Songs like They All Fall in Love by Jack Hylton & His Orchestra
Based on a tempo of (+/- 10%) and a similar genre
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Lee Wiley
Here's Love In Your Eyes
167 bpm • A min • 01:41 • -17.75db
44% Popularity • 50% Danceability • 14% Energy • 51% Liveness
1% Instrumentalness • 59% Positiveness
44% Popularity • 50% Danceability • 14% Energy • 51% Liveness
1% Instrumentalness • 59% Positiveness
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Sherman Myers
Butterflies in the Rain
168 bpm • F# min • 02:40 • -17.31db
1% Popularity • 47% Danceability • 10% Energy • 9% Liveness
22% Instrumentalness • 25% Positiveness
1% Popularity • 47% Danceability • 10% Energy • 9% Liveness
22% Instrumentalness • 25% Positiveness
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Harry Babbitt
On A Slow Boat To China
168 bpm • G Maj • 03:17 • -9.45db
28% Popularity • 48% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
28% Popularity • 48% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Jimmy Dorsey
Amapola
166 bpm • G min • 03:26 • -9.73db
21% Popularity • 39% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
21% Popularity • 39% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Ethel Waters
Jeepers Creepers
168 bpm • F Maj • 02:49 • -10.82db
14% Popularity • 63% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
14% Popularity • 63% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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The Merry Macs
Johnson Rag
168 bpm • G min • 02:40 • -10.06db
18% Popularity • 69% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
18% Popularity • 69% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
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Lee Wiley
Down with Love
168 bpm • G min • 02:46 • -16.31db
23% Popularity • 53% Danceability • 16% Energy • 11% Liveness
61% Instrumentalness • 71% Positiveness
23% Popularity • 53% Danceability • 16% Energy • 11% Liveness
61% Instrumentalness • 71% Positiveness
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Ray Noble & His Orchestra
Freckle Face, You're Beautiful
165 bpm • G min • 02:38 • -19db
15% Popularity • 65% Danceability • 21% Energy • 13% Liveness
84% Instrumentalness • 80% Positiveness
15% Popularity • 65% Danceability • 21% Energy • 13% Liveness
84% Instrumentalness • 80% Positiveness
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Jack Shaindlin
I'm Tickled Pink
169 bpm • F min • 01:53 • -15.4db
46% Popularity • 51% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
46% Popularity • 51% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Bunny Berigan
On the Beach With You
169 bpm • D# Maj • 03:05 • -9.42db
17% Popularity • 58% Danceability • 34% Energy • 21% Liveness
1% Instrumentalness • 76% Positiveness
17% Popularity • 58% Danceability • 34% Energy • 21% Liveness
1% Instrumentalness • 76% Positiveness
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Bennie Moten
Kansas City Shuffle (Alternate Take)
169 bpm • D# Maj • 02:53 • -11.08db
21% Popularity • 62% Danceability • 49% Energy • 15% Liveness
88% Instrumentalness • 93% Positiveness
21% Popularity • 62% Danceability • 49% Energy • 15% Liveness
88% Instrumentalness • 93% Positiveness
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Jack Hylton
I Must Have That Man
165 bpm • C Maj • 03:11 • -10.97db
1% Popularity • 44% Danceability • 34% Energy • 12% Liveness
1% Instrumentalness • 64% Positiveness
1% Popularity • 44% Danceability • 34% Energy • 12% Liveness
1% Instrumentalness • 64% Positiveness
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Anne Shelton
Lili Marlene
171 bpm • G Maj • 02:48 • -12.42db
20% Popularity • 30% Danceability • 11% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
20% Popularity • 30% Danceability • 11% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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Vaughn Monroe
Rum & Coca-Cola
170 bpm • C Maj • 03:14 • -9.16db
17% Popularity • 49% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
17% Popularity • 49% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Jimmy Dorsey
Amapola (Pretty Little Poppy) - Remaster...
