Songs like These Eyes (Estos Ojos) by Leroy Holmes And His Orchestra
Based on a tempo of (+/- 10%) and a similar genre
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Jean Paques
C'est magnifique
90 bpm • G Maj • 01:37 • -13.49db
40% Popularity • 68% Danceability • 31% Energy • 8% Liveness
80% Instrumentalness • 79% Positiveness
40% Popularity • 68% Danceability • 31% Energy • 8% Liveness
80% Instrumentalness • 79% Positiveness
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Leroy Holmes And His Orchestra
Duerme
90 bpm • G Maj • 02:56 • -17.35db
3% Popularity • 40% Danceability • 22% Energy • 10% Liveness
76% Instrumentalness • 37% Positiveness
3% Popularity • 40% Danceability • 22% Energy • 10% Liveness
76% Instrumentalness • 37% Positiveness
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Brazilian Tropical Orchestra
My Way
90 bpm • D Maj • 02:46 • -13.65db
17% Popularity • 56% Danceability • 38% Energy • 28% Liveness
70% Instrumentalness • 36% Positiveness
17% Popularity • 56% Danceability • 38% Energy • 28% Liveness
70% Instrumentalness • 36% Positiveness
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The Fantasy Strings
La Mer
90 bpm • D# Maj • 03:51 • -7.38db
27% Popularity • 37% Danceability • 65% Energy • 9% Liveness
57% Instrumentalness • 43% Positiveness
27% Popularity • 37% Danceability • 65% Energy • 9% Liveness
57% Instrumentalness • 43% Positiveness
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Joe Reisman
Joey's Song
89 bpm • A min • 02:13 • -17.38db
22% Popularity • 76% Danceability • 41% Energy • 11% Liveness
85% Instrumentalness • 97% Positiveness
22% Popularity • 76% Danceability • 41% Energy • 11% Liveness
85% Instrumentalness • 97% Positiveness
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Victor Silvester
Fascination (Waltz)
91 bpm • E min • 02:25 • -16.31db
43% Popularity • 25% Danceability • 22% Energy • 19% Liveness
93% Instrumentalness • 22% Positiveness
43% Popularity • 25% Danceability • 22% Energy • 19% Liveness
93% Instrumentalness • 22% Positiveness
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The Melachrino Strings and Orchestra
You and the Night and the Music
89 bpm • D min • 02:48 • -9.71db
20% Popularity • 12% Danceability • 38% Energy • 24% Liveness
56% Instrumentalness • 6% Positiveness
20% Popularity • 12% Danceability • 38% Energy • 24% Liveness
56% Instrumentalness • 6% Positiveness
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Leroy Holmes And His Orchestra
O Pato (The Duck)
90 bpm • G# Maj • 03:00 • -11.53db
1% Popularity • 61% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
1% Popularity • 61% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Billy May & His Orchestra
Lovewise
89 bpm • A Maj • 02:34 • -14.31db
30% Popularity • 24% Danceability • 36% Energy • 28% Liveness
90% Instrumentalness • 32% Positiveness
30% Popularity • 24% Danceability • 36% Energy • 28% Liveness
90% Instrumentalness • 32% Positiveness
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Kai Warner
Summerwind
91 bpm • F Maj • 02:11 • -15.41db
30% Popularity • 55% Danceability • 19% Energy • 11% Liveness
81% Instrumentalness • 38% Positiveness
30% Popularity • 55% Danceability • 19% Energy • 11% Liveness
81% Instrumentalness • 38% Positiveness
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Angel Pocho Gatti Y Su Orquesta
Romántica y Encantadora - Soft Latin
91 bpm • A Maj • 03:12 • -11.92db
32% Popularity • 54% Danceability • 42% Energy • 17% Liveness
83% Instrumentalness • 34% Positiveness
32% Popularity • 54% Danceability • 42% Energy • 17% Liveness
83% Instrumentalness • 34% Positiveness
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Edmundo Ros & His Orchestra
Spanish Flea
89 bpm • G Maj • 02:01 • -12.84db
24% Popularity • 72% Danceability • 47% Energy • 11% Liveness
89% Instrumentalness • 85% Positiveness
24% Popularity • 72% Danceability • 47% Energy • 11% Liveness
89% Instrumentalness • 85% Positiveness
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The Melachrino Strings
Smile
89 bpm • C Maj • 04:15 • -18.96db
