maj • 05:22 • -8db
36% Popularity • 61% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
36% Popularity • 61% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Van Morrison
Tupelo Honey
71 bpm • A# Maj • 06:55 • -10.1db
58% Popularity • 57% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
58% Popularity • 57% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Don Henley
Bramble Rose
87 bpm • A Maj • 04:30 • -11.73db
38% Popularity • 53% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
38% Popularity • 53% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Eilen Jewell
Witness
69 bpm • E Maj • 02:52 • -7.83db
45% Popularity • 56% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
45% Popularity • 56% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Jim Croce
I Got a Name (Stereo Version)
87 bpm • E Maj • 03:14 • -11.63db
66% Popularity • 55% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
66% Popularity • 55% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Tracy Chapman
She's Got Her Ticket
87 bpm • G Maj • 03:54 • -13.82db
53% Popularity • 76% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 86% Positiveness
53% Popularity • 76% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 86% Positiveness
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Dan Fogelberg
Rhythm of the Rain
87 bpm • G Maj • 04:22 • -9db
47% Popularity • 72% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
47% Popularity • 72% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Van Morrison
When the Leaves Come Falling Down
71 bpm • C Maj • 05:40 • -7.12db
33% Popularity • 51% Danceability • 34% Energy • 7% Liveness
1% Instrumentalness • 24% Positiveness
33% Popularity • 51% Danceability • 34% Energy • 7% Liveness
1% Instrumentalness • 24% Positiveness
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Gordon Lightfoot
Me and Bobby McGee
87 bpm • E Maj • 03:46 • -16.51db
44% Popularity • 69% Danceability • 22% Energy • 5% Liveness
5% Instrumentalness • 48% Positiveness
44% Popularity • 69% Danceability • 22% Energy • 5% Liveness
5% Instrumentalness • 48% Positiveness
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Bonnie Raitt
Have A Heart
68 bpm • G# Maj • 04:49 • -15.36db
39% Popularity • 72% Danceability • 27% Energy • 5% Liveness
0% Instrumentalness • 43% Positiveness
39% Popularity • 72% Danceability • 27% Energy • 5% Liveness
0% Instrumentalness • 43% Positiveness
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Crosby, Stills & Nash
Carried Away
88 bpm • A min • 02:34 • -16.15db
45% Popularity • 46% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
45% Popularity • 46% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Don Henley
The Heart Of The Matter
88 bpm • D Maj • 05:22 • -12db
54% Popularity • 58% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
54% Popularity • 58% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
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Dan Fogelberg
Run for the Roses
88 bpm • F Maj • 04:18 • -16db
36% Popularity • 45% Danceability • 18% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
36% Popularity • 45% Danceability • 18% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
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Van Morrison
Warm Love
89 bpm • D Maj • 03:23 • -8.62db
56% Popularity • 74% Danceability • 43% Energy • 14% Liveness
1% Instrumentalness • 58% Positiveness
56% Popularity • 74% Danceability • 43% Energy • 14% Liveness
1% Instrumentalness • 58% Positiveness
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Three Dog Night
Never Been To Spain - Single Version
89 bpm • E Maj • 03:46 • -15db
59% Popularity • 52% Danceability • 50% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
59% Popularity • 52% Danceability • 50% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
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Billy Joel
The River of Dreams
90 bpm • G Maj • 04:07 • -8.15db
66% Popularity • 63% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
66% Popularity • 63% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Echo In The Canyon
Never My Love (Jakob Dylan & Norah Jones...
90 bpm • C Maj • 03:22 • -8.52db
36% Popularity • 52% Danceability • 46% Energy • 18% Liveness
26% Instrumentalness • 40% Positiveness
36% Popularity • 52% Danceability • 46% Energy • 18% Liveness
26% Instrumentalness • 40% Positiveness
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Don Henley
Take a Picture of This
89 bpm • C# Maj • 04:06 • -9.31db
31% Popularity • 64% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
31% Popularity • 64% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Geraint Watkins
Heaven Only Knows
90 bpm • C Maj • 04:24 • -9.32db
33% Popularity • 71% Danceability • 44% Energy • 8% Liveness
24% Instrumentalness • 59% Positiveness
33% Popularity • 71% Danceability • 44% Energy • 8% Liveness
24% Instrumentalness • 59% Positiveness
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Van Morrison
Hymns to the Silence
85 bpm • G Maj • 09:43 • -13db
31% Popularity • 44% Danceability • 34% Energy • 10% Liveness
6% Instrumentalness • 26% Positiveness
31% Popularity • 44% Danceability • 34% Energy • 10% Liveness
6% Instrumentalness • 26% Positiveness
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Marc Cohn
Ghost Train
90 bpm • C# Maj • 04:13 • -16.43db
34% Popularity • 70% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
34% Popularity • 70% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