162 bpm • D min • 03:23 • -9.95db
12% Popularity • 42% Danceability • 24% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
12% Popularity • 42% Danceability • 24% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
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Bunny Berigan
Sweet Madness
172 bpm • F min • 02:54 • -12db
19% Popularity • 52% Danceability • 21% Energy • 12% Liveness
9% Instrumentalness • 64% Positiveness
19% Popularity • 52% Danceability • 21% Energy • 12% Liveness
9% Instrumentalness • 64% Positiveness
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Johnny Mercer
I Don't Care If It Rains All Night
162 bpm • F Maj • 02:27 • -8.46db
25% Popularity • 62% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
25% Popularity • 62% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Ambrose
I'm on a Diet of Love
173 bpm • F Maj • 02:55 • -13.99db
12% Popularity • 64% Danceability • 30% Energy • 16% Liveness
12% Instrumentalness • 89% Positiveness
12% Popularity • 64% Danceability • 30% Energy • 16% Liveness
12% Instrumentalness • 89% Positiveness
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Eddie Cantor
Lambeth Walk
161 bpm • G# Maj • 02:26 • -8.46db
24% Popularity • 61% Danceability • 39% Energy • 37% Liveness
0% Instrumentalness • 83% Positiveness
24% Popularity • 61% Danceability • 39% Energy • 37% Liveness
0% Instrumentalness • 83% Positiveness
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Kitty Kallen
They're Either Too Young or Too Old
173 bpm • A# Maj • 03:06 • -13.23db
26% Popularity • 52% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
26% Popularity • 52% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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Frankie Carle
Tomorrow
161 bpm • D# Maj • 02:37 • -7.59db
18% Popularity • 57% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 86% Positiveness
18% Popularity • 57% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 86% Positiveness
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Larry Clinton
Remember
174 bpm • C min • 02:46 • -9.78db
31% Popularity • 55% Danceability • 36% Energy • 12% Liveness
2% Instrumentalness • 77% Positiveness
31% Popularity • 55% Danceability • 36% Energy • 12% Liveness
2% Instrumentalness • 77% Positiveness
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Guy Lombardo & His Royal Canadians
Sweet Georgia Brown
174 bpm • F Maj • 02:00 • -12.02db
31% Popularity • 68% Danceability • 21% Energy • 69% Liveness
82% Instrumentalness • 78% Positiveness
31% Popularity • 68% Danceability • 21% Energy • 69% Liveness
82% Instrumentalness • 78% Positiveness
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Jack Hylton & His Orchestra
Once Aboard the Lugger
160 bpm • D# Maj • 02:47 • -15.61db
1% Popularity • 65% Danceability • 28% Energy • 11% Liveness
44% Instrumentalness • 85% Positiveness
1% Popularity • 65% Danceability • 28% Energy • 11% Liveness
44% Instrumentalness • 85% Positiveness
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Marion Harris
Nobody's Sweetheart
175 bpm • C Maj • 03:25 • -12db
10% Popularity • 31% Danceability • 24% Energy • 19% Liveness
20% Instrumentalness • 30% Positiveness
10% Popularity • 31% Danceability • 24% Energy • 19% Liveness
20% Instrumentalness • 30% Positiveness
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Adrian Rollini
Sweet Madness
174 bpm • F min • 02:52 • -13.56db
14% Popularity • 47% Danceability • 22% Energy • 13% Liveness
29% Instrumentalness • 83% Positiveness
14% Popularity • 47% Danceability • 22% Energy • 13% Liveness
29% Instrumentalness • 83% Positiveness
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Bob Crosby
Bye Bye Baby
175 bpm • G# Maj • 01:46 • -10db
33% Popularity • 52% Danceability • 31% Energy • 30% Liveness
4% Instrumentalness • 79% Positiveness
33% Popularity • 52% Danceability • 31% Energy • 30% Liveness
4% Instrumentalness • 79% Positiveness
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Ray Noble, Al Bowlly
Top Hat White Tie and Tails
176 bpm • F Maj • 03:29 • -9db
15% Popularity • 56% Danceability • 53% Energy • 70% Liveness
1% Instrumentalness • 86% Positiveness
15% Popularity • 56% Danceability • 53% Energy • 70% Liveness
1% Instrumentalness • 86% Positiveness
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Kay Kyser & His Orchestra
A zoot suit
176 bpm • F Maj • 03:05 • -14.3db
6% Popularity • 65% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
6% Popularity • 65% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Rudy Vallee
You Oughta Be in Pictures
176 bpm • C Maj • 03:23 • -10.6db
17% Popularity • 43% Danceability • 39% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
17% Popularity • 43% Danceability • 39% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
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The Charleston Chasers
Loud Speakin' Papa
177 bpm • D# Maj • 03:15 • -18db
8% Popularity • 68% Danceability • 15% Energy • 24% Liveness
88% Instrumentalness • 78% Positiveness
8% Popularity • 68% Danceability • 15% Energy • 24% Liveness
