Songs like This Ain't Nothin' by Craig Morgan
Based on a tempo of (+/- 10%) and a similar genre
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Eli Young Band
Always The Love Songs
150 bpm • E Maj • 03:41 • -3.42db
42% Popularity • 47% Danceability • 77% Energy • 68% Liveness
0% Instrumentalness • 40% Positiveness
42% Popularity • 47% Danceability • 77% Energy • 68% Liveness
0% Instrumentalness • 40% Positiveness
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Ronnie Dunn
Young Buck
150 bpm • A Maj • 03:12 • -6db
38% Popularity • 62% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
38% Popularity • 62% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Kip Moore
Dirt Road
150 bpm • C Maj • 03:23 • -5.21db
46% Popularity • 62% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
46% Popularity • 62% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Jason Michael Carroll
Where I'm From
150 bpm • G# Maj • 04:36 • -6db
46% Popularity • 53% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
46% Popularity • 53% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Craig Morgan
The Ballad of Mr. Jenkins
150 bpm • G Maj • 04:26 • -8.22db
28% Popularity • 55% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
28% Popularity • 55% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Darius Rucker
Don't Think I Don't Think About It
150 bpm • A Maj • 03:03 • -5db
57% Popularity • 58% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
57% Popularity • 58% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Joe Diffie
Third Rock from the Sun
151 bpm • A Maj • 03:06 • -8.64db
50% Popularity • 70% Danceability • 76% Energy • 48% Liveness
0% Instrumentalness • 62% Positiveness
50% Popularity • 70% Danceability • 76% Energy • 48% Liveness
0% Instrumentalness • 62% Positiveness
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Gretchen Wilson
Homewrecker
149 bpm • E Maj • 03:25 • -5.71db
42% Popularity • 50% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
42% Popularity • 50% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
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Ronnie Dunn
Cost Of Livin'
148 bpm • E Maj • 04:10 • -8db
45% Popularity • 66% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
45% Popularity • 66% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Travis Tritt
Anymore
148 bpm • B Maj • 03:47 • -10.29db
55% Popularity • 54% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
55% Popularity • 54% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Craig Morgan
This Ain't Nothin'
150 bpm • F# Maj • 04:02 • -5.32db
46% Popularity • 35% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
46% Popularity • 35% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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JJ Lawhorn
Stomping Grounds
152 bpm • A# min • 03:31 • -5.42db
37% Popularity • 51% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
37% Popularity • 51% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Cole Swindell
Hope You Get Lonely Tonight
152 bpm • A# Maj • 03:47 • -4db
51% Popularity • 45% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
51% Popularity • 45% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Luke Bryan
What Country Is
148 bpm • A# Maj • 03:14 • -4.07db
45% Popularity • 56% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
45% Popularity • 56% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Buddy Jewell
Sweet Southern Comfort
148 bpm • D Maj • 03:32 • -7db
49% Popularity • 50% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
49% Popularity • 50% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Thompson Square
Are You Gonna Kiss Me Or Not
152 bpm • G# Maj • 03:04 • -3.81db
65% Popularity • 48% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
65% Popularity • 48% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Craig Morgan
If Not Me
152 bpm • D# Maj • 03:20 • -4.11db
31% Popularity • 49% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
31% Popularity • 49% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Jake Owen
Anywhere With You
152 bpm • F Maj • 03:29 • -2.55db
58% Popularity • 48% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
58% Popularity • 48% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Granger Smith
Merica
148 bpm • C min • 04:30 • -5.7db
44% Popularity • 52% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
44% Popularity • 52% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Tyler Farr
A Guy Walks Into a Bar
148 bpm • C Maj • 03:16 • -3db
54% Popularity • 43% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
54% Popularity • 43% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Ronnie Dunn
Ain't No Trucks In Texas
152 bpm • G# Maj • 03:20 • -3.89db
36% Popularity • 39% Danceability • 75% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 39% Danceability • 75% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
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Big & Rich
Run Away with You
148 bpm • F# min • 03:44 • -4.12db
47% Popularity • 54% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
47% Popularity • 54% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
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Michael Ray
Kiss You in the Morning
152 bpm • B Maj • 03:01 • -3db
47% Popularity • 56% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 86% Positiveness
47% Popularity • 56% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 86% Positiveness
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Chris Cagle
Miss Me Baby
148 bpm • C# Maj • 03:54 • -6db
42% Popularity • 53% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
42% Popularity • 53% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Craig Morgan
It Took A Woman
153 bpm • D Maj • 03:21 • -4.44db
31% Popularity • 48% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
31% Popularity • 48% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Tyler Farr
