Songs like They Don't Care About Us by David Garrett
Based on a tempo of (+/- 10%) and a similar genre
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David Garrett
They Don't Care About Us
90 bpm • C Maj • 03:40 • -6.07db
37% Popularity • 73% Danceability • 92% Energy • 9% Liveness
86% Instrumentalness • 59% Positiveness
37% Popularity • 73% Danceability • 92% Energy • 9% Liveness
86% Instrumentalness • 59% Positiveness
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Amadeus
Rock Me
90 bpm • A min • 03:04 • -5.29db
35% Popularity • 56% Danceability • 85% Energy • 20% Liveness
2% Instrumentalness • 42% Positiveness
35% Popularity • 56% Danceability • 85% Energy • 20% Liveness
2% Instrumentalness • 42% Positiveness
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Scott Benson Band
Cassiel's Tears
90 bpm • A min • 03:43 • -9.65db
22% Popularity • 43% Danceability • 65% Energy • 8% Liveness
61% Instrumentalness • 7% Positiveness
22% Popularity • 43% Danceability • 65% Energy • 8% Liveness
61% Instrumentalness • 7% Positiveness
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John Williams
Schindler's List: Theme
90 bpm • D min • 04:06 • -20.57db
24% Popularity • 12% Danceability • 12% Energy • 12% Liveness
80% Instrumentalness • 6% Positiveness
24% Popularity • 12% Danceability • 12% Energy • 12% Liveness
80% Instrumentalness • 6% Positiveness
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Karl Jenkins
Palladio: I. Allegretto
90 bpm • D min • 03:49 • -17db
32% Popularity • 47% Danceability • 36% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
32% Popularity • 47% Danceability • 36% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
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Ken Poolar
Tennessee - Pearl Harbor Theme Song On P...
90 bpm • C Maj • 04:10 • -11.46db
25% Popularity • 78% Danceability • 31% Energy • 10% Liveness
96% Instrumentalness • 27% Positiveness
25% Popularity • 78% Danceability • 31% Energy • 10% Liveness
96% Instrumentalness • 27% Positiveness
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David Garrett
Bitter Sweet Symphony
90 bpm • A Maj • 03:41 • -6.05db
49% Popularity • 63% Danceability • 71% Energy • 14% Liveness
72% Instrumentalness • 31% Positiveness
49% Popularity • 63% Danceability • 71% Energy • 14% Liveness
72% Instrumentalness • 31% Positiveness
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Helen Jane Long
Journey
90 bpm • E min • 02:08 • -14.86db
42% Popularity • 30% Danceability • 28% Energy • 13% Liveness
97% Instrumentalness • 15% Positiveness
42% Popularity • 30% Danceability • 28% Energy • 13% Liveness
97% Instrumentalness • 15% Positiveness
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Amadeus
Epilogue
90 bpm • A# Maj • 01:39 • -13.31db
32% Popularity • 33% Danceability • 28% Energy • 11% Liveness
78% Instrumentalness • 3% Positiveness
32% Popularity • 33% Danceability • 28% Energy • 11% Liveness
78% Instrumentalness • 3% Positiveness
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George Frideric Handel
Handel's Minuet
90 bpm • D# Maj • 03:50 • -9.28db
15% Popularity • 16% Danceability • 39% Energy • 9% Liveness
52% Instrumentalness • 26% Positiveness
15% Popularity • 16% Danceability • 39% Energy • 9% Liveness
52% Instrumentalness • 26% Positiveness
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William Joseph & Lindsey Stirling
Halo Theme Song
90 bpm • E min • 03:56 • -9.54db
40% Popularity • 25% Danceability • 62% Energy • 11% Liveness
7% Instrumentalness • 11% Positiveness
40% Popularity • 25% Danceability • 62% Energy • 11% Liveness
7% Instrumentalness • 11% Positiveness
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Mercuzio Pianist
Casper's Lullaby
91 bpm • E min • 05:29 • -27.34db
19% Popularity • 39% Danceability • 3% Energy • 7% Liveness
95% Instrumentalness • 8% Positiveness
19% Popularity • 39% Danceability • 3% Energy • 7% Liveness
95% Instrumentalness • 8% Positiveness
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Ludovico Einaudi
Introductio Ad Regnum Tarantulae
91 bpm • C Maj • 04:19 • -12.04db
24% Popularity • 11% Danceability • 37% Energy • 21% Liveness
95% Instrumentalness • 3% Positiveness
24% Popularity • 11% Danceability • 37% Energy • 21% Liveness
95% Instrumentalness • 3% Positiveness
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David Garrett
Concerto No. 1 (In B Flat Minor, Op. 23 ...