88% Instrumentalness • 78% Positiveness
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Betty Hutton
Doctor, Lawyer, Indian Chief
176 bpm • G# Maj • 03:06 • -10db
34% Popularity • 70% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
34% Popularity • 70% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Guy Lombardo Trio
This Cant Be Love
177 bpm • G Maj • 02:25 • -14db
26% Popularity • 55% Danceability • 22% Energy • 34% Liveness
37% Instrumentalness • 92% Positiveness
26% Popularity • 55% Danceability • 22% Energy • 34% Liveness
37% Instrumentalness • 92% Positiveness
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Jack Hylton & His Orchestra
Am I Blue
175 bpm • C Maj • 02:57 • -11.29db
3% Popularity • 40% Danceability • 32% Energy • 18% Liveness
24% Instrumentalness • 56% Positiveness
3% Popularity • 40% Danceability • 32% Energy • 18% Liveness
24% Instrumentalness • 56% Positiveness
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Larry Clinton & His Orchestra
Martha
178 bpm • F Maj • 03:21 • -21db
22% Popularity • 47% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 47% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Ambrose
Tip-Toe Through the Tulips With Me
178 bpm • G# Maj • 02:59 • -14.12db
19% Popularity • 73% Danceability • 26% Energy • 28% Liveness
90% Instrumentalness • 89% Positiveness
19% Popularity • 73% Danceability • 26% Energy • 28% Liveness
90% Instrumentalness • 89% Positiveness
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The Merry Macs
Breezin' Along with the Breeze
157 bpm • F min • 03:01 • -14.54db
22% Popularity • 55% Danceability • 20% Energy • 4% Liveness
2% Instrumentalness • 34% Positiveness
22% Popularity • 55% Danceability • 20% Energy • 4% Liveness
2% Instrumentalness • 34% Positiveness
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Guy Lombardo & His Royal Canadians
Music! Music! Music!
178 bpm • G# min • 02:57 • -12db
22% Popularity • 65% Danceability • 23% Energy • 5% Liveness
46% Instrumentalness • 88% Positiveness
22% Popularity • 65% Danceability • 23% Energy • 5% Liveness
46% Instrumentalness • 88% Positiveness
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Isham Jones
It Had to Be You
178 bpm • G Maj • 03:04 • -6db
24% Popularity • 45% Danceability • 46% Energy • 20% Liveness
85% Instrumentalness • 87% Positiveness
24% Popularity • 45% Danceability • 46% Energy • 20% Liveness
85% Instrumentalness • 87% Positiveness
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Jack Hylton & His Orchestra
I Haven't Heard A Single Word From Baby
177 bpm • A# Maj • 02:49 • -22.28db
0% Popularity • 57% Danceability • 8% Energy • 7% Liveness
1% Instrumentalness • 86% Positiveness
0% Popularity • 57% Danceability • 8% Energy • 7% Liveness
1% Instrumentalness • 86% Positiveness
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Ruth Wallis
Tonight For Sure
156 bpm • G Maj • 02:51 • -25.58db
8% Popularity • 65% Danceability • 5% Energy • 37% Liveness
0% Instrumentalness • 74% Positiveness
8% Popularity • 65% Danceability • 5% Energy • 37% Liveness
0% Instrumentalness • 74% Positiveness
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The Charleston Chasers
Delirium
179 bpm • C# Maj • 03:14 • -13.69db
15% Popularity • 60% Danceability • 27% Energy • 6% Liveness
32% Instrumentalness • 91% Positiveness
15% Popularity • 60% Danceability • 27% Energy • 6% Liveness
32% Instrumentalness • 91% Positiveness
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Jack Hylton
What Goes on Here in My Heart
179 bpm • F# Maj • 02:31 • -9.05db
1% Popularity • 39% Danceability • 39% Energy • 10% Liveness
88% Instrumentalness • 54% Positiveness
1% Popularity • 39% Danceability • 39% Energy • 10% Liveness
88% Instrumentalness • 54% Positiveness
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Larry Clinton
Whistle While You Work
180 bpm • D# Maj • 02:58 • -9.39db
21% Popularity • 55% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
21% Popularity • 55% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Eric Coates
Westwards
155 bpm • G Maj • 04:03 • -11.33db
1% Popularity • 38% Danceability • 44% Energy • 39% Liveness
89% Instrumentalness • 43% Positiveness
1% Popularity • 38% Danceability • 44% Energy • 39% Liveness
89% Instrumentalness • 43% Positiveness
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Jack Hylton & His Orchestra
Masquerade
178 bpm • F Maj • 03:13 • -11.08db
37% Popularity • 48% Danceability • 23% Energy • 19% Liveness
2% Instrumentalness • 75% Positiveness
37% Popularity • 48% Danceability • 23% Energy • 19% Liveness
2% Instrumentalness • 75% Positiveness
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Jimmy Dorsey & His Orchestra
Tangerine
155 bpm • B min • 03:12 • -11.09db
39% Popularity • 48% Danceability • 20% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
39% Popularity • 48% Danceability • 20% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
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Red McKenzie
I May Be Wrong (But I Think You're Wonde...
