Songs like These Boots Are Made for Walkin' by The Fixx
Based on a tempo of (+/- 10%) and a similar genre
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'Til Tuesday
Coming Up Close
80 bpm • G# Maj • 04:40 • -15db
35% Popularity • 37% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
35% Popularity • 37% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Naked Eyes
Emotion in Motion - 2018 Remaster
82 bpm • D Maj • 04:42 • -6db
31% Popularity • 62% Danceability • 84% Energy • 6% Liveness
23% Instrumentalness • 47% Positiveness
31% Popularity • 62% Danceability • 84% Energy • 6% Liveness
23% Instrumentalness • 47% Positiveness
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Pete Townshend
Rough Boys
82 bpm • G Maj • 04:03 • -6db
38% Popularity • 28% Danceability • 82% Energy • 17% Liveness
5% Instrumentalness • 36% Positiveness
38% Popularity • 28% Danceability • 82% Energy • 17% Liveness
5% Instrumentalness • 36% Positiveness
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The Fixx
Going Overboard
75 bpm • A Maj • 03:18 • -5.15db
7% Popularity • 65% Danceability • 97% Energy • 31% Liveness
0% Instrumentalness • 89% Positiveness
7% Popularity • 65% Danceability • 97% Energy • 31% Liveness
0% Instrumentalness • 89% Positiveness
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Quarterflash
Find Another Fool
78 bpm • G Maj • 04:34 • -13.34db
34% Popularity • 52% Danceability • 52% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
34% Popularity • 52% Danceability • 52% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
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After The Fire
Who's Gonna Love You (When You Are Old A...
88 bpm • A# Maj • 04:11 • -9.35db
13% Popularity • 52% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
13% Popularity • 52% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Men Without Hats
On Tuesday
73 bpm • D Maj • 04:07 • -14.71db
19% Popularity • 49% Danceability • 46% Energy • 80% Liveness
0% Instrumentalness • 40% Positiveness
19% Popularity • 49% Danceability • 46% Energy • 80% Liveness
0% Instrumentalness • 40% Positiveness
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The J. Geils Band
Love Stinks
90 bpm • C Maj • 03:44 • -8db
51% Popularity • 65% Danceability • 45% Energy • 55% Liveness
0% Instrumentalness • 70% Positiveness
51% Popularity • 65% Danceability • 45% Energy • 55% Liveness
0% Instrumentalness • 70% Positiveness
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General Public
Tenderness
90 bpm • C Maj • 03:38 • -11.26db
54% Popularity • 56% Danceability • 86% Energy • 32% Liveness
18% Instrumentalness • 85% Positiveness
54% Popularity • 56% Danceability • 86% Energy • 32% Liveness
18% Instrumentalness • 85% Positiveness
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The Fixx
Reach The Beach
86 bpm • E min • 04:27 • -7.46db
21% Popularity • 65% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
21% Popularity • 65% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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REO Speedwagon
Roll with the Changes
91 bpm • C Maj • 05:35 • -5.93db
57% Popularity • 20% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
57% Popularity • 20% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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The Smithereens
Too Much Passion
92 bpm • F# Maj • 04:35 • -9.6db
27% Popularity • 67% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
27% Popularity • 67% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Don Henley
Sunset Grill
92 bpm • G# Maj • 06:19 • -12.18db
46% Popularity • 56% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
46% Popularity • 56% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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Talk Talk
Life's What You Make It - 1997 Remaster
92 bpm • C# Maj • 04:28 • -7.58db
56% Popularity • 52% Danceability • 80% Energy • 4% Liveness
28% Instrumentalness • 94% Positiveness
56% Popularity • 52% Danceability • 80% Energy • 4% Liveness
28% Instrumentalness • 94% Positiveness
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Love and Rockets
Ball of Confusion - Single Edit
94 bpm • A# min • 03:32 • -10.29db
37% Popularity • 62% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
37% Popularity • 62% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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The Fixx
