Songs like This Man by Wally Cox
Based on a tempo of (+/- 10%) and a similar genre
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Bunny Sigler
Girl Don't Make Me Wait
133 bpm • B min • 02:23 • -5.11db
26% Popularity • 69% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 73% Positiveness
26% Popularity • 69% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 73% Positiveness
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Major Lance
You Don't Want Me No More
133 bpm • A min • 02:12 • -9db
20% Popularity • 61% Danceability • 72% Energy • 46% Liveness
0% Instrumentalness • 96% Positiveness
20% Popularity • 61% Danceability • 72% Energy • 46% Liveness
0% Instrumentalness • 96% Positiveness
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Fuller Brothers
Time's a Wasting
133 bpm • G min • 02:32 • -6.01db
16% Popularity • 61% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 61% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Wally Cox
This Man
133 bpm • C Maj • 02:50 • -5.85db
4% Popularity • 55% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
4% Popularity • 55% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
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Morris Chestnut
Too Darn Soulful
133 bpm • A# min • 02:33 • -5.55db
20% Popularity • 68% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
20% Popularity • 68% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Moses Smith
Try My Love
133 bpm • C min • 02:15 • -8.02db
13% Popularity • 74% Danceability • 61% Energy • 33% Liveness
31% Instrumentalness • 96% Positiveness
13% Popularity • 74% Danceability • 61% Energy • 33% Liveness
31% Instrumentalness • 96% Positiveness
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Jackie Lee
The Duck
133 bpm • C# Maj • 02:22 • -7db
16% Popularity • 74% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
16% Popularity • 74% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Cliff Nobles
My Love Is Getting Stronger
133 bpm • G Maj • 02:51 • -7db
28% Popularity • 70% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
28% Popularity • 70% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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Peppermint Harris
Wait Until It Happens to You
133 bpm • F min • 02:06 • -9db
12% Popularity • 61% Danceability • 61% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
12% Popularity • 61% Danceability • 61% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
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Wally Cox
This Man (7" Version)
133 bpm • C Maj • 02:50 • -0.32db
2% Popularity • 54% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
2% Popularity • 54% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Pookie Hudson
This Gets to Me
133 bpm • G Maj • 02:04 • -8.96db
9% Popularity • 76% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 76% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
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Major Lance
Ain't No Soul (In These Old Shoes)
133 bpm • C Maj • 02:21 • -5db
16% Popularity • 69% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
16% Popularity • 69% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Johnny Caswell
You Don't Love My Anymore
133 bpm • A# Maj • 02:13 • -5.48db
13% Popularity • 59% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
13% Popularity • 59% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Cajun Hart
Got to Find a Way
133 bpm • F Maj • 03:07 • -6.98db
20% Popularity • 54% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
20% Popularity • 54% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Inez & Charlie Foxx
Tightrope
132 bpm • F Maj • 02:34 • -7.23db
9% Popularity • 62% Danceability • 78% Energy • 69% Liveness
0% Instrumentalness • 81% Positiveness
9% Popularity • 62% Danceability • 78% Energy • 69% Liveness
0% Instrumentalness • 81% Positiveness
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Rose Batiste
This Heart Is Lonely
134 bpm • D Maj • 02:59 • -10.59db
11% Popularity • 58% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
11% Popularity • 58% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Roscoe Shelton
Running for My Life
134 bpm • G Maj • 02:28 • -13.22db
7% Popularity • 83% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
7% Popularity • 83% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Little Richie
Just Another Heartache
132 bpm • G# Maj • 02:42 • -5.52db
15% Popularity • 61% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
15% Popularity • 61% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Art Freeman
Slippin' Around with You
132 bpm • E min • 02:57 • -11.4db
8% Popularity • 51% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
8% Popularity • 51% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
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B.B. Carter
Cool It Baby
132 bpm • D# Maj • 02:29 • -6.85db
11% Popularity • 61% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 64% Positiveness
11% Popularity • 61% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 64% Positiveness
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Danny White
Keep My Woman Home
134 bpm • G# Maj • 02:24 • -7db
12% Popularity • 65% Danceability • 55% Energy • 13% Liveness
14% Instrumentalness • 96% Positiveness
12% Popularity • 65% Danceability • 55% Energy • 13% Liveness
14% Instrumentalness • 96% Positiveness
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The Epitome Of Sound
You Don't Love Me
132 bpm • C# Maj • 02:44 • -11.01db