181 bpm • D# Maj • 02:55 • -10.29db
8% Popularity • 45% Danceability • 33% Energy • 19% Liveness
13% Instrumentalness • 79% Positiveness
8% Popularity • 45% Danceability • 33% Energy • 19% Liveness
13% Instrumentalness • 79% Positiveness
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Jack Hylton
Music Maestro Please
180 bpm • G Maj • 03:22 • -8.5db
5% Popularity • 35% Danceability • 37% Energy • 20% Liveness
10% Instrumentalness • 48% Positiveness
5% Popularity • 35% Danceability • 37% Energy • 20% Liveness
10% Instrumentalness • 48% Positiveness
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Sammy Kaye
Daddy
154 bpm • A# Maj • 02:55 • -11.89db
25% Popularity • 68% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
25% Popularity • 68% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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The BBC Dance Orchestra
I Get A Kick Out Of You
181 bpm • F min • 02:59 • -24db
12% Popularity • 33% Danceability • 5% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
12% Popularity • 33% Danceability • 5% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Jack Hylton & His Orchestra
Life Is Just a Bowl of Cherries
155 bpm • C# min • 02:54 • -14.85db
14% Popularity • 43% Danceability • 35% Energy • 14% Liveness
78% Instrumentalness • 68% Positiveness
14% Popularity • 43% Danceability • 35% Energy • 14% Liveness
78% Instrumentalness • 68% Positiveness
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Bunny Berigan
What Would You Do
182 bpm • G min • 02:52 • -10db
17% Popularity • 69% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
17% Popularity • 69% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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N/A
The Nightingale's Morning Greeting
182 bpm • C Maj • 02:49 • -13.3db
1% Popularity • 51% Danceability • 32% Energy • 30% Liveness
62% Instrumentalness • 50% Positiveness
1% Popularity • 51% Danceability • 32% Energy • 30% Liveness
62% Instrumentalness • 50% Positiveness
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Clarence Williams
Everybody Loves My Baby
182 bpm • C Maj • 02:34 • -10db
23% Popularity • 56% Danceability • 29% Energy • 28% Liveness
8% Instrumentalness • 80% Positiveness
23% Popularity • 56% Danceability • 29% Energy • 28% Liveness
8% Instrumentalness • 80% Positiveness
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Todd Rollins & His Orchestra
The Boogie Man
153 bpm • E Maj • 03:06 • -6.54db
28% Popularity • 67% Danceability • 57% Energy • 9% Liveness
8% Instrumentalness • 73% Positiveness
28% Popularity • 67% Danceability • 57% Energy • 9% Liveness
8% Instrumentalness • 73% Positiveness
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The Merry Macs
Jingle, Jangle, Jingle
183 bpm • C# Maj • 02:53 • -12db
24% Popularity • 75% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
24% Popularity • 75% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
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Larry Clinton
Shades of Hades
183 bpm • G# Maj • 02:43 • -16.06db
15% Popularity • 58% Danceability • 22% Energy • 18% Liveness
94% Instrumentalness • 95% Positiveness
15% Popularity • 58% Danceability • 22% Energy • 18% Liveness
94% Instrumentalness • 95% Positiveness
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Lew Stone & His Band
Anything Goes
183 bpm • C Maj • 02:51 • -20db
17% Popularity • 65% Danceability • 19% Energy • 5% Liveness
27% Instrumentalness • 90% Positiveness
17% Popularity • 65% Danceability • 19% Energy • 5% Liveness
27% Instrumentalness • 90% Positiveness
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Hal Kemp And His Orchestra
With Plenty Of Money And You
184 bpm • G min • 03:03 • -20db
28% Popularity • 59% Danceability • 7% Energy • 12% Liveness
88% Instrumentalness • 64% Positiveness
28% Popularity • 59% Danceability • 7% Energy • 12% Liveness
88% Instrumentalness • 64% Positiveness
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N/A
Music From the Movies (1937 selection): ...
