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This Is How We Move
Songs like
This Is How We Move
by
Billie Marten
Based on a tempo of (+/- 10%) and a similar genre
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Squirrel Flower
So Hot You're Hurting My Feelings
141 bpm • F Maj • 03:29 • -7db
52% Popularity • 63% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Billie Marten
This Is How We Move
141 bpm • C# Maj • 03:06 • -11.64db
36% Popularity • 50% Danceability • 28% Energy • 11% Liveness
7% Instrumentalness • 26% Positiveness
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Searows
Older
141 bpm • C Maj • 06:55 • -12.99db
50% Popularity • 37% Danceability • 28% Energy • 10% Liveness
4% Instrumentalness • 14% Positiveness
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Philip Brooks
red dress
141 bpm • C Maj • 02:42 • -15.32db
25% Popularity • 36% Danceability • 17% Energy • 23% Liveness
0% Instrumentalness • 34% Positiveness
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Lucy Rose
Question It All
141 bpm • C Maj • 04:02 • -11.91db
42% Popularity • 42% Danceability • 40% Energy • 11% Liveness
9% Instrumentalness • 17% Positiveness
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Tom Rosenthal
Have We Met Before?
140 bpm • G# Maj • 02:39 • -19db
53% Popularity • 49% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
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Sufjan Stevens
Futile Devices
140 bpm • E Maj • 02:13 • -18.65db
64% Popularity • 58% Danceability • 29% Energy • 9% Liveness
91% Instrumentalness • 37% Positiveness
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Flyte
White Roses
140 bpm • A# Maj • 03:26 • -7.08db
52% Popularity • 53% Danceability • 63% Energy • 14% Liveness
2% Instrumentalness • 60% Positiveness
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Searows
Villain
142 bpm • G# Maj • 04:49 • -14.25db
44% Popularity • 46% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 5% Positiveness
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Orla Gartland
Heavy
140 bpm • F Maj • 04:04 • -12.02db
39% Popularity • 64% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Ritt Momney
Golden Slumbers
140 bpm • C Maj • 02:58 • -12.31db
35% Popularity • 38% Danceability • 32% Energy • 10% Liveness
69% Instrumentalness • 12% Positiveness
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Tom Rosenthal
To You Alone
142 bpm • E min • 02:43 • -17db
57% Popularity • 63% Danceability • 31% Energy • 10% Liveness
88% Instrumentalness • 33% Positiveness
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Fenne Lily
Car Park
140 bpm • B Maj • 02:53 • -10.47db
36% Popularity • 63% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Sufjan Stevens
Futile Devices (Doveman Remix)
140 bpm • E Maj • 02:15 • -19.99db
67% Popularity • 46% Danceability • 19% Energy • 10% Liveness
85% Instrumentalness • 25% Positiveness
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Flyte
Losing You
142 bpm • C# Maj • 03:18 • -7.85db
45% Popularity • 63% Danceability • 67% Energy • 12% Liveness
2% Instrumentalness • 92% Positiveness
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Jome
Cinnamon
140 bpm • G# min • 03:24 • -11db
58% Popularity • 46% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Dora Jar
Spell
143 bpm • E min • 04:07 • -15db
42% Popularity • 34% Danceability • 17% Energy • 12% Liveness
43% Instrumentalness • 14% Positiveness
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Bess Atwell
Swimming Pool
143 bpm • C# Maj • 04:33 • -12.02db
23% Popularity • 55% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Fenne Lily
I Used To Hate My Body But Now I Just Ha...
