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They Always Do
Songs like
They Always Do
by
Ashland Craft
Based on a tempo of (+/- 10%) and a similar genre
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Trea Landon
Wrong Truck
135 bpm • G min • 03:16 • -3.71db
22% Popularity • 65% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Rachel Wammack
What He Does
135 bpm • F# Maj • 03:29 • -5db
24% Popularity • 51% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Ashland Craft
They Always Do
135 bpm • A# Maj • 03:19 • -6.06db
19% Popularity • 57% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Chase Rice
Messy
135 bpm • C Maj • 03:26 • -7.94db
37% Popularity • 40% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Drew Parker
California Ain't for Ya
136 bpm • C Maj • 03:42 • -7.16db
26% Popularity • 55% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Caylee Hammack
Just Like You
134 bpm • B min • 03:27 • -5.08db
17% Popularity • 64% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Josh Gracin
Lucky Stars
136 bpm • D Maj • 03:15 • -4.08db
20% Popularity • 50% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 37% Positiveness
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Tenille Arts
Alabama
136 bpm • E Maj • 03:29 • -4.94db
25% Popularity • 66% Danceability • 67% Energy • 21% Liveness
0% Instrumentalness • 63% Positiveness
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Ashland Craft
Danced With the Devil
136 bpm • C Maj • 03:37 • -7.75db
20% Popularity • 53% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Carter Faith
Leaving Tennessee
134 bpm • D# Maj • 03:27 • -6.92db
40% Popularity • 66% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Carlton Anderson
Keep Abilene Beautiful
136 bpm • D Maj • 04:00 • -6.3db
20% Popularity • 53% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Payton Smith
Creek Don’t Rise
136 bpm • B Maj • 02:59 • -4.49db
28% Popularity • 62% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Darrell Rae
Proofs in the Bourbon
136 bpm • B min • 03:27 • -4.57db
26% Popularity • 61% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Murphy Elmore
Everywhere Is You
136 bpm • F# Maj • 03:33 • -6db
16% Popularity • 50% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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Ashland Craft
Kiss Me When You're Sober
136 bpm • B Maj • 04:49 • -6.39db
16% Popularity • 66% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Chris Colston
Lovin' You's Like
136 bpm • G# Maj • 03:25 • -6db
15% Popularity • 51% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Andrew Hyatt
I Needed That
134 bpm • G Maj • 03:18 • -8.1db
24% Popularity • 56% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Faren Rachels
If I'm Being Honest
134 bpm • G# Maj • 03:25 • -4.64db
17% Popularity • 55% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Caleb Kennedy
It'll Catch Up With Me Someday
134 bpm • G# Maj • 03:34 • -4.52db
30% Popularity • 56% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 40% Positiveness
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Brian Callihan
Broke It Down
136 bpm • G Maj • 03:20 • -4.07db
16% Popularity • 62% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Ashland Craft
Last 20 Dollars
136 bpm • B Maj • 03:22 • -4.92db
20% Popularity • 55% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
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LANCO
Near Mrs.
136 bpm • G Maj • 04:17 • -3.79db
31% Popularity • 55% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
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Ryan Griffin
What's Money
136 bpm • C Maj • 03:15 • -4db
24% Popularity • 73% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 81% Positiveness
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Payton Smith
This Ain’t That Song
133 bpm • E Maj • 03:26 • -4.84db
22% Popularity • 64% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
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Caleb Kennedy
Why Did You Leave Like That
134 bpm • C min • 03:53 • -3.96db
28% Popularity • 60% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Trea Landon
Taking Me Back
137 bpm • A Maj • 03:31 • -4.12db
14% Popularity • 63% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Ashland Craft
Trainwreck
134 bpm • B Maj • 03:30 • -6.21db
22% Popularity • 52% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 13% Positiveness
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Catie Offerman
Get A Dog
137 bpm • C Maj • 03:18 • -5.55db
26% Popularity • 48% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Hunter Phelps
Take Me to Heaven
137 bpm • A Maj • 03:18 • -5.23db
25% Popularity • 48% Danceability • 69% Energy • 33% Liveness
0% Instrumentalness • 60% Positiveness
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Cameron Byfield
Spin You Back to Me
138 bpm • G# Maj • 03:42 • -10.21db
23% Popularity • 54% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Dillon Carmichael
It's Your Fault
138 bpm • B Maj • 03:43 • -6.76db
18% Popularity • 62% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Easton Corbin
Before You Wish You Had
132 bpm • D Maj • 03:10 • -8.07db
21% Popularity • 62% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
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Lakeview
She Drove Me To The Bar
132 bpm • G# Maj • 03:08 • -5.69db
28% Popularity • 56% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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HIXTAPE
I Smoke Weed
138 bpm • C min • 04:19 • -6.12db
38% Popularity • 65% Danceability • 68% Energy • 70% Liveness
0% Instrumentalness • 61% Positiveness
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Faren Rachels
On Paper
138 bpm • E Maj • 03:28 • -6.49db
27% Popularity • 62% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Kasey Tyndall
Babies
138 bpm • D min • 02:59 • -3.72db
24% Popularity • 61% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Chase Rice
Bedroom
132 bpm • E min • 02:59 • -4.52db
28% Popularity • 58% Danceability • 84% Energy • 38% Liveness
0% Instrumentalness • 54% Positiveness
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Travis Denning
David Ashley Parker From Powder Springs ...
