Songs like Think I'm Crazy by Two Feet
Based on a tempo of (+/- 10%) and a similar genre
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Halsey
Gasoline
120 bpm • A# min • 03:19 • -7.33db
72% Popularity • 73% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
72% Popularity • 73% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Two Feet
Ella
120 bpm • B min • 04:04 • -4.58db
37% Popularity • 60% Danceability • 82% Energy • 10% Liveness
69% Instrumentalness • 13% Positiveness
37% Popularity • 60% Danceability • 82% Energy • 10% Liveness
69% Instrumentalness • 13% Positiveness
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Billie Eilish
everything i wanted
120 bpm • F# min • 04:05 • -14.45db
84% Popularity • 70% Danceability • 22% Energy • 11% Liveness
66% Instrumentalness • 24% Positiveness
84% Popularity • 70% Danceability • 22% Energy • 11% Liveness
66% Instrumentalness • 24% Positiveness
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Bec Lauder
Take Me Home
120 bpm • D# min • 02:56 • -5.04db
43% Popularity • 74% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
43% Popularity • 74% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Ari Abdul
Sinners
120 bpm • B min • 03:33 • -6.53db
58% Popularity • 60% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
58% Popularity • 60% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Noah Cyrus
Again
120 bpm • A min • 03:13 • -4.1db
78% Popularity • 66% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
78% Popularity • 66% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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ORYL
I'm Yours
120 bpm • E min • 02:02 • -11.82db
46% Popularity • 52% Danceability • 36% Energy • 14% Liveness
1% Instrumentalness • 7% Positiveness
46% Popularity • 52% Danceability • 36% Energy • 14% Liveness
1% Instrumentalness • 7% Positiveness
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Two Feet
BBY
120 bpm • D Maj • 02:41 • -6.8db
50% Popularity • 74% Danceability • 72% Energy • 10% Liveness
49% Instrumentalness • 36% Positiveness
50% Popularity • 74% Danceability • 72% Energy • 10% Liveness
49% Instrumentalness • 36% Positiveness
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Billie Eilish
ilomilo
120 bpm • F min • 02:36 • -15.04db
74% Popularity • 86% Danceability • 42% Energy • 9% Liveness
47% Instrumentalness • 57% Positiveness
74% Popularity • 86% Danceability • 42% Energy • 9% Liveness
47% Instrumentalness • 57% Positiveness
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Boy Epic
Dirty Mind
120 bpm • C Maj • 03:28 • -9.72db
53% Popularity • 58% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
53% Popularity • 58% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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BØRNS
Electric Love
120 bpm • F# min • 03:38 • -7.63db
81% Popularity • 61% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
81% Popularity • 61% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
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Tanerélle
Continuum
120 bpm • D# min • 03:49 • -16.13db
55% Popularity • 70% Danceability • 35% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
55% Popularity • 70% Danceability • 35% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Allan Rayman
Word Of Mouth
120 bpm • G# Maj • 03:01 • -9.05db
49% Popularity • 82% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
49% Popularity • 82% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Two Feet
Intro
120 bpm • A Maj • 01:09 • -9.82db
44% Popularity • 45% Danceability • 48% Energy • 36% Liveness
11% Instrumentalness • 6% Positiveness
44% Popularity • 45% Danceability • 48% Energy • 36% Liveness
11% Instrumentalness • 6% Positiveness
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Billie Eilish
bitches broken hearts
120 bpm • C Maj • 02:56 • -10.11db
74% Popularity • 78% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
74% Popularity • 78% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
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Auður
I'd Love
120 bpm • F min • 03:32 • -12db
33% Popularity • 74% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
33% Popularity • 74% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Elvis Drew
On Me
120 bpm • G min • 03:36 • -9db
40% Popularity • 64% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
40% Popularity • 64% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
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The Weeknd
Earned It (Fifty Shades Of Grey) - Maria...
