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This City (We're Taking Over)
Songs like
This City (We're Taking Over)
by
Skip The Foreplay
Based on a tempo of (+/- 10%) and a similar genre
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Skip The Foreplay
This City (We're Taking Over)
140 bpm • A# min • 03:01 • -3.66db
19% Popularity • 56% Danceability • 99% Energy • 5% Liveness
0% Instrumentalness • 46% Positiveness
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Above the Broken
The Dark Half
140 bpm • F# Maj • 05:48 • -3.83db
20% Popularity • 45% Danceability • 96% Energy • 32% Liveness
1% Instrumentalness • 14% Positiveness
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Call US Forgotten
Under An Ashen Sky
140 bpm • D min • 04:11 • -3.79db
11% Popularity • 29% Danceability • 97% Energy • 46% Liveness
0% Instrumentalness • 21% Positiveness
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Make Me Famous
It's Now Or Never
140 bpm • F min • 01:12 • -3.69db
28% Popularity • 52% Danceability • 100% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
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Shoot the Girl First
Rest in Pieces
140 bpm • A# min • 04:43 • -2.32db
13% Popularity • 48% Danceability • 98% Energy • 38% Liveness
1% Instrumentalness • 27% Positiveness
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The Bunny The Bear
Aisle
140 bpm • G Maj • 04:15 • -4.87db
31% Popularity • 41% Danceability • 93% Energy • 58% Liveness
0% Instrumentalness • 34% Positiveness
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Skip The Foreplay
Champagne Showers
140 bpm • F min • 03:43 • -4.62db
32% Popularity • 48% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
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The Paramedic
Xenophobia
140 bpm • D min • 03:49 • -3.5db
13% Popularity • 52% Danceability • 94% Energy • 53% Liveness
0% Instrumentalness • 5% Positiveness
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Sienna Skies
Even Stronger
140 bpm • G Maj • 04:02 • -1.47db
18% Popularity • 37% Danceability • 97% Energy • 36% Liveness
0% Instrumentalness • 26% Positiveness
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Feed Her to the Sharks
Fuck Melbourne
140 bpm • G Maj • 03:39 • -4db
24% Popularity • 49% Danceability • 98% Energy • 44% Liveness
0% Instrumentalness • 27% Positiveness
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Above the Broken
Keep It Secret, Keep It Safe
140 bpm • G Maj • 03:59 • -3.12db
15% Popularity • 52% Danceability • 97% Energy • 41% Liveness
0% Instrumentalness • 14% Positiveness
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Haste The Day
Dog Like Vultures
140 bpm • G Maj • 03:46 • -2.87db
31% Popularity • 46% Danceability • 99% Energy • 35% Liveness
0% Instrumentalness • 40% Positiveness
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Skip The Foreplay
Dom Perignon
140 bpm • F# Maj • 03:07 • -3.63db
12% Popularity • 37% Danceability • 98% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
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Of Mice & Men
Purified
140 bpm • C min • 03:35 • -2.42db
36% Popularity • 47% Danceability • 99% Energy • 81% Liveness
0% Instrumentalness • 33% Positiveness
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Confide
My Choice Of Words
140 bpm • G# Maj • 03:32 • -4db
26% Popularity • 44% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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That's Outrageous!