29% Popularity • 16% Danceability • 19% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
29% Popularity • 16% Danceability • 19% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Leroy Holmes And His Orchestra
These Eyes (Estos Ojos)
90 bpm • C Maj • 03:44 • -10.41db
21% Popularity • 52% Danceability • 35% Energy • 7% Liveness
33% Instrumentalness • 72% Positiveness
21% Popularity • 52% Danceability • 35% Energy • 7% Liveness
33% Instrumentalness • 72% Positiveness
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Victor Silvester
Around The World (Waltz)
92 bpm • C min • 02:22 • -15.57db
35% Popularity • 19% Danceability • 28% Energy • 18% Liveness
84% Instrumentalness • 21% Positiveness
35% Popularity • 19% Danceability • 28% Energy • 18% Liveness
84% Instrumentalness • 21% Positiveness
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Joaquin Borges
Deje Mi Corazón En San Francisco
88 bpm • A# Maj • 02:37 • -25.46db
19% Popularity • 23% Danceability • 10% Energy • 10% Liveness
79% Instrumentalness • 19% Positiveness
19% Popularity • 23% Danceability • 10% Energy • 10% Liveness
79% Instrumentalness • 19% Positiveness
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Ron Goodwin
True Love Ways
92 bpm • D Maj • 02:31 • -14.38db
23% Popularity • 21% Danceability • 30% Energy • 36% Liveness
27% Instrumentalness • 20% Positiveness
23% Popularity • 21% Danceability • 30% Energy • 36% Liveness
27% Instrumentalness • 20% Positiveness
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Charles
Love Is Blue
92 bpm • E min • 02:17 • -11.73db
14% Popularity • 29% Danceability • 43% Energy • 16% Liveness
61% Instrumentalness • 62% Positiveness
14% Popularity • 29% Danceability • 43% Energy • 16% Liveness
61% Instrumentalness • 62% Positiveness
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Tony Hatch
Look for a Star
92 bpm • C Maj • 02:15 • -11.13db
15% Popularity • 35% Danceability • 32% Energy • 8% Liveness
63% Instrumentalness • 31% Positiveness
15% Popularity • 35% Danceability • 32% Energy • 8% Liveness
63% Instrumentalness • 31% Positiveness
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Leroy Holmes And His Orchestra
Alma de Mujer
91 bpm • F Maj • 02:37 • -14.39db
5% Popularity • 37% Danceability • 28% Energy • 38% Liveness
97% Instrumentalness • 43% Positiveness
5% Popularity • 37% Danceability • 28% Energy • 38% Liveness
97% Instrumentalness • 43% Positiveness
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Billy May
Till There Was You
92 bpm • D# Maj • 02:45 • -14.4db
29% Popularity • 39% Danceability • 19% Energy • 22% Liveness
36% Instrumentalness • 33% Positiveness
29% Popularity • 39% Danceability • 19% Energy • 22% Liveness
36% Instrumentalness • 33% Positiveness
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Tony Mottola
By the Time I Get to Phoenix
88 bpm • E Maj • 03:08 • -19.74db
11% Popularity • 41% Danceability • 13% Energy • 23% Liveness
91% Instrumentalness • 26% Positiveness
11% Popularity • 41% Danceability • 13% Energy • 23% Liveness
91% Instrumentalness • 26% Positiveness
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Pepe Jaramillo
The Man Who Plays the Mandolino
92 bpm • C Maj • 02:20 • -12.03db
20% Popularity • 71% Danceability • 60% Energy • 4% Liveness
79% Instrumentalness • 95% Positiveness
20% Popularity • 71% Danceability • 60% Energy • 4% Liveness
79% Instrumentalness • 95% Positiveness
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Lester Lanin
Desafinado-Bright Bossa Nova
88 bpm • C Maj • 01:56 • -16.69db
26% Popularity • 70% Danceability • 33% Energy • 3% Liveness
85% Instrumentalness • 90% Positiveness
26% Popularity • 70% Danceability • 33% Energy • 3% Liveness
85% Instrumentalness • 90% Positiveness
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Enoch Light
Desafinado
88 bpm • F Maj • 02:32 • -10.94db
14% Popularity • 58% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 58% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Leroy Holmes And His Orchestra
Inolvidable
89 bpm • C Maj • 02:55 • -14.44db
3% Popularity • 23% Danceability • 30% Energy • 28% Liveness