89 bpm • C# Maj • 03:13 • -5.79db
23% Popularity • 42% Danceability • 70% Energy • 12% Liveness
89% Instrumentalness • 41% Positiveness
23% Popularity • 42% Danceability • 70% Energy • 12% Liveness
89% Instrumentalness • 41% Positiveness
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Christopher Tin
Flocks a Mile Wide
89 bpm • A Maj • 05:16 • -18.35db
32% Popularity • 10% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
32% Popularity • 10% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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DuoViolins
Someone You Loved
91 bpm • D Maj • 03:02 • -11.22db
29% Popularity • 39% Danceability • 33% Energy • 8% Liveness
75% Instrumentalness • 31% Positiveness
29% Popularity • 39% Danceability • 33% Energy • 8% Liveness
75% Instrumentalness • 31% Positiveness
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Roberto Cacciapaglia
Seconda navigazione
89 bpm • B min • 03:51 • -13.93db
38% Popularity • 32% Danceability • 26% Energy • 10% Liveness
92% Instrumentalness • 19% Positiveness
38% Popularity • 32% Danceability • 26% Energy • 10% Liveness
92% Instrumentalness • 19% Positiveness
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Escala
Palladio
91 bpm • D min • 03:54 • -5.01db
45% Popularity • 59% Danceability • 87% Energy • 9% Liveness
88% Instrumentalness • 35% Positiveness
45% Popularity • 59% Danceability • 87% Energy • 9% Liveness
88% Instrumentalness • 35% Positiveness
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Hans Zimmer
503
92 bpm • D min • 02:14 • -11.74db
50% Popularity • 28% Danceability • 48% Energy • 48% Liveness
78% Instrumentalness • 4% Positiveness
50% Popularity • 28% Danceability • 48% Energy • 48% Liveness
78% Instrumentalness • 4% Positiveness
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Ludovico Einaudi
Divenire
88 bpm • G Maj • 06:42 • -15.3db
60% Popularity • 14% Danceability • 22% Energy • 7% Liveness
86% Instrumentalness • 8% Positiveness
60% Popularity • 14% Danceability • 22% Energy • 7% Liveness
86% Instrumentalness • 8% Positiveness
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Bevani
Rue's Whistle Song
92 bpm • G min • 02:28 • -9.38db
15% Popularity • 25% Danceability • 28% Energy • 8% Liveness
94% Instrumentalness • 13% Positiveness
15% Popularity • 25% Danceability • 28% Energy • 8% Liveness
94% Instrumentalness • 13% Positiveness
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David Garrett
Dangerous
92 bpm • E min • 03:54 • -6.63db
44% Popularity • 53% Danceability • 79% Energy • 17% Liveness
38% Instrumentalness • 22% Positiveness
44% Popularity • 53% Danceability • 79% Energy • 17% Liveness
38% Instrumentalness • 22% Positiveness
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Edward Elgar
Pomp And Circumstance March No 1
88 bpm • D Maj • 05:34 • -17.6db
37% Popularity • 20% Danceability • 26% Energy • 14% Liveness
85% Instrumentalness • 31% Positiveness
37% Popularity • 20% Danceability • 26% Energy • 14% Liveness
85% Instrumentalness • 31% Positiveness
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Eric Speed
Discovering Powers
87 bpm • A min • 03:46 • -5.19db
19% Popularity • 37% Danceability • 82% Energy • 8% Liveness
81% Instrumentalness • 32% Positiveness
19% Popularity • 37% Danceability • 82% Energy • 8% Liveness
81% Instrumentalness • 32% Positiveness
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Davit Matevosyan
Anastasia
92 bpm • B min • 02:45 • -10.83db
15% Popularity • 17% Danceability • 25% Energy • 10% Liveness
82% Instrumentalness • 6% Positiveness
15% Popularity • 17% Danceability • 25% Energy • 10% Liveness
82% Instrumentalness • 6% Positiveness
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Whisper of Dawn
Sound of an Angel
87 bpm • D# Maj • 08:35 • -12.99db
17% Popularity • 22% Danceability • 17% Energy • 12% Liveness
12% Instrumentalness • 14% Positiveness
17% Popularity • 22% Danceability • 17% Energy • 12% Liveness
12% Instrumentalness • 14% Positiveness
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DuoViolins
Ain't Nobody
93 bpm • E min • 02:50 • -8.57db
28% Popularity • 60% Danceability • 55% Energy • 32% Liveness
1% Instrumentalness • 80% Positiveness
28% Popularity • 60% Danceability • 55% Energy • 32% Liveness
1% Instrumentalness • 80% Positiveness
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Edvard Grieg
Grieg: Peer Gynt, Op. 23, Act 2: No. 7, ...
