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Thin Air
Songs like
Thin Air
by
Original Cast of Amélie
Based on a tempo of (+/- 10%) and a similar genre
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Original Cast of Amélie
Thin Air
182 bpm • B Maj • 03:22 • -7.06db
22% Popularity • 25% Danceability • 58% Energy • 32% Liveness
0% Instrumentalness • 35% Positiveness
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Cole Thompson
I Guess This Is Goodbye
182 bpm • E Maj • 01:02 • -15.96db
33% Popularity • 33% Danceability • 18% Energy • 20% Liveness
1% Instrumentalness • 56% Positiveness
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Kate Wetherhead
Saturday at the Met
181 bpm • C# Maj • 05:19 • -13db
21% Popularity • 61% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Richard Fleeshman
You Could Drive a Person Crazy
183 bpm • D Maj • 02:52 • -15db
29% Popularity • 54% Danceability • 31% Energy • 73% Liveness
0% Instrumentalness • 82% Positiveness
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Victoria Clark
Now
183 bpm • G Maj • 02:44 • -7.5db
23% Popularity • 35% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Bring It On: The Musical - Original Broadway Cast
Better
184 bpm • D Maj • 01:15 • -6.63db
36% Popularity • 53% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Wesley Taylor
Sick to Death of Alice-ness
184 bpm • C Maj • 02:00 • -7.7db
35% Popularity • 50% Danceability • 70% Energy • 49% Liveness
0% Instrumentalness • 70% Positiveness
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Lee MacDougall
Stop The World
179 bpm • E Maj • 02:20 • -8.12db
41% Popularity • 46% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Kate Robson-Stuart
A Better Haircut - Original London Cast ...
179 bpm • F Maj • 03:14 • -8.16db
19% Popularity • 51% Danceability • 35% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
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Audrey Brisson
Stay - Original London Cast Recording
178 bpm • D# Maj • 03:00 • -8.45db
14% Popularity • 25% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Alli Mauzey
The Inevitable Turn
180 bpm • G# Maj • 04:45 • -9.83db
24% Popularity • 47% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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David Jennings
The Sad Tale of the Beauxhommes
178 bpm • D Maj • 03:48 • -11.88db
23% Popularity • 45% Danceability • 30% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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Neil Bartram
Great Expectations
178 bpm • G min • 04:23 • -7db
22% Popularity • 39% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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'Come From Away' Company
On The Edge
186 bpm • D Maj • 03:21 • -8.66db
39% Popularity • 57% Danceability • 60% Energy • 31% Liveness
0% Instrumentalness • 56% Positiveness
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Matt Dahan
Sunlight and Storms
186 bpm • D# Maj • 02:22 • -10.71db
23% Popularity • 26% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Jared Gertner
Life Story
178 bpm • B Maj • 02:14 • -17db
20% Popularity • 51% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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James Davis
All Er Nuthin'
177 bpm • D Maj • 03:49 • -11db
21% Popularity • 55% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Phillipa Soo
The Ball
187 bpm • F Maj • 05:49 • -13.27db
16% Popularity • 29% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Andrea
When We Are Wed
176 bpm • G# Maj • 02:12 • -15.8db
22% Popularity • 43% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
I Speak Six Languages
176 bpm • G Maj • 02:29 • -7.1db
38% Popularity • 54% Danceability • 38% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
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Audrey Brisson
Where Do We Go From Here? - Original Lon...
175 bpm • C# Maj • 02:37 • -10.68db
20% Popularity • 27% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Spencer Kayden
Tell Her I Love Her
172 bpm • D Maj • 02:56 • -15.04db
27% Popularity • 41% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Original Cast of Amélie
World's Best Friend
172 bpm • B Maj • 03:20 • -9.96db
18% Popularity • 43% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
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Beth Leavel
The Lady's Improving
172 bpm • A# Maj • 02:31 • -5.1db
17% Popularity • 42% Danceability • 49% Energy • 55% Liveness
0% Instrumentalness • 49% Positiveness
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Mindi Dickstein
More Than I Am
172 bpm • E Maj • 02:46 • -9.22db
25% Popularity • 24% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Heidi Blickenstaff
A Way Back to Then
172 bpm • A# Maj • 02:33 • -9.49db
25% Popularity • 44% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Alice Ripley
I Miss the Mountains
172 bpm • C Maj • 03:46 • -16.9db
35% Popularity • 31% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Annaleigh Ashford
We Do Not Belong Together
171 bpm • C Maj • 03:19 • -9db
23% Popularity • 39% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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Steven Pasquale
Temporarily Lost
171 bpm • A Maj • 02:56 • -9.86db
20% Popularity • 25% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Original Cast of Amélie
Where Do We Go From Here
170 bpm • C# Maj • 03:44 • -12db
23% Popularity • 22% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Danny Burstein
Do You Love Me?