96% Instrumentalness • 37% Positiveness
3% Popularity • 23% Danceability • 30% Energy • 28% Liveness
96% Instrumentalness • 37% Positiveness
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Norman Candler
Dancing in the Moonlight - Remastered
88 bpm • D Maj • 02:36 • -7.56db
12% Popularity • 16% Danceability • 54% Energy • 32% Liveness
90% Instrumentalness • 33% Positiveness
12% Popularity • 16% Danceability • 54% Energy • 32% Liveness
90% Instrumentalness • 33% Positiveness
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Victor Silvester
The Song From “Moulin Rouge” (Waltz)
93 bpm • D Maj • 02:26 • -19.44db
39% Popularity • 23% Danceability • 23% Energy • 9% Liveness
67% Instrumentalness • 40% Positiveness
39% Popularity • 23% Danceability • 23% Energy • 9% Liveness
67% Instrumentalness • 40% Positiveness
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The Melachrino Strings and Orchestra
Goodnight My Love
93 bpm • C Maj • 02:50 • -12.53db
17% Popularity • 16% Danceability • 30% Energy • 7% Liveness
54% Instrumentalness • 17% Positiveness
17% Popularity • 16% Danceability • 30% Energy • 7% Liveness
54% Instrumentalness • 17% Positiveness
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Ray Anthony
Samba De Orfeu - Remastered
93 bpm • C# Maj • 02:37 • -14db
29% Popularity • 52% Danceability • 36% Energy • 10% Liveness
81% Instrumentalness • 63% Positiveness
29% Popularity • 52% Danceability • 36% Energy • 10% Liveness
81% Instrumentalness • 63% Positiveness
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Tony Hatch
Memories of Summer
93 bpm • D Maj • 03:10 • -12.62db
37% Popularity • 44% Danceability • 31% Energy • 18% Liveness
86% Instrumentalness • 36% Positiveness
37% Popularity • 44% Danceability • 31% Energy • 18% Liveness
86% Instrumentalness • 36% Positiveness
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Leroy Holmes And His Orchestra
Inconsolable
91 bpm • F min • 02:59 • -15.09db
2% Popularity • 28% Danceability • 32% Energy • 11% Liveness
89% Instrumentalness • 31% Positiveness
2% Popularity • 28% Danceability • 32% Energy • 11% Liveness
89% Instrumentalness • 31% Positiveness
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Norman Candler
Beautiful Dreamer - Remastered
92 bpm • C Maj • 02:40 • -8db
28% Popularity • 23% Danceability • 47% Energy • 32% Liveness
56% Instrumentalness • 40% Positiveness
28% Popularity • 23% Danceability • 47% Energy • 32% Liveness
56% Instrumentalness • 40% Positiveness
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Jerome Kern
I Dream Too Much
87 bpm • C Maj • 02:31 • -11db
16% Popularity • 15% Danceability • 30% Energy • 32% Liveness
91% Instrumentalness • 4% Positiveness
16% Popularity • 15% Danceability • 30% Energy • 32% Liveness
91% Instrumentalness • 4% Positiveness
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The Melachrino Strings and Orchestra
One Night of Love
87 bpm • A min • 03:15 • -11db
19% Popularity • 13% Danceability • 33% Energy • 15% Liveness
78% Instrumentalness • 5% Positiveness
19% Popularity • 13% Danceability • 33% Energy • 15% Liveness
78% Instrumentalness • 5% Positiveness
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Pepe Jaramillo
Cachito
87 bpm • F Maj • 01:50 • -10db
25% Popularity • 69% Danceability • 48% Energy • 15% Liveness
32% Instrumentalness • 95% Positiveness
25% Popularity • 69% Danceability • 48% Energy • 15% Liveness
32% Instrumentalness • 95% Positiveness
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Sounds Orchestral
The Sweetheart Tree
87 bpm • C Maj • 02:40 • -10.25db
14% Popularity • 35% Danceability • 30% Energy • 24% Liveness
61% Instrumentalness • 22% Positiveness
14% Popularity • 35% Danceability • 30% Energy • 24% Liveness
61% Instrumentalness • 22% Positiveness
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Leroy Holmes And His Orchestra
Alguien Cantó (The Music Played)
88 bpm • A min • 03:22 • -9.48db
5% Popularity • 31% Danceability • 43% Energy • 14% Liveness
89% Instrumentalness • 18% Positiveness
5% Popularity • 31% Danceability • 43% Energy • 14% Liveness