87 bpm • B min • 02:16 • -18db
16% Popularity • 35% Danceability • 25% Energy • 8% Liveness
93% Instrumentalness • 58% Positiveness
16% Popularity • 35% Danceability • 25% Energy • 8% Liveness
93% Instrumentalness • 58% Positiveness
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Felix Mendelssohn
6 Lieder, Op. 34: II. Auf Flügeln des G...
93 bpm • G# Maj • 03:05 • -10.5db
20% Popularity • 29% Danceability • 37% Energy • 12% Liveness
46% Instrumentalness • 29% Positiveness
20% Popularity • 29% Danceability • 37% Energy • 12% Liveness
46% Instrumentalness • 29% Positiveness
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Chris Bowler
Katyusha
93 bpm • B min • 03:27 • -14.09db
8% Popularity • 26% Danceability • 30% Energy • 11% Liveness
95% Instrumentalness • 5% Positiveness
8% Popularity • 26% Danceability • 30% Energy • 11% Liveness
95% Instrumentalness • 5% Positiveness
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Johannes Brahms
Brahms: Violin Concerto in D Major, Op. ...
87 bpm • D Maj • 08:20 • -23.1db
13% Popularity • 38% Danceability • 9% Energy • 15% Liveness
60% Instrumentalness • 35% Positiveness
13% Popularity • 38% Danceability • 9% Energy • 15% Liveness
60% Instrumentalness • 35% Positiveness
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Cello Fury
Nightfall
94 bpm • C Maj • 03:50 • -7.86db
8% Popularity • 12% Danceability • 30% Energy • 11% Liveness
4% Instrumentalness • 31% Positiveness
8% Popularity • 12% Danceability • 30% Energy • 11% Liveness
4% Instrumentalness • 31% Positiveness
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Cristina Kiseleff
Mission Impossible Theme
94 bpm • G Maj • 01:55 • -2.65db
16% Popularity • 52% Danceability • 84% Energy • 11% Liveness
85% Instrumentalness • 58% Positiveness
16% Popularity • 52% Danceability • 84% Energy • 11% Liveness
85% Instrumentalness • 58% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 1. 4 - I Dovregubben...
94 bpm • B min • 02:49 • -19.8db
16% Popularity • 38% Danceability • 10% Energy • 9% Liveness
95% Instrumentalness • 22% Positiveness
16% Popularity • 38% Danceability • 10% Energy • 9% Liveness
95% Instrumentalness • 22% Positiveness
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Pietro Mascagni
Intermezzo From Cavalleria Rusticana
86 bpm • F Maj • 03:19 • -21.17db
39% Popularity • 9% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
39% Popularity • 9% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Roberto Cacciapaglia
Tree of Life Suite: Fiamme
86 bpm • C Maj • 02:06 • -11.99db
31% Popularity • 20% Danceability • 37% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
31% Popularity • 20% Danceability • 37% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
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Royal Philharmonic Orchestra
I See The Light
94 bpm • F Maj • 03:52 • -16.48db
49% Popularity • 14% Danceability • 21% Energy • 17% Liveness
76% Instrumentalness • 6% Positiveness
49% Popularity • 14% Danceability • 21% Energy • 17% Liveness
76% Instrumentalness • 6% Positiveness
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Cello Fury
Revolution: III. Victorious
94 bpm • F# min • 03:19 • -5.94db
13% Popularity • 33% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
13% Popularity • 33% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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John Barry
Dances with Wolves: The John Dunbar Them...