170 bpm • C Maj • 03:15 • -9.88db
22% Popularity • 36% Danceability • 21% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
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Zachary Levi
Tonight at Eight
171 bpm • F# min • 01:45 • -8.94db
32% Popularity • 52% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 93% Positiveness
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Drew Gehling
Bad Idea - Reprise
170 bpm • A# Maj • 01:03 • -4.82db
43% Popularity • 53% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Sherie Rene Scott
Climbing Uphill
195 bpm • E min • 03:36 • -9.56db
27% Popularity • 48% Danceability • 31% Energy • 59% Liveness
0% Instrumentalness • 46% Positiveness
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Alice Ripley
Didn't I See This Movie?
170 bpm • E Maj • 01:30 • -5.82db
32% Popularity • 56% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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A.J. Holmes
It Will Be Chloe
169 bpm • E Maj • 02:02 • -10.13db
11% Popularity • 48% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
The Spelling Rules / My Favorite Moment ...
169 bpm • D Maj • 01:41 • -9.16db
31% Popularity • 53% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Kate Wetherhead
Calm
169 bpm • A Maj • 04:21 • -11.81db
26% Popularity • 60% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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Jessie Mueller
Bad Idea
170 bpm • C# Maj • 03:06 • -4.62db
53% Popularity • 54% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Jeanine Tesori
Edges of the World
169 bpm • C# Maj • 03:22 • -12.69db
26% Popularity • 33% Danceability • 31% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
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Rob McClure
I Want To Be There
168 bpm • C# Maj • 03:16 • -12db
24% Popularity • 45% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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Krystina Alabado
Ordinary Senior Year
167 bpm • F# Maj • 01:12 • -11.46db
21% Popularity • 43% Danceability • 20% Energy • 39% Liveness
0% Instrumentalness • 55% Positiveness
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Melissa Van Der Schyff
That's What You Call a Dream
168 bpm • C# min • 02:37 • -17.16db
29% Popularity • 34% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Original Cast of Amélie
Writing on the Wall
167 bpm • D Maj • 00:44 • -14.73db
14% Popularity • 12% Danceability • 15% Energy • 9% Liveness
65% Instrumentalness • 9% Positiveness
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Audrey Brisson
The Late Nino Quincampoix - Original Lon...
167 bpm • D Maj • 01:25 • -10.69db
17% Popularity • 56% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Taye Diggs
Poor Child
166 bpm • C min • 03:51 • -8.65db
19% Popularity • 23% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Alan Zachary
Something That Will Last
166 bpm • G Maj • 03:57 • -6.59db
23% Popularity • 44% Danceability • 52% Energy • 40% Liveness
0% Instrumentalness • 51% Positiveness
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Bobby Conte
In a World Like This
200 bpm • A Maj • 03:16 • -5.41db
14% Popularity • 31% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Mindi Dickstein
The Most Amazing Thing
165 bpm • G min • 02:00 • -9.69db
26% Popularity • 46% Danceability • 35% Energy • 24% Liveness
0% Instrumentalness • 65% Positiveness
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Original Cast of Amélie
Goodbye, Amelie
166 bpm • E Maj • 03:09 • -6.55db
17% Popularity • 35% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Lilli Cooper
I'm Alive
164 bpm • C Maj • 02:39 • -8.65db
19% Popularity • 73% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Audrey Brisson
How To Tell Time - Original London Cast ...
163 bpm • F Maj • 01:18 • -10.02db
20% Popularity • 29% Danceability • 24% Energy • 34% Liveness
0% Instrumentalness • 34% Positiveness
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Farah Alvin
Just Not Now
163 bpm • G Maj • 02:34 • -16.01db
22% Popularity • 43% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Danny Burstein
Tevye's Dream
163 bpm • F Maj • 07:11 • -8.34db
25% Popularity • 62% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Jefferson Mays
Better with a Man
162 bpm • G Maj • 03:02 • -9.84db
24% Popularity • 52% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Kim Blanck
Those Long Eyes
162 bpm • D Maj • 02:13 • -10.29db
34% Popularity • 41% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Merle Dandridge
Forever Yours (Reprise)
162 bpm • A min • 02:42 • -12db
24% Popularity • 36% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Original Cast of Amélie
Stay
162 bpm • D# Maj • 02:43 • -9.3db
32% Popularity • 32% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
► Preview
A.J. Holmes
I Stole a Bus
160 bpm • E Maj • 01:44 • -8.49db
18% Popularity • 65% Danceability • 53% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
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Mindi Dickstein
Better
159 bpm • E Maj • 01:45 • -8.3db
30% Popularity • 45% Danceability • 36% Energy • 13% Liveness
1% Instrumentalness • 70% Positiveness
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Original Broadway Company of Natasha, Pierre and the Great Comet of 1812
The Abduction
158 bpm • C# Maj • 07:30 • -8.41db
35% Popularity • 38% Danceability • 54% Energy • 25% Liveness
0% Instrumentalness • 32% Positiveness
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Emily Padgett
Another Round
209 bpm • B min • 03:28 • -9.03db
27% Popularity • 53% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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Alice Ripley
How Could I Ever Forget?
156 bpm • F# Maj • 02:50 • -15db
29% Popularity • 30% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Beth Leavel
It's Not About Me
158 bpm • A min • 03:52 • -5.63db
32% Popularity • 52% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
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Thin Air