Songs like This Is How We Walk On The Moon by Arthur Russell
Based on a tempo of (+/- 10%) and a similar genre
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Arthur Russell
This Is How We Walk On The Moon
103 bpm • F# min • 04:43 • -20.28db
38% Popularity • 82% Danceability • 16% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
38% Popularity • 82% Danceability • 16% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
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ScubaZ
The Vanishing American Family
103 bpm • A# min • 04:14 • -11.34db
39% Popularity • 51% Danceability • 60% Energy • 30% Liveness
83% Instrumentalness • 34% Positiveness
39% Popularity • 51% Danceability • 60% Energy • 30% Liveness
83% Instrumentalness • 34% Positiveness
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John Martyn
Small Hours
103 bpm • G# Maj • 08:45 • -23.61db
33% Popularity • 25% Danceability • 4% Energy • 19% Liveness
60% Instrumentalness • 10% Positiveness
33% Popularity • 25% Danceability • 4% Energy • 19% Liveness
60% Instrumentalness • 10% Positiveness
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Cornelia Murr
Man On My Mind
103 bpm • G# min • 03:42 • -10db
39% Popularity • 74% Danceability • 40% Energy • 13% Liveness
7% Instrumentalness • 50% Positiveness
39% Popularity • 74% Danceability • 40% Energy • 13% Liveness
7% Instrumentalness • 50% Positiveness
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Shuggie Otis
Aht Uh Mi Hed
103 bpm • F# min • 04:17 • -8.14db
45% Popularity • 82% Danceability • 62% Energy • 10% Liveness
15% Instrumentalness • 82% Positiveness
45% Popularity • 82% Danceability • 62% Energy • 10% Liveness
15% Instrumentalness • 82% Positiveness
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Anna B Savage
Corncrakes
104 bpm • D Maj • 03:43 • -11.06db
3% Popularity • 39% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
3% Popularity • 39% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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Brian Eno
Lay My Love
103 bpm • F Maj • 04:44 • -9db
42% Popularity • 67% Danceability • 74% Energy • 7% Liveness
1% Instrumentalness • 97% Positiveness
42% Popularity • 67% Danceability • 74% Energy • 7% Liveness
1% Instrumentalness • 97% Positiveness
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Vanishing Twin
Phase One Million
102 bpm • D# Maj • 05:27 • -9db
25% Popularity • 70% Danceability • 68% Energy • 7% Liveness
1% Instrumentalness • 91% Positiveness
25% Popularity • 70% Danceability • 68% Energy • 7% Liveness
1% Instrumentalness • 91% Positiveness
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Lael Neale
Blue Vein
102 bpm • D# Maj • 04:22 • -4db
31% Popularity • 41% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
31% Popularity • 41% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
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Bonzo Goes To Washington
5 Minutes - R-R-R Radio Mix
102 bpm • A# min • 04:08 • -7.34db
3% Popularity • 85% Danceability • 84% Energy • 29% Liveness
78% Instrumentalness • 90% Positiveness
3% Popularity • 85% Danceability • 84% Energy • 29% Liveness
78% Instrumentalness • 90% Positiveness
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Yo La Tengo
I'll Be Around
104 bpm • G Maj • 04:47 • -12db
46% Popularity • 33% Danceability • 33% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
46% Popularity • 33% Danceability • 33% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
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Arthur Russell
Wonder Boy
104 bpm • A min • 02:27 • -10db
23% Popularity • 58% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
23% Popularity • 58% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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Oneohtrix Point Never
The Pure and the Damned
102 bpm • B Maj • 04:29 • -15.51db
38% Popularity • 25% Danceability • 19% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
38% Popularity • 25% Danceability • 19% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
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Tirzah
No Romance
104 bpm • D# Maj • 03:57 • -8.17db
44% Popularity • 74% Danceability • 52% Energy • 6% Liveness
62% Instrumentalness • 79% Positiveness