86 bpm • F Maj • 03:51 • -15.32db
21% Popularity • 12% Danceability • 32% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
21% Popularity • 12% Danceability • 32% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
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Sergei Rachmaninoff
Rhapsody on a Theme of Paganini, Op. 43 ...
85 bpm • C# Maj • 03:08 • -19db
15% Popularity • 10% Danceability • 15% Energy • 15% Liveness
35% Instrumentalness • 4% Positiveness
15% Popularity • 10% Danceability • 15% Energy • 15% Liveness
35% Instrumentalness • 4% Positiveness
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Frédéric Chopin
Nocturne No. 2 in E-Flat Major, Op. 9 No...
86 bpm • A Maj • 04:33 • -26db
34% Popularity • 18% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
34% Popularity • 18% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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Amadeus
Perfect
95 bpm • G Maj • 04:18 • -11.44db
27% Popularity • 50% Danceability • 39% Energy • 12% Liveness
17% Instrumentalness • 14% Positiveness
27% Popularity • 50% Danceability • 39% Energy • 12% Liveness
17% Instrumentalness • 14% Positiveness
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Karl Jenkins
Jenkins: Palladio
95 bpm • D min • 03:38 • -19db
38% Popularity • 48% Danceability • 29% Energy • 9% Liveness
85% Instrumentalness • 25% Positiveness
38% Popularity • 48% Danceability • 29% Energy • 9% Liveness
85% Instrumentalness • 25% Positiveness
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Roberto Cacciapaglia
Tree of Life Suite: Wild Side
85 bpm • B min • 02:57 • -9db
42% Popularity • 12% Danceability • 41% Energy • 10% Liveness
96% Instrumentalness • 28% Positiveness
42% Popularity • 12% Danceability • 41% Energy • 10% Liveness
96% Instrumentalness • 28% Positiveness
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David Garrett
In The Air Tonight
95 bpm • D min • 03:55 • -6.82db
31% Popularity • 49% Danceability • 73% Energy • 3% Liveness
73% Instrumentalness • 30% Positiveness
31% Popularity • 49% Danceability • 73% Energy • 3% Liveness
73% Instrumentalness • 30% Positiveness
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Dmitri Shostakovich
3 Duets for 2 Violins & Piano, Op. 97d: ...
85 bpm • B min • 02:19 • -13db
26% Popularity • 10% Danceability • 32% Energy • 12% Liveness
79% Instrumentalness • 12% Positiveness
26% Popularity • 10% Danceability • 32% Energy • 12% Liveness
79% Instrumentalness • 12% Positiveness
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Jennifer Thomas
Rise of the Phoenix
95 bpm • F min • 04:04 • -9.89db
19% Popularity • 52% Danceability • 67% Energy • 8% Liveness
86% Instrumentalness • 13% Positiveness
19% Popularity • 52% Danceability • 67% Energy • 8% Liveness
86% Instrumentalness • 13% Positiveness
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Nathan Lanier
Torn
85 bpm • G min • 02:06 • -12.17db
41% Popularity • 44% Danceability • 52% Energy • 16% Liveness
89% Instrumentalness • 31% Positiveness
41% Popularity • 44% Danceability • 52% Energy • 16% Liveness
89% Instrumentalness • 31% Positiveness
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Bogdan Ota
Harald's dream
85 bpm • E min • 04:58 • -11.5db
7% Popularity • 42% Danceability • 35% Energy • 18% Liveness
65% Instrumentalness • 20% Positiveness
7% Popularity • 42% Danceability • 35% Energy • 18% Liveness
65% Instrumentalness • 20% Positiveness
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Roberto Cacciapaglia
Outdoor
95 bpm • F# Maj • 04:26 • -17.47db
33% Popularity • 48% Danceability • 14% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
33% Popularity • 48% Danceability • 14% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Deviations Project
