Songs like Thieving Autumn by Stoneygate
Based on a tempo of (+/- 10%) and a similar genre
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Enriclinare
Sintonia de Vivir
125 bpm • A min • 03:12 • -5.94db
17% Popularity • 64% Danceability • 80% Energy • 14% Liveness
15% Instrumentalness • 84% Positiveness
17% Popularity • 64% Danceability • 80% Energy • 14% Liveness
15% Instrumentalness • 84% Positiveness
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Electro House
Full House
125 bpm • C# Maj • 03:12 • -8.66db
10% Popularity • 66% Danceability • 92% Energy • 12% Liveness
88% Instrumentalness • 57% Positiveness
10% Popularity • 66% Danceability • 92% Energy • 12% Liveness
88% Instrumentalness • 57% Positiveness
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Quillo
The Wait Is Over Now
125 bpm • C# min • 02:45 • -10.87db
14% Popularity • 67% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
14% Popularity • 67% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
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Norm Goldfarb
Club Mad
125 bpm • C min • 02:12 • -9.33db
15% Popularity • 79% Danceability • 56% Energy • 9% Liveness
86% Instrumentalness • 84% Positiveness
15% Popularity • 79% Danceability • 56% Energy • 9% Liveness
86% Instrumentalness • 84% Positiveness
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Daniel Liam Glyn
sertraline daydream
125 bpm • B min • 02:57 • -7.92db
15% Popularity • 59% Danceability • 70% Energy • 8% Liveness
26% Instrumentalness • 13% Positiveness
15% Popularity • 59% Danceability • 70% Energy • 8% Liveness
26% Instrumentalness • 13% Positiveness
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ANOMALOCARIS INC
Annalena (2024 Remake)
125 bpm • C# Maj • 04:24 • -10.99db
19% Popularity • 70% Danceability • 50% Energy • 11% Liveness
77% Instrumentalness • 21% Positiveness
19% Popularity • 70% Danceability • 50% Energy • 11% Liveness
77% Instrumentalness • 21% Positiveness
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Alessandro Pinto
Opean Seas
125 bpm • A Maj • 05:56 • -21.42db
19% Popularity • 66% Danceability • 35% Energy • 92% Liveness
79% Instrumentalness • 7% Positiveness
19% Popularity • 66% Danceability • 35% Energy • 92% Liveness
79% Instrumentalness • 7% Positiveness
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War of soul
Bloody Rain
125 bpm • G# min • 02:19 • -7db
35% Popularity • 47% Danceability • 67% Energy • 32% Liveness
94% Instrumentalness • 16% Positiveness
35% Popularity • 47% Danceability • 67% Energy • 32% Liveness
94% Instrumentalness • 16% Positiveness
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Gravity Blinks
Home Lately
125 bpm • A Maj • 03:43 • -7.96db
10% Popularity • 55% Danceability • 73% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
10% Popularity • 55% Danceability • 73% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
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Mark Darker
Walking On Eyeballs
125 bpm • A min • 03:33 • -16.44db
2% Popularity • 69% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
2% Popularity • 69% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
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Charles Connolly
You Tap and Unwrap Me
125 bpm • C min • 03:14 • -8.58db
12% Popularity • 58% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 58% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Stoneygate
Thieving Autumn
125 bpm • D min • 04:08 • -12.68db
0% Popularity • 54% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
0% Popularity • 54% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Manipulant
Run
124 bpm • G Maj • 03:51 • -15.06db
0% Popularity • 55% Danceability • 66% Energy • 20% Liveness
61% Instrumentalness • 54% Positiveness
0% Popularity • 55% Danceability • 66% Energy • 20% Liveness
61% Instrumentalness • 54% Positiveness
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PurNie
Juventud
126 bpm • C# Maj • 02:43 • -11.46db
12% Popularity • 77% Danceability • 49% Energy • 17% Liveness
1% Instrumentalness • 19% Positiveness
12% Popularity • 77% Danceability • 49% Energy • 17% Liveness
1% Instrumentalness • 19% Positiveness
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DiViNiUM
Stay
124 bpm • G min • 03:47 • -8.51db
14% Popularity • 60% Danceability • 79% Energy • 49% Liveness
70% Instrumentalness • 74% Positiveness
14% Popularity • 60% Danceability • 79% Energy • 49% Liveness
70% Instrumentalness • 74% Positiveness
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Lenny Oka
Take You Home
126 bpm • A Maj • 03:27 • -10.6db
16% Popularity • 72% Danceability • 75% Energy • 8% Liveness
16% Instrumentalness • 40% Positiveness
16% Popularity • 72% Danceability • 75% Energy • 8% Liveness
16% Instrumentalness • 40% Positiveness
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Bernie Aka Birdbadas
Sensual!
