Songs like This Is My Country by The Impressions
Based on a tempo of (+/- 10%) and a similar genre
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Bobby "Blue" Bland
That Did It - Single Version
103 bpm • A# Maj • 03:29 • -6.67db
8% Popularity • 41% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
8% Popularity • 41% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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The Impressions
This Is My Country
103 bpm • C# Maj • 02:48 • -11db
24% Popularity • 56% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 75% Positiveness
24% Popularity • 56% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 75% Positiveness
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Martha Reeves & The Vandellas
No More Tearstained Make Up
104 bpm • C Maj • 02:16 • -10.8db
33% Popularity • 65% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
33% Popularity • 65% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
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Dyke & The Blazers
Black Boy From the Ghetto
104 bpm • F min • 02:19 • -9.38db
27% Popularity • 73% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
27% Popularity • 73% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
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Archie Bell & The Drells
Green Power
104 bpm • C Maj • 02:23 • -7.66db
20% Popularity • 60% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
20% Popularity • 60% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
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Eddie Kendricks
Girl You Need A Change Of Mind
104 bpm • D min • 07:42 • -12.56db
41% Popularity • 47% Danceability • 72% Energy • 28% Liveness
1% Instrumentalness • 83% Positiveness
41% Popularity • 47% Danceability • 72% Energy • 28% Liveness
1% Instrumentalness • 83% Positiveness
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The Mad Lads
No Strings Attached
104 bpm • G Maj • 02:33 • -17db
15% Popularity • 80% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
15% Popularity • 80% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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The Impressions
Sometimes I Wonder
104 bpm • B Maj • 03:05 • -9.15db
13% Popularity • 59% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
13% Popularity • 59% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
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Eddie Floyd
I've Never Found A Girl (To Love Me Like...
102 bpm • D Maj • 02:41 • -14.85db
40% Popularity • 67% Danceability • 40% Energy • 60% Liveness
0% Instrumentalness • 88% Positiveness
40% Popularity • 67% Danceability • 40% Energy • 60% Liveness
0% Instrumentalness • 88% Positiveness
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Diana Ross & The Supremes
He's My Sunny Boy
104 bpm • D Maj • 02:18 • -4.7db
28% Popularity • 74% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
28% Popularity • 74% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
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Tony Clarke
The Entertainer
105 bpm • G Maj • 02:35 • -7db
30% Popularity • 74% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 74% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
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Eddie Kendricks
Keep On Truckin'
102 bpm • C# Maj • 07:59 • -9.76db
42% Popularity • 45% Danceability • 81% Energy • 4% Liveness
1% Instrumentalness • 86% Positiveness
42% Popularity • 45% Danceability • 81% Energy • 4% Liveness
1% Instrumentalness • 86% Positiveness
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The Mad Lads
Patch My Heart
105 bpm • C# Maj • 02:31 • -12.64db
27% Popularity • 81% Danceability • 38% Energy • 26% Liveness
5% Instrumentalness • 92% Positiveness
27% Popularity • 81% Danceability • 38% Energy • 26% Liveness
5% Instrumentalness • 92% Positiveness
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Fontella Bass
Since I Fell For You
105 bpm • G Maj • 03:24 • -11db
24% Popularity • 59% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
24% Popularity • 59% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Eddie Floyd
634-5789
105 bpm • C Maj • 03:02 • -14.15db
17% Popularity • 74% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
17% Popularity • 74% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Ben E. King
Do It in the Name of Love
101 bpm • G# min • 04:20 • -8.37db
18% Popularity • 68% Danceability • 81% Energy • 28% Liveness
1% Instrumentalness • 68% Positiveness
18% Popularity • 68% Danceability • 81% Energy • 28% Liveness
1% Instrumentalness • 68% Positiveness
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James Brown & The Famous Flames
Bewildered
105 bpm • F Maj • 02:26 • -9.84db
29% Popularity • 47% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
29% Popularity • 47% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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James Whitney
With Fun in My Life
105 bpm • D# Maj • 03:14 • -8.8db
12% Popularity • 83% Danceability • 55% Energy • 10% Liveness
63% Instrumentalness • 78% Positiveness
12% Popularity • 83% Danceability • 55% Energy • 10% Liveness
63% Instrumentalness • 78% Positiveness
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The Soul Survivors
Expressway (To Your Heart) - Single Vers...