44% Popularity • 74% Danceability • 52% Energy • 6% Liveness
62% Instrumentalness • 79% Positiveness
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Steve Gunn
New Moon
104 bpm • A Maj • 05:10 • -5.91db
34% Popularity • 42% Danceability • 70% Energy • 16% Liveness
6% Instrumentalness • 52% Positiveness
34% Popularity • 42% Danceability • 70% Energy • 16% Liveness
6% Instrumentalness • 52% Positiveness
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Bonzo Goes To Washington
5 Minutes - B-B-B Bombing Mix
102 bpm • A# min • 03:17 • -7.38db
3% Popularity • 86% Danceability • 84% Energy • 28% Liveness
91% Instrumentalness • 91% Positiveness
3% Popularity • 86% Danceability • 84% Energy • 28% Liveness
91% Instrumentalness • 91% Positiveness
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Allen Ginsberg
Infant Joy
102 bpm • F Maj • 02:19 • -16.83db
0% Popularity • 37% Danceability • 14% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
0% Popularity • 37% Danceability • 14% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
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Connan Mockasin
B'nd
102 bpm • F# Maj • 03:36 • -16.13db
46% Popularity • 87% Danceability • 25% Energy • 10% Liveness
69% Instrumentalness • 45% Positiveness
46% Popularity • 87% Danceability • 25% Energy • 10% Liveness
69% Instrumentalness • 45% Positiveness
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Saâda Bonaire
More Women
102 bpm • A Maj • 05:10 • -10.21db
44% Popularity • 82% Danceability • 55% Energy • 7% Liveness
44% Instrumentalness • 86% Positiveness
44% Popularity • 82% Danceability • 55% Energy • 7% Liveness
44% Instrumentalness • 86% Positiveness
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Pete Brandt's Method
What You Are
105 bpm • G min • 03:35 • -10.85db
35% Popularity • 65% Danceability • 60% Energy • 9% Liveness
34% Instrumentalness • 61% Positiveness
35% Popularity • 65% Danceability • 60% Energy • 9% Liveness
34% Instrumentalness • 61% Positiveness
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Arthur Russell
Answers Me
101 bpm • A# min • 02:10 • -22db
33% Popularity • 69% Danceability • 16% Energy • 17% Liveness
67% Instrumentalness • 20% Positiveness
33% Popularity • 69% Danceability • 16% Energy • 17% Liveness
67% Instrumentalness • 20% Positiveness
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The Blue Nile
Heatwave
101 bpm • D Maj • 06:28 • -9db
30% Popularity • 75% Danceability • 38% Energy • 6% Liveness
2% Instrumentalness • 48% Positiveness
30% Popularity • 75% Danceability • 38% Energy • 6% Liveness
2% Instrumentalness • 48% Positiveness
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Art Feynman
Slow Down
105 bpm • C# Maj • 03:07 • -5.53db
35% Popularity • 78% Danceability • 88% Energy • 11% Liveness
78% Instrumentalness • 76% Positiveness
35% Popularity • 78% Danceability • 88% Energy • 11% Liveness
78% Instrumentalness • 76% Positiveness
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Colleen
Captain Of None
105 bpm • C Maj • 05:57 • -12db
31% Popularity • 86% Danceability • 38% Energy • 9% Liveness
81% Instrumentalness • 35% Positiveness
31% Popularity • 86% Danceability • 38% Energy • 9% Liveness
81% Instrumentalness • 35% Positiveness
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Bibio
Lovers Carvings - WXAXRXP Session
105 bpm • A Maj • 04:30 • -9db
39% Popularity • 49% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
39% Popularity • 49% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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CCFX
The One to Wait
101 bpm • E Maj • 06:33 • -6.68db
44% Popularity • 62% Danceability • 75% Energy • 12% Liveness
20% Instrumentalness • 57% Positiveness
44% Popularity • 62% Danceability • 75% Energy • 12% Liveness
20% Instrumentalness • 57% Positiveness
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Arthur Russell
Soon-To-Be Innocent Fun/Let's See
101 bpm • C Maj • 09:35 • -20.99db
32% Popularity • 54% Danceability • 14% Energy • 18% Liveness
1% Instrumentalness • 14% Positiveness
32% Popularity • 54% Danceability • 14% Energy • 18% Liveness
1% Instrumentalness • 14% Positiveness
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Peter Zummo
Instruments: II. Sixths
101 bpm • A# min • 02:06 • -16.36db