Withdrawals
148 bpm • D# Maj • 03:44 • -3.87db
37% Popularity • 48% Danceability • 88% Energy • 23% Liveness
0% Instrumentalness • 34% Positiveness
37% Popularity • 48% Danceability • 88% Energy • 23% Liveness
0% Instrumentalness • 34% Positiveness
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Jerrod Niemann
What Do You Want
153 bpm • E Maj • 03:34 • -10.12db
42% Popularity • 55% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
42% Popularity • 55% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Big & Rich
Lost in This Moment
148 bpm • B Maj • 03:30 • -7db
32% Popularity • 60% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
32% Popularity • 60% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
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Luke Bryan
Dirt Road Diary
147 bpm • G# Maj • 03:31 • -4.22db
45% Popularity • 53% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
45% Popularity • 53% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Chris Cagle
Look At What I've Done
148 bpm • A Maj • 04:55 • -9.55db
38% Popularity • 62% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
38% Popularity • 62% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Mark Chesnutt
It Sure Is Monday
147 bpm • F Maj • 02:57 • -10.33db
51% Popularity • 60% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
51% Popularity • 60% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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Craig Morgan
Love Remembers
154 bpm • C Maj • 03:55 • -3.45db
29% Popularity • 39% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
29% Popularity • 39% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
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Cole Swindell
Ain't Worth the Whiskey
154 bpm • D Maj • 03:11 • -3.91db
60% Popularity • 43% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
60% Popularity • 43% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Travis Tritt
Help Me Hold On
154 bpm • G Maj • 04:00 • -7.18db
50% Popularity • 41% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
50% Popularity • 41% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Tyler Farr
Whiskey in My Water
154 bpm • G Maj • 03:08 • -5.08db
52% Popularity • 53% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
52% Popularity • 53% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
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Chris Cagle
Wal-Mart Parking Lot
147 bpm • F# Maj • 04:22 • -6.3db
36% Popularity • 56% Danceability • 72% Energy • 39% Liveness
0% Instrumentalness • 58% Positiveness
36% Popularity • 56% Danceability • 72% Energy • 39% Liveness
0% Instrumentalness • 58% Positiveness
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Phil Vassar
Just Another Day In Paradise
146 bpm • D Maj • 03:53 • -5.56db
57% Popularity • 60% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
57% Popularity • 60% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
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Chris Janson
Buy Me a Boat
154 bpm • D Maj • 02:59 • -6.66db
69% Popularity • 57% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
69% Popularity • 57% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Brad Paisley
We Danced
146 bpm • A Maj • 03:46 • -11db
59% Popularity • 59% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
59% Popularity • 59% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Zac Brown Band
No Hurry
146 bpm • D# Maj • 03:46 • -5.81db
51% Popularity • 56% Danceability • 53% Energy • 31% Liveness
0% Instrumentalness • 41% Positiveness
51% Popularity • 56% Danceability • 53% Energy • 31% Liveness
0% Instrumentalness • 41% Positiveness
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Rodney Atkins
Cleaning This Gun (Come On In Boy)
146 bpm • D Maj • 03:46 • -3.67db
55% Popularity • 51% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
55% Popularity • 51% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Luke Bryan
We Rode In Trucks
146 bpm • E Maj • 04:30 • -6.37db
45% Popularity • 54% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
45% Popularity • 54% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Ronnie Dunn
That's Why They Make Jack Daniels
146 bpm • D# Maj • 03:23 • -5db
38% Popularity • 53% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
38% Popularity • 53% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
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Mike Ryan
New Hometown
146 bpm • C Maj • 03:17 • -4.49db
45% Popularity • 52% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
45% Popularity • 52% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Neal McCoy
The Shake
146 bpm • A Maj • 03:33 • -5.71db
54% Popularity • 68% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
54% Popularity • 68% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
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Toby Keith
She Never Cried in Front of Me
146 bpm • G Maj • 03:59 • -5db
46% Popularity • 46% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 46% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Tyler Farr
I Don't Even Want This Beer
146 bpm • B min • 03:13 • -5.71db
39% Popularity • 56% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
39% Popularity • 56% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Dillon Carmichael
Dancing Away with My Heart
145 bpm • A Maj • 03:47 • -7.62db
44% Popularity • 32% Danceability • 55% Energy • 20% Liveness
10% Instrumentalness • 38% Positiveness
44% Popularity • 32% Danceability • 55% Energy • 20% Liveness
10% Instrumentalness • 38% Positiveness
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Craig Morgan
Always Be Mine
145 bpm • A# Maj • 03:24 • -7.82db
13% Popularity • 40% Danceability • 41% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
13% Popularity • 40% Danceability • 41% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