Ocean Blue
90 bpm • G Maj • 04:52 • -8.18db
16% Popularity • 60% Danceability • 74% Energy • 6% Liveness
1% Instrumentalness • 58% Positiveness
16% Popularity • 60% Danceability • 74% Energy • 6% Liveness
1% Instrumentalness • 58% Positiveness
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Billy Idol
Flesh For Fantasy
94 bpm • A Maj • 04:38 • -6.33db
57% Popularity • 66% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
57% Popularity • 66% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Howard Jones
No One Is to Blame
94 bpm • A Maj • 03:30 • -10db
40% Popularity • 62% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
40% Popularity • 62% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Steve Winwood
Freedom Overspill
95 bpm • D min • 05:37 • -15.46db
37% Popularity • 65% Danceability • 56% Energy • 4% Liveness
3% Instrumentalness • 90% Positiveness
37% Popularity • 65% Danceability • 56% Energy • 4% Liveness
3% Instrumentalness • 90% Positiveness
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Squeeze
Tempted
95 bpm • F# min • 04:00 • -14db
58% Popularity • 73% Danceability • 36% Energy • 5% Liveness
9% Instrumentalness • 39% Positiveness
58% Popularity • 73% Danceability • 36% Energy • 5% Liveness
9% Instrumentalness • 39% Positiveness
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Love and Rockets
Ball of Confusion - USA Mix
94 bpm • A# min • 06:16 • -11.34db
26% Popularity • 66% Danceability • 45% Energy • 4% Liveness
2% Instrumentalness • 60% Positiveness
26% Popularity • 66% Danceability • 45% Energy • 4% Liveness
2% Instrumentalness • 60% Positiveness
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The Fixx
Opinions
95 bpm • C# min • 04:47 • -8.21db
13% Popularity • 55% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
13% Popularity • 55% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Nik Kershaw
Wouldn't It Be Good - Re-Recorded
95 bpm • F Maj • 04:50 • -10db
40% Popularity • 62% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
40% Popularity • 62% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Howard Jones
No One Is To Blame
95 bpm • A Maj • 04:18 • -14db
49% Popularity • 74% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
49% Popularity • 74% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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General Public
Anxious
95 bpm • A min • 04:20 • -14.99db
18% Popularity • 81% Danceability • 47% Energy • 3% Liveness
0% Instrumentalness • 81% Positiveness
18% Popularity • 81% Danceability • 47% Energy • 3% Liveness
0% Instrumentalness • 81% Positiveness
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Peter Gabriel
Games Without Frontiers
96 bpm • F# Maj • 04:06 • -9.56db
52% Popularity • 74% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
52% Popularity • 74% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Thomas Dolby
Eastern Bloc (Sequel to Europa and the P...
96 bpm • B Maj • 05:20 • -6.41db
17% Popularity • 62% Danceability • 93% Energy • 33% Liveness
3% Instrumentalness • 93% Positiveness
17% Popularity • 62% Danceability • 93% Energy • 33% Liveness
3% Instrumentalness • 93% Positiveness
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The Fixx
Beautiful Friction
90 bpm • G min • 05:43 • -7.25db
23% Popularity • 55% Danceability • 86% Energy • 32% Liveness
14% Instrumentalness • 56% Positiveness
23% Popularity • 55% Danceability • 86% Energy • 32% Liveness
14% Instrumentalness • 56% Positiveness
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Adam Ant
Goody Two Shoes
95 bpm • C# min • 03:29 • -3.47db
52% Popularity • 62% Danceability • 99% Energy • 5% Liveness
1% Instrumentalness • 54% Positiveness
52% Popularity • 62% Danceability • 99% Energy • 5% Liveness
1% Instrumentalness • 54% Positiveness
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Howard Jones
What Is Love? - 2018 Remaster
97 bpm • C min • 03:41 • -5.93db
50% Popularity • 61% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
50% Popularity • 61% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Red Rider
Lunatic Fringe
98 bpm • E Maj • 04:23 • -13.49db
57% Popularity • 49% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
57% Popularity • 49% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Genesis
Tonight, Tonight, Tonight - 2007 Remaste...
