Songs like They All Want You by Lissie
Based on a tempo of (+/- 10%) and a similar genre
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Aidan Hawken
What's the Wait
110 bpm • G Maj • 03:25 • -11.3db
22% Popularity • 52% Danceability • 39% Energy • 12% Liveness
41% Instrumentalness • 41% Positiveness
22% Popularity • 52% Danceability • 39% Energy • 12% Liveness
41% Instrumentalness • 41% Positiveness
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Alex Winston
101 Vultures
110 bpm • B min • 03:46 • -8db
25% Popularity • 57% Danceability • 55% Energy • 58% Liveness
0% Instrumentalness • 29% Positiveness
25% Popularity • 57% Danceability • 55% Energy • 58% Liveness
0% Instrumentalness • 29% Positiveness
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The Boxer Rebellion
You Belong to Me
110 bpm • A# Maj • 03:35 • -11.47db
19% Popularity • 48% Danceability • 25% Energy • 11% Liveness
2% Instrumentalness • 12% Positiveness
19% Popularity • 48% Danceability • 25% Energy • 11% Liveness
2% Instrumentalness • 12% Positiveness
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ZZ Ward
Last Love Song
110 bpm • D# Maj • 03:30 • -6.2db
35% Popularity • 64% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
35% Popularity • 64% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Bess Rogers
What We Want
110 bpm • C# Maj • 03:40 • -10.17db
13% Popularity • 58% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
13% Popularity • 58% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Trent Dabbs & Amy Stroup
Odds of Being Alone
110 bpm • C# Maj • 03:43 • -13.35db
19% Popularity • 61% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
19% Popularity • 61% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Sara Jackson-Holman
Freight Train
110 bpm • E min • 03:34 • -15db
34% Popularity • 33% Danceability • 21% Energy • 13% Liveness
42% Instrumentalness • 6% Positiveness
34% Popularity • 33% Danceability • 21% Energy • 13% Liveness
42% Instrumentalness • 6% Positiveness
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Greg Holden
Following Footsteps
110 bpm • D# Maj • 04:14 • -11.57db
15% Popularity • 40% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
15% Popularity • 40% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Lissie
They All Want You
110 bpm • C min • 03:59 • -9.66db
29% Popularity • 36% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
29% Popularity • 36% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Jade Bird
Does Anybody Know
109 bpm • A# min • 03:27 • -11.12db
47% Popularity • 78% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
47% Popularity • 78% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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The Gaslight Anthem
Break Your Heart
111 bpm • E Maj • 04:20 • -15.35db
39% Popularity • 66% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
39% Popularity • 66% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Dry the River
New Ceremony - Acoustic
111 bpm • D Maj • 04:17 • -10.47db
24% Popularity • 59% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 59% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Aron Wright
And Still, the Darkness Comes
111 bpm • D Maj • 03:26 • -8.14db
17% Popularity • 39% Danceability • 47% Energy • 9% Liveness
4% Instrumentalness • 20% Positiveness
17% Popularity • 39% Danceability • 47% Energy • 9% Liveness
4% Instrumentalness • 20% Positiveness
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Keaton Henson
10am Gare du Nord
109 bpm • C Maj • 03:58 • -12db
37% Popularity • 43% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
37% Popularity • 43% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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James Vincent McMorrow
If I Had A Boat
108 bpm • G Maj • 04:08 • -10db
25% Popularity • 46% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
25% Popularity • 46% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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Jessica Rotter
Stay / Animal Mashup
111 bpm • A min • 04:24 • -9.24db
32% Popularity • 49% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
32% Popularity • 49% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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The Weepies
Crooked Smile
112 bpm • F# Maj • 02:24 • -9db
44% Popularity • 66% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
44% Popularity • 66% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Langhorne Slim
For a Little While
113 bpm • D# Maj • 03:21 • -10db
21% Popularity • 65% Danceability • 39% Energy • 11% Liveness
13% Instrumentalness • 21% Positiveness
21% Popularity • 65% Danceability • 39% Energy • 11% Liveness
13% Instrumentalness • 21% Positiveness
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Florence + The Machine
Shake It Out - MTV Unplugged, 2012
112 bpm • F Maj • 04:38 • -5.66db
45% Popularity • 47% Danceability • 76% Energy • 70% Liveness
0% Instrumentalness • 40% Positiveness
45% Popularity • 47% Danceability • 76% Energy • 70% Liveness
0% Instrumentalness • 40% Positiveness