Psycho
140 bpm • B Maj • 02:33 • -3db
15% Popularity • 34% Danceability • 100% Energy • 40% Liveness
50% Instrumentalness • 13% Positiveness
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Beyond All Recognition
True Story
140 bpm • D Maj • 02:37 • -3.74db
12% Popularity • 45% Danceability • 99% Energy • 22% Liveness
0% Instrumentalness • 19% Positiveness
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Sienna Skies
Everybody's Eyes
140 bpm • E min • 04:01 • -1.34db
14% Popularity • 40% Danceability • 97% Energy • 25% Liveness
0% Instrumentalness • 19% Positiveness
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The Color Morale
The Dying Hymn
140 bpm • C# Maj • 03:39 • -4.09db
23% Popularity • 45% Danceability • 96% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
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Emmure
A Gift A Curse
140 bpm • A min • 04:10 • -4.75db
36% Popularity • 34% Danceability • 94% Energy • 9% Liveness
33% Instrumentalness • 19% Positiveness
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Oceans Ate Alaska
Drunk In Love
140 bpm • F# Maj • 03:24 • -5db
33% Popularity • 44% Danceability • 99% Energy • 39% Liveness
0% Instrumentalness • 22% Positiveness
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From Atlantis
Changes
140 bpm • G Maj • 03:14 • -3.83db
8% Popularity • 51% Danceability • 99% Energy • 36% Liveness
0% Instrumentalness • 20% Positiveness
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Outline In Color
One of Two Ways
140 bpm • B min • 03:25 • -2.58db
11% Popularity • 31% Danceability • 97% Energy • 12% Liveness
1% Instrumentalness • 25% Positiveness
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Tear Out The Heart
Feel Real
140 bpm • A Maj • 03:42 • -2.09db
11% Popularity • 41% Danceability • 98% Energy • 31% Liveness
0% Instrumentalness • 4% Positiveness
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The Color Morale
Learned Behavior
140 bpm • G# Maj • 03:57 • -3.12db
33% Popularity • 35% Danceability • 99% Energy • 99% Liveness
19% Instrumentalness • 13% Positiveness
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The Monsters I've Met
Sink or Swim
140 bpm • G Maj • 02:57 • -4.36db
12% Popularity • 22% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Jarrod Alonge
Hey Jarrod, What's That Song Again?
141 bpm • C# min • 04:15 • -4db
37% Popularity • 30% Danceability • 91% Energy • 35% Liveness
0% Instrumentalness • 31% Positiveness
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I Am Abomination
To Rebuild
141 bpm • E min • 03:43 • -3.01db
15% Popularity • 38% Danceability • 96% Energy • 37% Liveness
0% Instrumentalness • 42% Positiveness
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Casino Madrid
For Kings And Queens
141 bpm • G# Maj • 01:01 • -7.28db
26% Popularity • 40% Danceability • 96% Energy • 56% Liveness
66% Instrumentalness • 16% Positiveness
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Amyst
We'll Play With Fire Ants Until The Wate...
141 bpm • B min • 03:32 • -3.04db
11% Popularity • 48% Danceability • 98% Energy • 28% Liveness
0% Instrumentalness • 4% Positiveness
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Upon This Dawning
City of Sin
142 bpm • F# Maj • 03:25 • -3.21db
18% Popularity • 34% Danceability • 99% Energy • 48% Liveness
0% Instrumentalness • 11% Positiveness
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That's Outrageous!
Re:Why I Killed My Girlfriend
138 bpm • B min • 04:01 • -4.51db
15% Popularity • 53% Danceability • 98% Energy • 36% Liveness
0% Instrumentalness • 19% Positiveness
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Ten After Two
The Awe Song
142 bpm • G# Maj • 03:31 • -4.11db
8% Popularity • 47% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Shoot the Girl First
Jagerbomb
142 bpm • C# Maj • 04:09 • -2.17db
18% Popularity • 47% Danceability • 97% Energy • 31% Liveness
9% Instrumentalness • 29% Positiveness
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Hopes Die Last
The Wolfpack
138 bpm • G Maj • 04:29 • -3.57db
19% Popularity • 44% Danceability • 98% Energy • 32% Liveness
2% Instrumentalness • 21% Positiveness