142 bpm • G# Maj • 04:29 • -12db
41% Popularity • 49% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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The Paper Kites
For All You Give
139 bpm • B min • 03:11 • -17.14db
51% Popularity • 50% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Sufjan Stevens
To Be Alone With You
142 bpm • C min • 02:48 • -18db
62% Popularity • 52% Danceability • 16% Energy • 12% Liveness
75% Instrumentalness • 36% Positiveness
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Sylvan Esso
Slack Jaw
139 bpm • D# Maj • 03:05 • -15db
45% Popularity • 53% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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The Dawdler
Lava Lamps
139 bpm • G Maj • 02:53 • -14.45db
34% Popularity • 46% Danceability • 26% Energy • 9% Liveness
93% Instrumentalness • 12% Positiveness
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Adrianne Lenker
I Still Hear You
139 bpm • A Maj • 03:26 • -16db
48% Popularity • 46% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Flyte
Everyone's A Winner
143 bpm • A Maj • 03:29 • -9.15db
48% Popularity • 59% Danceability • 36% Energy • 15% Liveness
1% Instrumentalness • 51% Positiveness
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Fenne Lily
Car Park (Overflow)
139 bpm • B Maj • 02:24 • -19db
23% Popularity • 49% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Caoilfhionn Rose
Garden - Secret Track
139 bpm • F# min • 04:17 • -14.16db
16% Popularity • 43% Danceability • 25% Energy • 21% Liveness
0% Instrumentalness • 22% Positiveness
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Matilda Mann
The Loch Ness Monster
144 bpm • E Maj • 03:19 • -11.5db
37% Popularity • 53% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Angel Olsen
Some things Cosmic
144 bpm • G# Maj • 02:54 • -13.54db
52% Popularity • 21% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 10% Positiveness
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Anna Leone
Once
138 bpm • A Maj • 03:25 • -13db
40% Popularity • 35% Danceability • 24% Energy • 11% Liveness
4% Instrumentalness • 10% Positiveness
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Novo Amor
Weather
144 bpm • F# Maj • 03:52 • -13.55db
61% Popularity • 53% Danceability • 24% Energy • 11% Liveness
4% Instrumentalness • 11% Positiveness
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Fenne Lily
Berlin
143 bpm • G# Maj • 03:39 • -9.88db
40% Popularity • 52% Danceability • 36% Energy • 12% Liveness
82% Instrumentalness • 29% Positiveness
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Bess Atwell
Cherry Baby
138 bpm • F# min • 05:26 • -13.36db
30% Popularity • 58% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Gloria Laing
Why Can't I Have You
138 bpm • G Maj • 04:45 • -17.65db
51% Popularity • 83% Danceability • 20% Energy • 10% Liveness
14% Instrumentalness • 23% Positiveness
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Tom Rosenthal
Hope - Acoustic
138 bpm • B Maj • 03:43 • -13.44db
46% Popularity • 59% Danceability • 14% Energy • 33% Liveness
0% Instrumentalness • 23% Positiveness
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Anna Leone
Still I Wait
138 bpm • G Maj • 03:49 • -13.98db
45% Popularity • 56% Danceability • 26% Energy • 10% Liveness
5% Instrumentalness • 27% Positiveness
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Novo Amor
I Make Sparks
144 bpm • C Maj • 03:38 • -13db
52% Popularity • 59% Danceability • 37% Energy • 10% Liveness
74% Instrumentalness • 35% Positiveness
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Tomberlin
Seventeen
138 bpm • G Maj • 04:31 • -9.95db
39% Popularity • 40% Danceability • 33% Energy • 14% Liveness
1% Instrumentalness • 31% Positiveness
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Clairo
Blouse
145 bpm • G Maj • 03:15 • -20.33db
56% Popularity • 32% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Billie Marten
Tongue
137 bpm • C Maj • 04:10 • -12.37db
28% Popularity • 41% Danceability • 14% Energy • 11% Liveness
30% Instrumentalness • 17% Positiveness
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Searows
Funny
145 bpm • F# min • 05:02 • -12.61db
48% Popularity • 26% Danceability • 35% Energy • 16% Liveness
5% Instrumentalness • 12% Positiveness
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Hailaker
Colorado
145 bpm • G Maj • 03:20 • -13.58db
42% Popularity • 56% Danceability • 18% Energy • 12% Liveness
60% Instrumentalness • 21% Positiveness
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Novo Amor
State Lines
137 bpm • A Maj • 03:28 • -10.62db
76% Popularity • 51% Danceability • 31% Energy • 10% Liveness
23% Instrumentalness • 15% Positiveness
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Philip Brooks
come home quickly
145 bpm • F# Maj • 02:31 • -18.36db
39% Popularity • 27% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Ex:Re
My Heart
137 bpm • C# min • 04:37 • -22.24db