138 bpm • F Maj • 03:20 • -5.66db
33% Popularity • 67% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 84% Positiveness
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Tucker Beathard
Faithful
138 bpm • G min • 03:29 • -6.89db
25% Popularity • 65% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
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Miranda Lambert
Fire Escape
138 bpm • G# min • 03:49 • -6.12db
30% Popularity • 59% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Caleb Kennedy
I Miss My Buddies
132 bpm • F# Maj • 03:41 • -3.25db
27% Popularity • 59% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Jenna Paulette
F-150
138 bpm • D min • 03:11 • -4.01db
27% Popularity • 53% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Grant Gilbert
I'm Buying
132 bpm • G Maj • 03:40 • -4.96db
15% Popularity • 54% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Chris Bandi
Free
132 bpm • E Maj • 03:11 • -5.75db
16% Popularity • 60% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Tucker Beathard
20/10 TN
138 bpm • D# Maj • 03:25 • -6.42db
39% Popularity • 66% Danceability • 53% Energy • 38% Liveness
0% Instrumentalness • 17% Positiveness
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Blane Rudd
Workin' on Me Waitin' on You
132 bpm • G# Maj • 03:36 • -5.16db
27% Popularity • 54% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Tyler Farr
I Wish Dogs Could Live Forever
132 bpm • G# Maj • 03:10 • -5.82db
32% Popularity • 47% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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James Barker Band
Mama's Cooking
138 bpm • D Maj • 04:07 • -4.23db
14% Popularity • 53% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Kasey Tyndall
Place for Me
132 bpm • D Maj • 03:12 • -5.07db
36% Popularity • 68% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 16% Positiveness
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Ryan Hurd
Good as You Think I Am
138 bpm • A Maj • 03:36 • -5.41db
22% Popularity • 42% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Faren Rachels
Bad Whiskey
139 bpm • D# Maj • 03:57 • -5.74db
19% Popularity • 34% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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Caylee Hammack
Looking For A Lighter
139 bpm • F Maj • 03:03 • -9.71db
28% Popularity • 69% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Lauren Alaina
If I Was A Beer
131 bpm • D Maj • 03:10 • -4.61db
21% Popularity • 66% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
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Danielle Bradbery
Girls In My Hometown
139 bpm • D Maj • 03:13 • -8.29db
22% Popularity • 57% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Ashland Craft
When A Cowboy's Heart Breaks
140 bpm • D Maj • 03:45 • -8.06db
11% Popularity • 40% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
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Taylor Austin Dye
Like You Do
140 bpm • D Maj • 03:49 • -4.53db
23% Popularity • 52% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 27% Positiveness
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Lindsay James
Pick Me
140 bpm • D Maj • 03:06 • -5.12db
23% Popularity • 56% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Kylie Frey
Ain't Enough Beer
140 bpm • B Maj • 03:12 • -4.89db
19% Popularity • 52% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Faren Rachels
Smoke
140 bpm • A Maj • 03:10 • -5.55db
19% Popularity • 59% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Adam Doleac
Mom and Daddy's Money
140 bpm • G Maj • 03:33 • -6.15db
23% Popularity • 63% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Chris Bandi
Leave It To A Song
140 bpm • E Maj • 03:06 • -5.04db
16% Popularity • 60% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Teddy Robb
Tell Me How
140 bpm • G# Maj • 03:23 • -6.04db
21% Popularity • 50% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Renee Blair
Soon As I'm Happy
140 bpm • G# Maj • 03:30 • -4db
24% Popularity • 71% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Jordan Rowe
Homestands and Church Pews
140 bpm • B Maj • 03:50 • -7.74db
21% Popularity • 57% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Noah Hicks
Raised on the Radio
140 bpm • G Maj • 03:54 • -6.03db
28% Popularity • 52% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Mae Estes
Your Hands
140 bpm • G Maj • 03:16 • -6.58db
30% Popularity • 54% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Drew Parker
Just Asking
130 bpm • D# Maj • 03:26 • -4.73db
29% Popularity • 57% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
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Stephanie Quayle
By Heart
130 bpm • E Maj • 03:29 • -6db
19% Popularity • 61% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Maddie & Tae
One Heart To Another
130 bpm • F# Maj • 03:38 • -7.5db
31% Popularity • 64% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Haley Mae Campbell
Anything but Yellow