89% Instrumentalness • 18% Positiveness
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Ray Anthony & His Orchestra
At Last
87 bpm • F Maj • 02:40 • -13.57db
16% Popularity • 38% Danceability • 16% Energy • 13% Liveness
60% Instrumentalness • 18% Positiveness
16% Popularity • 38% Danceability • 16% Energy • 13% Liveness
60% Instrumentalness • 18% Positiveness
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David Rose
Love Is a Many Splendoured Thing
87 bpm • A# min • 03:05 • -12.73db
27% Popularity • 34% Danceability • 44% Energy • 15% Liveness
94% Instrumentalness • 15% Positiveness
27% Popularity • 34% Danceability • 44% Energy • 15% Liveness
94% Instrumentalness • 15% Positiveness
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Botticelli
Never Never Never
94 bpm • C# Maj • 02:45 • -14.89db
28% Popularity • 27% Danceability • 27% Energy • 11% Liveness
95% Instrumentalness • 35% Positiveness
28% Popularity • 27% Danceability • 27% Energy • 11% Liveness
95% Instrumentalness • 35% Positiveness
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Enoch Light
Moon River
87 bpm • G Maj • 02:20 • -12db
15% Popularity • 50% Danceability • 40% Energy • 4% Liveness
0% Instrumentalness • 54% Positiveness
15% Popularity • 50% Danceability • 40% Energy • 4% Liveness
0% Instrumentalness • 54% Positiveness
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David Rose Orchestra
Feelings
94 bpm • E min • 03:04 • -14.33db
7% Popularity • 24% Danceability • 40% Energy • 10% Liveness
45% Instrumentalness • 12% Positiveness
7% Popularity • 24% Danceability • 40% Energy • 10% Liveness
45% Instrumentalness • 12% Positiveness
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Leroy Holmes And His Orchestra
June In January
87 bpm • G min • 02:26 • -20.6db
0% Popularity • 24% Danceability • 12% Energy • 13% Liveness
89% Instrumentalness • 12% Positiveness
0% Popularity • 24% Danceability • 12% Energy • 13% Liveness
89% Instrumentalness • 12% Positiveness
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Pyotr Ilyich Tchaikovsky
Love Theme From Romeo And Juliet
86 bpm • A min • 02:14 • -14.18db
20% Popularity • 21% Danceability • 32% Energy • 13% Liveness
82% Instrumentalness • 40% Positiveness
20% Popularity • 21% Danceability • 32% Energy • 13% Liveness
82% Instrumentalness • 40% Positiveness
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Piero Piccioni
Rapha Temporel (alternate take)
94 bpm • C Maj • 02:31 • -13.83db
7% Popularity • 18% Danceability • 34% Energy • 54% Liveness
18% Instrumentalness • 45% Positiveness
7% Popularity • 18% Danceability • 34% Energy • 54% Liveness
18% Instrumentalness • 45% Positiveness
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Kenny Sasaki & The Tiki Boys
Fly Me to the Island (Remaster)
86 bpm • E min • 01:16 • -13db
41% Popularity • 67% Danceability • 27% Energy • 12% Liveness
54% Instrumentalness • 6% Positiveness
41% Popularity • 67% Danceability • 27% Energy • 12% Liveness
54% Instrumentalness • 6% Positiveness
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Norman Candler
Theme from Love Story - Remastered
86 bpm • E min • 02:52 • -7db
24% Popularity • 31% Danceability • 62% Energy • 14% Liveness
90% Instrumentalness • 53% Positiveness
24% Popularity • 31% Danceability • 62% Energy • 14% Liveness
90% Instrumentalness • 53% Positiveness
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Don Costa
Lisboa Antigua - Remastered
86 bpm • C# Maj • 02:52 • -9db
32% Popularity • 46% Danceability • 50% Energy • 31% Liveness
39% Instrumentalness • 96% Positiveness
32% Popularity • 46% Danceability • 50% Energy • 31% Liveness
39% Instrumentalness • 96% Positiveness
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Leroy Holmes And His Orchestra
Vieja Luna
87 bpm • F min • 02:47 • -14.67db
3% Popularity • 30% Danceability • 36% Energy • 24% Liveness
85% Instrumentalness • 47% Positiveness
3% Popularity • 30% Danceability • 36% Energy • 24% Liveness
85% Instrumentalness • 47% Positiveness
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Hugo Winterhalter
Elvira Madigan - Theme - Original Musico...
