Songs like Think I'll Be Fine by Middlefingers Band
Based on a tempo of (+/- 10%) and a similar genre
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A Hoodoo Few
The Other Ones
81 bpm • A Maj • 04:32 • -9.03db
12% Popularity • 31% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
12% Popularity • 31% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
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Middlefingers Band
Think I'll Be Fine
81 bpm • C Maj • 02:57 • -14.42db
0% Popularity • 42% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
0% Popularity • 42% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Bobby and the Fineliners
The Collector
80 bpm • D Maj • 03:04 • -15.84db
18% Popularity • 52% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
18% Popularity • 52% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Jeff Slate
San Francisco Days
82 bpm • E Maj • 03:40 • -4.06db
15% Popularity • 46% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
15% Popularity • 46% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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vegas water taxi
get clean
80 bpm • F Maj • 03:03 • -10.54db
11% Popularity • 63% Danceability • 63% Energy • 11% Liveness
38% Instrumentalness • 89% Positiveness
11% Popularity • 63% Danceability • 63% Energy • 11% Liveness
38% Instrumentalness • 89% Positiveness
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Jameson
No Regret
80 bpm • A# min • 04:06 • -5.53db
29% Popularity • 30% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 30% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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The Tangerines
The Wind
83 bpm • G Maj • 02:41 • -9.66db
10% Popularity • 47% Danceability • 48% Energy • 11% Liveness
6% Instrumentalness • 60% Positiveness
10% Popularity • 47% Danceability • 48% Energy • 11% Liveness
6% Instrumentalness • 60% Positiveness
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The Creeping Devils
Fool's Gold
79 bpm • C Maj • 03:11 • -5.55db
13% Popularity • 36% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
13% Popularity • 36% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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NO MORE BEERS
I Shall Be Released
83 bpm • E Maj • 04:06 • -7.37db
32% Popularity • 38% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
32% Popularity • 38% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Middlefingers Band
Just a Memory
83 bpm • C Maj • 03:07 • -15.2db
0% Popularity • 60% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
0% Popularity • 60% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Marc Meyers
There Ain't No Love Here Anymore
85 bpm • C Maj • 03:31 • -5.45db
8% Popularity • 59% Danceability • 80% Energy • 40% Liveness
0% Instrumentalness • 94% Positiveness
8% Popularity • 59% Danceability • 80% Energy • 40% Liveness
0% Instrumentalness • 94% Positiveness
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Elexa Dawson
Wanderlust
85 bpm • C Maj • 04:07 • -9.81db
12% Popularity • 62% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
12% Popularity • 62% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Nat Grace
Shirt
86 bpm • F# Maj • 03:04 • -13.31db
23% Popularity • 62% Danceability • 44% Energy • 10% Liveness
2% Instrumentalness • 56% Positiveness
23% Popularity • 62% Danceability • 44% Energy • 10% Liveness
2% Instrumentalness • 56% Positiveness
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Cowbois Rhos Botwnnog
Trosol
76 bpm • G Maj • 02:22 • -9.38db
19% Popularity • 46% Danceability • 57% Energy • 15% Liveness
1% Instrumentalness • 73% Positiveness
19% Popularity • 46% Danceability • 57% Energy • 15% Liveness
1% Instrumentalness • 73% Positiveness
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NO MORE BEERS
Country Song
85 bpm • D Maj • 03:23 • -5.89db
12% Popularity • 38% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 75% Positiveness
12% Popularity • 38% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 75% Positiveness
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Kurt Ackermann
Strong Enough - Birdhouse Sessions
76 bpm • G Maj • 02:47 • -13.72db
16% Popularity • 56% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 56% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Bobby and the Fineliners
What Did I Miss?