0% Popularity • 63% Danceability • 2% Energy • 12% Liveness
58% Instrumentalness • 34% Positiveness
0% Popularity • 63% Danceability • 2% Energy • 12% Liveness
58% Instrumentalness • 34% Positiveness
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Wau Wau Collectif
Mouhamodou Lo and His Children
100 bpm • A min • 03:07 • -11.45db
33% Popularity • 47% Danceability • 38% Energy • 38% Liveness
2% Instrumentalness • 59% Positiveness
33% Popularity • 47% Danceability • 38% Energy • 38% Liveness
2% Instrumentalness • 59% Positiveness
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Matthew Young
Dummy Line
106 bpm • C# min • 04:05 • -18.23db
12% Popularity • 73% Danceability • 39% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 73% Danceability • 39% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
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Alain Bellaïche
Sun Blues
100 bpm • G min • 01:55 • -21.6db
36% Popularity • 45% Danceability • 17% Energy • 51% Liveness
73% Instrumentalness • 7% Positiveness
36% Popularity • 45% Danceability • 17% Energy • 51% Liveness
73% Instrumentalness • 7% Positiveness
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Renee
Lay me down
100 bpm • F# min • 03:53 • -15db
37% Popularity • 94% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
37% Popularity • 94% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Arthur Russell
Make 1,2
105 bpm • G Maj • 02:49 • -9db
32% Popularity • 81% Danceability • 49% Energy • 10% Liveness
3% Instrumentalness • 92% Positiveness
32% Popularity • 81% Danceability • 49% Energy • 10% Liveness
3% Instrumentalness • 92% Positiveness
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Bullion
O Vermona
100 bpm • A# Maj • 04:48 • -10.95db
29% Popularity • 61% Danceability • 65% Energy • 12% Liveness
81% Instrumentalness • 70% Positiveness
29% Popularity • 61% Danceability • 65% Energy • 12% Liveness
81% Instrumentalness • 70% Positiveness
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John Makin & Friends
No Lie
100 bpm • C# min • 06:56 • -9db
30% Popularity • 69% Danceability • 65% Energy • 95% Liveness
10% Instrumentalness • 62% Positiveness
30% Popularity • 69% Danceability • 65% Energy • 95% Liveness
10% Instrumentalness • 62% Positiveness
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Bruno Pernadas
Problem Number 6
100 bpm • F Maj • 04:22 • -10db
40% Popularity • 67% Danceability • 88% Energy • 15% Liveness
76% Instrumentalness • 79% Positiveness
40% Popularity • 67% Danceability • 88% Energy • 15% Liveness
76% Instrumentalness • 79% Positiveness
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Art Feynman
I'm Gonna Miss Your World
100 bpm • A# min • 05:49 • -8.82db
17% Popularity • 58% Danceability • 80% Energy • 8% Liveness
67% Instrumentalness • 69% Positiveness
17% Popularity • 58% Danceability • 80% Energy • 8% Liveness
67% Instrumentalness • 69% Positiveness
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The Durutti Column
Future Perfect
100 bpm • C# Maj • 05:15 • -18.85db
46% Popularity • 73% Danceability • 44% Energy • 9% Liveness
39% Instrumentalness • 52% Positiveness
46% Popularity • 73% Danceability • 44% Energy • 9% Liveness
39% Instrumentalness • 52% Positiveness
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Human Race
Human Race
100 bpm • G# Maj • 03:05 • -9.41db
36% Popularity • 73% Danceability • 54% Energy • 10% Liveness
43% Instrumentalness • 45% Positiveness
36% Popularity • 73% Danceability • 54% Energy • 10% Liveness
43% Instrumentalness • 45% Positiveness
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Bullion
We Had A Good Time
100 bpm • F# Maj • 03:10 • -7.94db
33% Popularity • 64% Danceability • 67% Energy • 7% Liveness
75% Instrumentalness • 15% Positiveness
33% Popularity • 64% Danceability • 67% Energy • 7% Liveness
75% Instrumentalness • 15% Positiveness
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Babeheaven
Seabird
100 bpm • C min • 03:02 • -8.74db
50% Popularity • 76% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
50% Popularity • 76% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Wau Wau Collectif
Salamaleikoum
100 bpm • D Maj • 03:30 • -12.15db
19% Popularity • 54% Danceability • 52% Energy • 12% Liveness