35% Popularity • 47% Danceability • 55% Energy • 23% Liveness
38% Instrumentalness • 93% Positiveness
35% Popularity • 47% Danceability • 55% Energy • 23% Liveness
38% Instrumentalness • 93% Positiveness
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Eddie Parker
I'm Gone
132 bpm • C min • 02:45 • -9.96db
13% Popularity • 56% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
13% Popularity • 56% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Barbara Lynn
I Don't Want a Playboy
132 bpm • B min • 02:07 • -9.28db
25% Popularity • 65% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
25% Popularity • 65% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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The Spellbinders
Help Me (Get Myself Back Together Again)
132 bpm • A# Maj • 02:23 • -7.72db
14% Popularity • 51% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 51% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Ty Karim
Lighten Up Baby
134 bpm • G Maj • 02:41 • -3.91db
16% Popularity • 68% Danceability • 83% Energy • 47% Liveness
0% Instrumentalness • 58% Positiveness
16% Popularity • 68% Danceability • 83% Energy • 47% Liveness
0% Instrumentalness • 58% Positiveness
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Debbie Taylor
Don't Nobody Mess with My Baby
132 bpm • D# Maj • 02:25 • -7.63db
9% Popularity • 68% Danceability • 66% Energy • 14% Liveness
5% Instrumentalness • 74% Positiveness
9% Popularity • 68% Danceability • 66% Energy • 14% Liveness
5% Instrumentalness • 74% Positiveness
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Elbie Parker
Please Keep Away From Me
132 bpm • F min • 02:18 • -8.01db
5% Popularity • 71% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
5% Popularity • 71% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Rex Garvin & The Mighty Cravers
Sock It To 'em JB - Part 1
134 bpm • C min • 02:38 • -7db
9% Popularity • 61% Danceability • 72% Energy • 13% Liveness
18% Instrumentalness • 90% Positiveness
9% Popularity • 61% Danceability • 72% Energy • 13% Liveness
18% Instrumentalness • 90% Positiveness
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The Impressions
Can't Satisfy
134 bpm • D min • 02:38 • -9.2db
17% Popularity • 64% Danceability • 73% Energy • 88% Liveness
0% Instrumentalness • 54% Positiveness
17% Popularity • 64% Danceability • 73% Energy • 88% Liveness
0% Instrumentalness • 54% Positiveness
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Martha Reeves & The Vandellas
One Way Out
134 bpm • D# Maj • 02:25 • -6.68db
16% Popularity • 66% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
16% Popularity • 66% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
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Don Gardner
Cheatin' Kind
134 bpm • E min • 01:56 • -4.08db
11% Popularity • 46% Danceability • 67% Energy • 16% Liveness
89% Instrumentalness • 78% Positiveness
11% Popularity • 46% Danceability • 67% Energy • 16% Liveness
89% Instrumentalness • 78% Positiveness
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Mitty Collier
Do It With Confidence
134 bpm • F Maj • 02:15 • -9.46db
7% Popularity • 56% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
7% Popularity • 56% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
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Ty Karim
Lighten up Baby
134 bpm • G Maj • 02:42 • -4.49db
8% Popularity • 66% Danceability • 82% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
8% Popularity • 66% Danceability • 82% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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Dorothy Williams
The Well's Gone Dry
132 bpm • D# Maj • 02:29 • -7.2db
11% Popularity • 76% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
11% Popularity • 76% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
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The Exciters
Blowing Up My Mind
134 bpm • D# Maj • 02:47 • -6.14db
23% Popularity • 72% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 72% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Pookie Hudson
This Gets to Me
134 bpm • G Maj • 03:44 • -7.06db
10% Popularity • 74% Danceability • 75% Energy • 20% Liveness
81% Instrumentalness • 95% Positiveness
10% Popularity • 74% Danceability • 75% Energy • 20% Liveness
81% Instrumentalness • 95% Positiveness
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Kim Weston
I'm Still Loving You
132 bpm • C# Maj • 02:53 • -5.61db
12% Popularity • 52% Danceability • 53% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
12% Popularity • 52% Danceability • 53% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
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Moses Dillard
My Elusive Dreams
134 bpm • G# Maj • 02:17 • -7.74db
11% Popularity • 69% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 69% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Shawn Robinson
My Dear Heart
134 bpm • A Maj • 02:27 • -8.04db
10% Popularity • 62% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
10% Popularity • 62% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
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Gladys Knight & The Pips
If You Ever Get Your Hands On Love
134 bpm • C Maj • 02:55 • -9.61db
24% Popularity • 58% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
24% Popularity • 58% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
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The Soul Twins
It's Not What You Do, It's the Way That ...