87 bpm • F Maj • 03:10 • -14.56db
16% Popularity • 62% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
16% Popularity • 62% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Middlefingers Band
She's so Sad
75 bpm • G Maj • 02:28 • -7.64db
0% Popularity • 60% Danceability • 49% Energy • 3% Liveness
0% Instrumentalness • 64% Positiveness
0% Popularity • 60% Danceability • 49% Energy • 3% Liveness
0% Instrumentalness • 64% Positiveness
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BeetRootJam
So Long, Goodbye
88 bpm • G Maj • 02:16 • -5.63db
12% Popularity • 63% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 85% Positiveness
12% Popularity • 63% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 85% Positiveness
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Stash
Sweet Salvation of the Dawn
88 bpm • G Maj • 04:17 • -9.13db
18% Popularity • 64% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
18% Popularity • 64% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Dayborn
The Sum of Us
88 bpm • A Maj • 02:39 • -6.3db
8% Popularity • 49% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
8% Popularity • 49% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Dan Bern
I'm In
74 bpm • C Maj • 04:16 • -5.7db
25% Popularity • 58% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
25% Popularity • 58% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
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Jon-Olov Woxlin
Let It All in and Let It All Go
89 bpm • C# Maj • 02:52 • -11.64db
13% Popularity • 67% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
13% Popularity • 67% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Middlefingers Band
Sometimes I Cry
75 bpm • D Maj • 04:21 • -5.96db
0% Popularity • 72% Danceability • 53% Energy • 10% Liveness
11% Instrumentalness • 59% Positiveness
0% Popularity • 72% Danceability • 53% Energy • 10% Liveness
11% Instrumentalness • 59% Positiveness
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Ted Hawkins
Dollar Tree
90 bpm • F# Maj • 03:33 • -20.93db
8% Popularity • 61% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
8% Popularity • 61% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Michael Stanton Armstrong
Midnight Train
90 bpm • A Maj • 03:54 • -12.38db
15% Popularity • 48% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
15% Popularity • 48% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Lonesome Train
Feel Like Making Love
90 bpm • G Maj • 04:17 • -6.01db
11% Popularity • 59% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 59% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Bergersen
The Ladybird and the Windflower
90 bpm • A Maj • 04:01 • -8.35db
11% Popularity • 57% Danceability • 56% Energy • 33% Liveness
0% Instrumentalness • 39% Positiveness
11% Popularity • 57% Danceability • 56% Energy • 33% Liveness
0% Instrumentalness • 39% Positiveness
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Happy Curmudgeons
Meant 2 Be
90 bpm • B Maj • 02:59 • -7db
21% Popularity • 70% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
21% Popularity • 70% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Middlefingers Band
Looks Like Rain
90 bpm • G Maj • 02:24 • -10.52db
0% Popularity • 44% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
0% Popularity • 44% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Garden Thief
Fever Dream
72 bpm • D Maj • 03:23 • -9.96db
16% Popularity • 50% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 58% Positiveness
16% Popularity • 50% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 58% Positiveness
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Oliver Leeds
Don't Believe That Man Who Says I Wanna ...
91 bpm • C Maj • 02:53 • -7.27db
4% Popularity • 74% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
4% Popularity • 74% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Romaines
She's the One
72 bpm • C Maj • 02:46 • -8.35db
12% Popularity • 51% Danceability • 85% Energy • 89% Liveness
0% Instrumentalness • 18% Positiveness
12% Popularity • 51% Danceability • 85% Energy • 89% Liveness
0% Instrumentalness • 18% Positiveness
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Richard Gabai and the Checks
Sparks from a Flame
92 bpm • E min • 03:11 • -5.07db
12% Popularity • 57% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
12% Popularity • 57% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Mick Hills
I got the love of a good woman
93 bpm • A Maj • 02:55 • -9.16db
9% Popularity • 60% Danceability • 58% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
9% Popularity • 60% Danceability • 58% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
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Middlefingers Band
Hit Man With a Heart
91 bpm • D Maj • 03:39 • -6.43db
0% Popularity • 72% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
0% Popularity • 72% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
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Paul Collins
Liverpool
94 bpm • E Maj • 03:23 • -7.46db
30% Popularity • 50% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
30% Popularity • 50% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
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The Crickets
Love's Made A Fool Of You
94 bpm • A Maj • 03:15 • -6.39db
8% Popularity • 56% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 66% Positiveness
8% Popularity • 56% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 66% Positiveness
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Artie Norton
When to Let You Go
92 bpm • A Maj • 04:40 • -7db
8% Popularity • 63% Danceability • 70% Energy • 43% Liveness
68% Instrumentalness • 96% Positiveness
8% Popularity • 63% Danceability • 70% Energy • 43% Liveness
68% Instrumentalness • 96% Positiveness
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Emerson Torrey Sr.