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Our Last Night
Elephants
142 bpm • C# Maj • 03:29 • -3.26db
25% Popularity • 46% Danceability • 97% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
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I The Breather
Soul:Seek
138 bpm • G Maj • 04:00 • -4.78db
26% Popularity • 47% Danceability • 91% Energy • 48% Liveness
0% Instrumentalness • 49% Positiveness
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Memphis May Fire
Losing Sight
138 bpm • F# min • 03:40 • -2.94db
33% Popularity • 47% Danceability • 98% Energy • 32% Liveness
0% Instrumentalness • 29% Positiveness
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Bruised But Not Broken
Born and Razed
138 bpm • G Maj • 03:56 • -4.69db
13% Popularity • 22% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Capture
Ladies & Gentlemen... I Give You Hell
138 bpm • D Maj • 03:51 • -5.06db
30% Popularity • 26% Danceability • 94% Energy • 40% Liveness
0% Instrumentalness • 19% Positiveness
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Upon This Dawning
A New Beginning
143 bpm • C Maj • 03:30 • -5db
34% Popularity • 24% Danceability • 94% Energy • 7% Liveness
3% Instrumentalness • 40% Positiveness
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Kingdom Of Giants
A Test Of My Survival
143 bpm • C Maj • 03:35 • -4.25db
33% Popularity • 28% Danceability • 98% Energy • 37% Liveness
0% Instrumentalness • 22% Positiveness
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The Color Morale
Strange Comfort
143 bpm • G# Maj • 03:53 • -2.57db
35% Popularity • 20% Danceability • 98% Energy • 26% Liveness
17% Instrumentalness • 12% Positiveness
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Forever In Combat
False Desire
143 bpm • G# Maj • 03:37 • -2.7db
9% Popularity • 46% Danceability • 99% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
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Memphis May Fire
Deuces Las Cruces
137 bpm • C# Maj • 03:04 • -3.64db
25% Popularity • 30% Danceability • 98% Energy • 27% Liveness
0% Instrumentalness • 43% Positiveness
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Capture
To Whom It May Concern
137 bpm • E min • 02:58 • -3.1db
24% Popularity • 56% Danceability • 98% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Above This
Nights Like These
143 bpm • D Maj • 03:48 • -2.74db
12% Popularity • 31% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
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Upon This Dawning
From Hell To The West
143 bpm • F min • 03:47 • -5db
16% Popularity • 40% Danceability • 97% Energy • 40% Liveness
1% Instrumentalness • 29% Positiveness
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The Color Morale
Smoke and Mirrors
137 bpm • G Maj • 03:41 • -3.24db
25% Popularity • 29% Danceability • 97% Energy • 36% Liveness
10% Instrumentalness • 23% Positiveness
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Vanna
Safe To Say
136 bpm • D Maj • 04:01 • -4.76db
35% Popularity • 35% Danceability • 98% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
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Hopes Die Last
Promises
144 bpm • F Maj • 04:18 • -3.18db
31% Popularity • 42% Danceability • 94% Energy • 4% Liveness
0% Instrumentalness • 25% Positiveness
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Outline In Color
Another Nightmare
144 bpm • C# min • 03:54 • -2.52db
23% Popularity • 40% Danceability • 97% Energy • 28% Liveness
0% Instrumentalness • 8% Positiveness
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Casino Madrid
I Want My 25 Minutes Of Fame
136 bpm • F Maj • 02:35 • -1.14db
13% Popularity • 29% Danceability • 99% Energy • 25% Liveness
0% Instrumentalness • 24% Positiveness
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Upon This Dawning
Obey
144 bpm • F min • 04:19 • -2.87db
25% Popularity • 35% Danceability • 98% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Scarlett O'Hara
Lost In Existence
136 bpm • F# min • 04:09 • -5.01db
30% Popularity • 51% Danceability • 97% Energy • 26% Liveness
0% Instrumentalness • 35% Positiveness
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That's Outrageous!