134 bpm • F Maj • 02:40 • -9.73db
24% Popularity • 56% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
24% Popularity • 56% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Bunny Sigler
Sunny Sunday
132 bpm • G# Maj • 02:15 • -6db
12% Popularity • 70% Danceability • 68% Energy • 45% Liveness
0% Instrumentalness • 75% Positiveness
12% Popularity • 70% Danceability • 68% Energy • 45% Liveness
0% Instrumentalness • 75% Positiveness
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Yvonne Baker
You Didn't Say A Word
132 bpm • D# Maj • 02:37 • -9.08db
33% Popularity • 53% Danceability • 78% Energy • 9% Liveness
2% Instrumentalness • 94% Positiveness
33% Popularity • 53% Danceability • 78% Energy • 9% Liveness
2% Instrumentalness • 94% Positiveness
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Jackie Moore
Both Ends Against the Middle
135 bpm • A min • 02:30 • -7.45db
16% Popularity • 64% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
16% Popularity • 64% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Little Ann
Sweep It out in the Shed
131 bpm • G min • 03:02 • -5db
20% Popularity • 58% Danceability • 69% Energy • 50% Liveness
0% Instrumentalness • 86% Positiveness
20% Popularity • 58% Danceability • 69% Energy • 50% Liveness
0% Instrumentalness • 86% Positiveness
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The Dynamics
Bingo
131 bpm • C# Maj • 02:07 • -5.89db
8% Popularity • 69% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
8% Popularity • 69% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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The Formations
At the Top of the Stairs
131 bpm • F# min • 02:18 • -13.73db
29% Popularity • 53% Danceability • 49% Energy • 96% Liveness
0% Instrumentalness • 81% Positiveness
29% Popularity • 53% Danceability • 49% Energy • 96% Liveness
0% Instrumentalness • 81% Positiveness
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The Fuzz
I'm so Glad
135 bpm • A min • 02:26 • -6.27db
10% Popularity • 81% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
10% Popularity • 81% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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Billy Butler
Right Track
135 bpm • F Maj • 02:28 • -8.43db
20% Popularity • 64% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
20% Popularity • 64% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Darrell Banks
Somebody (Somewhere Needs You)
135 bpm • D# Maj • 02:33 • -10db
23% Popularity • 64% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
23% Popularity • 64% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
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Gene Chandler
I Can Take Care of Myself
131 bpm • F Maj • 02:34 • -9.28db
12% Popularity • 66% Danceability • 50% Energy • 29% Liveness
0% Instrumentalness • 85% Positiveness
12% Popularity • 66% Danceability • 50% Energy • 29% Liveness
0% Instrumentalness • 85% Positiveness
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Barbara Lynn
Take Your Love and Run
135 bpm • A# Maj • 02:53 • -10db
13% Popularity • 62% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
13% Popularity • 62% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Herb Ward
Strange Change
131 bpm • C Maj • 02:29 • -4.53db
11% Popularity • 58% Danceability • 81% Energy • 39% Liveness
0% Instrumentalness • 78% Positiveness
11% Popularity • 58% Danceability • 81% Energy • 39% Liveness
0% Instrumentalness • 78% Positiveness
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Darrow Fletcher
What Good Am I Without You
135 bpm • C min • 02:24 • -6.9db
19% Popularity • 44% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
19% Popularity • 44% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
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Homer Banks
Aint That A Lot Of Love
131 bpm • A# Maj • 02:37 • -6.62db
27% Popularity • 69% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
27% Popularity • 69% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
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The Showstoppers
Ain't Nothin But A Houseparty
135 bpm • C# Maj • 02:38 • -9db
37% Popularity • 64% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
37% Popularity • 64% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
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Ohio Players
Love Slipped Through My Fingers
131 bpm • D# min • 02:17 • -10db
12% Popularity • 47% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
12% Popularity • 47% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Kenny Gamble
The Jokes On You
131 bpm • E Maj • 02:44 • -8.12db
12% Popularity • 66% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 66% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Ila Vann
Can't Help Lovin' Dat Man
135 bpm • G Maj • 02:31 • -7.17db
12% Popularity • 60% Danceability • 64% Energy • 27% Liveness
48% Instrumentalness • 76% Positiveness
12% Popularity • 60% Danceability • 64% Energy • 27% Liveness
48% Instrumentalness • 76% Positiveness
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Linda Lyndell
Bring Your Love Back to Me
131 bpm • D# Maj • 02:06 • -7.83db
18% Popularity • 74% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
18% Popularity • 74% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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Marvin Gaye
This Love Starved Heart Of Mine (It's Ki...