Daisy's Chain
95 bpm • B Maj • 03:25 • -9.79db
10% Popularity • 67% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
10% Popularity • 67% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Alister Hill
What's Worth
95 bpm • D Maj • 02:35 • -10.57db
6% Popularity • 72% Danceability • 57% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
6% Popularity • 72% Danceability • 57% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
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The Heard Eye
Boomerang
95 bpm • D Maj • 04:16 • -6.2db
27% Popularity • 68% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
27% Popularity • 68% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Andy Hawk & the Train Wreck Endings
Real Gone Girl
95 bpm • G Maj • 03:10 • -6.86db
21% Popularity • 66% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
21% Popularity • 66% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
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Middlefingers Band
Sometimes It Hurts
95 bpm • A Maj • 05:12 • -5.48db
0% Popularity • 61% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
0% Popularity • 61% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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God Street Wine
You Know Me Best
96 bpm • D Maj • 04:10 • -9.15db
10% Popularity • 57% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
10% Popularity • 57% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Marson Creek
Dreaming of Tomorrow
96 bpm • D Maj • 03:08 • -9.91db
9% Popularity • 89% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
9% Popularity • 89% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Paul Corliss
Secrets Have Short Lives
96 bpm • G Maj • 05:04 • -6.85db
26% Popularity • 49% Danceability • 74% Energy • 37% Liveness
0% Instrumentalness • 51% Positiveness
26% Popularity • 49% Danceability • 74% Energy • 37% Liveness
0% Instrumentalness • 51% Positiveness
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Purple Look Play
Every Time
96 bpm • G Maj • 05:30 • -8.77db
21% Popularity • 56% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
21% Popularity • 56% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
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SHIV
What's In The Bamboo?
96 bpm • C Maj • 03:42 • -8.47db
9% Popularity • 60% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
9% Popularity • 60% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
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Peder Pan
Sing for Nature
97 bpm • G Maj • 03:11 • -5.26db
19% Popularity • 63% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 85% Positiveness
19% Popularity • 63% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 85% Positiveness
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Mike Scott
Careful with that Mellotron, Eugene
98 bpm • D Maj • 02:46 • -6.53db
20% Popularity • 54% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 48% Positiveness
20% Popularity • 54% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 48% Positiveness
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Älgorkestern
Transportören
98 bpm • F min • 04:03 • -6.62db
20% Popularity • 56% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
20% Popularity • 56% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
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The Beer Dawgs
Empty Chair
98 bpm • C min • 04:29 • -12.28db
10% Popularity • 57% Danceability • 67% Energy • 13% Liveness
11% Instrumentalness • 40% Positiveness
10% Popularity • 57% Danceability • 67% Energy • 13% Liveness
11% Instrumentalness • 40% Positiveness
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The Shipyard Dogs
Remember It All
98 bpm • A Maj • 02:56 • -12.46db
11% Popularity • 57% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
11% Popularity • 57% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Peter Garrett
Hey Archetype
98 bpm • G Maj • 03:13 • -4.34db
25% Popularity • 54% Danceability • 97% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
25% Popularity • 54% Danceability • 97% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Frank R. Bellucci
Hell's Bells
98 bpm • B Maj • 03:15 • -6.07db
27% Popularity • 50% Danceability • 68% Energy • 30% Liveness
5% Instrumentalness • 27% Positiveness
27% Popularity • 50% Danceability • 68% Energy • 30% Liveness
5% Instrumentalness • 27% Positiveness
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Mike Lane/Blu Montag
I Can't Get
98 bpm • B min • 04:19 • -6.27db
7% Popularity • 64% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
7% Popularity • 64% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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American Gun
Devil Showed Me His Hand
98 bpm • D Maj • 04:07 • -8.36db
15% Popularity • 56% Danceability • 44% Energy • 31% Liveness
2% Instrumentalness • 35% Positiveness
15% Popularity • 56% Danceability • 44% Energy • 31% Liveness
2% Instrumentalness • 35% Positiveness
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Loose Diamonds
How Much I Lost
98 bpm • G Maj • 04:06 • -9.55db
12% Popularity • 54% Danceability • 55% Energy • 13% Liveness
1% Instrumentalness • 75% Positiveness
12% Popularity • 54% Danceability • 55% Energy • 13% Liveness
1% Instrumentalness • 75% Positiveness
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Middlefingers Band
Master of Funk
98 bpm • D Maj • 05:32 • -5.91db
0% Popularity • 51% Danceability • 71% Energy • 11% Liveness
1% Instrumentalness • 75% Positiveness
0% Popularity • 51% Danceability • 71% Energy • 11% Liveness
1% Instrumentalness • 75% Positiveness
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Seasick Dolphins
A Story with Meaning
100 bpm • E min • 04:42 • -11db
8% Popularity • 48% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
8% Popularity • 48% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Bergersen
Friar Park
100 bpm • C# min • 07:39 • -9.18db
9% Popularity • 55% Danceability • 88% Energy • 72% Liveness
0% Instrumentalness • 30% Positiveness