126 bpm • C Maj • 04:11 • -12.25db
31% Popularity • 77% Danceability • 47% Energy • 9% Liveness
91% Instrumentalness • 83% Positiveness
31% Popularity • 77% Danceability • 47% Energy • 9% Liveness
91% Instrumentalness • 83% Positiveness
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Jay's Expedition
Some Will Survive
124 bpm • G Maj • 05:27 • -9.75db
10% Popularity • 53% Danceability • 50% Energy • 12% Liveness
92% Instrumentalness • 44% Positiveness
10% Popularity • 53% Danceability • 50% Energy • 12% Liveness
92% Instrumentalness • 44% Positiveness
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Manipulant
Run
124 bpm • G Maj • 03:50 • -8.87db
0% Popularity • 60% Danceability • 74% Energy • 17% Liveness
84% Instrumentalness • 62% Positiveness
0% Popularity • 60% Danceability • 74% Energy • 17% Liveness
84% Instrumentalness • 62% Positiveness
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Rose Finn
Wuthering Heights
124 bpm • C Maj • 03:42 • -7.86db
14% Popularity • 64% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
14% Popularity • 64% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Daniel Heo Horizonhighway
Valentine's Day
123 bpm • G Maj • 03:44 • -8.26db
12% Popularity • 21% Danceability • 50% Energy • 38% Liveness
83% Instrumentalness • 7% Positiveness
12% Popularity • 21% Danceability • 50% Energy • 38% Liveness
83% Instrumentalness • 7% Positiveness
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Dorian Whisper
And the Days After
123 bpm • A# Maj • 03:00 • -14.9db
20% Popularity • 70% Danceability • 46% Energy • 32% Liveness
12% Instrumentalness • 82% Positiveness
20% Popularity • 70% Danceability • 46% Energy • 32% Liveness
12% Instrumentalness • 82% Positiveness
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David SweetLow
Somewhere After Midnight
127 bpm • G min • 03:12 • -12.92db
14% Popularity • 56% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
14% Popularity • 56% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Jay's Expedition
Living with a Feeling
124 bpm • E min • 03:27 • -17.55db
29% Popularity • 36% Danceability • 12% Energy • 11% Liveness
85% Instrumentalness • 11% Positiveness
29% Popularity • 36% Danceability • 12% Energy • 11% Liveness
85% Instrumentalness • 11% Positiveness
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Ingvild Flottorp
A Point of View
128 bpm • A# Maj • 03:56 • -7.34db
8% Popularity • 63% Danceability • 66% Energy • 10% Liveness
77% Instrumentalness • 58% Positiveness
8% Popularity • 63% Danceability • 66% Energy • 10% Liveness
77% Instrumentalness • 58% Positiveness
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Dax & Atragun
Color of Our Love
128 bpm • D# Maj • 04:15 • -9.06db
8% Popularity • 55% Danceability • 82% Energy • 32% Liveness
4% Instrumentalness • 56% Positiveness
8% Popularity • 55% Danceability • 82% Energy • 32% Liveness
4% Instrumentalness • 56% Positiveness
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Varamon
Smalltown Boy
123 bpm • B min • 04:54 • -8.45db
14% Popularity • 66% Danceability • 62% Energy • 9% Liveness
8% Instrumentalness • 58% Positiveness
14% Popularity • 66% Danceability • 62% Energy • 9% Liveness
8% Instrumentalness • 58% Positiveness
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The Undertakers Office
Nosebleed And Pillow Tears (LA Ballad)
122 bpm • G Maj • 02:53 • -8.2db
15% Popularity • 50% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
15% Popularity • 50% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Chozzabev
DJ Pete Sands
128 bpm • D Maj • 06:03 • -11db
9% Popularity • 65% Danceability • 92% Energy • 12% Liveness
89% Instrumentalness • 32% Positiveness
9% Popularity • 65% Danceability • 92% Energy • 12% Liveness
89% Instrumentalness • 32% Positiveness
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Deus on Machine
Rachel's Dream
128 bpm • A# Maj • 04:09 • -11.08db
12% Popularity • 63% Danceability • 50% Energy • 11% Liveness
67% Instrumentalness • 4% Positiveness
12% Popularity • 63% Danceability • 50% Energy • 11% Liveness
67% Instrumentalness • 4% Positiveness
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Stoneygate
Sunset Landscape