98 bpm • G Maj • 08:50 • -14.41db
51% Popularity • 57% Danceability • 50% Energy • 8% Liveness
1% Instrumentalness • 32% Positiveness
51% Popularity • 57% Danceability • 50% Energy • 8% Liveness
1% Instrumentalness • 32% Positiveness
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Gene Loves Jezebel
Jealous
99 bpm • D Maj • 03:31 • -7db
18% Popularity • 59% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 47% Positiveness
18% Popularity • 59% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 47% Positiveness
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The Fixx
Liner
91 bpm • E min • 03:38 • -7.56db
14% Popularity • 74% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 91% Positiveness
14% Popularity • 74% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 91% Positiveness
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Don Henley
Dirty Laundry
98 bpm • F min • 05:36 • -6.65db
59% Popularity • 76% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
59% Popularity • 76% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Howard Jones
Like to Get to Know You Well
97 bpm • G# Maj • 04:00 • -9.5db
56% Popularity • 76% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
56% Popularity • 76% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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Thomas Dolby
Europa and the Pirate Twins
100 bpm • C Maj • 03:20 • -13.47db
33% Popularity • 56% Danceability • 66% Energy • 27% Liveness
4% Instrumentalness • 85% Positiveness
33% Popularity • 56% Danceability • 66% Energy • 27% Liveness
4% Instrumentalness • 85% Positiveness
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Yes
Leave It
100 bpm • F Maj • 04:13 • -5db
46% Popularity • 66% Danceability • 90% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
46% Popularity • 66% Danceability • 90% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
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Gene Loves Jezebel
Jealous
99 bpm • D Maj • 03:51 • -7.32db
20% Popularity • 58% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 45% Positiveness
20% Popularity • 58% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 45% Positiveness
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The Fixx
Chase The Fire
100 bpm • F Maj • 04:20 • -11.21db
10% Popularity • 65% Danceability • 65% Energy • 10% Liveness
4% Instrumentalness • 80% Positiveness
10% Popularity • 65% Danceability • 65% Energy • 10% Liveness
4% Instrumentalness • 80% Positiveness
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'Til Tuesday
Are You Serious?
101 bpm • D min • 03:15 • -7.86db
18% Popularity • 64% Danceability • 77% Energy • 39% Liveness
0% Instrumentalness • 72% Positiveness
18% Popularity • 64% Danceability • 77% Energy • 39% Liveness
0% Instrumentalness • 72% Positiveness
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Howard Jones
What Is Love? - Extended Mix
97 bpm • C min • 06:36 • -10.22db
46% Popularity • 63% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
46% Popularity • 63% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
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Joe Jackson
Sunday Papers
101 bpm • A Maj • 04:19 • -5.1db
37% Popularity • 73% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
37% Popularity • 73% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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The Call
I Still Believe (Great Design)
101 bpm • C# Maj • 05:31 • -13db
32% Popularity • 54% Danceability • 65% Energy • 9% Liveness
1% Instrumentalness • 64% Positiveness
32% Popularity • 54% Danceability • 65% Energy • 9% Liveness
1% Instrumentalness • 64% Positiveness
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Adam Ant
Wonderful
102 bpm • D# min • 04:22 • -8db
42% Popularity • 54% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
42% Popularity • 54% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Talking Heads
Burning Down the House
103 bpm • F min • 04:01 • -13.14db
65% Popularity • 78% Danceability • 87% Energy • 4% Liveness
1% Instrumentalness • 56% Positiveness
65% Popularity • 78% Danceability • 87% Energy • 4% Liveness
1% Instrumentalness • 56% Positiveness
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Wang Chung
Dance Hall Days
103 bpm • C Maj • 04:00 • -14.42db
68% Popularity • 66% Danceability • 59% Energy • 22% Liveness
1% Instrumentalness • 54% Positiveness
68% Popularity • 66% Danceability • 59% Energy • 22% Liveness
1% Instrumentalness • 54% Positiveness
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Howard Jones
Like to Get to Know You Well - Internati...