Paging Patrick Bateman
145 bpm • G# Maj • 03:00 • -1.33db
11% Popularity • 13% Danceability • 98% Energy • 37% Liveness
17% Instrumentalness • 29% Positiveness
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Memphis May Fire
The Commanded
145 bpm • C# Maj • 03:31 • -2.18db
32% Popularity • 22% Danceability • 98% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
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Above This
7L7
145 bpm • G# Maj • 02:03 • -4.87db
26% Popularity • 28% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 4% Positiveness
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Shoot the Girl First
9th Symphony
145 bpm • A# Maj • 03:20 • -4.04db
11% Popularity • 41% Danceability • 95% Energy • 36% Liveness
0% Instrumentalness • 21% Positiveness
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The Color Morale
Living Breathing Something
145 bpm • G min • 03:06 • -2.87db
21% Popularity • 43% Danceability • 99% Energy • 10% Liveness
59% Instrumentalness • 8% Positiveness
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Scarlett O'Hara
Dude, You're Being That Guy
145 bpm • C# min • 03:28 • -4.77db
21% Popularity • 29% Danceability • 97% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
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Oh, Sleeper
Hush Yael
145 bpm • D min • 04:28 • -4.68db
36% Popularity • 28% Danceability • 95% Energy • 5% Liveness
0% Instrumentalness • 16% Positiveness
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Skip The Foreplay
Mash It Up
145 bpm • A# Maj • 03:36 • -3.81db
14% Popularity • 45% Danceability • 98% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Upon This Dawning
The Sound Of Your Breath
145 bpm • G# Maj • 02:29 • -3.87db
26% Popularity • 40% Danceability • 96% Energy • 37% Liveness
18% Instrumentalness • 23% Positiveness
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Tear Out The Heart
Feed Me A Stray Cat
145 bpm • A Maj • 02:50 • -3db
10% Popularity • 38% Danceability • 98% Energy • 36% Liveness
0% Instrumentalness • 31% Positiveness
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Forever In Combat
Cataclysm
145 bpm • E min • 04:17 • -5.19db
10% Popularity • 47% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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A Bullet for Pretty Boy
Tides
145 bpm • G# Maj • 03:16 • -5db
19% Popularity • 48% Danceability • 97% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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I Am Abomination
Rock N' No Soul
145 bpm • C# Maj • 03:59 • -2.81db
15% Popularity • 41% Danceability • 95% Energy • 35% Liveness
0% Instrumentalness • 33% Positiveness
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Outline In Color
No Bleeding On the Carpet
145 bpm • A Maj • 03:43 • -2.13db
20% Popularity • 42% Danceability • 99% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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Upon This Dawning
The One And Only
135 bpm • G Maj • 03:06 • -4.56db
14% Popularity • 33% Danceability • 98% Energy • 13% Liveness
14% Instrumentalness • 49% Positiveness
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Shoot the Girl First
A Tumor Called Marla
145 bpm • G# Maj • 04:24 • -5.21db
22% Popularity • 53% Danceability • 85% Energy • 9% Liveness
1% Instrumentalness • 23% Positiveness
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The Paramedic
Make Me Feel
135 bpm • C min • 03:33 • -3.85db
10% Popularity • 36% Danceability • 86% Energy • 46% Liveness
0% Instrumentalness • 20% Positiveness
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Ten After Two
Truth Is…
145 bpm • F min • 03:53 • -3.91db
14% Popularity • 41% Danceability • 94% Energy • 42% Liveness
0% Instrumentalness • 44% Positiveness
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Capture
You Call That A Knife? This Is A Knife!