128 bpm • A# Maj • 02:00 • -10.77db
0% Popularity • 67% Danceability • 53% Energy • 12% Liveness
91% Instrumentalness • 49% Positiveness
0% Popularity • 67% Danceability • 53% Energy • 12% Liveness
91% Instrumentalness • 49% Positiveness
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House Of Seb
Deep Breath
122 bpm • G Maj • 04:27 • -16db
14% Popularity • 75% Danceability • 48% Energy • 11% Liveness
86% Instrumentalness • 33% Positiveness
14% Popularity • 75% Danceability • 48% Energy • 11% Liveness
86% Instrumentalness • 33% Positiveness
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Krystal Brown
Does It Even Count? (Chill Remix)
122 bpm • C Maj • 02:33 • -7.69db
11% Popularity • 78% Danceability • 79% Energy • 12% Liveness
87% Instrumentalness • 34% Positiveness
11% Popularity • 78% Danceability • 79% Energy • 12% Liveness
87% Instrumentalness • 34% Positiveness
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Mark Darker
Out of My Hands
128 bpm • C Maj • 04:15 • -11.66db
11% Popularity • 29% Danceability • 39% Energy • 25% Liveness
0% Instrumentalness • 26% Positiveness
11% Popularity • 29% Danceability • 39% Energy • 25% Liveness
0% Instrumentalness • 26% Positiveness
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Lydia Harlen
Blue Valley
122 bpm • C# Maj • 03:04 • -12.06db
9% Popularity • 48% Danceability • 49% Energy • 13% Liveness
1% Instrumentalness • 23% Positiveness
9% Popularity • 48% Danceability • 49% Energy • 13% Liveness
1% Instrumentalness • 23% Positiveness
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Lucy Peru
Lo Lite (Dinner Version)
122 bpm • C# Maj • 03:27 • -13.26db
12% Popularity • 60% Danceability • 37% Energy • 11% Liveness
8% Instrumentalness • 30% Positiveness
12% Popularity • 60% Danceability • 37% Energy • 11% Liveness
8% Instrumentalness • 30% Positiveness
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Forwardman
Sleepwalk
129 bpm • F# min • 03:53 • -16.99db
16% Popularity • 58% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 22% Positiveness
16% Popularity • 58% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 22% Positiveness
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The Mighty Fallen
Black Light
121 bpm • A Maj • 07:28 • -7.12db
11% Popularity • 23% Danceability • 91% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
11% Popularity • 23% Danceability • 91% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
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WABI SABI
Love Fly High
121 bpm • F Maj • 03:18 • -16.4db
17% Popularity • 57% Danceability • 27% Energy • 11% Liveness
69% Instrumentalness • 6% Positiveness
17% Popularity • 57% Danceability • 27% Energy • 11% Liveness
69% Instrumentalness • 6% Positiveness
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Chozzabev
Blizzards
121 bpm • G Maj • 04:40 • -9.53db
9% Popularity • 54% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
9% Popularity • 54% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Zeiikym
Just Good Moments
121 bpm • C# Maj • 01:45 • -21.94db
21% Popularity • 69% Danceability • 14% Energy • 6% Liveness
93% Instrumentalness • 72% Positiveness
21% Popularity • 69% Danceability • 14% Energy • 6% Liveness
93% Instrumentalness • 72% Positiveness
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Magic Toy Missing
Fail to Control the Fear and Disappear
130 bpm • G Maj • 03:36 • -8.38db
7% Popularity • 52% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
7% Popularity • 52% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
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Forwardman
Plan C
129 bpm • G# Maj • 03:12 • -10.18db
22% Popularity • 67% Danceability • 60% Energy • 12% Liveness
1% Instrumentalness • 78% Positiveness
22% Popularity • 67% Danceability • 60% Energy • 12% Liveness
1% Instrumentalness • 78% Positiveness
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Daniel Liam Glyn
november
130 bpm • C Maj • 02:29 • -22.39db
14% Popularity • 40% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
14% Popularity • 40% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
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Sùilean Dubha
Neon Lights