97 bpm • G# Maj • 07:36 • -12.11db
26% Popularity • 76% Danceability • 49% Energy • 20% Liveness
8% Instrumentalness • 95% Positiveness
26% Popularity • 76% Danceability • 49% Energy • 20% Liveness
8% Instrumentalness • 95% Positiveness
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Spoons
When Time Turns Around
103 bpm • A min • 03:40 • -6.88db
11% Popularity • 51% Danceability • 88% Energy • 8% Liveness
4% Instrumentalness • 61% Positiveness
11% Popularity • 51% Danceability • 88% Energy • 8% Liveness
4% Instrumentalness • 61% Positiveness
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The Power Station
She Can Rock It
103 bpm • A# min • 04:17 • -7.14db
16% Popularity • 63% Danceability • 80% Energy • 13% Liveness
2% Instrumentalness • 46% Positiveness
16% Popularity • 63% Danceability • 80% Energy • 13% Liveness
2% Instrumentalness • 46% Positiveness
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The Call
Surrender
103 bpm • C Maj • 04:07 • -10.56db
15% Popularity • 43% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 67% Positiveness
15% Popularity • 43% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 67% Positiveness
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Talking Heads
Burning Down the House - 2005 Remaster
103 bpm • F min • 04:01 • -11.11db
54% Popularity • 78% Danceability • 87% Energy • 6% Liveness
1% Instrumentalness • 57% Positiveness
54% Popularity • 78% Danceability • 87% Energy • 6% Liveness
1% Instrumentalness • 57% Positiveness
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Robert Plant
Little by Little - 2006 Remaster
104 bpm • C Maj • 04:44 • -8.1db
36% Popularity • 64% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 58% Positiveness
36% Popularity • 64% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 58% Positiveness
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Howard Jones
Dream Into Action
100 bpm • C Maj • 03:47 • -13.7db
21% Popularity • 77% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
21% Popularity • 77% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Loverboy
When It's Over - Remastered 2006
104 bpm • E Maj • 05:07 • -7db
42% Popularity • 63% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
42% Popularity • 63% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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The Power Station
Lonely Tonight - 2005 Remaster
104 bpm • D Maj • 03:58 • -10.32db
29% Popularity • 65% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 65% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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'Til Tuesday
What About Love
104 bpm • G min • 03:56 • -14db
36% Popularity • 58% Danceability • 54% Energy • 10% Liveness
18% Instrumentalness • 80% Positiveness
36% Popularity • 58% Danceability • 54% Energy • 10% Liveness
18% Instrumentalness • 80% Positiveness
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Wang Chung
Wait
104 bpm • G Maj • 04:22 • -16db
29% Popularity • 67% Danceability • 51% Energy • 41% Liveness
2% Instrumentalness • 34% Positiveness
29% Popularity • 67% Danceability • 51% Energy • 41% Liveness
2% Instrumentalness • 34% Positiveness
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The Fixx
Treasure It
104 bpm • D Maj • 04:42 • -12.43db
8% Popularity • 67% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
8% Popularity • 67% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Howard Jones
Life in One Day
101 bpm • G Maj • 03:41 • -6.9db
37% Popularity • 66% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
37% Popularity • 66% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Scritti Politti
Perfect Way
105 bpm • E min • 04:44 • -12db
41% Popularity • 72% Danceability • 64% Energy • 35% Liveness
4% Instrumentalness • 74% Positiveness
41% Popularity • 72% Danceability • 64% Energy • 35% Liveness
4% Instrumentalness • 74% Positiveness
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Level 42
Something About You - 7" Version
105 bpm • F# min • 03:47 • -6.34db
60% Popularity • 66% Danceability • 87% Energy • 4% Liveness
2% Instrumentalness • 85% Positiveness
60% Popularity • 66% Danceability • 87% Energy • 4% Liveness
2% Instrumentalness • 85% Positiveness
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'Til Tuesday
Voices Carry
105 bpm • C Maj • 04:23 • -9.04db
57% Popularity • 58% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
57% Popularity • 58% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Donnie Iris
Ah! Leah!