Swan Fake
85 bpm • B min • 03:51 • -8.44db
17% Popularity • 63% Danceability • 67% Energy • 5% Liveness
65% Instrumentalness • 59% Positiveness
17% Popularity • 63% Danceability • 67% Energy • 5% Liveness
65% Instrumentalness • 59% Positiveness
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Pyotr Ilyich Tchaikovsky
1812 Festival Overture, Op. 49: 1812 Ove...
85 bpm • D# Maj • 03:49 • -13db
33% Popularity • 23% Danceability • 54% Energy • 8% Liveness
77% Instrumentalness • 9% Positiveness
33% Popularity • 23% Danceability • 54% Energy • 8% Liveness
77% Instrumentalness • 9% Positiveness
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Jules Massenet
Thaïs: Méditation (Arr. for Violin and...
95 bpm • D Maj • 04:59 • -16db
33% Popularity • 18% Danceability • 16% Energy • 11% Liveness
48% Instrumentalness • 4% Positiveness
33% Popularity • 18% Danceability • 16% Energy • 11% Liveness
48% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Concerto for 2 Violins and Cello in D mi...
95 bpm • D min • 02:38 • -13.25db
17% Popularity • 25% Danceability • 26% Energy • 11% Liveness
57% Instrumentalness • 10% Positiveness
17% Popularity • 25% Danceability • 26% Energy • 11% Liveness
57% Instrumentalness • 10% Positiveness
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Royal Philharmonic Orchestra
Go The Distance
85 bpm • D Maj • 04:22 • -13.84db
40% Popularity • 16% Danceability • 25% Energy • 30% Liveness
86% Instrumentalness • 11% Positiveness
40% Popularity • 16% Danceability • 25% Energy • 30% Liveness
86% Instrumentalness • 11% Positiveness
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Franz von Suppé
Light Cavalry Overture
85 bpm • A Maj • 06:45 • -16.9db
32% Popularity • 24% Danceability • 30% Energy • 20% Liveness
92% Instrumentalness • 12% Positiveness
32% Popularity • 24% Danceability • 30% Energy • 20% Liveness
92% Instrumentalness • 12% Positiveness
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Nathan Lanier
Torn (Redux)
85 bpm • G min • 06:05 • -16.26db
34% Popularity • 23% Danceability • 28% Energy • 6% Liveness
39% Instrumentalness • 4% Positiveness
34% Popularity • 23% Danceability • 28% Energy • 6% Liveness
39% Instrumentalness • 4% Positiveness
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Kenneth August
Everytime We Touch
96 bpm • G# Maj • 04:29 • -23.82db
28% Popularity • 43% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 19% Positiveness
28% Popularity • 43% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 19% Positiveness