55% Instrumentalness • 48% Positiveness
19% Popularity • 54% Danceability • 52% Energy • 12% Liveness
55% Instrumentalness • 48% Positiveness
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Connan Mockasin
Charlotte's Thong
106 bpm • E min • 08:56 • -15.98db
47% Popularity • 80% Danceability • 31% Energy • 10% Liveness
78% Instrumentalness • 69% Positiveness
47% Popularity • 80% Danceability • 31% Energy • 10% Liveness
78% Instrumentalness • 69% Positiveness
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ANOHNI
It's All over Now, Baby Blue
106 bpm • D Maj • 04:12 • -6.2db
21% Popularity • 50% Danceability • 40% Energy • 27% Liveness
57% Instrumentalness • 56% Positiveness
21% Popularity • 50% Danceability • 40% Energy • 27% Liveness
57% Instrumentalness • 56% Positiveness
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Tonstartssbandht
What Has Happened
100 bpm • E Maj • 07:02 • -15db
30% Popularity • 62% Danceability • 58% Energy • 11% Liveness
37% Instrumentalness • 58% Positiveness
30% Popularity • 62% Danceability • 58% Energy • 11% Liveness
37% Instrumentalness • 58% Positiveness
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Alabaster DePlume
Visit Croatia
106 bpm • C min • 04:50 • -15db
41% Popularity • 29% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
41% Popularity • 29% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
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Jenny Hval
Spells
100 bpm • C Maj • 06:10 • -10db
30% Popularity • 42% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
30% Popularity • 42% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
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Goat
Friday, Pt. 1
106 bpm • A Maj • 04:09 • -9.33db
14% Popularity • 28% Danceability • 32% Energy • 11% Liveness
12% Instrumentalness • 7% Positiveness
14% Popularity • 28% Danceability • 32% Energy • 11% Liveness
12% Instrumentalness • 7% Positiveness
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The Clientele
Losing Haringey
106 bpm • F Maj • 04:01 • -9db
27% Popularity • 35% Danceability • 72% Energy • 37% Liveness
92% Instrumentalness • 80% Positiveness
27% Popularity • 35% Danceability • 72% Energy • 37% Liveness
92% Instrumentalness • 80% Positiveness
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Talk Talk
New Grass
100 bpm • A Maj • 09:46 • -20.55db
36% Popularity • 46% Danceability • 39% Energy • 32% Liveness
27% Instrumentalness • 20% Positiveness
36% Popularity • 46% Danceability • 39% Energy • 32% Liveness
27% Instrumentalness • 20% Positiveness
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Moondog
I'm This, I'm That
107 bpm • G# Maj • 03:49 • -17db
26% Popularity • 71% Danceability • 23% Energy • 9% Liveness
91% Instrumentalness • 54% Positiveness
26% Popularity • 71% Danceability • 23% Energy • 9% Liveness
91% Instrumentalness • 54% Positiveness
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Susumu Yokota
Song Of The Sleeping Forest
107 bpm • G Maj • 04:19 • -10.18db
35% Popularity • 82% Danceability • 70% Energy • 18% Liveness
87% Instrumentalness • 79% Positiveness
35% Popularity • 82% Danceability • 70% Energy • 18% Liveness
87% Instrumentalness • 79% Positiveness
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Arthur Russell
In Love With You For The Last Time
107 bpm • C Maj • 02:53 • -11.51db
18% Popularity • 49% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
18% Popularity • 49% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Amen Dunes
Blue Rose
107 bpm • G Maj • 04:06 • -6.77db
23% Popularity • 64% Danceability • 73% Energy • 14% Liveness
4% Instrumentalness • 34% Positiveness
23% Popularity • 64% Danceability • 73% Energy • 14% Liveness
4% Instrumentalness • 34% Positiveness
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Cassandra Jenkins
Hard Drive
107 bpm • A Maj • 05:27 • -11.46db
32% Popularity • 59% Danceability • 63% Energy • 7% Liveness
57% Instrumentalness • 56% Positiveness
32% Popularity • 59% Danceability • 63% Energy • 7% Liveness
57% Instrumentalness • 56% Positiveness
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Cate Le Bon
Daylight Matters
107 bpm • C Maj • 04:18 • -7.64db
28% Popularity • 67% Danceability • 35% Energy • 10% Liveness
2% Instrumentalness • 50% Positiveness