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Ira Wolf
Alive
113 bpm • A# Maj • 04:09 • -10.84db
20% Popularity • 52% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
20% Popularity • 52% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Regina Spektor
Better - Piano and Voice
107 bpm • F Maj • 03:08 • -6.13db
25% Popularity • 75% Danceability • 29% Energy • 9% Liveness
69% Instrumentalness • 32% Positiveness
25% Popularity • 75% Danceability • 29% Energy • 9% Liveness
69% Instrumentalness • 32% Positiveness
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Natalie Maines
Lover, You Should've Come Over
113 bpm • F Maj • 07:00 • -8.8db
13% Popularity • 37% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
13% Popularity • 37% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Kate Tucker
Where Are You (I Am Already Gone)
107 bpm • C# Maj • 03:43 • -8.55db
16% Popularity • 53% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 53% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Lissie
Hold On, We're Going Home
113 bpm • C Maj • 04:04 • -5.12db
16% Popularity • 32% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
16% Popularity • 32% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Nervous Nellie
You're So Sad
113 bpm • D Maj • 03:42 • -8db
12% Popularity • 50% Danceability • 52% Energy • 31% Liveness
0% Instrumentalness • 31% Positiveness
12% Popularity • 50% Danceability • 52% Energy • 31% Liveness
0% Instrumentalness • 31% Positiveness
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Nerina Pallot
Hold Tight
114 bpm • C Maj • 04:22 • -7.61db
7% Popularity • 58% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
7% Popularity • 58% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Scars On 45
Change My Needs
114 bpm • A Maj • 04:16 • -10.86db
19% Popularity • 61% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
19% Popularity • 61% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Cathedrals
Want My Love (Acoustic)
114 bpm • F# min • 04:19 • -8.75db
20% Popularity • 62% Danceability • 25% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
20% Popularity • 62% Danceability • 25% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
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a-ha
I've Been Losing You - MTV Unplugged
106 bpm • C Maj • 05:04 • -7.79db
37% Popularity • 48% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
37% Popularity • 48% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Tim Jones
24 Hours
106 bpm • C# Maj • 04:14 • -5.78db
6% Popularity • 47% Danceability • 64% Energy • 11% Liveness
34% Instrumentalness • 29% Positiveness
6% Popularity • 47% Danceability • 64% Energy • 11% Liveness
34% Instrumentalness • 29% Positiveness
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Terra Naomi
Say It's Possible
114 bpm • F# min • 03:50 • -8db
22% Popularity • 62% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
22% Popularity • 62% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
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Melissa Ferrick
The Stranger
115 bpm • E Maj • 04:20 • -9db
19% Popularity • 51% Danceability • 49% Energy • 8% Liveness
1% Instrumentalness • 35% Positiveness
19% Popularity • 51% Danceability • 49% Energy • 8% Liveness
1% Instrumentalness • 35% Positiveness
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MS MR
Strings
115 bpm • C# Maj • 03:56 • -14.42db
20% Popularity • 54% Danceability • 15% Energy • 12% Liveness
1% Instrumentalness • 14% Positiveness
20% Popularity • 54% Danceability • 15% Energy • 12% Liveness
1% Instrumentalness • 14% Positiveness
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James Vincent McMorrow
Breaking Hearts
115 bpm • F# min • 04:49 • -9db
12% Popularity • 62% Danceability • 48% Energy • 13% Liveness
87% Instrumentalness • 41% Positiveness
12% Popularity • 62% Danceability • 48% Energy • 13% Liveness
87% Instrumentalness • 41% Positiveness
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Sarah Jaffe
Summer Begs
115 bpm • D# Maj • 04:53 • -9.88db
20% Popularity • 40% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
20% Popularity • 40% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Damien Rice
The Greatest Bastard
105 bpm • D Maj • 05:04 • -14.33db
39% Popularity • 43% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
39% Popularity • 43% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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The Rescues
Crazy Ever After
105 bpm • F Maj • 04:09 • -6db
19% Popularity • 74% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
19% Popularity • 74% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Greg Holden
Boys in the Street
115 bpm • C Maj • 04:14 • -14db
30% Popularity • 58% Danceability • 17% Energy • 4% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 58% Danceability • 17% Energy • 4% Liveness
0% Instrumentalness • 26% Positiveness
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JOSEPH
I Don't Mind
116 bpm • A Maj • 03:22 • -7.49db
24% Popularity • 43% Danceability • 42% Energy • 15% Liveness