130 bpm • A min • 03:10 • -17.43db
14% Popularity • 50% Danceability • 46% Energy • 9% Liveness
9% Instrumentalness • 8% Positiveness
14% Popularity • 50% Danceability • 46% Energy • 9% Liveness
9% Instrumentalness • 8% Positiveness
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Electro House
Midnight Run
130 bpm • D min • 03:04 • -10.3db
13% Popularity • 60% Danceability • 62% Energy • 44% Liveness
84% Instrumentalness • 58% Positiveness
13% Popularity • 60% Danceability • 62% Energy • 44% Liveness
84% Instrumentalness • 58% Positiveness
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Zeiikym
It's a chill vibes
120 bpm • F Maj • 01:45 • -23.32db
20% Popularity • 70% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 68% Positiveness
20% Popularity • 70% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 68% Positiveness
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Alessandro Batazzi
New Enemy
130 bpm • F min • 05:12 • -4db
9% Popularity • 54% Danceability • 91% Energy • 27% Liveness
1% Instrumentalness • 46% Positiveness
9% Popularity • 54% Danceability • 91% Energy • 27% Liveness
1% Instrumentalness • 46% Positiveness
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Stoneygate
Polarisation
130 bpm • A min • 03:05 • -12.19db
3% Popularity • 70% Danceability • 60% Energy • 14% Liveness
91% Instrumentalness • 23% Positiveness
3% Popularity • 70% Danceability • 60% Energy • 14% Liveness
91% Instrumentalness • 23% Positiveness
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Daniel Liam Glyn
RAGS
130 bpm • A min • 02:09 • -10.23db
13% Popularity • 63% Danceability • 74% Energy • 59% Liveness
20% Instrumentalness • 50% Positiveness
13% Popularity • 63% Danceability • 74% Energy • 59% Liveness
20% Instrumentalness • 50% Positiveness
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Alex Yemelyanau
Promenade
130 bpm • G Maj • 02:36 • -7.95db
17% Popularity • 80% Danceability • 57% Energy • 8% Liveness
82% Instrumentalness • 95% Positiveness
17% Popularity • 80% Danceability • 57% Energy • 8% Liveness
82% Instrumentalness • 95% Positiveness
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The Undertakers Office
Amputated Eyelids
130 bpm • E min • 03:28 • -4.53db
19% Popularity • 48% Danceability • 91% Energy • 9% Liveness
1% Instrumentalness • 35% Positiveness
19% Popularity • 48% Danceability • 91% Energy • 9% Liveness
1% Instrumentalness • 35% Positiveness
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Zeiikym
It's my life
120 bpm • F Maj • 01:45 • -23.32db
20% Popularity • 70% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 68% Positiveness
20% Popularity • 70% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 68% Positiveness
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Bryan
Serendipity - Instrumental Version
130 bpm • G# Maj • 03:21 • -11db
32% Popularity • 65% Danceability • 52% Energy • 12% Liveness
88% Instrumentalness • 97% Positiveness
32% Popularity • 65% Danceability • 52% Energy • 12% Liveness
88% Instrumentalness • 97% Positiveness
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Denyx
Simply Fantasy
130 bpm • C# min • 03:47 • -12.13db
22% Popularity • 72% Danceability • 50% Energy • 9% Liveness
89% Instrumentalness • 46% Positiveness
22% Popularity • 72% Danceability • 50% Energy • 9% Liveness
89% Instrumentalness • 46% Positiveness
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North of Tomorrow
With Love, Marie
130 bpm • B Maj • 04:14 • -16.92db
39% Popularity • 55% Danceability • 56% Energy • 11% Liveness
44% Instrumentalness • 71% Positiveness
39% Popularity • 55% Danceability • 56% Energy • 11% Liveness
44% Instrumentalness • 71% Positiveness
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Jagy
Passing Moment
130 bpm • A# min • 03:54 • -12db
21% Popularity • 60% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
21% Popularity • 60% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Joris BON
Gleam
120 bpm • F Maj • 02:32 • -10.1db
17% Popularity • 60% Danceability • 52% Energy • 15% Liveness
36% Instrumentalness • 20% Positiveness
17% Popularity • 60% Danceability • 52% Energy • 15% Liveness
36% Instrumentalness • 20% Positiveness