28% Popularity • 67% Danceability • 35% Energy • 10% Liveness
2% Instrumentalness • 50% Positiveness
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ML Buch
I Feel Like Giving You Things
107 bpm • A# Maj • 02:59 • -15db
30% Popularity • 44% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
30% Popularity • 44% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Westerman
Blue Comanche
107 bpm • C min • 03:28 • -9.26db
36% Popularity • 74% Danceability • 32% Energy • 28% Liveness
33% Instrumentalness • 44% Positiveness
36% Popularity • 74% Danceability • 32% Energy • 28% Liveness
33% Instrumentalness • 44% Positiveness
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Seamus Fogarty
Ducks & Drakes
99 bpm • D min • 04:01 • -13.65db
12% Popularity • 63% Danceability • 41% Energy • 14% Liveness
8% Instrumentalness • 15% Positiveness
12% Popularity • 63% Danceability • 41% Energy • 14% Liveness
8% Instrumentalness • 15% Positiveness
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Jenny Hval
Lions
99 bpm • C# Maj • 03:57 • -9.54db
27% Popularity • 66% Danceability • 97% Energy • 54% Liveness
39% Instrumentalness • 43% Positiveness
27% Popularity • 66% Danceability • 97% Energy • 54% Liveness
39% Instrumentalness • 43% Positiveness
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The Durutti Column
Jacqueline
107 bpm • D Maj • 02:15 • -13db
35% Popularity • 66% Danceability • 45% Energy • 13% Liveness
92% Instrumentalness • 49% Positiveness
35% Popularity • 66% Danceability • 45% Energy • 13% Liveness
92% Instrumentalness • 49% Positiveness
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Håkan Hellström
That's All Right (Håkan Hellström edit...
108 bpm • C# Maj • 01:55 • -13.21db
33% Popularity • 36% Danceability • 12% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
33% Popularity • 36% Danceability • 12% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
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Arthur Russell
This Is How We Walk On The Moon
108 bpm • A# min • 07:12 • -14.61db
17% Popularity • 95% Danceability • 35% Energy • 6% Liveness
18% Instrumentalness • 75% Positiveness
17% Popularity • 95% Danceability • 35% Energy • 6% Liveness
18% Instrumentalness • 75% Positiveness
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Westerman
Blue Comanche - Sketch
107 bpm • D# Maj • 02:58 • -14.55db
33% Popularity • 73% Danceability • 23% Energy • 23% Liveness
11% Instrumentalness • 41% Positiveness
33% Popularity • 73% Danceability • 23% Energy • 23% Liveness
11% Instrumentalness • 41% Positiveness
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Peter Gordon & Love of Life Orchestra
That Hat
108 bpm • C# Maj • 05:04 • -12.44db
3% Popularity • 86% Danceability • 60% Energy • 14% Liveness
25% Instrumentalness • 91% Positiveness
3% Popularity • 86% Danceability • 60% Energy • 14% Liveness
25% Instrumentalness • 91% Positiveness
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The Books
Fralite
108 bpm • D# Maj • 01:18 • -6.48db
31% Popularity • 67% Danceability • 64% Energy • 21% Liveness
53% Instrumentalness • 72% Positiveness
31% Popularity • 67% Danceability • 64% Energy • 21% Liveness
53% Instrumentalness • 72% Positiveness
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The Durutti Column
Sketch for Summer
108 bpm • D min • 02:58 • -9.9db
47% Popularity • 65% Danceability • 74% Energy • 14% Liveness
82% Instrumentalness • 53% Positiveness
47% Popularity • 65% Danceability • 74% Energy • 14% Liveness
82% Instrumentalness • 53% Positiveness
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The Magnetic Fields
The Book of Love
99 bpm • G Maj • 02:42 • -13.29db
59% Popularity • 48% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
59% Popularity • 48% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Arthur Russell
See Through Love
98 bpm • C min • 04:46 • -23.11db
20% Popularity • 45% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 25% Positiveness
20% Popularity • 45% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 25% Positiveness
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Cate Le Bon
Sad Nudes
108 bpm • C Maj • 05:24 • -15db
23% Popularity • 71% Danceability • 25% Energy • 7% Liveness
95% Instrumentalness • 5% Positiveness
