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Third Degree
Songs like
Third Degree
by
伊藤広規
Based on a tempo of (+/- 10%) and a similar genre
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Tsuyoshi Kon
Sweet Home Alabama - Live#008 Ver. Origi...
179 bpm • G Maj • 05:48 • -5.52db
0% Popularity • 23% Danceability • 87% Energy • 83% Liveness
12% Instrumentalness • 73% Positiveness
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伊藤広規
Third Degree
179 bpm • A Maj • 06:15 • -10.79db
0% Popularity • 42% Danceability • 51% Energy • 49% Liveness
2% Instrumentalness • 57% Positiveness
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Quantum Instrumentalist
Full
180 bpm • C Maj • 01:24 • -17.45db
10% Popularity • 60% Danceability • 43% Energy • 9% Liveness
89% Instrumentalness • 29% Positiveness
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Edgar Austen
Tell Me Some Good News
178 bpm • G# Maj • 03:59 • -8.32db
30% Popularity • 54% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Tomita Lab.
Shiplaunching (2019 Mix)
180 bpm • F# min • 02:03 • -11.02db
8% Popularity • 63% Danceability • 80% Energy • 9% Liveness
91% Instrumentalness • 89% Positiveness
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Pimp Circus
Denis
177 bpm • B Maj • 02:35 • -8.98db
9% Popularity • 40% Danceability • 60% Energy • 13% Liveness
50% Instrumentalness • 38% Positiveness
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Snowy White
Discoveri
182 bpm • B min • 03:41 • -7.32db
12% Popularity • 35% Danceability • 70% Energy • 12% Liveness
22% Instrumentalness • 50% Positiveness
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Philips Pirater
Ships In The Night
177 bpm • A Maj • 05:32 • -7.81db
8% Popularity • 26% Danceability • 80% Energy • 23% Liveness
5% Instrumentalness • 54% Positiveness
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Mother Earth
Red Arrows
183 bpm • F Maj • 03:55 • -5.46db
12% Popularity • 32% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Wicked Bones
Stubborn
175 bpm • E min • 03:16 • -8.37db
9% Popularity • 29% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Ten Year Day
We Shared a Lie
182 bpm • G Maj • 03:42 • -14.59db
9% Popularity • 59% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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伊藤広規
May
175 bpm • A min • 01:25 • -21db
0% Popularity • 8% Danceability • 14% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
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Jeff Young
The Art of Conversation
174 bpm • F Maj • 05:31 • -7.58db
8% Popularity • 45% Danceability • 47% Energy • 25% Liveness
0% Instrumentalness • 26% Positiveness
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西山毅
ザ・ローナー - Live#019 2nd Stage ...
173 bpm • G min • 06:39 • -9.96db
0% Popularity • 15% Danceability • 71% Energy • 30% Liveness
86% Instrumentalness • 36% Positiveness
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Resonant Field
Folder Representation
186 bpm • C# min • 02:51 • -15.85db
8% Popularity • 50% Danceability • 42% Energy • 15% Liveness
79% Instrumentalness • 45% Positiveness
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Rÿtch Bÿtch
Another Case For The Dickhead Shrinkers ...
172 bpm • A Maj • 05:31 • -7.47db
17% Popularity • 51% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
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rungkad mang
rock leaning
172 bpm • C# Maj • 03:09 • -13.76db
11% Popularity • 45% Danceability • 67% Energy • 29% Liveness
81% Instrumentalness • 56% Positiveness
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伊藤広規
ウルトラQ-R (追跡、怪獣、SF、...
183 bpm • B min • 01:35 • -8.22db
0% Popularity • 25% Danceability • 85% Energy • 35% Liveness
72% Instrumentalness • 51% Positiveness
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Darryl Way's Wolf
The Ache - Remastered 1985
171 bpm • G Maj • 04:09 • -4.63db
25% Popularity • 27% Danceability • 93% Energy • 41% Liveness
91% Instrumentalness • 54% Positiveness
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Snuff
Purple Prisoner
188 bpm • C Maj • 02:04 • -7.62db
23% Popularity • 11% Danceability • 93% Energy • 4% Liveness
86% Instrumentalness • 43% Positiveness
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Paolo Carraro
The Boys Are Back
170 bpm • B min • 03:17 • -5.07db
17% Popularity • 41% Danceability • 93% Energy • 34% Liveness
86% Instrumentalness • 53% Positiveness
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Makoto Matsushita
ハレルヤ - Live#007 Ver. Originally ...
169 bpm • G Maj • 05:03 • -6.69db
1% Popularity • 30% Danceability • 36% Energy • 75% Liveness
6% Instrumentalness • 18% Positiveness
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Mika Luoto
Strong
170 bpm • A Maj • 02:28 • -8.24db
9% Popularity • 50% Danceability • 92% Energy • 37% Liveness
91% Instrumentalness • 98% Positiveness
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伊藤広規
Funny Trip
187 bpm • B min • 03:34 • -9.12db
0% Popularity • 54% Danceability • 88% Energy • 13% Liveness
92% Instrumentalness • 96% Positiveness
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Aldrich Christie
Sleepless Night
169 bpm • G# Maj • 03:09 • -7.7db
29% Popularity • 50% Danceability • 81% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
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Why Groove?
Why "Peppers"?!