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Bryson Andres
Edge Of Glory VS Someone Like You
96 bpm • A Maj • 05:02 • -13.78db
7% Popularity • 18% Danceability • 24% Energy • 17% Liveness
95% Instrumentalness • 11% Positiveness
7% Popularity • 18% Danceability • 24% Energy • 17% Liveness
95% Instrumentalness • 11% Positiveness
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Jennifer Thomas
Theme from Beauty and the Beast
84 bpm • E min • 04:58 • -12.89db
20% Popularity • 18% Danceability • 44% Energy • 22% Liveness
74% Instrumentalness • 12% Positiveness
20% Popularity • 18% Danceability • 44% Energy • 22% Liveness
74% Instrumentalness • 12% Positiveness
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Nuttin But Stringz
Winner
96 bpm • C Maj • 03:09 • -9.91db
28% Popularity • 52% Danceability • 73% Energy • 7% Liveness
42% Instrumentalness • 29% Positiveness
28% Popularity • 52% Danceability • 73% Energy • 7% Liveness
42% Instrumentalness • 29% Positiveness
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Alexander Glazunov
Mélodie, Op. 20, No. 1
84 bpm • D Maj • 06:39 • -23db
43% Popularity • 9% Danceability • 10% Energy • 19% Liveness
90% Instrumentalness • 8% Positiveness
43% Popularity • 9% Danceability • 10% Energy • 19% Liveness
90% Instrumentalness • 8% Positiveness
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Nigel Hess
Ladies in Lavender
84 bpm • D Maj • 04:03 • -17db
35% Popularity • 15% Danceability • 22% Energy • 11% Liveness
41% Instrumentalness • 7% Positiveness
35% Popularity • 15% Danceability • 22% Energy • 11% Liveness
41% Instrumentalness • 7% Positiveness
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Manuel Ponce
2 Canciones Mexicanas: II. Estrellita (A...
96 bpm • F Maj • 02:48 • -10.52db
16% Popularity • 22% Danceability • 44% Energy • 10% Liveness
44% Instrumentalness • 12% Positiveness
16% Popularity • 22% Danceability • 44% Energy • 10% Liveness
44% Instrumentalness • 12% Positiveness
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Royal Philharmonic Orchestra
How Far I'll Go
84 bpm • E Maj • 02:48 • -14.8db
47% Popularity • 18% Danceability • 27% Energy • 32% Liveness
90% Instrumentalness • 10% Positiveness
47% Popularity • 18% Danceability • 27% Energy • 32% Liveness
90% Instrumentalness • 10% Positiveness
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Joe Hisaishi
Heartbroken Kiki - from 'Kiki's Delivery...
84 bpm • A min • 01:17 • -21.61db
43% Popularity • 19% Danceability • 5% Energy • 8% Liveness
42% Instrumentalness • 8% Positiveness
43% Popularity • 19% Danceability • 5% Energy • 8% Liveness
42% Instrumentalness • 8% Positiveness
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The Trouble Notes
Stare Mesto
84 bpm • G min • 03:06 • -2.54db
30% Popularity • 38% Danceability • 87% Energy • 7% Liveness
84% Instrumentalness • 39% Positiveness
30% Popularity • 38% Danceability • 87% Energy • 7% Liveness
84% Instrumentalness • 39% Positiveness
► Preview
Roberto Cacciapaglia
Atlantico
83 bpm • D min • 03:49 • -12db
45% Popularity • 32% Danceability • 25% Energy • 10% Liveness
88% Instrumentalness • 16% Positiveness
45% Popularity • 32% Danceability • 25% Energy • 10% Liveness
88% Instrumentalness • 16% Positiveness
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Ashram
Il Mostro
97 bpm • D min • 03:26 • -9.81db
34% Popularity • 32% Danceability • 28% Energy • 8% Liveness
1% Instrumentalness • 12% Positiveness
34% Popularity • 32% Danceability • 28% Energy • 8% Liveness
1% Instrumentalness • 12% Positiveness
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Dexter Britain
The Time to Run
97 bpm • B Maj • 02:24 • -19db
35% Popularity • 47% Danceability • 29% Energy • 11% Liveness
89% Instrumentalness • 49% Positiveness
35% Popularity • 47% Danceability • 29% Energy • 11% Liveness
89% Instrumentalness • 49% Positiveness
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Camille Saint-Saëns
Carnival of the Animals, R. 125: XIII. T...
97 bpm • G Maj • 02:46 • -11.49db
28% Popularity • 19% Danceability • 43% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
28% Popularity • 19% Danceability • 43% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
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Mark Mancina
August's Rhapsody in C Major
83 bpm • C Maj • 07:36 • -14.17db
30% Popularity • 15% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
30% Popularity • 15% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
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Ludwig van Beethoven
Violin Sonata No. 5 in F Major, Op. 24 "...