26% Popularity • 52% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Billie Marten
I Can't Get My Head Around You
145 bpm • G# Maj • 03:26 • -7.86db
46% Popularity • 53% Danceability • 57% Energy • 11% Liveness
3% Instrumentalness • 61% Positiveness
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Adrianne Lenker
Jonathan
137 bpm • B Maj • 02:08 • -14.24db
61% Popularity • 57% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Young Summer
If the World Falls to Pieces
136 bpm • F Maj • 02:46 • -13.47db
44% Popularity • 35% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Tom Rosenthal
Morning O
137 bpm • D Maj • 02:41 • -15.2db
41% Popularity • 55% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Hailaker
Famous
136 bpm • C# Maj • 03:53 • -12.56db
45% Popularity • 39% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Adam Melchor
Last Time
146 bpm • G Maj • 03:13 • -11.35db
43% Popularity • 49% Danceability • 56% Energy • 29% Liveness
4% Instrumentalness • 41% Positiveness
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Billie Marten
Lionhearted
137 bpm • G Maj • 04:30 • -13db
36% Popularity • 34% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
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Samia
As You Are
136 bpm • B Maj • 02:21 • -11db
40% Popularity • 54% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Eleni Drake
All I Know
136 bpm • D Maj • 02:21 • -11.17db
36% Popularity • 62% Danceability • 39% Energy • 12% Liveness
2% Instrumentalness • 10% Positiveness
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Searows
End Of The World
136 bpm • G Maj • 03:54 • -12.78db
56% Popularity • 49% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Roo Panes
Remember Fall In Montreal
136 bpm • C Maj • 05:00 • -12db
48% Popularity • 45% Danceability • 31% Energy • 11% Liveness
37% Instrumentalness • 18% Positiveness
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Fenne Lily
Brother
136 bpm • G Maj • 02:50 • -13.31db
31% Popularity • 57% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Novo Amor
Alps
147 bpm • D# Maj • 03:14 • -10.38db
65% Popularity • 35% Danceability • 31% Energy • 20% Liveness
3% Instrumentalness • 14% Positiveness
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Bess Atwell
Dolly
147 bpm • A# min • 02:55 • -13.78db
36% Popularity • 35% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Billie Marten
I Can't Get My Head Around You (OurVinyl...
147 bpm • C# Maj • 03:04 • -11.07db
41% Popularity • 56% Danceability • 26% Energy • 11% Liveness
4% Instrumentalness • 12% Positiveness
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Leith Ross
Everyone I've Never Met
135 bpm • A Maj • 03:11 • -12.98db
44% Popularity • 61% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Lomelda
Columbia River
135 bpm • A min • 04:42 • -13db
39% Popularity • 46% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Erin Donahue
Sage Green Eyes
135 bpm • F# min • 02:43 • -25.55db
48% Popularity • 38% Danceability • 7% Energy • 9% Liveness
30% Instrumentalness • 15% Positiveness
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Haley Blais
Coolest fucking bitch in town
147 bpm • A# Maj • 04:56 • -10.45db
48% Popularity • 53% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
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Imaginary Future
Feels Like We Only Go Backwards
147 bpm • E min • 02:39 • -15.31db
45% Popularity • 50% Danceability • 14% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
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Lav
Sardine Song
147 bpm • E min • 03:29 • -13.97db
34% Popularity • 35% Danceability • 21% Energy • 31% Liveness
22% Instrumentalness • 18% Positiveness
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Uma
Maybe We'll Wake Up - Demo
148 bpm • G Maj • 02:09 • -10.81db
37% Popularity • 38% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Billie Marten
Toulouse
135 bpm • C# Maj • 04:06 • -18.41db
35% Popularity • 70% Danceability • 24% Energy • 9% Liveness
13% Instrumentalness • 35% Positiveness
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Fenne Lily
What's Good
134 bpm • G# min • 03:36 • -14.84db
42% Popularity • 43% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Delaney Bailey
Oh Love
148 bpm • G# Maj • 02:45 • -14.92db
46% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Matilda Mann
Japan
134 bpm • A# Maj • 02:14 • -12db
40% Popularity • 71% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Eleni Drake
Sun Bear
134 bpm • C Maj • 04:21 • -12db
25% Popularity • 58% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Whatever, Dad
Death of the Phone Call
149 bpm • A Maj • 01:35 • -17.46db
65% Popularity • 36% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Billie Marten
Devil Swim (OurVinyl Sessions)
148 bpm • F# min • 03:19 • -12.68db
39% Popularity • 49% Danceability • 22% Energy • 12% Liveness
1% Instrumentalness • 40% Positiveness
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girl in red
watch you sleep.