120 bpm • D min • 03:12 • -7db
47% Popularity • 61% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
47% Popularity • 61% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Allan Rayman
Faust Road
120 bpm • D# min • 01:58 • -8.17db
46% Popularity • 92% Danceability • 44% Energy • 14% Liveness
2% Instrumentalness • 68% Positiveness
46% Popularity • 92% Danceability • 44% Energy • 14% Liveness
2% Instrumentalness • 68% Positiveness
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Chase Atlantic
Swim
120 bpm • G# Maj • 03:48 • -6.43db
84% Popularity • 67% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
84% Popularity • 67% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Two Feet
Time Fades Away
120 bpm • A Maj • 03:05 • -5.31db
37% Popularity • 56% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 15% Positiveness
37% Popularity • 56% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 15% Positiveness
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Billie Eilish
Bored
120 bpm • G Maj • 03:00 • -12.7db
82% Popularity • 61% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
82% Popularity • 61% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Addict.
Love, Hate.
120 bpm • D min • 02:13 • -10.09db
39% Popularity • 44% Danceability • 36% Energy • 16% Liveness
19% Instrumentalness • 8% Positiveness
39% Popularity • 44% Danceability • 36% Energy • 16% Liveness
19% Instrumentalness • 8% Positiveness
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Niykee Heaton
NBK
120 bpm • A# Maj • 03:13 • -6.11db
47% Popularity • 64% Danceability • 66% Energy • 49% Liveness
0% Instrumentalness • 35% Positiveness
47% Popularity • 64% Danceability • 66% Energy • 49% Liveness
0% Instrumentalness • 35% Positiveness
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SUNDERWORLD
VANISH (INTERLUDE).
120 bpm • C# min • 01:20 • -15.19db
48% Popularity • 62% Danceability • 15% Energy • 11% Liveness
1% Instrumentalness • 21% Positiveness
48% Popularity • 62% Danceability • 15% Energy • 11% Liveness
1% Instrumentalness • 21% Positiveness
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Alessia Cara
Here
120 bpm • C Maj • 03:19 • -3.97db
71% Popularity • 38% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
71% Popularity • 38% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Two Feet
Think I'm Crazy
120 bpm • B min • 03:02 • -5db
47% Popularity • 76% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
47% Popularity • 76% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
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SobrinhoCDG
Melancolic - Pacify Her Remix
121 bpm • C Maj • 04:58 • -10db
43% Popularity • 67% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
43% Popularity • 67% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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Isabel LaRosa
HEARTBEAT
121 bpm • D Maj • 02:04 • -7.45db
71% Popularity • 54% Danceability • 73% Energy • 49% Liveness
0% Instrumentalness • 34% Positiveness
71% Popularity • 54% Danceability • 73% Energy • 49% Liveness
0% Instrumentalness • 34% Positiveness
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Omido
Outta my head
118 bpm • F min • 02:41 • -4.86db
61% Popularity • 52% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 9% Positiveness
61% Popularity • 52% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 9% Positiveness
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Rhea Robertson
Lose My Breath
118 bpm • A# min • 02:03 • -5.58db
40% Popularity • 57% Danceability • 61% Energy • 35% Liveness
0% Instrumentalness • 18% Positiveness
40% Popularity • 57% Danceability • 61% Energy • 35% Liveness
0% Instrumentalness • 18% Positiveness
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Masego
Tadow
122 bpm • A min • 05:01 • -6.41db
82% Popularity • 70% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
82% Popularity • 70% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Two Feet
Caviar
120 bpm • A Maj • 02:56 • -7.22db
47% Popularity • 50% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 32% Positiveness
47% Popularity • 50% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 32% Positiveness
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Ex Habit
Too Late To Love You
122 bpm • G# min • 02:25 • -11.42db
58% Popularity • 58% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
58% Popularity • 58% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Jaymes Young
Infinity
122 bpm • B min • 03:57 • -6.94db
80% Popularity • 67% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 49% Positiveness
80% Popularity • 67% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 49% Positiveness
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Hey Violet
Guys My Age
122 bpm • G# min • 03:33 • -5.25db