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Jen Hawley
The Moment
130 bpm • G# Maj • 01:53 • -16.49db
8% Popularity • 65% Danceability • 35% Energy • 9% Liveness
92% Instrumentalness • 18% Positiveness
8% Popularity • 65% Danceability • 35% Energy • 9% Liveness
92% Instrumentalness • 18% Positiveness
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Stoneygate
Running Away
120 bpm • C# Maj • 03:51 • -6.01db
0% Popularity • 50% Danceability • 47% Energy • 8% Liveness
89% Instrumentalness • 9% Positiveness
0% Popularity • 50% Danceability • 47% Energy • 8% Liveness
89% Instrumentalness • 9% Positiveness
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Daniel Liam Glyn
needs must when the devil drives
120 bpm • G# Maj • 02:33 • -7.46db
14% Popularity • 61% Danceability • 59% Energy • 10% Liveness
89% Instrumentalness • 7% Positiveness
14% Popularity • 61% Danceability • 59% Energy • 10% Liveness
89% Instrumentalness • 7% Positiveness
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Bernice Marsala
Lights Out
120 bpm • A Maj • 02:28 • -10.13db
25% Popularity • 54% Danceability • 43% Energy • 9% Liveness
1% Instrumentalness • 14% Positiveness
25% Popularity • 54% Danceability • 43% Energy • 9% Liveness
1% Instrumentalness • 14% Positiveness
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ENILSounds
The Eagle
120 bpm • C min • 03:54 • -12.56db
26% Popularity • 37% Danceability • 15% Energy • 13% Liveness
24% Instrumentalness • 7% Positiveness
26% Popularity • 37% Danceability • 15% Energy • 13% Liveness
24% Instrumentalness • 7% Positiveness
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Those Stone People
Outlaw Country
120 bpm • E min • 03:44 • -12.9db
19% Popularity • 43% Danceability • 60% Energy • 10% Liveness
69% Instrumentalness • 17% Positiveness
19% Popularity • 43% Danceability • 60% Energy • 10% Liveness
69% Instrumentalness • 17% Positiveness
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Echoflare
Trash Talking
120 bpm • F# Maj • 02:01 • -12.07db
34% Popularity • 64% Danceability • 50% Energy • 21% Liveness
16% Instrumentalness • 46% Positiveness
34% Popularity • 64% Danceability • 50% Energy • 21% Liveness
16% Instrumentalness • 46% Positiveness
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Parallel Mirrors
Blossom
120 bpm • C# Maj • 04:12 • -11.92db
19% Popularity • 53% Danceability • 48% Energy • 27% Liveness
0% Instrumentalness • 33% Positiveness
19% Popularity • 53% Danceability • 48% Energy • 27% Liveness
0% Instrumentalness • 33% Positiveness
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Daniel Liam Glyn
in medias res
130 bpm • E min • 01:41 • -7.3db
15% Popularity • 55% Danceability • 73% Energy • 79% Liveness
71% Instrumentalness • 50% Positiveness
15% Popularity • 55% Danceability • 73% Energy • 79% Liveness
71% Instrumentalness • 50% Positiveness
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INGAJA
Eyes Are Loud (Reimagined by Nazcaman)
120 bpm • A min • 03:12 • -9.39db
15% Popularity • 56% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
15% Popularity • 56% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
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David SweetLow
Somewhere Down The Chain
120 bpm • E min • 04:09 • -10.79db
9% Popularity • 56% Danceability • 57% Energy • 10% Liveness
25% Instrumentalness • 34% Positiveness
9% Popularity • 56% Danceability • 57% Energy • 10% Liveness
25% Instrumentalness • 34% Positiveness
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lofthouse leo
Goodbye My Dear
120 bpm • C min • 04:25 • -12.26db
11% Popularity • 60% Danceability • 64% Energy • 32% Liveness
3% Instrumentalness • 49% Positiveness
11% Popularity • 60% Danceability • 64% Energy • 32% Liveness
3% Instrumentalness • 49% Positiveness
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DiViNiUM
Electric Grooves
120 bpm • F min • 05:27 • -10.59db
15% Popularity • 62% Danceability • 72% Energy • 10% Liveness
89% Instrumentalness • 38% Positiveness
15% Popularity • 62% Danceability • 72% Energy • 10% Liveness
89% Instrumentalness • 38% Positiveness
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LateNightBeatFeast
Tuesday
120 bpm • E min • 03:32 • -13db