23% Popularity • 71% Danceability • 25% Energy • 7% Liveness
95% Instrumentalness • 5% Positiveness
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Beverly Glenn-Copeland
A Little Talk
98 bpm • C Maj • 07:17 • -8.07db
14% Popularity • 63% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
14% Popularity • 63% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Bedouine
Dizzy
108 bpm • G# min • 04:13 • -12.73db
25% Popularity • 46% Danceability • 70% Energy • 16% Liveness
49% Instrumentalness • 56% Positiveness
25% Popularity • 46% Danceability • 70% Energy • 16% Liveness
49% Instrumentalness • 56% Positiveness
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The Durutti Column
Bordeaux
108 bpm • D Maj • 03:31 • -17db
30% Popularity • 79% Danceability • 33% Energy • 11% Liveness
87% Instrumentalness • 38% Positiveness
30% Popularity • 79% Danceability • 33% Energy • 11% Liveness
87% Instrumentalness • 38% Positiveness
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Hailu Mergia
Wede Harer Guzo
98 bpm • F min • 06:35 • -10.29db
44% Popularity • 31% Danceability • 55% Energy • 8% Liveness
1% Instrumentalness • 58% Positiveness
44% Popularity • 31% Danceability • 55% Energy • 8% Liveness
1% Instrumentalness • 58% Positiveness
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Nick Drake
From The Morning
109 bpm • C Maj • 02:30 • -11.06db
58% Popularity • 64% Danceability • 32% Energy • 11% Liveness
5% Instrumentalness • 37% Positiveness
58% Popularity • 64% Danceability • 32% Energy • 11% Liveness
5% Instrumentalness • 37% Positiveness
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Cate Le Bon
Running Away
98 bpm • A# Maj • 05:43 • -8.54db
22% Popularity • 72% Danceability • 47% Energy • 14% Liveness
20% Instrumentalness • 47% Positiveness
22% Popularity • 72% Danceability • 47% Energy • 14% Liveness
20% Instrumentalness • 47% Positiveness
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Allen Ginsberg
Old Pond
97 bpm • C Maj • 05:04 • -8.51db
1% Popularity • 74% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
1% Popularity • 74% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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El Michels Affair
Tearz
97 bpm • G# Maj • 02:31 • -8db
49% Popularity • 75% Danceability • 38% Energy • 28% Liveness
30% Instrumentalness • 45% Positiveness
49% Popularity • 75% Danceability • 38% Energy • 28% Liveness
30% Instrumentalness • 45% Positiveness
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The Durutti Column
Sketch For Dawn - I
109 bpm • D Maj • 05:14 • -14db
30% Popularity • 70% Danceability • 42% Energy • 8% Liveness
78% Instrumentalness • 75% Positiveness
30% Popularity • 70% Danceability • 42% Energy • 8% Liveness
78% Instrumentalness • 75% Positiveness
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Mia Doi Todd
Under the Sun
97 bpm • E Maj • 05:05 • -18.07db
33% Popularity • 56% Danceability • 12% Energy • 10% Liveness
26% Instrumentalness • 43% Positiveness
33% Popularity • 56% Danceability • 12% Energy • 10% Liveness
26% Instrumentalness • 43% Positiveness
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79.5
My Dream
97 bpm • G# Maj • 03:20 • -9.94db
34% Popularity • 59% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 50% Positiveness
34% Popularity • 59% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 50% Positiveness
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Cate Le Bon
Remembering Me
109 bpm • E min • 04:34 • -8.79db
23% Popularity • 75% Danceability • 56% Energy • 20% Liveness
8% Instrumentalness • 70% Positiveness
23% Popularity • 75% Danceability • 56% Energy • 20% Liveness
8% Instrumentalness • 70% Positiveness
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Helado Negro
I Fell in Love
110 bpm • F Maj • 04:20 • -12.75db
35% Popularity • 70% Danceability • 38% Energy • 11% Liveness
60% Instrumentalness • 31% Positiveness
35% Popularity • 70% Danceability • 38% Energy • 11% Liveness
60% Instrumentalness • 31% Positiveness
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SAULT
Don't Waste My Time
110 bpm • G Maj • 03:15 • -6.53db
48% Popularity • 84% Danceability • 89% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