60% Popularity • 69% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
60% Popularity • 69% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Stwo
Haunted
123 bpm • G# min • 03:27 • -10.29db
44% Popularity • 62% Danceability • 38% Energy • 10% Liveness
2% Instrumentalness • 40% Positiveness
44% Popularity • 62% Danceability • 38% Energy • 10% Liveness
2% Instrumentalness • 40% Positiveness
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Jordan Max
Hope
122 bpm • A min • 03:09 • -10.39db
34% Popularity • 51% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
34% Popularity • 51% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Two Feet
Lover
120 bpm • G Maj • 02:50 • -5.9db
41% Popularity • 55% Danceability • 75% Energy • 34% Liveness
70% Instrumentalness • 5% Positiveness
41% Popularity • 55% Danceability • 75% Energy • 34% Liveness
70% Instrumentalness • 5% Positiveness
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Old Caltone
Two Devils
123 bpm • F# Maj • 03:31 • -10.11db
17% Popularity • 42% Danceability • 50% Energy • 57% Liveness
0% Instrumentalness • 16% Positiveness
17% Popularity • 42% Danceability • 50% Energy • 57% Liveness
0% Instrumentalness • 16% Positiveness
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Selena Gomez
Fetish
123 bpm • D Maj • 03:06 • -4.42db
74% Popularity • 71% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
74% Popularity • 71% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
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Frank Walker
Day By Day
123 bpm • G# Maj • 02:48 • -7.02db
42% Popularity • 62% Danceability • 81% Energy • 32% Liveness
33% Instrumentalness • 42% Positiveness
42% Popularity • 62% Danceability • 81% Energy • 32% Liveness
33% Instrumentalness • 42% Positiveness
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MØ
Mercy
124 bpm • D# min • 03:41 • -4.66db
48% Popularity • 51% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
48% Popularity • 51% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Lana Del Rey
West Coast
123 bpm • F# min • 04:16 • -7.66db
84% Popularity • 53% Danceability • 59% Energy • 9% Liveness
2% Instrumentalness • 46% Positiveness
84% Popularity • 53% Danceability • 59% Energy • 9% Liveness
2% Instrumentalness • 46% Positiveness
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Two Feet
Same Old Song (S.O.S. Part 1)
119 bpm • E Maj • 02:31 • -6.64db
51% Popularity • 42% Danceability • 52% Energy • 37% Liveness
10% Instrumentalness • 7% Positiveness
51% Popularity • 42% Danceability • 52% Energy • 37% Liveness
10% Instrumentalness • 7% Positiveness
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Michael McQuaid
Vibes
124 bpm • A Maj • 03:39 • -9.07db
17% Popularity • 73% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
17% Popularity • 73% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Clasio
What Am I Doing Wrong?
124 bpm • A# min • 03:49 • -7.55db
40% Popularity • 81% Danceability • 80% Energy • 47% Liveness
62% Instrumentalness • 22% Positiveness
40% Popularity • 81% Danceability • 80% Energy • 47% Liveness
62% Instrumentalness • 22% Positiveness
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breathe.
Heat
124 bpm • G Maj • 03:10 • -15db
50% Popularity • 67% Danceability • 28% Energy • 34% Liveness
0% Instrumentalness • 24% Positiveness
50% Popularity • 67% Danceability • 28% Energy • 34% Liveness
0% Instrumentalness • 24% Positiveness
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Black Atlass
If They Only Knew
124 bpm • D min • 04:45 • -8db
39% Popularity • 53% Danceability • 55% Energy • 72% Liveness
35% Instrumentalness • 17% Positiveness
39% Popularity • 53% Danceability • 55% Energy • 72% Liveness
35% Instrumentalness • 17% Positiveness
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Harrison Brome
Sex Calls
116 bpm • B min • 02:49 • -8.95db
48% Popularity • 56% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
48% Popularity • 56% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Two Feet
Felt like playing guitar and not singing...
121 bpm • E min • 02:54 • -5.71db
44% Popularity • 78% Danceability • 71% Energy • 8% Liveness
95% Instrumentalness • 30% Positiveness
44% Popularity • 78% Danceability • 71% Energy • 8% Liveness
95% Instrumentalness • 30% Positiveness
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Fousheé
deep end
125 bpm • A min • 02:21 • -7.65db
51% Popularity • 70% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
51% Popularity • 70% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Omido
Without You
116 bpm • C Maj • 02:46 • -7.72db
41% Popularity • 46% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
41% Popularity • 46% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
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breathe.