105 bpm • B Maj • 02:18 • -11db
37% Popularity • 51% Danceability • 40% Energy • 25% Liveness
0% Instrumentalness • 56% Positiveness
37% Popularity • 51% Danceability • 40% Energy • 25% Liveness
0% Instrumentalness • 56% Positiveness
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Rufus Thomas
(Do The) Push And Pull - Pt. 1
105 bpm • F min • 03:18 • -9.75db
32% Popularity • 72% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
32% Popularity • 72% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
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Eddie Floyd
Knock on Wood
105 bpm • E Maj • 03:09 • -12.92db
61% Popularity • 86% Danceability • 35% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
61% Popularity • 86% Danceability • 35% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
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The Parliaments
(I Wanna) Testify (Mono Single Version)
105 bpm • A# Maj • 03:03 • -5.75db
24% Popularity • 67% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
24% Popularity • 67% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
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Mel & Tim
Good Guys Only Win in the Movies
106 bpm • A# Maj • 02:46 • -4.02db
13% Popularity • 63% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
13% Popularity • 63% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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The Emotions
Blind Alley
106 bpm • D min • 03:04 • -12db
39% Popularity • 77% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
39% Popularity • 77% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
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Joe Simon
Glad to Be Your Lover
100 bpm • A Maj • 02:59 • -11.14db
11% Popularity • 68% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 68% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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The Impressions
We're A Winner
100 bpm • G Maj • 02:25 • -10db
37% Popularity • 55% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 81% Positiveness
37% Popularity • 55% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 81% Positiveness
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Garnet Mimms & The Enchanters
A Quiet Place
106 bpm • G min • 02:24 • -12.22db
36% Popularity • 69% Danceability • 38% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
36% Popularity • 69% Danceability • 38% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
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The Chi-Lites
Stoned Out Of My Mind
106 bpm • F# min • 03:04 • -9db
31% Popularity • 72% Danceability • 69% Energy • 40% Liveness
0% Instrumentalness • 79% Positiveness
31% Popularity • 72% Danceability • 69% Energy • 40% Liveness
0% Instrumentalness • 79% Positiveness
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Major Lance
Please Don't Say No More
106 bpm • C min • 02:17 • -9.17db
14% Popularity • 70% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
14% Popularity • 70% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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The Coasters
Down Home Girl
100 bpm • A# Maj • 03:06 • -13.71db
25% Popularity • 66% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
25% Popularity • 66% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Shorty Long
Devil With The Blue Dress
106 bpm • D# Maj • 03:13 • -15.41db
30% Popularity • 76% Danceability • 46% Energy • 6% Liveness
4% Instrumentalness • 75% Positiveness
30% Popularity • 76% Danceability • 46% Energy • 6% Liveness
4% Instrumentalness • 75% Positiveness
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Maxine Brown
Hold on I'm Coming
100 bpm • F Maj • 02:49 • -11.49db
29% Popularity • 58% Danceability • 49% Energy • 48% Liveness
0% Instrumentalness • 70% Positiveness
29% Popularity • 58% Danceability • 49% Energy • 48% Liveness
0% Instrumentalness • 70% Positiveness
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Bobby "Blue" Bland
Turn On Your Love Light
106 bpm • F Maj • 02:38 • -9.12db
34% Popularity • 63% Danceability • 74% Energy • 59% Liveness
0% Instrumentalness • 82% Positiveness
34% Popularity • 63% Danceability • 74% Energy • 59% Liveness
0% Instrumentalness • 82% Positiveness
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The Impressions
We're Rolling On (Part One)
106 bpm • D Maj • 02:18 • -12.37db
7% Popularity • 44% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
7% Popularity • 44% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
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Fontella Bass
Oh, No, Not My Baby
100 bpm • G Maj • 02:40 • -11db
14% Popularity • 56% Danceability • 55% Energy • 44% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 56% Danceability • 55% Energy • 44% Liveness
0% Instrumentalness • 70% Positiveness
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The Emotions
I Like It
106 bpm • C Maj • 02:27 • -13.92db
34% Popularity • 67% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
34% Popularity • 67% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Archie Bell & The Drells
Go for What You Know
100 bpm • F Maj • 02:07 • -8.94db
25% Popularity • 61% Danceability • 50% Energy • 20% Liveness
1% Instrumentalness • 76% Positiveness
25% Popularity • 61% Danceability • 50% Energy • 20% Liveness