95 bpm • F Maj • 02:53 • -13.43db
20% Popularity • 32% Danceability • 26% Energy • 11% Liveness
92% Instrumentalness • 19% Positiveness
20% Popularity • 32% Danceability • 26% Energy • 11% Liveness
92% Instrumentalness • 19% Positiveness
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Maurice Jarre
Somewhere, My Love (Laura's Theme)
95 bpm • G Maj • 02:45 • -10.63db
22% Popularity • 34% Danceability • 45% Energy • 9% Liveness
3% Instrumentalness • 46% Positiveness
22% Popularity • 34% Danceability • 45% Energy • 9% Liveness
3% Instrumentalness • 46% Positiveness
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Tony Hatch
Forget Him
95 bpm • C# Maj • 03:22 • -11.69db
11% Popularity • 34% Danceability • 34% Energy • 10% Liveness
91% Instrumentalness • 24% Positiveness
11% Popularity • 34% Danceability • 34% Energy • 10% Liveness
91% Instrumentalness • 24% Positiveness
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Charlie Shaffer
You'll Never Know - It Might As Well Be ...
95 bpm • D# Maj • 03:26 • -17db
22% Popularity • 60% Danceability • 19% Energy • 13% Liveness
84% Instrumentalness • 45% Positiveness
22% Popularity • 60% Danceability • 19% Energy • 13% Liveness
84% Instrumentalness • 45% Positiveness
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Ted Heath & His Music
Theme, From : "The Apartment"
95 bpm • F Maj • 03:01 • -17.71db
34% Popularity • 49% Danceability • 24% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
34% Popularity • 49% Danceability • 24% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
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Leroy Holmes And His Orchestra
Moonlight Becomes You
87 bpm • E min • 02:49 • -21.51db
0% Popularity • 23% Danceability • 13% Energy • 36% Liveness
87% Instrumentalness • 11% Positiveness
0% Popularity • 23% Danceability • 13% Energy • 36% Liveness
87% Instrumentalness • 11% Positiveness
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David Rose Orchestra
The Very Thought of You
95 bpm • B Maj • 02:32 • -14.56db
16% Popularity • 44% Danceability • 30% Energy • 23% Liveness
94% Instrumentalness • 17% Positiveness
16% Popularity • 44% Danceability • 30% Energy • 23% Liveness
94% Instrumentalness • 17% Positiveness
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Tony Romeo
I Think I Love You
95 bpm • E Maj • 03:05 • -13.18db
9% Popularity • 49% Danceability • 33% Energy • 17% Liveness
79% Instrumentalness • 59% Positiveness
9% Popularity • 49% Danceability • 33% Energy • 17% Liveness
79% Instrumentalness • 59% Positiveness
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Nick Perito Orchestra
The First Time I Ever Saw Your Face
95 bpm • F Maj • 02:05 • -11.92db
13% Popularity • 50% Danceability • 40% Energy • 10% Liveness
76% Instrumentalness • 22% Positiveness
13% Popularity • 50% Danceability • 40% Energy • 10% Liveness
76% Instrumentalness • 22% Positiveness
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The Melachrino Strings
Alone
85 bpm • C Maj • 02:44 • -18db
26% Popularity • 18% Danceability • 22% Energy • 9% Liveness
48% Instrumentalness • 5% Positiveness
26% Popularity • 18% Danceability • 22% Energy • 9% Liveness
48% Instrumentalness • 5% Positiveness
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Enoch Light
Aloha Oe
95 bpm • G Maj • 02:30 • -19.4db
14% Popularity • 50% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 37% Positiveness
14% Popularity • 50% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 37% Positiveness
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Leroy Holmes And His Orchestra
Hoja Seca
94 bpm • C Maj • 02:49 • -14.44db
2% Popularity • 31% Danceability • 40% Energy • 27% Liveness
86% Instrumentalness • 36% Positiveness
2% Popularity • 31% Danceability • 40% Energy • 27% Liveness
86% Instrumentalness • 36% Positiveness
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Living Strings
I Have Confidence