Grace
124 bpm • D min • 03:15 • -8.05db
49% Popularity • 64% Danceability • 65% Energy • 15% Liveness
2% Instrumentalness • 20% Positiveness
49% Popularity • 64% Danceability • 65% Energy • 15% Liveness
2% Instrumentalness • 20% Positiveness
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Black Atlass
Fantasy
124 bpm • G Maj • 04:06 • -6.87db
48% Popularity • 69% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
48% Popularity • 69% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Billie Eilish
lovely
115 bpm • E min • 03:20 • -10.11db
89% Popularity • 35% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
89% Popularity • 35% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Two Feet
I Want It
122 bpm • F min • 02:19 • -6.24db
62% Popularity • 58% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
62% Popularity • 58% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
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Doja Cat
Candy
125 bpm • G# Maj • 03:10 • -5.86db
79% Popularity • 69% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
79% Popularity • 69% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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Always Never
Millions
125 bpm • D Maj • 03:58 • -6.76db
47% Popularity • 63% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
47% Popularity • 63% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
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OZZIE
IDNY - Instrumental
125 bpm • D min • 03:37 • -13.77db
31% Popularity • 75% Danceability • 42% Energy • 12% Liveness
89% Instrumentalness • 8% Positiveness
31% Popularity • 75% Danceability • 42% Energy • 12% Liveness
89% Instrumentalness • 8% Positiveness
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K.Flay
Blood In The Cut - Aire Atlantica Remix
125 bpm • B min • 03:19 • -4.15db
46% Popularity • 78% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
46% Popularity • 78% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Allan Rayman
Left Alone
125 bpm • G# min • 02:22 • -11db
43% Popularity • 71% Danceability • 28% Energy • 8% Liveness
28% Instrumentalness • 5% Positiveness
43% Popularity • 71% Danceability • 28% Energy • 8% Liveness
28% Instrumentalness • 5% Positiveness
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Two Feet
Pink Reprise
117 bpm • A min • 02:11 • -9.37db
42% Popularity • 43% Danceability • 47% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
42% Popularity • 43% Danceability • 47% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Armut
Desire
125 bpm • F# min • 04:07 • -10.11db
59% Popularity • 54% Danceability • 49% Energy • 6% Liveness
64% Instrumentalness • 4% Positiveness
59% Popularity • 54% Danceability • 49% Energy • 6% Liveness
64% Instrumentalness • 4% Positiveness
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Maribou State
Tongue
115 bpm • A# min • 05:04 • -10.18db
59% Popularity • 55% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
59% Popularity • 55% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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SEV
To Be Loved
115 bpm • C min • 03:53 • -6.12db
40% Popularity • 59% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
40% Popularity • 59% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Ellise
Nightmares
115 bpm • B min • 02:24 • -8.05db
58% Popularity • 70% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
58% Popularity • 70% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Michl
Die Trying
125 bpm • F# Maj • 03:29 • -8.37db
52% Popularity • 42% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
52% Popularity • 42% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
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Two Feet
Pink
117 bpm • A min • 02:04 • -7.14db
53% Popularity • 69% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
53% Popularity • 69% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Omido
A Girl Called Jazz
126 bpm • C Maj • 03:52 • -11.07db
44% Popularity • 61% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
44% Popularity • 61% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Chase Atlantic
OHMAMI
126 bpm • A# min • 03:46 • -5.88db
66% Popularity • 58% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 47% Positiveness
66% Popularity • 58% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 47% Positiveness
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Kyson
Every High
114 bpm • B Maj • 03:33 • -12.3db
57% Popularity • 70% Danceability • 37% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
57% Popularity • 70% Danceability • 37% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
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Always Never
Hopeless
126 bpm • F Maj • 02:36 • -6.97db
55% Popularity • 56% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
55% Popularity • 56% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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The Weeknd
Wicked Games
114 bpm • A Maj • 05:25 • -6.68db
71% Popularity • 61% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 26% Positiveness
71% Popularity • 61% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 26% Positiveness
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Two Feet
Call Me, I Still Love You
115 bpm • C min • 01:08 • -8db
58% Popularity • 58% Danceability • 50% Energy • 8% Liveness
98% Instrumentalness • 18% Positiveness
58% Popularity • 58% Danceability • 50% Energy • 8% Liveness
98% Instrumentalness • 18% Positiveness
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Omido
Silverline
126 bpm • B min • 03:33 • -7.37db
38% Popularity • 58% Danceability • 69% Energy • 66% Liveness
0% Instrumentalness • 22% Positiveness
38% Popularity • 58% Danceability • 69% Energy • 66% Liveness
0% Instrumentalness • 22% Positiveness
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Elvis Drew
Where Are You? - Slowed
126 bpm • A# min • 02:49 • -14.25db
44% Popularity • 67% Danceability • 37% Energy • 13% Liveness
1% Instrumentalness • 36% Positiveness
44% Popularity • 67% Danceability • 37% Energy • 13% Liveness
1% Instrumentalness • 36% Positiveness
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SHAED
Trampoline - Jauz Remix
127 bpm • G min • 03:56 • -6.6db
54% Popularity • 49% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
54% Popularity • 49% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Netherfriends
I'm Having Too Much Sex Blues
114 bpm • E Maj • 01:24 • -14.17db
38% Popularity • 71% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
38% Popularity • 71% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Black Atlass
Sacrifice
127 bpm • F# min • 03:29 • -7.81db
62% Popularity • 51% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
62% Popularity • 51% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Two Feet
Call Me, I Still Love You - Extended Ver...