135 bpm • D min • 02:40 • -7.64db
41% Popularity • 44% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
41% Popularity • 44% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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The Tomangoes
I Really Love You
135 bpm • D min • 02:08 • -6.14db
13% Popularity • 62% Danceability • 70% Energy • 45% Liveness
0% Instrumentalness • 91% Positiveness
13% Popularity • 62% Danceability • 70% Energy • 45% Liveness
0% Instrumentalness • 91% Positiveness
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Yvonne Fair
Say Yeah Yeah
135 bpm • G min • 02:22 • -6.4db
18% Popularity • 47% Danceability • 69% Energy • 76% Liveness
0% Instrumentalness • 91% Positiveness
18% Popularity • 47% Danceability • 69% Energy • 76% Liveness
0% Instrumentalness • 91% Positiveness
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Willie Mitchell
That Driving Beat
131 bpm • C min • 02:10 • -6.21db
15% Popularity • 77% Danceability • 58% Energy • 13% Liveness
1% Instrumentalness • 93% Positiveness
15% Popularity • 77% Danceability • 58% Energy • 13% Liveness
1% Instrumentalness • 93% Positiveness
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Larry Laster
Go for Yourself - Single Version
135 bpm • G Maj • 02:34 • -6.61db
11% Popularity • 64% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
11% Popularity • 64% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Bobby "Blue" Bland
Shoes - Single Version
131 bpm • A# Maj • 02:47 • -10.22db
12% Popularity • 59% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
12% Popularity • 59% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Bobby Sheen
Dr. Love
131 bpm • F# Maj • 02:26 • -8db
24% Popularity • 62% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
24% Popularity • 62% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
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The Showmen
Our Love Will Grow
131 bpm • C Maj • 02:35 • -11db
32% Popularity • 67% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
32% Popularity • 67% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
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Brenda Holloway
Think It Over (Before You Break My Heart...
135 bpm • F Maj • 03:06 • -9db
24% Popularity • 58% Danceability • 66% Energy • 37% Liveness
0% Instrumentalness • 81% Positiveness
24% Popularity • 58% Danceability • 66% Energy • 37% Liveness
0% Instrumentalness • 81% Positiveness
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Junior Mccants
Try Me For Your New Love
130 bpm • A Maj • 02:45 • -13.68db
8% Popularity • 60% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
8% Popularity • 60% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Darrow Fletcher
What Have I Got Now
130 bpm • F min • 02:29 • -8db
12% Popularity • 51% Danceability • 63% Energy • 44% Liveness
0% Instrumentalness • 82% Positiveness
12% Popularity • 51% Danceability • 63% Energy • 44% Liveness
0% Instrumentalness • 82% Positiveness
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Harold Melvin
Get Out (And Let Me Cry)
130 bpm • E Maj • 02:18 • -10db
27% Popularity • 71% Danceability • 59% Energy • 29% Liveness
24% Instrumentalness • 72% Positiveness
27% Popularity • 71% Danceability • 59% Energy • 29% Liveness
24% Instrumentalness • 72% Positiveness
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Barbara Lynn
You Left the Water Running
130 bpm • A min • 02:11 • -8.5db
31% Popularity • 54% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
31% Popularity • 54% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
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Walter & the Admerations
Man Oh Man (What Have I Done)
130 bpm • G# Maj • 02:41 • -8.54db
9% Popularity • 68% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 68% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Lonnie Lester
You Can't Go
130 bpm • A min • 02:21 • -3.93db
11% Popularity • 67% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
11% Popularity • 67% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
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The Charmaines
I Idolize You
136 bpm • F min • 02:22 • -8.91db
10% Popularity • 41% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
10% Popularity • 41% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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The Carstairs
It Really Hurts Me Girl
130 bpm • G Maj • 03:30 • -6.31db
29% Popularity • 63% Danceability • 85% Energy • 91% Liveness
0% Instrumentalness • 78% Positiveness
29% Popularity • 63% Danceability • 85% Energy • 91% Liveness
0% Instrumentalness • 78% Positiveness
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Billy Prophet
What Can I Do
130 bpm • A min • 02:04 • -11db
8% Popularity • 67% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 67% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Linda Jones
I Can't Stop Lovin' My Baby
130 bpm • A# Maj • 02:05 • -8.03db
12% Popularity • 72% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 92% Positiveness