9% Popularity • 55% Danceability • 88% Energy • 72% Liveness
0% Instrumentalness • 30% Positiveness
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Blunt Objects
I Want More
100 bpm • C Maj • 02:45 • -6.87db
27% Popularity • 53% Danceability • 68% Energy • 26% Liveness
1% Instrumentalness • 50% Positiveness
27% Popularity • 53% Danceability • 68% Energy • 26% Liveness
1% Instrumentalness • 50% Positiveness
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steve moore thirst
in your hands
100 bpm • A Maj • 02:46 • -10.99db
14% Popularity • 61% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
14% Popularity • 61% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
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Lex Zaleta
I Want My Year Back
101 bpm • A min • 04:48 • -4.77db
8% Popularity • 49% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
8% Popularity • 49% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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Middlefingers Band
This Must Be Love
98 bpm • A Maj • 03:43 • -6.16db
0% Popularity • 58% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
0% Popularity • 58% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Kev Rowe
Late Train Jack - Radio Edit
101 bpm • F Maj • 03:50 • -5.57db
28% Popularity • 63% Danceability • 72% Energy • 46% Liveness
1% Instrumentalness • 78% Positiveness
28% Popularity • 63% Danceability • 72% Energy • 46% Liveness
1% Instrumentalness • 78% Positiveness
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André Bisson
J'ai pleuré la tendresse
101 bpm • E Maj • 04:01 • -12.19db
8% Popularity • 69% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 64% Positiveness
8% Popularity • 69% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 64% Positiveness
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Bobby and the Fineliners
Just Hearts
102 bpm • F Maj • 03:49 • -15.54db
14% Popularity • 56% Danceability • 29% Energy • 9% Liveness
84% Instrumentalness • 18% Positiveness
14% Popularity • 56% Danceability • 29% Energy • 9% Liveness
84% Instrumentalness • 18% Positiveness
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Shaky Odds
Prove to you
102 bpm • D Maj • 03:02 • -7.14db
15% Popularity • 65% Danceability • 67% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
15% Popularity • 65% Danceability • 67% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
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The Silverado Pickups
Pope Valley
102 bpm • C# min • 03:56 • -6.45db
8% Popularity • 51% Danceability • 83% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
8% Popularity • 51% Danceability • 83% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
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Middlefingers Band
You Still Look Good
99 bpm • A Maj • 03:22 • -6.55db
0% Popularity • 74% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 95% Positiveness
0% Popularity • 74% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 95% Positiveness
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Trabohands
I Won´T Slow Down
104 bpm • F Maj • 04:10 • -5.37db
7% Popularity • 57% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
7% Popularity • 57% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
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Wayne Madder
She Can Fly
103 bpm • G Maj • 03:50 • -8.85db
8% Popularity • 38% Danceability • 47% Energy • 9% Liveness
1% Instrumentalness • 42% Positiveness
8% Popularity • 38% Danceability • 47% Energy • 9% Liveness
1% Instrumentalness • 42% Positiveness
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Bobby and the Fineliners
Dinner In Texas
104 bpm • D Maj • 02:48 • -12.99db
17% Popularity • 61% Danceability • 52% Energy • 22% Liveness
1% Instrumentalness • 51% Positiveness
17% Popularity • 61% Danceability • 52% Energy • 22% Liveness
1% Instrumentalness • 51% Positiveness
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Jeff Elbel + Ping
Miracle Rain
104 bpm • B min • 03:39 • -8.97db
15% Popularity • 68% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
15% Popularity • 68% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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BeetRootJam
If I Could
105 bpm • D Maj • 02:52 • -10.15db
10% Popularity • 74% Danceability • 53% Energy • 4% Liveness
0% Instrumentalness • 40% Positiveness
10% Popularity • 74% Danceability • 53% Energy • 4% Liveness
0% Instrumentalness • 40% Positiveness
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Middlefingers Band
Jesus Saves
100 bpm • E Maj • 02:42 • -10.24db
0% Popularity • 55% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
0% Popularity • 55% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Dan Bern
Bones
105 bpm • E Maj • 02:26 • -6.38db
9% Popularity • 56% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
9% Popularity • 56% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Robbie Rhodes
It's All Over But the Cryin'
105 bpm • A Maj • 03:26 • -8.67db
14% Popularity • 46% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
14% Popularity • 46% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Andy Hawk & the Train Wreck Endings
Sunshine Street
105 bpm • G Maj • 02:50 • -7.57db
20% Popularity • 86% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
20% Popularity • 86% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Wild Water
Children Look at Me
105 bpm • D Maj • 03:07 • -3.81db
25% Popularity • 58% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
25% Popularity • 58% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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LovingCounty
Going South
105 bpm • E min • 03:36 • -7.4db
19% Popularity • 46% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
19% Popularity • 46% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Middlefingers Band
The Way Things Are
103 bpm • D Maj • 03:01 • -7.2db
0% Popularity • 60% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
0% Popularity • 60% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Marklyn Retzer
Is It Love?