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Mark Chesnutt
I Just Wanted You To Know
145 bpm • D Maj • 03:22 • -11db
45% Popularity • 59% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
45% Popularity • 59% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
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Clint Black
Nothin' But The Taillights
155 bpm • G Maj • 03:53 • -7.92db
54% Popularity • 56% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
54% Popularity • 56% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
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Darius Rucker
Southern State Of Mind
155 bpm • C# Maj • 03:36 • -6.87db
48% Popularity • 60% Danceability • 63% Energy • 26% Liveness
0% Instrumentalness • 67% Positiveness
48% Popularity • 60% Danceability • 63% Energy • 26% Liveness
0% Instrumentalness • 67% Positiveness
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Tyler Farr
Redneck Crazy
146 bpm • G min • 03:36 • -4.22db
56% Popularity • 49% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
56% Popularity • 49% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Brooks & Dunn
Hillbilly Deluxe
155 bpm • G Maj • 04:18 • -5db
55% Popularity • 57% Danceability • 83% Energy • 51% Liveness
0% Instrumentalness • 55% Positiveness
55% Popularity • 57% Danceability • 83% Energy • 51% Liveness
0% Instrumentalness • 55% Positiveness
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Diamond Rio
In a Week or Two
145 bpm • D Maj • 02:59 • -12db
37% Popularity • 61% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
37% Popularity • 61% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Aaron Lewis
Granddaddy's Gun
145 bpm • F# Maj • 03:45 • -4.74db
51% Popularity • 56% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
51% Popularity • 56% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Andy Griggs
If Heaven
145 bpm • E Maj • 03:30 • -9db
37% Popularity • 52% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
37% Popularity • 52% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Neal McCoy
No Doubt About It
145 bpm • E Maj • 03:47 • -10db
54% Popularity • 62% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
54% Popularity • 62% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Clint Black
Summer's Comin'
156 bpm • A Maj • 02:47 • -8db
46% Popularity • 63% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
46% Popularity • 63% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Craig Campbell
Family Man
156 bpm • B Maj • 03:39 • -7.08db
42% Popularity • 55% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
42% Popularity • 55% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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Chris Cagle
Just Love Me
156 bpm • F# Maj • 05:08 • -7db
31% Popularity • 51% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
31% Popularity • 51% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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Keith Anderson
I Still Miss You
156 bpm • D# Maj • 03:55 • -5.39db
15% Popularity • 51% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
15% Popularity • 51% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Josh Abbott Band
She's Like Texas
156 bpm • D Maj • 03:55 • -6.91db
56% Popularity • 50% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
56% Popularity • 50% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Craig Morgan
We'll Come Back Around
156 bpm • A Maj • 02:58 • -3.87db
21% Popularity • 50% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
21% Popularity • 50% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Luke Bryan
Crash My Party
144 bpm • G Maj • 03:54 • -4db
61% Popularity • 53% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 41% Positiveness
61% Popularity • 53% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 41% Positiveness
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Darius Rucker
Southern Style
144 bpm • D# Maj • 03:56 • -7db
22% Popularity • 52% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
22% Popularity • 52% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
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Joe Nichols
I'll Wait For You
144 bpm • A Maj • 04:07 • -9db
42% Popularity • 46% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
42% Popularity • 46% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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John Michael Montgomery
Be My Baby Tonight
157 bpm • A Maj • 02:52 • -7.96db
61% Popularity • 63% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 90% Positiveness
61% Popularity • 63% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 90% Positiveness
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Brad Paisley
Little Moments
157 bpm • A Maj • 03:39 • -9.17db
50% Popularity • 51% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 37% Positiveness
50% Popularity • 51% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 37% Positiveness
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Craig Morgan
Going Out Like This
144 bpm • D Maj • 03:29 • -5.69db
27% Popularity • 58% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
27% Popularity • 58% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Chase Bryant
Take it On Back
158 bpm • D Maj • 04:06 • -5.38db
41% Popularity • 56% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
41% Popularity • 56% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Darius Rucker
It Won't Be Like This For Long
144 bpm • E Maj • 03:39 • -6db
59% Popularity • 58% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
59% Popularity • 58% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Randy Travis
Deeper Than the Holler
143 bpm • F Maj • 03:39 • -8.59db
67% Popularity • 65% Danceability • 48% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
67% Popularity • 65% Danceability • 48% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