133 bpm • D Maj • 03:00 • -16.38db
61% Popularity • 46% Danceability • 22% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
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Phoebe Bridgers
Summer's End - Spotify Singles
134 bpm • C# Maj • 03:54 • -13.72db
55% Popularity • 47% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
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Molly Parden
Kitchen Table
133 bpm • D# Maj • 03:28 • -10db
27% Popularity • 59% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Uma
Mockingbird
133 bpm • B min • 03:15 • -12.96db
29% Popularity • 70% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Bon Iver
Flume
133 bpm • B Maj • 03:39 • -17.01db
63% Popularity • 45% Danceability • 14% Energy • 11% Liveness
4% Instrumentalness • 9% Positiveness
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Billie Marten
Roots
134 bpm • B Maj • 04:49 • -11.98db
30% Popularity • 60% Danceability • 53% Energy • 17% Liveness
21% Instrumentalness • 24% Positiveness
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The Paper Kites
Arms
150 bpm • D Maj • 03:23 • -18.56db
48% Popularity • 41% Danceability • 14% Energy • 12% Liveness
9% Instrumentalness • 24% Positiveness
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Phoebe Bridgers
Graceland Too
150 bpm • A# Maj • 03:56 • -10.37db
67% Popularity • 45% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Moses Sumney
Make Out in My Car - Sufjan Stevens Vers...
150 bpm • F Maj • 02:46 • -11.66db
53% Popularity • 55% Danceability • 38% Energy • 12% Liveness
2% Instrumentalness • 66% Positiveness
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Eleni Drake
King Street
150 bpm • E Maj • 03:38 • -11.58db
47% Popularity • 57% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Hailaker
Readout
150 bpm • C Maj • 03:40 • -15.61db
28% Popularity • 38% Danceability • 11% Energy • 8% Liveness
11% Instrumentalness • 16% Positiveness
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Billie Marten
As Long As
148 bpm • B min • 03:25 • -11.65db
19% Popularity • 40% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Adrianne Lenker
Angels
133 bpm • E Maj • 04:08 • -10.42db
50% Popularity • 47% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Fenne Lily
On Hold
150 bpm • C# min • 02:38 • -9.52db
29% Popularity • 59% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 12% Positiveness
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Luca Fogale
Bluebird
150 bpm • B min • 04:52 • -14db
45% Popularity • 48% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Eleni Drake
Shades Of You
132 bpm • A Maj • 04:14 • -10.87db
28% Popularity • 35% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Searows
Keep The Rain
132 bpm • C# Maj • 04:47 • -17.66db
57% Popularity • 47% Danceability • 12% Energy • 9% Liveness
1% Instrumentalness • 23% Positiveness
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Billie Marten
Walnut
134 bpm • E min • 03:27 • -10.03db
23% Popularity • 54% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Tomo
Coffee Cups and Cigarettes
132 bpm • G# Maj • 03:27 • -14db
57% Popularity • 46% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 15% Positiveness
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Fenne Lily
Hypochondriac
132 bpm • D# Maj • 03:12 • -7db
42% Popularity • 61% Danceability • 57% Energy • 22% Liveness
17% Instrumentalness • 56% Positiveness
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Skullcrusher
Places/Plans
132 bpm • F Maj • 03:03 • -14db
39% Popularity • 35% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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The Japanese House
Chewing Cotton Wool
151 bpm • D Maj • 03:29 • -11.43db
48% Popularity • 35% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Jolé
Still
131 bpm • C# Maj • 03:47 • -13.52db
46% Popularity • 54% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Billie Marten
Teeth
133 bpm • C Maj • 05:21 • -20.07db
32% Popularity • 45% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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The Staves
Nothing's Gonna Happen (Demo)
151 bpm • D Maj • 03:56 • -12db
54% Popularity • 35% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Fenne Lily
The Hand You Deal
132 bpm • D min • 04:23 • -12.04db
31% Popularity • 51% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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This Is How We Move