96 bpm • G Maj • 02:30 • -12.52db
34% Popularity • 45% Danceability • 34% Energy • 7% Liveness
71% Instrumentalness • 52% Positiveness
34% Popularity • 45% Danceability • 34% Energy • 7% Liveness
71% Instrumentalness • 52% Positiveness
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Francis Pourcel Orchestra
Dejé Mi Corazón en San Francisco
96 bpm • F min • 02:53 • -15db
29% Popularity • 41% Danceability • 38% Energy • 13% Liveness
91% Instrumentalness • 33% Positiveness
29% Popularity • 41% Danceability • 38% Energy • 13% Liveness
91% Instrumentalness • 33% Positiveness
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The Fantasy Strings
I Only Have Eyes for You
85 bpm • A# Maj • 02:34 • -11db
16% Popularity • 36% Danceability • 52% Energy • 12% Liveness
96% Instrumentalness • 23% Positiveness
16% Popularity • 36% Danceability • 52% Energy • 12% Liveness
96% Instrumentalness • 23% Positiveness
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Sounds Orchestral
Carnival (Manha de Carnaval)
96 bpm • G min • 02:34 • -17.85db
26% Popularity • 44% Danceability • 15% Energy • 35% Liveness
94% Instrumentalness • 32% Positiveness
26% Popularity • 44% Danceability • 15% Energy • 35% Liveness
94% Instrumentalness • 32% Positiveness
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Enoch Light
Blame It on the Bossa Nova
85 bpm • A Maj • 02:31 • -12db
18% Popularity • 60% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
18% Popularity • 60% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
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Leroy Holmes And His Orchestra
Flying Home (The Theme Of Lionel Hampton...
96 bpm • C# Maj • 02:18 • -20.32db
0% Popularity • 49% Danceability • 29% Energy • 30% Liveness
15% Instrumentalness • 73% Positiveness
0% Popularity • 49% Danceability • 29% Energy • 30% Liveness
15% Instrumentalness • 73% Positiveness
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Ray Anthony & His Orchestra
The Dream Girl
85 bpm • C Maj • 02:21 • -10.74db
28% Popularity • 22% Danceability • 20% Energy • 18% Liveness
67% Instrumentalness • 25% Positiveness
28% Popularity • 22% Danceability • 20% Energy • 18% Liveness
67% Instrumentalness • 25% Positiveness
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Kai Warner
So In Love
96 bpm • G# Maj • 02:34 • -12db
28% Popularity • 55% Danceability • 58% Energy • 13% Liveness
85% Instrumentalness • 80% Positiveness
28% Popularity • 55% Danceability • 58% Energy • 13% Liveness
85% Instrumentalness • 80% Positiveness
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Norman Candler
Tea for Two - Remastered
96 bpm • C Maj • 02:32 • -7db
30% Popularity • 39% Danceability • 45% Energy • 13% Liveness
86% Instrumentalness • 32% Positiveness
30% Popularity • 39% Danceability • 45% Energy • 13% Liveness
86% Instrumentalness • 32% Positiveness
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Bebu Silvetti
Beautiful Night
97 bpm • A min • 03:12 • -8.62db
14% Popularity • 38% Danceability • 81% Energy • 8% Liveness
1% Instrumentalness • 57% Positiveness
14% Popularity • 38% Danceability • 81% Energy • 8% Liveness
1% Instrumentalness • 57% Positiveness
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The Fantasy Strings
You Belong to My Heart
97 bpm • A# Maj • 02:58 • -8.71db
21% Popularity • 52% Danceability • 55% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
21% Popularity • 52% Danceability • 55% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
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Leroy Holmes And His Orchestra
Llanto de Luna
86 bpm • G# Maj • 02:43 • -14.03db
2% Popularity • 31% Danceability • 44% Energy • 26% Liveness
85% Instrumentalness • 45% Positiveness
2% Popularity • 31% Danceability • 44% Energy • 26% Liveness
85% Instrumentalness • 45% Positiveness
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Living Strings
Macushla