151 bpm • G Maj • 08:36 • -12.23db
1% Popularity • 29% Danceability • 28% Energy • 36% Liveness
77% Instrumentalness • 17% Positiveness
1% Popularity • 29% Danceability • 28% Energy • 36% Liveness
77% Instrumentalness • 17% Positiveness
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Irving Aaronson and His Commanders
Poor Papa
185 bpm • G# Maj • 03:12 • -11.34db
16% Popularity • 64% Danceability • 16% Energy • 27% Liveness
52% Instrumentalness • 84% Positiveness
16% Popularity • 64% Danceability • 16% Energy • 27% Liveness
52% Instrumentalness • 84% Positiveness
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The Merry Macs
I'm Forever Blowing Bubbles
185 bpm • F Maj • 02:36 • -15.47db
25% Popularity • 60% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
25% Popularity • 60% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Glen Gray
Hindustan
185 bpm • D# Maj • 03:07 • -11.6db
18% Popularity • 45% Danceability • 28% Energy • 31% Liveness
73% Instrumentalness • 76% Positiveness
18% Popularity • 45% Danceability • 28% Energy • 31% Liveness
73% Instrumentalness • 76% Positiveness
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Jack Hylton
If I Had a Talking Picture of You
185 bpm • D# Maj • 03:34 • -15.43db
2% Popularity • 44% Danceability • 25% Energy • 10% Liveness
23% Instrumentalness • 78% Positiveness
2% Popularity • 44% Danceability • 25% Energy • 10% Liveness
23% Instrumentalness • 78% Positiveness
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Henry Hall
Hummin' to Myself
187 bpm • G Maj • 02:57 • -9.63db
21% Popularity • 61% Danceability • 40% Energy • 11% Liveness
5% Instrumentalness • 89% Positiveness
21% Popularity • 61% Danceability • 40% Energy • 11% Liveness
5% Instrumentalness • 89% Positiveness
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Larry Clinton & His Orchestra
Feeling Like A Dream
149 bpm • F Maj • 03:20 • -19.88db
16% Popularity • 52% Danceability • 14% Energy • 13% Liveness
1% Instrumentalness • 54% Positiveness
16% Popularity • 52% Danceability • 14% Energy • 13% Liveness
1% Instrumentalness • 54% Positiveness
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Joe Loss & His Orchestra
Let Him Go Let Him Tarry (Elizabeth Bate...
188 bpm • F Maj • 03:10 • -12.68db
11% Popularity • 59% Danceability • 24% Energy • 37% Liveness
0% Instrumentalness • 84% Positiveness
11% Popularity • 59% Danceability • 24% Energy • 37% Liveness
0% Instrumentalness • 84% Positiveness
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Jimmie Lunceford
Ain't She Sweet
149 bpm • C# Maj • 02:30 • -18.73db
29% Popularity • 76% Danceability • 14% Energy • 11% Liveness
2% Instrumentalness • 70% Positiveness
29% Popularity • 76% Danceability • 14% Energy • 11% Liveness
2% Instrumentalness • 70% Positiveness
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Jack Hylton & His Orchestra
Chinatown, My Chinatown
147 bpm • C Maj • 02:26 • -8.12db
1% Popularity • 71% Danceability • 54% Energy • 9% Liveness
91% Instrumentalness • 92% Positiveness
1% Popularity • 71% Danceability • 54% Energy • 9% Liveness
91% Instrumentalness • 92% Positiveness
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Sid Phillips
Mr Charles
190 bpm • F Maj • 02:26 • -8.78db
35% Popularity • 49% Danceability • 59% Energy • 19% Liveness
79% Instrumentalness • 96% Positiveness
35% Popularity • 49% Danceability • 59% Energy • 19% Liveness
79% Instrumentalness • 96% Positiveness
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Shannon Quartet
Let Me Call You Sweetheart (I'm in Love ...