1% Instrumentalness • 76% Positiveness
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Willie Hutch
Ain't Gonna Stop
106 bpm • G min • 03:08 • -7db
17% Popularity • 66% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 66% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Eddie Floyd
Raise Your Hand
100 bpm • A Maj • 02:23 • -16.75db
21% Popularity • 71% Danceability • 25% Energy • 24% Liveness
0% Instrumentalness • 93% Positiveness
21% Popularity • 71% Danceability • 25% Energy • 24% Liveness
0% Instrumentalness • 93% Positiveness
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The Impressions
They Don't Know
100 bpm • A Maj • 02:47 • -7.15db
17% Popularity • 56% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
17% Popularity • 56% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
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The Mad Lads
I Don't Want To Lose Your Love
99 bpm • A# Maj • 02:22 • -14.03db
18% Popularity • 76% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
18% Popularity • 76% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Barbara Lynn
Sufferin' City
107 bpm • C Maj • 02:31 • -11.02db
10% Popularity • 78% Danceability • 47% Energy • 8% Liveness
1% Instrumentalness • 95% Positiveness
10% Popularity • 78% Danceability • 47% Energy • 8% Liveness
1% Instrumentalness • 95% Positiveness
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The Chi-Lites
Troubles A-Comin'
100 bpm • B Maj • 03:19 • -5.88db
13% Popularity • 66% Danceability • 82% Energy • 44% Liveness
0% Instrumentalness • 70% Positiveness
13% Popularity • 66% Danceability • 82% Energy • 44% Liveness
0% Instrumentalness • 70% Positiveness
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George Jackson
To Me It's Storming
107 bpm • C Maj • 02:44 • -11.69db
16% Popularity • 81% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
16% Popularity • 81% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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The Main Ingredient
Black Seeds Keep on Growing
107 bpm • G# min • 03:31 • -6.82db
10% Popularity • 45% Danceability • 88% Energy • 57% Liveness
0% Instrumentalness • 74% Positiveness
10% Popularity • 45% Danceability • 88% Energy • 57% Liveness
0% Instrumentalness • 74% Positiveness
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The Impressions
Inner City Blues (Make Me Wanna Holler)
99 bpm • B Maj • 03:17 • -8.07db
13% Popularity • 51% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
13% Popularity • 51% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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The Soul Children
Hearsay
107 bpm • C Maj • 03:35 • -13.18db
24% Popularity • 77% Danceability • 57% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 77% Danceability • 57% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
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Baby Washington
That's How Heartaches Are Made
99 bpm • C# min • 02:41 • -11.22db
32% Popularity • 54% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
32% Popularity • 54% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
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Four Tops
Loving You Is Sweeter Than Ever
99 bpm • F Maj • 02:50 • -8db
40% Popularity • 53% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
40% Popularity • 53% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Joe Simon
The Chokin' Kind
99 bpm • G# Maj • 02:40 • -12.53db
31% Popularity • 69% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
31% Popularity • 69% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Maxine Brown
Oh No Not My Baby
99 bpm • G# Maj • 02:37 • -12.52db
36% Popularity • 58% Danceability • 34% Energy • 51% Liveness
0% Instrumentalness • 74% Positiveness
36% Popularity • 58% Danceability • 34% Energy • 51% Liveness
0% Instrumentalness • 74% Positiveness
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Eddie Kendricks
Let Me Run Into Your Lonely Heart
107 bpm • D Maj • 03:10 • -12db
20% Popularity • 68% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 87% Positiveness
20% Popularity • 68% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 87% Positiveness
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Barbara Lynn
Multiplying Pain
108 bpm • G min • 02:42 • -10.33db
9% Popularity • 82% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
9% Popularity • 82% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Chuck Jackson
Any Day Now
108 bpm • G Maj • 03:27 • -11.98db
29% Popularity • 75% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
29% Popularity • 75% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
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Martha Reeves & The Vandellas
Easily Persuaded
99 bpm • C# Maj • 02:43 • -9.61db
16% Popularity • 52% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 52% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Carla Thomas
Let Me Be Good to You
108 bpm • A# Maj • 02:42 • -12.93db
22% Popularity • 74% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
22% Popularity • 74% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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The Mad Lads
Make This Young Lady Mine
108 bpm • G# Maj • 02:21 • -16db