84 bpm • A min • 03:18 • -12db
21% Popularity • 18% Danceability • 27% Energy • 11% Liveness
90% Instrumentalness • 17% Positiveness
21% Popularity • 18% Danceability • 27% Energy • 11% Liveness
90% Instrumentalness • 17% Positiveness
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The Syd Dale Orchestra
Endless Love
97 bpm • A# Maj • 02:55 • -11.7db
9% Popularity • 34% Danceability • 47% Energy • 12% Liveness
93% Instrumentalness • 24% Positiveness
9% Popularity • 34% Danceability • 47% Energy • 12% Liveness
93% Instrumentalness • 24% Positiveness
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Boots Randolph
Make the World Go Away
97 bpm • C Maj • 02:31 • -14.02db
8% Popularity • 33% Danceability • 13% Energy • 8% Liveness
90% Instrumentalness • 42% Positiveness
8% Popularity • 33% Danceability • 13% Energy • 8% Liveness
90% Instrumentalness • 42% Positiveness
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Enoch Light
Mood Indigo
97 bpm • F Maj • 02:56 • -15.26db
10% Popularity • 66% Danceability • 36% Energy • 10% Liveness
74% Instrumentalness • 20% Positiveness
10% Popularity • 66% Danceability • 36% Energy • 10% Liveness
74% Instrumentalness • 20% Positiveness
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Hugo Winterhalter And His Orchestra
There Will Never Be Another You - Instru...
83 bpm • D# Maj • 03:08 • -12.23db
20% Popularity • 28% Danceability • 26% Energy • 11% Liveness
89% Instrumentalness • 18% Positiveness
20% Popularity • 28% Danceability • 26% Energy • 11% Liveness
89% Instrumentalness • 18% Positiveness
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Leroy Holmes And His Orchestra
Negras Cenizas
86 bpm • G# Maj • 03:18 • -18.94db
2% Popularity • 28% Danceability • 22% Energy • 74% Liveness
78% Instrumentalness • 39% Positiveness
2% Popularity • 28% Danceability • 22% Energy • 74% Liveness
78% Instrumentalness • 39% Positiveness
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David Rose Orchestra
I've Got You Under My Skin
83 bpm • F Maj • 03:26 • -13.32db
9% Popularity • 15% Danceability • 31% Energy • 5% Liveness
83% Instrumentalness • 13% Positiveness
9% Popularity • 15% Danceability • 31% Energy • 5% Liveness
83% Instrumentalness • 13% Positiveness
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James Clarke
Sentimental Value
97 bpm • D Maj • 03:20 • -10.94db
7% Popularity • 32% Danceability • 42% Energy • 9% Liveness
61% Instrumentalness • 34% Positiveness
7% Popularity • 32% Danceability • 42% Energy • 9% Liveness
61% Instrumentalness • 34% Positiveness
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Sigmund Romberg
Softly As In A Morning Sunrise
97 bpm • D min • 03:03 • -15.67db
12% Popularity • 19% Danceability • 24% Energy • 16% Liveness
92% Instrumentalness • 22% Positiveness
12% Popularity • 19% Danceability • 24% Energy • 16% Liveness
92% Instrumentalness • 22% Positiveness
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Syd Dale
Beauty Parade
83 bpm • D min • 02:09 • -9db
20% Popularity • 49% Danceability • 62% Energy • 10% Liveness
73% Instrumentalness • 96% Positiveness
20% Popularity • 49% Danceability • 62% Energy • 10% Liveness
73% Instrumentalness • 96% Positiveness
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Syd Dale Orchestra
Do That to Me One More Time
98 bpm • G# Maj • 02:33 • -12.52db
12% Popularity • 68% Danceability • 32% Energy • 18% Liveness
81% Instrumentalness • 56% Positiveness
12% Popularity • 68% Danceability • 32% Energy • 18% Liveness
81% Instrumentalness • 56% Positiveness
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Leroy Holmes And His Orchestra
Nuestras Vidas
86 bpm • F Maj • 03:48 • -16.81db
2% Popularity • 26% Danceability • 30% Energy • 14% Liveness
93% Instrumentalness • 47% Positiveness
2% Popularity • 26% Danceability • 30% Energy • 14% Liveness
93% Instrumentalness • 47% Positiveness