48% Popularity • 84% Danceability • 89% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
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Linda Perhacs
Parallelograms
110 bpm • F Maj • 04:33 • -17.2db
33% Popularity • 37% Danceability • 19% Energy • 12% Liveness
94% Instrumentalness • 5% Positiveness
33% Popularity • 37% Danceability • 19% Energy • 12% Liveness
94% Instrumentalness • 5% Positiveness
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Smog
Dress Sexy At My Funeral
96 bpm • G min • 05:30 • -12db
39% Popularity • 46% Danceability • 49% Energy • 11% Liveness
8% Instrumentalness • 70% Positiveness
39% Popularity • 46% Danceability • 49% Energy • 11% Liveness
8% Instrumentalness • 70% Positiveness
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Alabaster DePlume
Whisky Story Time
96 bpm • F# min • 02:21 • -10.92db
46% Popularity • 44% Danceability • 26% Energy • 12% Liveness
91% Instrumentalness • 86% Positiveness
46% Popularity • 44% Danceability • 26% Energy • 12% Liveness
91% Instrumentalness • 86% Positiveness
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Cate Le Bon
Home to You
109 bpm • A min • 05:27 • -6.07db
40% Popularity • 80% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
40% Popularity • 80% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Beverly Glenn-Copeland
La Vita
96 bpm • A# min • 03:51 • -13db
37% Popularity • 56% Danceability • 47% Energy • 13% Liveness
3% Instrumentalness • 37% Positiveness
37% Popularity • 56% Danceability • 47% Energy • 13% Liveness
3% Instrumentalness • 37% Positiveness
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SAULT
Little Boy
111 bpm • G# Maj • 03:53 • -9db
44% Popularity • 85% Danceability • 47% Energy • 18% Liveness
4% Instrumentalness • 40% Positiveness
44% Popularity • 85% Danceability • 47% Energy • 18% Liveness
4% Instrumentalness • 40% Positiveness
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Brian Eno
The Belldog
111 bpm • B Maj • 06:19 • -12.83db
28% Popularity • 41% Danceability • 43% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
28% Popularity • 41% Danceability • 43% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
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Virginia Astley
A Summer Long Since Passed
111 bpm • E Maj • 04:37 • -15.61db
27% Popularity • 45% Danceability • 27% Energy • 52% Liveness
76% Instrumentalness • 12% Positiveness
27% Popularity • 45% Danceability • 27% Energy • 52% Liveness
76% Instrumentalness • 12% Positiveness
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Allen Ginsberg
Bus Ride Ballad to Suva
95 bpm • G Maj • 03:12 • -9.77db
0% Popularity • 70% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
0% Popularity • 70% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Cate Le Bon
Harbour
97 bpm • F Maj • 04:08 • -7.81db
31% Popularity • 74% Danceability • 56% Energy • 9% Liveness
1% Instrumentalness • 74% Positiveness
31% Popularity • 74% Danceability • 56% Energy • 9% Liveness
1% Instrumentalness • 74% Positiveness
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Alabaster DePlume
Don’t Forget You’re Precious
95 bpm • F min • 03:41 • -12db
28% Popularity • 50% Danceability • 48% Energy • 20% Liveness
48% Instrumentalness • 38% Positiveness
28% Popularity • 50% Danceability • 48% Energy • 20% Liveness
48% Instrumentalness • 38% Positiveness
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John Lurie
Small Car
95 bpm • D# min • 05:47 • -10.58db
29% Popularity • 70% Danceability • 62% Energy • 20% Liveness
6% Instrumentalness • 89% Positiveness
29% Popularity • 70% Danceability • 62% Energy • 20% Liveness
6% Instrumentalness • 89% Positiveness
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Okay Kaya
Habitual Love
95 bpm • A min • 03:18 • -13.64db
43% Popularity • 78% Danceability • 33% Energy • 9% Liveness
29% Instrumentalness • 46% Positiveness
43% Popularity • 78% Danceability • 33% Energy • 9% Liveness
29% Instrumentalness • 46% Positiveness
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Keeley Forsyth
Look to Yourself
112 bpm • E Maj • 04:53 • -19.87db
17% Popularity • 65% Danceability • 6% Energy • 10% Liveness
16% Instrumentalness • 11% Positiveness
17% Popularity • 65% Danceability • 6% Energy • 10% Liveness
16% Instrumentalness • 11% Positiveness