105 bpm • F# Maj • 03:42 • -7.51db
50% Popularity • 65% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
50% Popularity • 65% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Thomas Dolby
Hyperactive!
105 bpm • E Maj • 04:09 • -11.43db
40% Popularity • 68% Danceability • 93% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
40% Popularity • 68% Danceability • 93% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
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Howard Jones
Everlasting Love
106 bpm • C Maj • 04:19 • -6db
45% Popularity • 65% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 90% Positiveness
45% Popularity • 65% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 90% Positiveness
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Jefferson Starship
No Way Out
106 bpm • F min • 04:22 • -5.14db
40% Popularity • 59% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 35% Positiveness
40% Popularity • 59% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 35% Positiveness
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Men At Work
It's A Mistake
106 bpm • B Maj • 04:46 • -5db
58% Popularity • 70% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
58% Popularity • 70% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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The Firm
Radioactive
106 bpm • A min • 02:49 • -14db
41% Popularity • 58% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
41% Popularity • 58% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
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General Public
Burning Bright
107 bpm • A Maj • 04:32 • -12.74db
16% Popularity • 61% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
16% Popularity • 61% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Jesus Jones
Right Here Right Now
107 bpm • D Maj • 03:09 • -13.57db
56% Popularity • 66% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
56% Popularity • 66% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Wang Chung
To Live And Die In L.A.
107 bpm • F min • 04:53 • -12.89db
41% Popularity • 74% Danceability • 50% Energy • 28% Liveness
16% Instrumentalness • 76% Positiveness
41% Popularity • 74% Danceability • 50% Energy • 28% Liveness
16% Instrumentalness • 76% Positiveness
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The Call
I Still Believe (Great Design) - Live
107 bpm • C# Maj • 05:30 • -5.37db
18% Popularity • 50% Danceability • 86% Energy • 72% Liveness
0% Instrumentalness • 44% Positiveness
18% Popularity • 50% Danceability • 86% Energy • 72% Liveness
0% Instrumentalness • 44% Positiveness
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Howard Jones
Assault and Battery
107 bpm • F Maj • 04:52 • -14.59db
22% Popularity • 70% Danceability • 41% Energy • 8% Liveness
5% Instrumentalness • 41% Positiveness
22% Popularity • 70% Danceability • 41% Energy • 8% Liveness
5% Instrumentalness • 41% Positiveness
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Book Of Love
I Touch Roses
107 bpm • C Maj • 03:26 • -11.25db
43% Popularity • 68% Danceability • 63% Energy • 8% Liveness
82% Instrumentalness • 80% Positiveness
43% Popularity • 68% Danceability • 63% Energy • 8% Liveness
82% Instrumentalness • 80% Positiveness
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Pretenders
My City Was Gone - 2007 Remaster
108 bpm • A Maj • 05:25 • -6.83db
43% Popularity • 75% Danceability • 78% Energy • 14% Liveness
54% Instrumentalness • 94% Positiveness
43% Popularity • 75% Danceability • 78% Energy • 14% Liveness
54% Instrumentalness • 94% Positiveness
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Thomas Dolby
I Love You Goodbye
108 bpm • D# min • 05:58 • -9.97db
25% Popularity • 65% Danceability • 61% Energy • 16% Liveness
10% Instrumentalness • 82% Positiveness
25% Popularity • 65% Danceability • 61% Energy • 16% Liveness
10% Instrumentalness • 82% Positiveness
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'Til Tuesday
I Could Get Used to This
108 bpm • C# Maj • 03:04 • -9.31db
26% Popularity • 78% Danceability • 85% Energy • 57% Liveness
0% Instrumentalness • 89% Positiveness
26% Popularity • 78% Danceability • 85% Energy • 57% Liveness
0% Instrumentalness • 89% Positiveness
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The Alarm
Rain In The Summertime
108 bpm • A# Maj • 03:46 • -5db
28% Popularity • 57% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 58% Positiveness
28% Popularity • 57% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 58% Positiveness
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General Public
Too Much Of Nothing
108 bpm • E min • 04:25 • -11.27db
12% Popularity • 71% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
12% Popularity • 71% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Kajagoogoo
Too Shy
108 bpm • A# min • 03:41 • -6.73db