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Eric Church
Guys Like Me
158 bpm • C Maj • 03:11 • -6.92db
55% Popularity • 45% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 69% Positiveness
55% Popularity • 45% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 69% Positiveness
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Chase Rice
Carolina Can
158 bpm • B Maj • 03:40 • -6.61db
19% Popularity • 48% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
19% Popularity • 48% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Trent Tomlinson
One Wing In The Fire
142 bpm • D# Maj • 03:52 • -7.36db
45% Popularity • 61% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
45% Popularity • 61% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Luke Bryan
You Don't Know Jack
142 bpm • F Maj • 03:16 • -7.4db
40% Popularity • 59% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
40% Popularity • 59% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Darius Rucker
History In The Making
158 bpm • C Maj • 03:29 • -6db
43% Popularity • 48% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
43% Popularity • 48% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
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Randy Travis
Three Wooden Crosses
158 bpm • C# Maj • 03:21 • -7.92db
64% Popularity • 53% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
64% Popularity • 53% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Eli Young Band
Guinevere
142 bpm • C Maj • 04:47 • -4.74db
39% Popularity • 45% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
39% Popularity • 45% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Michael Ray
Think a Little Less
142 bpm • A Maj • 02:56 • -4db
52% Popularity • 52% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
52% Popularity • 52% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
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Lee Brice
I Drive Your Truck
142 bpm • B Maj • 03:54 • -6.22db
60% Popularity • 51% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
60% Popularity • 51% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Craig Morgan
I'll Be Home Soon
142 bpm • D Maj • 03:06 • -4.95db
27% Popularity • 51% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
27% Popularity • 51% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Billy Currington
People Are Crazy
142 bpm • F Maj • 03:51 • -5db
68% Popularity • 65% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
68% Popularity • 65% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Emerson Drive
Moments
142 bpm • A Maj • 04:58 • -8db
42% Popularity • 50% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
42% Popularity • 50% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Chris LeDoux
Cadillac Ranch
159 bpm • B min • 02:53 • -9db
53% Popularity • 60% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
53% Popularity • 60% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Chris Young
The Man I Want to Be
142 bpm • G Maj • 03:27 • -5.06db
55% Popularity • 49% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
55% Popularity • 49% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Darryl Worley
If Something Should Happen
159 bpm • E Maj • 04:39 • -9db
34% Popularity • 56% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
34% Popularity • 56% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Brad Paisley
Alcohol
142 bpm • B Maj • 04:50 • -6db
52% Popularity • 55% Danceability • 75% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
52% Popularity • 55% Danceability • 75% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
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Jake Owen
Startin' With Me
159 bpm • B Maj • 03:56 • -5.39db
41% Popularity • 49% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
41% Popularity • 49% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Diamond Rio
How Your Love Makes Me Feel
141 bpm • C Maj • 04:05 • -9.29db
40% Popularity • 61% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
40% Popularity • 61% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
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Jon Pardi
What I Can't Put Down
160 bpm • G Maj • 03:23 • -4db
61% Popularity • 57% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
61% Popularity • 57% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Chris Janson
Waitin' on 5
160 bpm • C# Maj • 02:54 • -2.97db
44% Popularity • 54% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
44% Popularity • 54% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
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Tracy Lawrence
Find out Who Your Friends Are
160 bpm • D Maj • 03:49 • -5db
31% Popularity • 53% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
31% Popularity • 53% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
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Brad Paisley
Remind Me
141 bpm • F Maj • 04:31 • -4.2db
58% Popularity • 48% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
58% Popularity • 48% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
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Jon Langston
She's so Georgia
160 bpm • C# Maj • 03:21 • -5db
38% Popularity • 42% Danceability • 82% Energy • 40% Liveness
0% Instrumentalness • 64% Positiveness
38% Popularity • 42% Danceability • 82% Energy • 40% Liveness
0% Instrumentalness • 64% Positiveness
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Gary Allan
Watching Airplanes
160 bpm • B Maj • 04:02 • -3.59db
61% Popularity • 37% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
61% Popularity • 37% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Craig Campbell
Fish
160 bpm • F# Maj • 02:47 • -6.28db
51% Popularity • 63% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
51% Popularity • 63% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