145 bpm • A# Maj • 04:07 • -5db
40% Popularity • 38% Danceability • 98% Energy • 10% Liveness
3% Instrumentalness • 10% Positiveness
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It Lives, It Breathes
We Come in Numbers
145 bpm • G min • 03:44 • -3db
15% Popularity • 44% Danceability • 97% Energy • 34% Liveness
0% Instrumentalness • 16% Positiveness
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Jamie's Elsewhere
Capital Vices
135 bpm • A# min • 03:51 • -3.6db
32% Popularity • 51% Danceability • 96% Energy • 21% Liveness
0% Instrumentalness • 63% Positiveness
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The Gift of Ghosts
I, The Architect
135 bpm • A Maj • 03:37 • -3.46db
21% Popularity • 45% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 63% Positiveness
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The Paramedic
Have A Nice Day
145 bpm • G# Maj • 03:05 • -4db
18% Popularity • 40% Danceability • 96% Energy • 47% Liveness
0% Instrumentalness • 28% Positiveness
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Cane Hill
Sunday School
135 bpm • A Maj • 03:25 • -5.47db
24% Popularity • 53% Danceability • 97% Energy • 55% Liveness
0% Instrumentalness • 43% Positiveness
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My Ticket Home
In Regret
135 bpm • D Maj • 03:45 • -2.97db
10% Popularity • 48% Danceability • 98% Energy • 28% Liveness
0% Instrumentalness • 16% Positiveness
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Make Me Famous
Stage On Fire
135 bpm • G min • 03:13 • -2.27db
18% Popularity • 45% Danceability • 100% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Concepts
Abomination
135 bpm • G Maj • 05:37 • -3.74db
9% Popularity • 49% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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His Statue Falls
Mistaken for Trophies
135 bpm • C min • 03:41 • -3.48db
9% Popularity • 47% Danceability • 99% Energy • 38% Liveness
0% Instrumentalness • 18% Positiveness
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The Color Morale
Damnaged
135 bpm • D# min • 03:18 • -4.64db
30% Popularity • 49% Danceability • 97% Energy • 5% Liveness
9% Instrumentalness • 32% Positiveness
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Hopes Die Last
Keep Your Hands Off
135 bpm • B min • 04:20 • -4.89db
22% Popularity • 45% Danceability • 89% Energy • 55% Liveness
0% Instrumentalness • 11% Positiveness
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Above the Broken
One and Done
135 bpm • B min • 03:55 • -3.64db
14% Popularity • 50% Danceability • 95% Energy • 38% Liveness
0% Instrumentalness • 24% Positiveness
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Make Me Famous
She Hunted Me
135 bpm • C Maj • 04:19 • -3.14db
16% Popularity • 41% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
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City in the Sea
Convoluted
135 bpm • F Maj • 03:46 • -4.53db
10% Popularity • 48% Danceability • 97% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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We Are Defiance
So, Return To The King
135 bpm • C Maj • 04:05 • -4.03db
11% Popularity • 52% Danceability • 94% Energy • 64% Liveness
16% Instrumentalness • 35% Positiveness
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Adestria
The Odyssey
135 bpm • G# Maj • 03:27 • -3.29db
27% Popularity • 52% Danceability • 99% Energy • 39% Liveness
0% Instrumentalness • 30% Positiveness
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Tear Out The Heart
Darker Tides
135 bpm • D Maj • 03:51 • -2.27db
9% Popularity • 40% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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I Am Abomination
Since 1776
135 bpm • D min • 04:10 • -2.96db
25% Popularity • 46% Danceability • 93% Energy • 35% Liveness
0% Instrumentalness • 29% Positiveness
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Make Me Famous
Inception
135 bpm • C min • 03:16 • -1.93db
26% Popularity • 47% Danceability • 100% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Hearts & Hands
Revenge
135 bpm • B min • 03:46 • -3.16db
15% Popularity • 39% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 27% Positiveness
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That's Outrageous!
Flatliners
135 bpm • C# Maj • 03:01 • -2.59db
11% Popularity • 43% Danceability • 98% Energy • 5% Liveness
0% Instrumentalness • 30% Positiveness
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For All I Am
Overthrown
135 bpm • G Maj • 03:51 • -3.35db
7% Popularity • 48% Danceability • 98% Energy • 7% Liveness
2% Instrumentalness • 28% Positiveness
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Of Mice & Men
Still YDG'N
135 bpm • C Maj • 03:11 • -2.05db
37% Popularity • 48% Danceability • 99% Energy • 41% Liveness
0% Instrumentalness • 14% Positiveness
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I See Stars
When I Say Jump, You Say How High
135 bpm • B min • 03:17 • -3db
37% Popularity • 32% Danceability • 95% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Make Me Famous
We Know It's Real
135 bpm • C min • 04:43 • -3.12db
25% Popularity • 44% Danceability • 100% Energy • 26% Liveness
0% Instrumentalness • 5% Positiveness
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Close to Home
All We Know
135 bpm • C# Maj • 03:53 • -5.91db
16% Popularity • 46% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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This City (We're Taking Over)