61% Popularity • 70% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
61% Popularity • 70% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Howard Jones
Things Can Only Get Better
108 bpm • G Maj • 03:55 • -6.08db
57% Popularity • 75% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
57% Popularity • 75% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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Bananarama
Cruel Summer
109 bpm • C# min • 03:35 • -6.02db
68% Popularity • 67% Danceability • 87% Energy • 26% Liveness
2% Instrumentalness • 94% Positiveness
68% Popularity • 67% Danceability • 87% Energy • 26% Liveness
2% Instrumentalness • 94% Positiveness
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Naked Eyes
Eyes of a Child
108 bpm • G# Maj • 03:36 • -14db
33% Popularity • 63% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
33% Popularity • 63% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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The Alarm
Rain In The Summertime
108 bpm • F min • 05:15 • -8.91db
19% Popularity • 54% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
19% Popularity • 54% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Peter Gabriel
Steam
109 bpm • D# min • 06:03 • -4.96db
47% Popularity • 70% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 71% Positiveness
47% Popularity • 70% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 71% Positiveness
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Squeeze
Black Coffee In Bed
109 bpm • F# min • 06:12 • -12.13db
32% Popularity • 59% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
32% Popularity • 59% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Joe Jackson
Breaking Us In Two
109 bpm • A Maj • 04:50 • -8.33db
38% Popularity • 62% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
38% Popularity • 62% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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General Public
As A Matter Of Fact
109 bpm • F Maj • 05:22 • -13.77db
15% Popularity • 75% Danceability • 86% Energy • 46% Liveness
10% Instrumentalness • 84% Positiveness
15% Popularity • 75% Danceability • 86% Energy • 46% Liveness
10% Instrumentalness • 84% Positiveness
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Glenn Frey
You Belong To The City
109 bpm • E min • 05:52 • -5.79db
55% Popularity • 67% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
55% Popularity • 67% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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The Alarm
Rain in the Summertime - Remastered
108 bpm • A# Maj • 05:14 • -7.53db
41% Popularity • 53% Danceability • 92% Energy • 39% Liveness
0% Instrumentalness • 62% Positiveness
41% Popularity • 53% Danceability • 92% Energy • 39% Liveness
0% Instrumentalness • 62% Positiveness
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Robert Plant
Heaven Knows - 2006 Remaster
110 bpm • C Maj • 04:05 • -6.25db
39% Popularity • 67% Danceability • 77% Energy • 10% Liveness
39% Instrumentalness • 91% Positiveness
39% Popularity • 67% Danceability • 77% Energy • 10% Liveness
39% Instrumentalness • 91% Positiveness
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Glass Tiger
Don't Forget Me (When I'm Gone)
110 bpm • A Maj • 04:08 • -8.8db
48% Popularity • 61% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 71% Positiveness
48% Popularity • 61% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 71% Positiveness
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The Fixx
Secret Separation
110 bpm • A Maj • 03:51 • -10.18db
33% Popularity • 60% Danceability • 83% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 60% Danceability • 83% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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The Greg Kihn Band
Jeopardy
111 bpm • C Maj • 03:49 • -4.74db
54% Popularity • 85% Danceability • 80% Energy • 16% Liveness
4% Instrumentalness • 90% Positiveness
54% Popularity • 85% Danceability • 80% Energy • 16% Liveness
4% Instrumentalness • 90% Positiveness
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The Tubes
She's A Beauty - Remastered 1991
111 bpm • D Maj • 04:00 • -9db
53% Popularity • 69% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 63% Positiveness
53% Popularity • 69% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 63% Positiveness
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Donnie Iris
Love Is Like A Rock
111 bpm • A Maj • 03:27 • -10.56db
37% Popularity • 68% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
37% Popularity • 68% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
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Billy Idol
Hot In The City
111 bpm • F Maj • 03:39 • -5.56db
59% Popularity • 66% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
59% Popularity • 66% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