130 bpm • F Maj • 03:00 • -6.04db
21% Popularity • 68% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
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Chris Colston
Drive (Acoustic)
130 bpm • C# Maj • 05:02 • -10.31db
24% Popularity • 51% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Tyler Ruef
Whiskey Talkin'
130 bpm • A Maj • 03:30 • -6.43db
11% Popularity • 66% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Jade Eagleson
Whiskey Tonight
130 bpm • E Maj • 03:07 • -6db
28% Popularity • 53% Danceability • 57% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
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Chad Douglas
Angel Wings
129 bpm • A# Maj • 03:40 • -16db
23% Popularity • 60% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Old Dominion
Make You Miss Me
141 bpm • G Maj • 03:36 • -9db
38% Popularity • 51% Danceability • 40% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
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Restless Road
All the Girls
129 bpm • F min • 03:28 • -5db
29% Popularity • 52% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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Joey Greer
Can't Outrun the Thought of You
129 bpm • G# Maj • 04:25 • -5db
19% Popularity • 51% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Holly Beth
Torn
142 bpm • D min • 04:05 • -4.89db
10% Popularity • 46% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Mae Estes
Run - Recycled
142 bpm • C# min • 03:23 • -6.31db
21% Popularity • 58% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Meghan Patrick
Greatest Show On Dirt
142 bpm • C# Maj • 03:14 • -6.39db
30% Popularity • 48% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Faren Rachels
If It Ain't Fixed
142 bpm • F Maj • 03:27 • -6db
12% Popularity • 50% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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TracieLynn
A Man Won't
142 bpm • C Maj • 02:45 • -5.47db
13% Popularity • 59% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Tyler Chambers
I Saw Your Car
142 bpm • D# Maj • 03:31 • -4.41db
25% Popularity • 52% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Blane Howard
She's a Mess
142 bpm • E Maj • 04:57 • -4.5db
29% Popularity • 57% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
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Brian Callihan
Same Thing She Told Me
142 bpm • C# Maj • 03:23 • -3.29db
21% Popularity • 62% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Ashland Craft
That's The Kinda Place
142 bpm • C# Maj • 03:39 • -5.51db
20% Popularity • 46% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 63% Positiveness
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Stephen Paul
Leaving Louisiana
142 bpm • F# Maj • 03:35 • -6db
26% Popularity • 55% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Tucker Beathard
Better Than Me
142 bpm • C# Maj • 03:24 • -3.22db
29% Popularity • 54% Danceability • 87% Energy • 30% Liveness
0% Instrumentalness • 44% Positiveness
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Troy Cartwright
Love Like We Used To
142 bpm • D Maj • 03:08 • -4.72db
23% Popularity • 52% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Kylie Morgan
Easy To Forget
142 bpm • B Maj • 03:34 • -4db
26% Popularity • 64% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 67% Positiveness
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Travis Denning
Beer's Better Cold
142 bpm • F Maj • 02:58 • -5.61db
23% Popularity • 63% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Ashland Craft
Make It Past Georgia
142 bpm • A# Maj • 03:21 • -5.05db
37% Popularity • 56% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Smithfield
If It Ain't You
142 bpm • C Maj • 03:25 • -13.36db
36% Popularity • 36% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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HARDY
SO CLOSE
128 bpm • C Maj • 03:45 • -4.38db
44% Popularity • 54% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Luke Pell
Real
128 bpm • F# Maj • 03:01 • -5.21db
11% Popularity • 65% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Lauren Alaina
Bar Back
128 bpm • B Maj • 03:20 • -5db
27% Popularity • 77% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Mackenzie Carpenter
Can't Nobody - Acoustic
143 bpm • C# Maj • 03:24 • -6db
25% Popularity • 56% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 43% Positiveness
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Ashland Craft
Come Down
128 bpm • G# Maj • 03:28 • -5.2db
14% Popularity • 49% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Triston Marez
Darlin' - Acoustic
143 bpm • B Maj • 04:10 • -10db
38% Popularity • 58% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Walker Montgomery
You Heard It Here First
143 bpm • B Maj • 03:30 • -5.56db
27% Popularity • 58% Danceability • 70% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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They Always Do