3% Instrumentalness • 23% Positiveness
24% Popularity • 43% Danceability • 42% Energy • 15% Liveness
3% Instrumentalness • 23% Positiveness
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Joe Purdy
The City
116 bpm • G Maj • 04:45 • -9db
30% Popularity • 58% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
30% Popularity • 58% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Lucie Silvas
Pull The Stars Down
104 bpm • C Maj • 03:52 • -11.04db
9% Popularity • 51% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
9% Popularity • 51% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Lissie
Castles - Piano Version
116 bpm • E Maj • 03:54 • -10.28db
23% Popularity • 60% Danceability • 19% Energy • 30% Liveness
0% Instrumentalness • 60% Positiveness
23% Popularity • 60% Danceability • 19% Energy • 30% Liveness
0% Instrumentalness • 60% Positiveness
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Florence + The Machine
Breaking Down - MTV Unplugged, 2012
116 bpm • C# Maj • 03:19 • -11.64db
29% Popularity • 51% Danceability • 31% Energy • 94% Liveness
0% Instrumentalness • 19% Positiveness
29% Popularity • 51% Danceability • 31% Energy • 94% Liveness
0% Instrumentalness • 19% Positiveness
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Damien Rice
Colour Me In
116 bpm • D# Maj • 05:18 • -14.06db
43% Popularity • 48% Danceability • 12% Energy • 45% Liveness
0% Instrumentalness • 23% Positiveness
43% Popularity • 48% Danceability • 12% Energy • 45% Liveness
0% Instrumentalness • 23% Positiveness
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Tegan and Sara
My Number
104 bpm • D Maj • 04:09 • -7.38db
34% Popularity • 67% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
34% Popularity • 67% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Shelly Fraley
All That I Wanted
117 bpm • F Maj • 03:39 • -10db
16% Popularity • 58% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
16% Popularity • 58% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Ella Mae Bowen
When You Were Young
117 bpm • D Maj • 03:49 • -6.06db
18% Popularity • 52% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
18% Popularity • 52% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Lissie
Bad Romance
116 bpm • A min • 05:40 • -5.11db
32% Popularity • 41% Danceability • 63% Energy • 69% Liveness
0% Instrumentalness • 26% Positiveness
32% Popularity • 41% Danceability • 63% Energy • 69% Liveness
0% Instrumentalness • 26% Positiveness
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James Vincent McMorrow
Down The Burning Ropes
117 bpm • A# min • 05:00 • -11.59db
8% Popularity • 62% Danceability • 40% Energy • 14% Liveness
1% Instrumentalness • 14% Positiveness
8% Popularity • 62% Danceability • 40% Energy • 14% Liveness
1% Instrumentalness • 14% Positiveness
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Basia Bulat
Paris or Amsterdam
117 bpm • D Maj • 03:05 • -13.73db
29% Popularity • 59% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 59% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Gemma Hayes
Shock To My System
117 bpm • D# Maj • 04:22 • -9.42db
11% Popularity • 56% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
11% Popularity • 56% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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AG
With Or Without You
103 bpm • D# Maj • 03:24 • -11.72db
7% Popularity • 27% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
7% Popularity • 27% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Anna Ternheim
My Heart Still Beats For You
118 bpm • F# min • 04:27 • -12.9db
20% Popularity • 53% Danceability • 19% Energy • 9% Liveness
63% Instrumentalness • 11% Positiveness
20% Popularity • 53% Danceability • 19% Energy • 9% Liveness
63% Instrumentalness • 11% Positiveness
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Lissie
Don't You Give up on Me - Piano Version
117 bpm • C Maj • 04:18 • -8db
25% Popularity • 70% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
25% Popularity • 70% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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James Vincent McMorrow
Follow You Down To The Red Oak Tree
103 bpm • E min • 03:27 • -13.45db
16% Popularity • 48% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
16% Popularity • 48% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Tailor
Shaped Like a Gun
103 bpm • C Maj • 04:45 • -9.19db
14% Popularity • 51% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
14% Popularity • 51% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Foy Vance
It Was Good
118 bpm • D Maj • 04:00 • -12.72db
14% Popularity • 56% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
14% Popularity • 56% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Branches
Sleeper
118 bpm • B Maj • 04:35 • -10.24db
9% Popularity • 58% Danceability • 31% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
9% Popularity • 58% Danceability • 31% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
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Michael Logen
Breaking Your Own Heart