30% Popularity • 66% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 66% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Eddie Kendricks
Someday We'll Have A Better World
108 bpm • C Maj • 03:42 • -12.9db
15% Popularity • 50% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
15% Popularity • 50% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Don Covay
The Usual Place
98 bpm • A Maj • 02:08 • -10.22db
18% Popularity • 48% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
18% Popularity • 48% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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The Miracles
I'll Try Something New
108 bpm • G min • 02:38 • -9db
39% Popularity • 44% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
39% Popularity • 44% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Lou Johnson
Rock Me Baby
109 bpm • C Maj • 02:15 • -10.7db
17% Popularity • 58% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
17% Popularity • 58% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Ollie & The Nightengales
I Got A Sure Thing
98 bpm • B min • 02:36 • -11db
15% Popularity • 58% Danceability • 43% Energy • 57% Liveness
0% Instrumentalness • 71% Positiveness
15% Popularity • 58% Danceability • 43% Energy • 57% Liveness
0% Instrumentalness • 71% Positiveness
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Archie Bell & The Drells
Soldier's Prayer, 1967
97 bpm • C Maj • 03:05 • -12.57db
9% Popularity • 50% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
9% Popularity • 50% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
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The Five Stairsteps
We Must Be In Love
98 bpm • F min • 03:10 • -7db
16% Popularity • 55% Danceability • 91% Energy • 69% Liveness
0% Instrumentalness • 81% Positiveness
16% Popularity • 55% Danceability • 91% Energy • 69% Liveness
0% Instrumentalness • 81% Positiveness
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Barbara Lynn
This Is the Thanks I Get
109 bpm • B min • 02:24 • -10.87db
25% Popularity • 71% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
25% Popularity • 71% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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The Miracles
Do It Baby
97 bpm • C Maj • 03:04 • -10db
38% Popularity • 72% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
38% Popularity • 72% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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The Marvelettes
Here I Am Baby
97 bpm • C Maj • 02:49 • -8.32db
29% Popularity • 66% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
29% Popularity • 66% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
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Brenda And The Tabulations
California Soul
109 bpm • C# Maj • 02:33 • -9db
9% Popularity • 60% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
9% Popularity • 60% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Bobby "Blue" Bland
Two Steps From The Blues
97 bpm • C# Maj • 02:33 • -14.66db
15% Popularity • 49% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
15% Popularity • 49% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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William Bell
Any Other Way
109 bpm • D# Maj • 02:48 • -15.31db
12% Popularity • 84% Danceability • 32% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
12% Popularity • 84% Danceability • 32% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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James Brown & The Famous Flames
I Don't Mind
97 bpm • C Maj • 02:43 • -17.55db
30% Popularity • 72% Danceability • 20% Energy • 14% Liveness
23% Instrumentalness • 68% Positiveness
30% Popularity • 72% Danceability • 20% Energy • 14% Liveness
23% Instrumentalness • 68% Positiveness
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The Meters
Darling Darling Darling
109 bpm • C Maj • 02:54 • -13.14db
24% Popularity • 67% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
24% Popularity • 67% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
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Chuck Jackson
I Keep Forgettin'
97 bpm • F# min • 02:45 • -12.07db
17% Popularity • 82% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
17% Popularity • 82% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Jeanne & The Darlings
Soul Girl
97 bpm • C# Maj • 02:28 • -11.21db
27% Popularity • 74% Danceability • 49% Energy • 63% Liveness
0% Instrumentalness • 94% Positiveness
27% Popularity • 74% Danceability • 49% Energy • 63% Liveness
0% Instrumentalness • 94% Positiveness
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The Emotions
If You Think It (You May As Well Do It)
109 bpm • G Maj • 03:03 • -12db
33% Popularity • 65% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
33% Popularity • 65% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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The Marvelettes
Strange I Know - Stereo Version
109 bpm • C Maj • 02:20 • -3.41db
19% Popularity • 63% Danceability • 76% Energy • 17% Liveness
4% Instrumentalness • 95% Positiveness
19% Popularity • 63% Danceability • 76% Energy • 17% Liveness
4% Instrumentalness • 95% Positiveness
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The Chi-Lites
(For God's Sake) Give More Power To The ...