190 bpm • F Maj • 03:15 • -10.66db
13% Popularity • 23% Danceability • 27% Energy • 26% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 23% Danceability • 27% Energy • 26% Liveness
0% Instrumentalness • 22% Positiveness
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Sophie Tucker
Some of These Days 2
146 bpm • A min • 02:55 • -10db
24% Popularity • 49% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
24% Popularity • 49% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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N/A
Moths around the Candle Flame
146 bpm • C min • 02:15 • -14.11db
1% Popularity • 47% Danceability • 22% Energy • 13% Liveness
50% Instrumentalness • 64% Positiveness
1% Popularity • 47% Danceability • 22% Energy • 13% Liveness
50% Instrumentalness • 64% Positiveness
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Baltimore Bell-Hops
Button up Your Overcoat
191 bpm • G Maj • 02:44 • -11.07db
22% Popularity • 71% Danceability • 36% Energy • 5% Liveness
88% Instrumentalness • 96% Positiveness
22% Popularity • 71% Danceability • 36% Energy • 5% Liveness
88% Instrumentalness • 96% Positiveness
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Rudy Vallee
If You Were the Only Girl in the World (...
145 bpm • C Maj • 02:50 • -14.43db
20% Popularity • 33% Danceability • 15% Energy • 17% Liveness
4% Instrumentalness • 28% Positiveness
20% Popularity • 33% Danceability • 15% Energy • 17% Liveness
4% Instrumentalness • 28% Positiveness
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Betty Hutton
It's a Man
144 bpm • D Maj • 02:29 • -9.77db
21% Popularity • 64% Danceability • 30% Energy • 50% Liveness
0% Instrumentalness • 93% Positiveness
21% Popularity • 64% Danceability • 30% Energy • 50% Liveness
0% Instrumentalness • 93% Positiveness
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Charlie & His Orchestra
Submarines
144 bpm • G min • 02:53 • -15.09db
8% Popularity • 48% Danceability • 24% Energy • 40% Liveness
29% Instrumentalness • 74% Positiveness
8% Popularity • 48% Danceability • 24% Energy • 40% Liveness
29% Instrumentalness • 74% Positiveness
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Larry Clinton
Glen Island Hop
144 bpm • F# Maj • 03:13 • -9.61db
19% Popularity • 67% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
19% Popularity • 67% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Lew Stone & His Band
Just Let Me Look at You
143 bpm • A# Maj • 03:18 • -19db
14% Popularity • 29% Danceability • 15% Energy • 32% Liveness
94% Instrumentalness • 32% Positiveness
14% Popularity • 29% Danceability • 15% Energy • 32% Liveness
94% Instrumentalness • 32% Positiveness
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Joe Loss & His Orchestra
Russian Rose
142 bpm • D min • 02:55 • -22db
7% Popularity • 33% Danceability • 3% Energy • 13% Liveness
49% Instrumentalness • 33% Positiveness
7% Popularity • 33% Danceability • 3% Energy • 13% Liveness
49% Instrumentalness • 33% Positiveness
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Rudy Vallee
Makin' Whoopee
142 bpm • G Maj • 02:57 • -13db
10% Popularity • 55% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
10% Popularity • 55% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Van & Schenck
Magnolia
143 bpm • D Maj • 02:47 • -13db
16% Popularity • 68% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
16% Popularity • 68% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Carmen Lombardo
Footloose and Fancy Free
201 bpm • A# Maj • 03:00 • -12.09db
1% Popularity • 55% Danceability • 47% Energy • 13% Liveness
86% Instrumentalness • 93% Positiveness
1% Popularity • 55% Danceability • 47% Energy • 13% Liveness
86% Instrumentalness • 93% Positiveness
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Coleman Hawkins
The Darktown Strutter's Ball: Darktown S...