12% Popularity • 72% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 92% Positiveness
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The Commands
A Way to Love Me
130 bpm • A# Maj • 02:26 • -6.25db
8% Popularity • 67% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 67% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Darrell Banks
Angel Baby (Don't You Ever Leave Me)
136 bpm • C Maj • 02:56 • -9db
22% Popularity • 62% Danceability • 74% Energy • 35% Liveness
0% Instrumentalness • 97% Positiveness
22% Popularity • 62% Danceability • 74% Energy • 35% Liveness
0% Instrumentalness • 97% Positiveness
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James Barnett
Keep on Talking
130 bpm • C Maj • 02:35 • -11db
12% Popularity • 61% Danceability • 55% Energy • 47% Liveness
0% Instrumentalness • 57% Positiveness
12% Popularity • 61% Danceability • 55% Energy • 47% Liveness
0% Instrumentalness • 57% Positiveness
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Mo' Flow
Tell Em'
130 bpm • F# Maj • 02:19 • -9.54db
10% Popularity • 50% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
10% Popularity • 50% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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The Mirettes
He's All Right with Me
130 bpm • G# Maj • 02:21 • -4db
7% Popularity • 49% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 63% Positiveness
7% Popularity • 49% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 63% Positiveness
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Eddie Parker
I'm Gone
130 bpm • C min • 02:43 • -11.91db
26% Popularity • 55% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
26% Popularity • 55% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
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The Vontastics
Never Let Your Love Grow Cold
136 bpm • C Maj • 02:44 • -7.49db
10% Popularity • 61% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 83% Positiveness
10% Popularity • 61% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 83% Positiveness
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Cliff Nobles
Judge Baby, I'm Back
136 bpm • C min • 02:46 • -4.88db
7% Popularity • 77% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
7% Popularity • 77% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
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The Sapphires
Gotta Have Your Love
136 bpm • G# Maj • 02:16 • -11.19db
29% Popularity • 55% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
29% Popularity • 55% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
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Eula Cooper
Let Our Love Grow Higher
136 bpm • A min • 02:40 • -8db
20% Popularity • 62% Danceability • 78% Energy • 26% Liveness
1% Instrumentalness • 96% Positiveness
20% Popularity • 62% Danceability • 78% Energy • 26% Liveness
1% Instrumentalness • 96% Positiveness
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Nella Dodds
(He's My) Honey Boy
130 bpm • F# min • 02:21 • -10db
11% Popularity • 64% Danceability • 65% Energy • 45% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 64% Danceability • 65% Energy • 45% Liveness
0% Instrumentalness • 96% Positiveness
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Bettye Swann
The Heartache is Gone
130 bpm • G# Maj • 02:26 • -7db
14% Popularity • 59% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
14% Popularity • 59% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Al Gardner
Sweet Baby
136 bpm • G# min • 02:32 • -8db
8% Popularity • 57% Danceability • 61% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
8% Popularity • 57% Danceability • 61% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
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Top Shelf
Have No Second Thoughts
130 bpm • C min • 03:04 • -6.32db
18% Popularity • 78% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 97% Positiveness
18% Popularity • 78% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 97% Positiveness
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The Inspirations
Your Wish Is My Command
137 bpm • D min • 02:10 • -12.14db
9% Popularity • 53% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 97% Positiveness
9% Popularity • 53% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 97% Positiveness
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The Checkerboard Squares
Double Cookin'
137 bpm • C# Maj • 02:45 • -5.11db
15% Popularity • 49% Danceability • 87% Energy • 19% Liveness
86% Instrumentalness • 67% Positiveness
15% Popularity • 49% Danceability • 87% Energy • 19% Liveness
86% Instrumentalness • 67% Positiveness
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Joey Heatherton
When You Call Me Baby - Single Version
137 bpm • D Maj • 02:18 • -5.84db
14% Popularity • 78% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
14% Popularity • 78% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Shorty Long
Hi-Lili - Hi-Lo
129 bpm • A# Maj • 02:44 • -3db
15% Popularity • 67% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 67% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