118 bpm • G Maj • 03:44 • -12.16db
10% Popularity • 47% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
10% Popularity • 47% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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David Ramirez
Fires
118 bpm • G Maj • 07:39 • -10db
19% Popularity • 54% Danceability • 52% Energy • 15% Liveness
11% Instrumentalness • 21% Positiveness
19% Popularity • 54% Danceability • 52% Energy • 15% Liveness
11% Instrumentalness • 21% Positiveness
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Luke Sital-Singh
21st Century Heartbeat
118 bpm • D Maj • 03:25 • -7.93db
18% Popularity • 71% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
18% Popularity • 71% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Lissie
Daughters - Piano Version
118 bpm • D min • 03:49 • -8.38db
22% Popularity • 64% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
22% Popularity • 64% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Brooke Annibale
Yours and Mine
102 bpm • A min • 04:17 • -10db
11% Popularity • 54% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
11% Popularity • 54% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Rosi Golan
Can't Go Back
119 bpm • D# Maj • 03:47 • -11db
39% Popularity • 56% Danceability • 24% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
39% Popularity • 56% Danceability • 24% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
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Sarah Jaffe
Better Than Nothing
119 bpm • F# min • 03:52 • -11.37db
13% Popularity • 40% Danceability • 37% Energy • 15% Liveness
2% Instrumentalness • 18% Positiveness
13% Popularity • 40% Danceability • 37% Energy • 15% Liveness
2% Instrumentalness • 18% Positiveness
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Early Morning Rebel
Life Boat
119 bpm • G Maj • 03:01 • -6.1db
23% Popularity • 60% Danceability • 30% Energy • 12% Liveness
4% Instrumentalness • 6% Positiveness
23% Popularity • 60% Danceability • 30% Energy • 12% Liveness
4% Instrumentalness • 6% Positiveness
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Vanessa Carlton
Willows
119 bpm • A Maj • 02:53 • -10.01db
4% Popularity • 52% Danceability • 44% Energy • 11% Liveness
1% Instrumentalness • 42% Positiveness
4% Popularity • 52% Danceability • 44% Energy • 11% Liveness
1% Instrumentalness • 42% Positiveness
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Lissie
Cowboy Take Me Away - Piano Version
102 bpm • E Maj • 04:14 • -8.31db
31% Popularity • 51% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
31% Popularity • 51% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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A Fine Frenzy
Almost Lover
120 bpm • C Maj • 04:28 • -7.78db
51% Popularity • 55% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
51% Popularity • 55% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Rosi Golan
Flicker
119 bpm • C Maj • 03:47 • -10db
22% Popularity • 68% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
22% Popularity • 68% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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The Staves
Gone Tomorrow
101 bpm • A Maj • 03:27 • -15.17db
30% Popularity • 58% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 9% Positiveness
30% Popularity • 58% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 9% Positiveness
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Adam Haworth Stephens
Heights Of Diamond
120 bpm • D# Maj • 03:52 • -9.52db
11% Popularity • 57% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
11% Popularity • 57% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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The Rescues
My Heart With You
120 bpm • C# Maj • 04:24 • -15.98db
32% Popularity • 40% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
32% Popularity • 40% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Hi Ho Silver Oh
Time to Move On (Tom Petty cover)
120 bpm • F# Maj • 05:07 • -14.69db
20% Popularity • 49% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
20% Popularity • 49% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Thom Hell
She's Like the Wind
120 bpm • F# min • 04:37 • -9.77db
6% Popularity • 46% Danceability • 24% Energy • 9% Liveness
65% Instrumentalness • 6% Positiveness
6% Popularity • 46% Danceability • 24% Energy • 9% Liveness
65% Instrumentalness • 6% Positiveness
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Joy Williams
Not Good Enough
120 bpm • C# Maj • 04:11 • -10.03db
15% Popularity • 59% Danceability • 36% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
15% Popularity • 59% Danceability • 36% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Zola Jesus
Lick the Palm of the Burning Handshake
120 bpm • G Maj • 04:27 • -8.88db
30% Popularity • 57% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 57% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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The Strange Familiar
Alibi
120 bpm • C Maj • 03:13 • -13.21db
18% Popularity • 52% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