97 bpm • F# Maj • 03:00 • -10db
25% Popularity • 66% Danceability • 55% Energy • 42% Liveness
3% Instrumentalness • 90% Positiveness
25% Popularity • 66% Danceability • 55% Energy • 42% Liveness
3% Instrumentalness • 90% Positiveness
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Luther Ingram
Pity For The Lonely
110 bpm • F# Maj • 02:57 • -8.67db
13% Popularity • 67% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 95% Positiveness
13% Popularity • 67% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 95% Positiveness
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Willie Hightower
Walk A Mile In My Shoes
97 bpm • B Maj • 03:20 • -11.24db
22% Popularity • 64% Danceability • 60% Energy • 62% Liveness
0% Instrumentalness • 95% Positiveness
22% Popularity • 64% Danceability • 60% Energy • 62% Liveness
0% Instrumentalness • 95% Positiveness
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Willie Hutch
I Can't Get Enough
97 bpm • A Maj • 02:52 • -5db
15% Popularity • 56% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
15% Popularity • 56% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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The Moovers
Someone to Fulfill My Needs
97 bpm • D min • 02:55 • -6db
18% Popularity • 47% Danceability • 69% Energy • 33% Liveness
0% Instrumentalness • 69% Positiveness
18% Popularity • 47% Danceability • 69% Energy • 33% Liveness
0% Instrumentalness • 69% Positiveness
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Frederick Knight
I've Been Lonely For So Long
97 bpm • G Maj • 03:18 • -14db
38% Popularity • 79% Danceability • 29% Energy • 9% Liveness
1% Instrumentalness • 87% Positiveness
38% Popularity • 79% Danceability • 29% Energy • 9% Liveness
1% Instrumentalness • 87% Positiveness
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Tobi Lark
Challenge My Love
110 bpm • B Maj • 03:24 • -8.12db
9% Popularity • 72% Danceability • 46% Energy • 41% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 72% Danceability • 46% Energy • 41% Liveness
0% Instrumentalness • 62% Positiveness
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Billy Preston
I Wrote A Simple Song
97 bpm • G min • 03:25 • -9.89db
28% Popularity • 70% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
28% Popularity • 70% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Joe Simon
Theme from Cleopatra Jones
97 bpm • G Maj • 03:50 • -10db
23% Popularity • 63% Danceability • 56% Energy • 29% Liveness
0% Instrumentalness • 72% Positiveness
23% Popularity • 63% Danceability • 56% Energy • 29% Liveness
0% Instrumentalness • 72% Positiveness
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The Mad Lads
Gone! The Promises Of Yesterday
96 bpm • F min • 03:37 • -17.04db
21% Popularity • 44% Danceability • 36% Energy • 75% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 44% Danceability • 36% Energy • 75% Liveness
0% Instrumentalness • 36% Positiveness
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Otis Clay
Too Much Mystery
96 bpm • C Maj • 02:23 • -11.81db
15% Popularity • 67% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 67% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Little Ann
Possession
96 bpm • F Maj • 03:11 • -6db
16% Popularity • 72% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
16% Popularity • 72% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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William Bell
My Whole World Is Falling Down
96 bpm • D Maj • 03:09 • -15.26db
13% Popularity • 49% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
13% Popularity • 49% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Bobby "Blue" Bland
Yolanda
96 bpm • B min • 03:08 • -7.89db
10% Popularity • 56% Danceability • 73% Energy • 20% Liveness
4% Instrumentalness • 85% Positiveness
10% Popularity • 56% Danceability • 73% Energy • 20% Liveness
4% Instrumentalness • 85% Positiveness
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The Charmels
Lovin' Feeling
96 bpm • G# Maj • 02:52 • -10.01db
17% Popularity • 67% Danceability • 45% Energy • 7% Liveness
8% Instrumentalness • 64% Positiveness
17% Popularity • 67% Danceability • 45% Energy • 7% Liveness
8% Instrumentalness • 64% Positiveness
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Fontella Bass
Soul Of The Man
96 bpm • G# Maj • 03:32 • -9.66db
18% Popularity • 62% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
18% Popularity • 62% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Joe Simon
Power of Love
111 bpm • C Maj • 02:54 • -7db
26% Popularity • 83% Danceability • 67% Energy • 46% Liveness
0% Instrumentalness • 97% Positiveness
26% Popularity • 83% Danceability • 67% Energy • 46% Liveness
0% Instrumentalness • 97% Positiveness
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Eddie Kendricks
Eddie's Love
96 bpm • G# Maj • 03:29 • -12.76db
14% Popularity • 64% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
14% Popularity • 64% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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George Jackson
Let's Live For Ourselves
111 bpm • D# Maj • 03:37 • -8db
15% Popularity • 85% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
15% Popularity • 85% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Barbara & The Browns
In My Heart
96 bpm • E min • 02:49 • -10.94db
17% Popularity • 63% Danceability • 34% Energy • 7% Liveness
1% Instrumentalness • 57% Positiveness
17% Popularity • 63% Danceability • 34% Energy • 7% Liveness
1% Instrumentalness • 57% Positiveness
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Ohio Players
Mother-In-Law
96 bpm • D Maj • 03:06 • -8.18db
8% Popularity • 48% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
8% Popularity • 48% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
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Wee Willie Walker
There Goes My Used to Be
111 bpm • A min • 03:01 • -6db
10% Popularity • 67% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
10% Popularity • 67% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