190 bpm • G# Maj • 01:20 • -7.04db
17% Popularity • 73% Danceability • 86% Energy • 13% Liveness
88% Instrumentalness • 92% Positiveness
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Mother Earth
More Understood
190 bpm • F min • 04:54 • -3.74db
5% Popularity • 26% Danceability • 95% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
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Eikichi Yazawa
CAN GO - Remastered 2022
168 bpm • G Maj • 03:27 • -9.43db
13% Popularity • 51% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
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Ed Wynne
We's All D'same
192 bpm • A Maj • 03:51 • -2.57db
27% Popularity • 42% Danceability • 92% Energy • 26% Liveness
0% Instrumentalness • 71% Positiveness
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伊藤広規
ニューヨークの夜景(ドラム+�...
171 bpm • G Maj • 01:06 • -14.48db
0% Popularity • 45% Danceability • 72% Energy • 10% Liveness
6% Instrumentalness • 22% Positiveness
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Mick Clarke
River's Invitation
166 bpm • A Maj • 03:49 • -6.61db
25% Popularity • 36% Danceability • 77% Energy • 9% Liveness
12% Instrumentalness • 61% Positiveness
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Virgil Fanny
MIA - Acoustic Version
167 bpm • F# Maj • 05:30 • -8.92db
23% Popularity • 26% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Jam Track Central
Seal the Feel - Backing Track
194 bpm • A min • 05:30 • -6.09db
11% Popularity • 56% Danceability • 89% Energy • 10% Liveness
83% Instrumentalness • 87% Positiveness
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Simon Phillips
Jungleyes
164 bpm • D Maj • 07:51 • -11.61db
8% Popularity • 24% Danceability • 63% Energy • 96% Liveness
86% Instrumentalness • 43% Positiveness
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Reynaldo Boyer
Shakin
165 bpm • G Maj • 02:49 • -10.64db
18% Popularity • 51% Danceability • 72% Energy • 33% Liveness
1% Instrumentalness • 63% Positiveness
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伊藤広規
都会のネオン B
170 bpm • C min • 01:15 • -11.21db
0% Popularity • 64% Danceability • 70% Energy • 28% Liveness
90% Instrumentalness • 98% Positiveness
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Thorshammer
Veitstanz
164 bpm • A Maj • 06:28 • -8.55db
10% Popularity • 22% Danceability • 81% Energy • 35% Liveness
89% Instrumentalness • 37% Positiveness
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Forrest of Fanghorn
The River Styx
200 bpm • A# Maj • 03:15 • -6.99db
3% Popularity • 35% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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Jam Track Central
The Open Highway - Backing Track
164 bpm • D Maj • 06:47 • -8.15db
11% Popularity • 61% Danceability • 65% Energy • 6% Liveness
88% Instrumentalness • 55% Positiveness
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Ryan Cooper
The Door
160 bpm • C# min • 03:06 • -11.3db
26% Popularity • 51% Danceability • 66% Energy • 10% Liveness
1% Instrumentalness • 88% Positiveness
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Gregor Hilden
Kickin' In
204 bpm • C Maj • 03:02 • -7.54db
14% Popularity • 52% Danceability • 82% Energy • 11% Liveness
43% Instrumentalness • 73% Positiveness
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伊藤広規
日本のロックンロール 昭和ツ...
170 bpm • E min • 01:12 • -9.28db
0% Popularity • 64% Danceability • 80% Energy • 23% Liveness
86% Instrumentalness • 91% Positiveness
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石原 SHARA 愼一郎
Fire - Live#014 1st Ver. Originally Perf...
157 bpm • A Maj • 03:23 • -5.26db
0% Popularity • 24% Danceability • 96% Energy • 67% Liveness
0% Instrumentalness • 66% Positiveness
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DJ Lumi
Ray of Light
156 bpm • A# Maj • 02:39 • -17.33db
19% Popularity • 72% Danceability • 29% Energy • 19% Liveness
76% Instrumentalness • 30% Positiveness
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Geoff Sprackling
View from Above
156 bpm • B min • 06:00 • -9.36db
13% Popularity • 58% Danceability • 43% Energy • 21% Liveness
73% Instrumentalness • 47% Positiveness
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Joy-K
Jam-K
155 bpm • A min • 05:47 • -7.47db
7% Popularity • 57% Danceability • 65% Energy • 29% Liveness
80% Instrumentalness • 76% Positiveness
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Gentle Giant
Empty City (Steven Wilson 2023 Remix)
153 bpm • F Maj • 04:37 • -14.27db
8% Popularity • 45% Danceability • 38% Energy • 15% Liveness
3% Instrumentalness • 57% Positiveness
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伊藤広規
日本のロックンロール 昭和ツ...
170 bpm • G Maj • 01:12 • -9.48db
0% Popularity • 43% Danceability • 84% Energy • 45% Liveness
82% Instrumentalness • 98% Positiveness
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Mike Lorenz
Supernaut
152 bpm • F# Maj • 04:56 • -10.03db
12% Popularity • 46% Danceability • 65% Energy • 17% Liveness
89% Instrumentalness • 78% Positiveness
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伊藤広規
サンダーバード2020 (カントリ�...
161 bpm • G Maj • 01:03 • -6.47db
0% Popularity • 42% Danceability • 92% Energy • 13% Liveness
80% Instrumentalness • 98% Positiveness
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伊藤広規
夜の捜査線(ドラム+ハープ)
154 bpm • A Maj • 01:02 • -10.29db
0% Popularity • 72% Danceability • 49% Energy • 23% Liveness
15% Instrumentalness • 24% Positiveness
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伊藤広規
夜の捜査線
154 bpm • D Maj • 01:13 • -9.83db
0% Popularity • 68% Danceability • 46% Energy • 9% Liveness
48% Instrumentalness • 41% Positiveness
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Third Degree