98 bpm • A# Maj • 07:09 • -30.28db
4% Popularity • 18% Danceability • 2% Energy • 13% Liveness
34% Instrumentalness • 5% Positiveness
4% Popularity • 18% Danceability • 2% Energy • 13% Liveness
34% Instrumentalness • 5% Positiveness
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Luis Cobos
Recuerdos De La Alhambra
98 bpm • A min • 03:53 • -16db
37% Popularity • 62% Danceability • 59% Energy • 47% Liveness
93% Instrumentalness • 75% Positiveness
37% Popularity • 62% Danceability • 59% Energy • 47% Liveness
93% Instrumentalness • 75% Positiveness
► Preview
Roberto Cacciapaglia
Oceano
82 bpm • G min • 04:11 • -11.95db
45% Popularity • 32% Danceability • 35% Energy • 13% Liveness
88% Instrumentalness • 7% Positiveness
45% Popularity • 32% Danceability • 35% Energy • 13% Liveness
88% Instrumentalness • 7% Positiveness
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Joe Hisaishi
A Journey (A Kingdom of Dreams) - from '...
83 bpm • D Maj • 03:18 • -16.29db
36% Popularity • 11% Danceability • 19% Energy • 13% Liveness
88% Instrumentalness • 8% Positiveness
36% Popularity • 11% Danceability • 19% Energy • 13% Liveness
88% Instrumentalness • 8% Positiveness
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Stephen Foster
Jeanie with the Light Brown Hair (Arr. G...
98 bpm • D Maj • 03:04 • -11db
20% Popularity • 17% Danceability • 46% Energy • 12% Liveness
87% Instrumentalness • 18% Positiveness
20% Popularity • 17% Danceability • 46% Energy • 12% Liveness
87% Instrumentalness • 18% Positiveness
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Jennifer Thomas
Pachelbel's Canon (a Duet)
98 bpm • A Maj • 04:44 • -13.64db
31% Popularity • 26% Danceability • 37% Energy • 12% Liveness
86% Instrumentalness • 8% Positiveness
31% Popularity • 26% Danceability • 37% Energy • 12% Liveness
86% Instrumentalness • 8% Positiveness
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David Garrett
Melancholia
82 bpm • C# Maj • 03:09 • -8.91db
20% Popularity • 33% Danceability • 41% Energy • 10% Liveness
80% Instrumentalness • 10% Positiveness
20% Popularity • 33% Danceability • 41% Energy • 10% Liveness
80% Instrumentalness • 10% Positiveness
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Dmytro Morykit
Comptine d'Un Autre (Amelie)
99 bpm • G Maj • 03:12 • -20.23db
26% Popularity • 27% Danceability • 17% Energy • 7% Liveness
94% Instrumentalness • 21% Positiveness
26% Popularity • 27% Danceability • 17% Energy • 7% Liveness
94% Instrumentalness • 21% Positiveness
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Amelie
Comptine D'un Autre Été – L'après-M...
99 bpm • B min • 02:12 • -16.08db
32% Popularity • 55% Danceability • 30% Energy • 12% Liveness
92% Instrumentalness • 15% Positiveness
32% Popularity • 55% Danceability • 30% Energy • 12% Liveness
92% Instrumentalness • 15% Positiveness
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Simone Benyacar
Criminal Tango
82 bpm • D Maj • 02:57 • -9.35db
8% Popularity • 52% Danceability • 57% Energy • 13% Liveness
64% Instrumentalness • 16% Positiveness
8% Popularity • 52% Danceability • 57% Energy • 13% Liveness
64% Instrumentalness • 16% Positiveness
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Lola & Hauser
We Are the Champions
99 bpm • A# Maj • 03:01 • -6db
43% Popularity • 26% Danceability • 62% Energy • 13% Liveness
89% Instrumentalness • 21% Positiveness
43% Popularity • 26% Danceability • 62% Energy • 13% Liveness
89% Instrumentalness • 21% Positiveness
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Maxime Rodriguez
D'Artagnan
81 bpm • D min • 04:57 • -10db
17% Popularity • 21% Danceability • 39% Energy • 12% Liveness
38% Instrumentalness • 7% Positiveness
17% Popularity • 21% Danceability • 39% Energy • 12% Liveness
38% Instrumentalness • 7% Positiveness
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David Garrett
Unlimited Symphony
100 bpm • F Maj • 03:13 • -8.34db
22% Popularity • 15% Danceability • 53% Energy • 12% Liveness
91% Instrumentalness • 20% Positiveness
22% Popularity • 15% Danceability • 53% Energy • 12% Liveness
91% Instrumentalness • 20% Positiveness
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Tania Davis
Señorita
100 bpm • A min • 04:27 • -8db
24% Popularity • 50% Danceability • 64% Energy • 18% Liveness
35% Instrumentalness • 32% Positiveness
24% Popularity • 50% Danceability • 64% Energy • 18% Liveness
35% Instrumentalness • 32% Positiveness
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The Hipster Orchestra
Heart-Shaped Box
100 bpm • D min • 04:34 • -9.15db
25% Popularity • 71% Danceability • 55% Energy • 10% Liveness
84% Instrumentalness • 73% Positiveness
25% Popularity • 71% Danceability • 55% Energy • 10% Liveness
84% Instrumentalness • 73% Positiveness
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Vanessa-Mae
Toccata and Fugue in D Minor, BWV 565
100 bpm • D min • 07:49 • -9.03db
29% Popularity • 32% Danceability • 73% Energy • 36% Liveness
50% Instrumentalness • 36% Positiveness
29% Popularity • 32% Danceability • 73% Energy • 36% Liveness
50% Instrumentalness • 36% Positiveness
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Johann Sebastian Bach
Bach, JS / Orch. Batt: Toccata and Fugue...