7% Popularity • 53% Danceability • 58% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
7% Popularity • 53% Danceability • 58% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Leopold Kroll
Airborne
120 bpm • F min • 03:07 • -8.05db
17% Popularity • 62% Danceability • 59% Energy • 11% Liveness
40% Instrumentalness • 9% Positiveness
17% Popularity • 62% Danceability • 59% Energy • 11% Liveness
40% Instrumentalness • 9% Positiveness
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ANOMALOCARIS INC
Electronics Addicted
120 bpm • A min • 03:27 • -8.76db
24% Popularity • 69% Danceability • 64% Energy • 13% Liveness
55% Instrumentalness • 55% Positiveness
24% Popularity • 69% Danceability • 64% Energy • 13% Liveness
55% Instrumentalness • 55% Positiveness
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St Eriks Street
Swimming Downstream
120 bpm • C# Maj • 02:50 • -8.73db
16% Popularity • 60% Danceability • 50% Energy • 24% Liveness
38% Instrumentalness • 51% Positiveness
16% Popularity • 60% Danceability • 50% Energy • 24% Liveness
38% Instrumentalness • 51% Positiveness
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Natural-philosophers With Attitude
A Tangent to two Hypersurfaces
120 bpm • A# Maj • 02:08 • -7.33db
18% Popularity • 55% Danceability • 66% Energy • 29% Liveness
77% Instrumentalness • 24% Positiveness
18% Popularity • 55% Danceability • 66% Energy • 29% Liveness
77% Instrumentalness • 24% Positiveness
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Enriclinare
Jazz a la tercera
120 bpm • A min • 05:43 • -10.62db
24% Popularity • 77% Danceability • 52% Energy • 8% Liveness
86% Instrumentalness • 47% Positiveness
24% Popularity • 77% Danceability • 52% Energy • 8% Liveness
86% Instrumentalness • 47% Positiveness
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Sea of Daisies
Deep in Sludge
120 bpm • F min • 03:18 • -9.61db
13% Popularity • 62% Danceability • 75% Energy • 13% Liveness
74% Instrumentalness • 55% Positiveness
13% Popularity • 62% Danceability • 75% Energy • 13% Liveness
74% Instrumentalness • 55% Positiveness
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Ruth Alhambra
Ibiza
120 bpm • C Maj • 02:40 • -10.22db
10% Popularity • 56% Danceability • 38% Energy • 52% Liveness
7% Instrumentalness • 7% Positiveness
10% Popularity • 56% Danceability • 38% Energy • 52% Liveness
7% Instrumentalness • 7% Positiveness
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Zak Lee
Soul in my Body
120 bpm • A# min • 02:41 • -16.89db
10% Popularity • 55% Danceability • 36% Energy • 8% Liveness
46% Instrumentalness • 20% Positiveness
10% Popularity • 55% Danceability • 36% Energy • 8% Liveness
46% Instrumentalness • 20% Positiveness
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Jinen Tronic
Transmitter
120 bpm • C# Maj • 04:32 • -12.21db
10% Popularity • 60% Danceability • 57% Energy • 12% Liveness
89% Instrumentalness • 29% Positiveness
10% Popularity • 60% Danceability • 57% Energy • 12% Liveness
89% Instrumentalness • 29% Positiveness
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Leopold Kroll
Aphexative
120 bpm • C# Maj • 04:48 • -16.75db
19% Popularity • 59% Danceability • 43% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
19% Popularity • 59% Danceability • 43% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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A Band Called Paul
Hold You
120 bpm • C# min • 03:48 • -16db
14% Popularity • 62% Danceability • 46% Energy • 12% Liveness
1% Instrumentalness • 10% Positiveness
14% Popularity • 62% Danceability • 46% Energy • 12% Liveness
1% Instrumentalness • 10% Positiveness
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Stoneygate
Sunrise
120 bpm • G Maj • 04:16 • -13.89db
0% Popularity • 58% Danceability • 44% Energy • 19% Liveness
86% Instrumentalness • 36% Positiveness
0% Popularity • 58% Danceability • 44% Energy • 19% Liveness
86% Instrumentalness • 36% Positiveness
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Alex Yemelyanau
Resistance - Remix
120 bpm • A min • 03:18 • -9.89db
13% Popularity • 66% Danceability • 47% Energy • 9% Liveness
85% Instrumentalness • 14% Positiveness
13% Popularity • 66% Danceability • 47% Energy • 9% Liveness