201 bpm • G min • 02:41 • -9.25db
1% Popularity • 52% Danceability • 52% Energy • 18% Liveness
84% Instrumentalness • 96% Positiveness
1% Popularity • 52% Danceability • 52% Energy • 18% Liveness
84% Instrumentalness • 96% Positiveness
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Jack Hylton & His Orchestra
It's Not You
199 bpm • G Maj • 02:31 • -22.93db
0% Popularity • 54% Danceability • 10% Energy • 16% Liveness
3% Instrumentalness • 84% Positiveness
0% Popularity • 54% Danceability • 10% Energy • 16% Liveness
3% Instrumentalness • 84% Positiveness
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Larry Clinton & His Orchestra
I Double Dare You
201 bpm • E min • 02:48 • -21.2db
29% Popularity • 54% Danceability • 18% Energy • 19% Liveness
1% Instrumentalness • 84% Positiveness
29% Popularity • 54% Danceability • 18% Energy • 19% Liveness
1% Instrumentalness • 84% Positiveness
► Preview
Four Vagabonds
Rosie The Riveter
201 bpm • F Maj • 02:22 • -12db
22% Popularity • 57% Danceability • 25% Energy • 12% Liveness
1% Instrumentalness • 67% Positiveness
22% Popularity • 57% Danceability • 25% Energy • 12% Liveness
1% Instrumentalness • 67% Positiveness
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Henry Hall
Let's Have Another Cup o' Coffee
201 bpm • D# Maj • 02:37 • -15db
18% Popularity • 62% Danceability • 37% Energy • 12% Liveness
10% Instrumentalness • 88% Positiveness
18% Popularity • 62% Danceability • 37% Energy • 12% Liveness
10% Instrumentalness • 88% Positiveness
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Bunny Berigan
Let's Do It
202 bpm • A# Maj • 03:17 • -9db
12% Popularity • 59% Danceability • 48% Energy • 8% Liveness
90% Instrumentalness • 93% Positiveness
12% Popularity • 59% Danceability • 48% Energy • 8% Liveness
90% Instrumentalness • 93% Positiveness
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Jack Hylton
You'Rethe Cream In My Coffee
202 bpm • D# Maj • 03:09 • -10.42db
11% Popularity • 59% Danceability • 32% Energy • 6% Liveness
62% Instrumentalness • 82% Positiveness
11% Popularity • 59% Danceability • 32% Energy • 6% Liveness
62% Instrumentalness • 82% Positiveness
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The String of Pearls Orchestra
1940"s Medley
204 bpm • C min • 02:44 • -15.15db
21% Popularity • 38% Danceability • 33% Energy • 8% Liveness
4% Instrumentalness • 92% Positiveness
21% Popularity • 38% Danceability • 33% Energy • 8% Liveness
4% Instrumentalness • 92% Positiveness
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Jack Hylton & His Orchestra
It's A Great Life
205 bpm • D# Maj • 02:40 • -21.15db
0% Popularity • 53% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 92% Positiveness
0% Popularity • 53% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 92% Positiveness
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Bob Crosby
Charley, My Boy
206 bpm • D# Maj • 02:31 • -9.84db
27% Popularity • 45% Danceability • 49% Energy • 24% Liveness
4% Instrumentalness • 90% Positiveness
27% Popularity • 45% Danceability • 49% Energy • 24% Liveness
4% Instrumentalness • 90% Positiveness
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George Formby
Chinese Laundry Blues
207 bpm • G# Maj • 02:24 • -14.11db
0% Popularity • 68% Danceability • 33% Energy • 9% Liveness
7% Instrumentalness • 95% Positiveness
0% Popularity • 68% Danceability • 33% Energy • 9% Liveness
7% Instrumentalness • 95% Positiveness
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Flanagan & Allen
We're Gonna Hang Out The Washing On The ...
208 bpm • A# Maj • 02:47 • -15db
12% Popularity • 52% Danceability • 27% Energy • 15% Liveness
23% Instrumentalness • 67% Positiveness
12% Popularity • 52% Danceability • 27% Energy • 15% Liveness
23% Instrumentalness • 67% Positiveness
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Jack Hylton
I Want To Be Bad
202 bpm • D# Maj • 02:58 • -7.55db
4% Popularity • 49% Danceability • 48% Energy • 13% Liveness
1% Instrumentalness • 89% Positiveness
4% Popularity • 49% Danceability • 48% Energy • 13% Liveness
1% Instrumentalness • 89% Positiveness
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W. C. Polla
Dancing Tambourine
209 bpm • G# min • 03:13 • -13.14db
0% Popularity • 51% Danceability • 38% Energy • 21% Liveness
72% Instrumentalness • 82% Positiveness
0% Popularity • 51% Danceability • 38% Energy • 21% Liveness
72% Instrumentalness • 82% Positiveness