100 bpm • D min • 03:39 • -5db
39% Popularity • 32% Danceability • 85% Energy • 35% Liveness
35% Instrumentalness • 41% Positiveness
39% Popularity • 32% Danceability • 85% Energy • 35% Liveness
35% Instrumentalness • 41% Positiveness
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Travis A. King
Beautiful Mind
100 bpm • E min • 04:33 • -11.22db
30% Popularity • 53% Danceability • 31% Energy • 12% Liveness
94% Instrumentalness • 24% Positiveness
30% Popularity • 53% Danceability • 31% Energy • 12% Liveness
94% Instrumentalness • 24% Positiveness
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Peter Buka
We Don't Talk Anymore
100 bpm • C# min • 02:20 • -8.76db
27% Popularity • 66% Danceability • 65% Energy • 21% Liveness
94% Instrumentalness • 39% Positiveness
27% Popularity • 66% Danceability • 65% Energy • 21% Liveness
94% Instrumentalness • 39% Positiveness
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Jennifer Thomas
Ascension
81 bpm • G min • 04:26 • -9.89db
24% Popularity • 50% Danceability • 67% Energy • 11% Liveness
61% Instrumentalness • 34% Positiveness
24% Popularity • 50% Danceability • 67% Energy • 11% Liveness
61% Instrumentalness • 34% Positiveness
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Philip De Blue
Bittersweet - Acoustic Cover
100 bpm • D# Maj • 03:28 • -23.9db
10% Popularity • 65% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
10% Popularity • 65% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
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Fritz Kreisler
Tempo Di Minuetto In The Style Of Pugnan...
81 bpm • D Maj • 04:19 • -11db
18% Popularity • 35% Danceability • 28% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
18% Popularity • 35% Danceability • 28% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
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Rhaeide
Beauty and the Beast - Prologue
100 bpm • C min • 02:22 • -17db
31% Popularity • 57% Danceability • 15% Energy • 12% Liveness
84% Instrumentalness • 10% Positiveness
31% Popularity • 57% Danceability • 15% Energy • 12% Liveness
84% Instrumentalness • 10% Positiveness
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Edvard Grieg
Morgenstemning
100 bpm • E Maj • 04:04 • -26.11db
35% Popularity • 14% Danceability • 1% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
35% Popularity • 14% Danceability • 1% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
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Royal Philharmonic Orchestra
The Lord of The Rings: The Fellowship of...
81 bpm • D Maj • 05:29 • -15.53db
36% Popularity • 9% Danceability • 16% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
36% Popularity • 9% Danceability • 16% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Joe Hisaishi
The Legend of Ashitaka - from 'Princess ...
81 bpm • F min • 01:57 • -13.38db
46% Popularity • 12% Danceability • 21% Energy • 55% Liveness
97% Instrumentalness • 17% Positiveness
46% Popularity • 12% Danceability • 21% Energy • 55% Liveness
97% Instrumentalness • 17% Positiveness