18% Popularity • 52% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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The Jezabels
She's So Hard
120 bpm • A# Maj • 04:34 • -13.15db
28% Popularity • 28% Danceability • 36% Energy • 7% Liveness
26% Instrumentalness • 26% Positiveness
28% Popularity • 28% Danceability • 36% Energy • 7% Liveness
26% Instrumentalness • 26% Positiveness
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Lissie
I Bet on You
120 bpm • G# Maj • 04:33 • -6.38db
20% Popularity • 64% Danceability • 63% Energy • 3% Liveness
0% Instrumentalness • 28% Positiveness
20% Popularity • 64% Danceability • 63% Energy • 3% Liveness
0% Instrumentalness • 28% Positiveness
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The Pierces
The One I Want
120 bpm • B min • 03:28 • -8.1db
16% Popularity • 51% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
16% Popularity • 51% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Rachael Yamagata
The Reason Why
120 bpm • A# Maj • 05:09 • -9.84db
21% Popularity • 48% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
21% Popularity • 48% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Nico Stai
Maybe Maybe
120 bpm • D# Maj • 03:12 • -17db
22% Popularity • 52% Danceability • 19% Energy • 12% Liveness
4% Instrumentalness • 40% Positiveness
22% Popularity • 52% Danceability • 19% Energy • 12% Liveness
4% Instrumentalness • 40% Positiveness
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Luke Sital-Singh
Benediction
121 bpm • D Maj • 03:39 • -11.37db
28% Popularity • 42% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
28% Popularity • 42% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Wyvern Lingo
The Widow Knows
100 bpm • C Maj • 04:00 • -7.29db
10% Popularity • 70% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
10% Popularity • 70% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Lissie
They All Want You
121 bpm • F Maj • 03:52 • -12.2db
11% Popularity • 59% Danceability • 22% Energy • 70% Liveness
0% Instrumentalness • 40% Positiveness
11% Popularity • 59% Danceability • 22% Energy • 70% Liveness
0% Instrumentalness • 40% Positiveness
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Grace Potter & The Nocturnals
Timekeeper
100 bpm • D min • 04:39 • -6.28db
26% Popularity • 59% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 59% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Wallis Bird
All For You
121 bpm • E Maj • 05:23 • -11.57db
13% Popularity • 59% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 59% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Michelle Featherstone
Coffee and Cigarettes
121 bpm • A min • 04:56 • -20.04db
22% Popularity • 50% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
22% Popularity • 50% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Sera Cahoone
Worry All Your Life
122 bpm • D Maj • 04:14 • -11.44db
12% Popularity • 55% Danceability • 32% Energy • 12% Liveness
6% Instrumentalness • 22% Positiveness
12% Popularity • 55% Danceability • 32% Energy • 12% Liveness
6% Instrumentalness • 22% Positiveness
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Ray LaMontagne
Burn
100 bpm • C Maj • 02:51 • -15db
43% Popularity • 52% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
43% Popularity • 52% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Lissie
Oh Mississippi
100 bpm • D# Maj • 03:22 • -8.32db
24% Popularity • 36% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
24% Popularity • 36% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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A Fine Frenzy
Come On, Come Out
122 bpm • C Maj • 03:35 • -5db
25% Popularity • 49% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 49% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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James Vincent McMorrow
And If My Heart Should Somehow Stop
122 bpm • D Maj • 04:34 • -9.82db
12% Popularity • 57% Danceability • 43% Energy • 16% Liveness
42% Instrumentalness • 21% Positiveness
12% Popularity • 57% Danceability • 43% Energy • 16% Liveness
42% Instrumentalness • 21% Positiveness
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You+Me
Love Gone Wrong
123 bpm • B min • 04:21 • -9.55db
36% Popularity • 52% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
36% Popularity • 52% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Tired Pony
Your Way Is The Way Home
123 bpm • C Maj • 04:16 • -9.82db
14% Popularity • 62% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
14% Popularity • 62% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Morgan Page
The Longest Road To The Ground - Mixed
122 bpm • D# min • 04:28 • -8.45db
5% Popularity • 58% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
5% Popularity • 58% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Elizabeth & the Catapult
Do Not Hang Your Head
123 bpm • F Maj • 04:57 • -13db
10% Popularity • 24% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
10% Popularity • 24% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