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David Rose Orchestra
An American in Paris
83 bpm • C min • 02:45 • -12.59db
19% Popularity • 44% Danceability • 24% Energy • 9% Liveness
79% Instrumentalness • 39% Positiveness
19% Popularity • 44% Danceability • 24% Energy • 9% Liveness
79% Instrumentalness • 39% Positiveness
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Ray Anthony & His Orchestra
When I Fall In Love
83 bpm • C Maj • 02:27 • -11.33db
25% Popularity • 21% Danceability • 19% Energy • 15% Liveness
47% Instrumentalness • 14% Positiveness
25% Popularity • 21% Danceability • 19% Energy • 15% Liveness
47% Instrumentalness • 14% Positiveness
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The Melachrino Strings
La Vie En Rose
83 bpm • D Maj • 02:57 • -19db
36% Popularity • 16% Danceability • 21% Energy • 16% Liveness
29% Instrumentalness • 13% Positiveness
36% Popularity • 16% Danceability • 21% Energy • 16% Liveness
29% Instrumentalness • 13% Positiveness
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Group-Forty Orchestra
Spring Fashion
83 bpm • G Maj • 02:41 • -13db
21% Popularity • 23% Danceability • 31% Energy • 10% Liveness
73% Instrumentalness • 46% Positiveness
21% Popularity • 23% Danceability • 31% Energy • 10% Liveness
73% Instrumentalness • 46% Positiveness
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Les Elgart
Willie Boy
83 bpm • C# Maj • 01:37 • -11db
35% Popularity • 46% Danceability • 46% Energy • 6% Liveness
64% Instrumentalness • 78% Positiveness
35% Popularity • 46% Danceability • 46% Energy • 6% Liveness
64% Instrumentalness • 78% Positiveness
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Leroy Holmes And His Orchestra
Cuando Ya No Me Quieras
95 bpm • F min • 03:07 • -13.22db
15% Popularity • 30% Danceability • 33% Energy • 35% Liveness
81% Instrumentalness • 57% Positiveness
15% Popularity • 30% Danceability • 33% Energy • 35% Liveness
81% Instrumentalness • 57% Positiveness
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David Rose Orchestra
Ain't Misbehavin'
83 bpm • F Maj • 02:55 • -10.67db
22% Popularity • 41% Danceability • 40% Energy • 20% Liveness
94% Instrumentalness • 21% Positiveness
22% Popularity • 41% Danceability • 40% Energy • 20% Liveness
94% Instrumentalness • 21% Positiveness
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Armando Trovajoli
Rossana Slow - Vibrafono e fischio
83 bpm • A min • 01:38 • -14db
18% Popularity • 27% Danceability • 23% Energy • 12% Liveness
5% Instrumentalness • 16% Positiveness
18% Popularity • 27% Danceability • 23% Energy • 12% Liveness
5% Instrumentalness • 16% Positiveness
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Hugo Winterhalter And His Orchestra
I Only Have Eyes for You - Instrumental
82 bpm • C Maj • 02:49 • -15db
28% Popularity • 23% Danceability • 19% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
28% Popularity • 23% Danceability • 19% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
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Syd Dale
Beguine for Trombone
98 bpm • D# Maj • 02:41 • -17.2db
33% Popularity • 57% Danceability • 28% Energy • 11% Liveness
97% Instrumentalness • 53% Positiveness
33% Popularity • 57% Danceability • 28% Energy • 11% Liveness
97% Instrumentalness • 53% Positiveness
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Billy May
The Continental
82 bpm • G# Maj • 02:25 • -13.47db
27% Popularity • 49% Danceability • 21% Energy • 16% Liveness
61% Instrumentalness • 40% Positiveness
27% Popularity • 49% Danceability • 21% Energy • 16% Liveness
61% Instrumentalness • 40% Positiveness
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Leroy Holmes And His Orchestra
Así
95 bpm • G Maj • 02:00 • -17.38db
3% Popularity • 36% Danceability • 27% Energy • 10% Liveness
92% Instrumentalness • 65% Positiveness
3% Popularity • 36% Danceability • 27% Energy • 10% Liveness
92% Instrumentalness • 65% Positiveness