106 bpm • C# Maj • 03:05 • -7.23db
10% Popularity • 72% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
10% Popularity • 72% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
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Kim Fowley
Live Fast, Die Young
106 bpm • D Maj • 03:12 • -13.1db
12% Popularity • 53% Danceability • 70% Energy • 31% Liveness
0% Instrumentalness • 47% Positiveness
12% Popularity • 53% Danceability • 70% Energy • 31% Liveness
0% Instrumentalness • 47% Positiveness
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Sunset Dadeze
Never Please
106 bpm • G Maj • 02:49 • -11.96db
7% Popularity • 66% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
7% Popularity • 66% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Martin Stephenson
Running Water
107 bpm • G Maj • 03:12 • -7.56db
18% Popularity • 58% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
18% Popularity • 58% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
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The Rallies
No Other Road - Alternate Track
107 bpm • A# Maj • 05:04 • -5.45db
7% Popularity • 51% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
7% Popularity • 51% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Middlefingers Band
City of Heartbreak
105 bpm • B min • 03:51 • -7.6db
0% Popularity • 73% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
0% Popularity • 73% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Basil Halifax
Deep Playback
107 bpm • D min • 04:14 • -9.64db
23% Popularity • 66% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 88% Positiveness
23% Popularity • 66% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 88% Positiveness
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Oliver Leeds
Do Me A Favor And ...
107 bpm • G Maj • 04:03 • -5.59db
4% Popularity • 78% Danceability • 77% Energy • 57% Liveness
0% Instrumentalness • 87% Positiveness
4% Popularity • 78% Danceability • 77% Energy • 57% Liveness
0% Instrumentalness • 87% Positiveness
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Matthew Pocius
The Alchemist and the Builder
107 bpm • C min • 05:07 • -8.25db
11% Popularity • 57% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
11% Popularity • 57% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Marcellus Hall
I Wouldn't Mind
108 bpm • C Maj • 03:20 • -4.09db
13% Popularity • 61% Danceability • 68% Energy • 12% Liveness
22% Instrumentalness • 69% Positiveness
13% Popularity • 61% Danceability • 68% Energy • 12% Liveness
22% Instrumentalness • 69% Positiveness
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Paul Collins
How Will I Know?
108 bpm • G Maj • 02:59 • -6.25db
14% Popularity • 62% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
14% Popularity • 62% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
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Middlefingers Band
Nail on the Head
105 bpm • A Maj • 03:22 • -8.54db
0% Popularity • 70% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
0% Popularity • 70% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Bergersen
The Politician
108 bpm • F# min • 05:25 • -7.78db
9% Popularity • 68% Danceability • 83% Energy • 30% Liveness
2% Instrumentalness • 96% Positiveness
9% Popularity • 68% Danceability • 83% Energy • 30% Liveness
2% Instrumentalness • 96% Positiveness
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Dallet Band
City at Night
108 bpm • G Maj • 07:04 • -6.61db
8% Popularity • 59% Danceability • 67% Energy • 54% Liveness
0% Instrumentalness • 47% Positiveness
8% Popularity • 59% Danceability • 67% Energy • 54% Liveness
0% Instrumentalness • 47% Positiveness