85% Instrumentalness • 14% Positiveness
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Surf N Chill
Deep Luck
120 bpm • G Maj • 03:17 • -15.1db
21% Popularity • 74% Danceability • 32% Energy • 8% Liveness
93% Instrumentalness • 40% Positiveness
21% Popularity • 74% Danceability • 32% Energy • 8% Liveness
93% Instrumentalness • 40% Positiveness
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Chozzabev
Rangdang-Diggity-Dangy-Dang
120 bpm • A# min • 06:08 • -9.13db
9% Popularity • 70% Danceability • 68% Energy • 8% Liveness
78% Instrumentalness • 36% Positiveness
9% Popularity • 70% Danceability • 68% Energy • 8% Liveness
78% Instrumentalness • 36% Positiveness
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St Eriks Street
Gamla Stan (Old Town)
120 bpm • C# min • 03:25 • -6.6db
12% Popularity • 58% Danceability • 58% Energy • 14% Liveness
84% Instrumentalness • 35% Positiveness
12% Popularity • 58% Danceability • 58% Energy • 14% Liveness
84% Instrumentalness • 35% Positiveness
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Utopia Breakdown
That's my life
120 bpm • A min • 03:36 • -11.33db
19% Popularity • 58% Danceability • 72% Energy • 14% Liveness
81% Instrumentalness • 55% Positiveness
19% Popularity • 58% Danceability • 72% Energy • 14% Liveness
81% Instrumentalness • 55% Positiveness
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Jinen Tronic
King of Hearts
120 bpm • A# min • 06:25 • -14db
9% Popularity • 60% Danceability • 78% Energy • 35% Liveness
86% Instrumentalness • 40% Positiveness
9% Popularity • 60% Danceability • 78% Energy • 35% Liveness
86% Instrumentalness • 40% Positiveness
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Yjovian
Mud Creatures
120 bpm • B min • 01:28 • -11.81db
30% Popularity • 86% Danceability • 51% Energy • 13% Liveness
86% Instrumentalness • 69% Positiveness
30% Popularity • 86% Danceability • 51% Energy • 13% Liveness
86% Instrumentalness • 69% Positiveness
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Gold Mass
Happiness In a Way
120 bpm • F# min • 03:31 • -11.32db
10% Popularity • 68% Danceability • 49% Energy • 11% Liveness
44% Instrumentalness • 6% Positiveness
10% Popularity • 68% Danceability • 49% Energy • 11% Liveness
44% Instrumentalness • 6% Positiveness
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Stoneygate
Ominous Hopeful
120 bpm • A# Maj • 04:17 • -13.7db
0% Popularity • 66% Danceability • 55% Energy • 8% Liveness
90% Instrumentalness • 65% Positiveness
0% Popularity • 66% Danceability • 55% Energy • 8% Liveness
90% Instrumentalness • 65% Positiveness
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Behind the Border
Somewhere in the Sky
120 bpm • F# Maj • 03:31 • -9.55db
7% Popularity • 66% Danceability • 48% Energy • 12% Liveness
2% Instrumentalness • 54% Positiveness
7% Popularity • 66% Danceability • 48% Energy • 12% Liveness
2% Instrumentalness • 54% Positiveness
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Alex RedEye
Pollination
120 bpm • C min • 01:54 • -20.98db
13% Popularity • 78% Danceability • 33% Energy • 16% Liveness
69% Instrumentalness • 82% Positiveness
13% Popularity • 78% Danceability • 33% Energy • 16% Liveness
69% Instrumentalness • 82% Positiveness
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Dreamweaver
Everything's Coming Our Way
120 bpm • C min • 02:56 • -9.55db
16% Popularity • 46% Danceability • 47% Energy • 40% Liveness
81% Instrumentalness • 10% Positiveness
16% Popularity • 46% Danceability • 47% Energy • 40% Liveness
81% Instrumentalness • 10% Positiveness
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Doc Timit
Echo Under Water
120 bpm • C Maj • 03:57 • -12.61db
10% Popularity • 68% Danceability • 56% Energy • 43% Liveness
0% Instrumentalness • 32% Positiveness
10% Popularity • 68% Danceability • 56% Energy • 43% Liveness
0% Instrumentalness • 32% Positiveness
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AmaltheuS
Alchemy
120 bpm • G Maj • 03:17 • -8db
10% Popularity • 72% Danceability • 65% Energy • 37% Liveness
3% Instrumentalness • 48% Positiveness
10% Popularity • 72% Danceability • 65% Energy • 37% Liveness
3% Instrumentalness • 48% Positiveness