115 bpm • C min • 03:21 • -6.7db
42% Popularity • 55% Danceability • 53% Energy • 10% Liveness
94% Instrumentalness • 17% Positiveness
42% Popularity • 55% Danceability • 53% Energy • 10% Liveness
94% Instrumentalness • 17% Positiveness
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Marian Hill
Down
113 bpm • C min • 03:17 • -14.7db
57% Popularity • 68% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
57% Popularity • 68% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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The Weeknd
The Hills
113 bpm • C min • 04:02 • -7.06db
87% Popularity • 58% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
87% Popularity • 58% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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SHAED
Trampoline
127 bpm • G min • 03:04 • -7.52db
52% Popularity • 69% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
52% Popularity • 69% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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LP
When We're High
113 bpm • E min • 03:57 • -5.19db
60% Popularity • 75% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
60% Popularity • 75% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Chase Atlantic
Church
113 bpm • F min • 03:40 • -4.54db
72% Popularity • 56% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
72% Popularity • 56% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Stalgia
Talk to My Skin
113 bpm • D min • 03:40 • -12.79db
40% Popularity • 53% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
40% Popularity • 53% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Two Feet
Gravity
128 bpm • G min • 02:10 • -5db
47% Popularity • 51% Danceability • 56% Energy • 7% Liveness
13% Instrumentalness • 21% Positiveness
47% Popularity • 51% Danceability • 56% Energy • 7% Liveness
13% Instrumentalness • 21% Positiveness
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The Weeknd
I Was Never There
113 bpm • A# Maj • 04:01 • -4.01db
85% Popularity • 32% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
85% Popularity • 32% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
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Omido
PLEASE
113 bpm • B min • 02:40 • -8.28db
63% Popularity • 59% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
63% Popularity • 59% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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SHAED
Trampoline
127 bpm • G min • 03:04 • -5.78db
69% Popularity • 62% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
69% Popularity • 62% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Chløë Black
Waterbed
128 bpm • C Maj • 03:11 • -8db
35% Popularity • 64% Danceability • 54% Energy • 16% Liveness
3% Instrumentalness • 7% Positiveness
35% Popularity • 64% Danceability • 54% Energy • 16% Liveness
3% Instrumentalness • 7% Positiveness
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why mona
We Will Rock You
128 bpm • C Maj • 02:48 • -8db
45% Popularity • 56% Danceability • 48% Energy • 62% Liveness
0% Instrumentalness • 15% Positiveness
45% Popularity • 56% Danceability • 48% Energy • 62% Liveness
0% Instrumentalness • 15% Positiveness
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Two Feet
Your Mother Was Cheaper
128 bpm • C Maj • 02:30 • -8.95db
53% Popularity • 85% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
53% Popularity • 85% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Glass Animals
The Other Side Of Paradise
128 bpm • B min • 05:20 • -7.63db
70% Popularity • 69% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
70% Popularity • 69% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Ash Riser
Thanks For Asking
128 bpm • B min • 02:51 • -9.19db
20% Popularity • 42% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
20% Popularity • 42% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Tsar B
Escalate
112 bpm • F min • 03:45 • -9.34db
47% Popularity • 46% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 15% Positiveness
47% Popularity • 46% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 15% Positiveness
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K.Flay
High Enough - Slowed
112 bpm • E min • 03:21 • -6.33db
56% Popularity • 39% Danceability • 63% Energy • 37% Liveness
0% Instrumentalness • 28% Positiveness
56% Popularity • 39% Danceability • 63% Energy • 37% Liveness
0% Instrumentalness • 28% Positiveness
