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Songs like
this moment
by
the kevin marks project
Based on a tempo of (+/- 10%) and a similar genre
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Stewart Copeland
Cliff Town
180 bpm • G Maj • 04:02 • -10.07db
21% Popularity • 56% Danceability • 80% Energy • 13% Liveness
78% Instrumentalness • 74% Positiveness
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RickyD
Anti Villain
180 bpm • A# Maj • 02:32 • -14.07db
13% Popularity • 59% Danceability • 33% Energy • 8% Liveness
88% Instrumentalness • 76% Positiveness
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the kevin marks project
this moment
180 bpm • D Maj • 07:07 • -5.85db
0% Popularity • 46% Danceability • 89% Energy • 10% Liveness
81% Instrumentalness • 55% Positiveness
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Aaron Parks
Where Now?
180 bpm • D Maj • 03:22 • -11.75db
22% Popularity • 37% Danceability • 46% Energy • 13% Liveness
83% Instrumentalness • 32% Positiveness
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The Shaolin Afronauts
Boogie Back Accra
180 bpm • G min • 04:11 • -6.65db
10% Popularity • 55% Danceability • 59% Energy • 13% Liveness
80% Instrumentalness • 55% Positiveness
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Quantum Instrumentalist
Full
180 bpm • C Maj • 01:24 • -17.45db
20% Popularity • 60% Danceability • 43% Energy • 9% Liveness
89% Instrumentalness • 29% Positiveness
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Molly Miller Trio
Spry
180 bpm • F Maj • 02:55 • -11.63db
21% Popularity • 39% Danceability • 49% Energy • 12% Liveness
92% Instrumentalness • 43% Positiveness
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Peter Banks
Knights (reprise)
179 bpm • A Maj • 02:11 • -8.54db
9% Popularity • 53% Danceability • 62% Energy • 28% Liveness
96% Instrumentalness • 52% Positiveness
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the kevin marks project
235
181 bpm • A min • 05:45 • -12.01db
0% Popularity • 47% Danceability • 36% Energy • 8% Liveness
83% Instrumentalness • 56% Positiveness
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Marc Streitenfeld
The Arrival
182 bpm • C Maj • 01:02 • -19.76db
15% Popularity • 47% Danceability • 26% Energy • 11% Liveness
84% Instrumentalness • 13% Positiveness
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Stanley Clarke
If This Bass Could Only Talk
178 bpm • D Maj • 02:30 • -16.35db
13% Popularity • 44% Danceability • 60% Energy • 12% Liveness
79% Instrumentalness • 81% Positiveness
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André Charlier
Night Stalker
178 bpm • E Maj • 01:28 • -15db
28% Popularity • 58% Danceability • 54% Energy • 11% Liveness
81% Instrumentalness • 89% Positiveness
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The Heavy
Hurt Interlude
178 bpm • D Maj • 01:08 • -10.01db
17% Popularity • 30% Danceability • 51% Energy • 39% Liveness
65% Instrumentalness • 47% Positiveness
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Mahmed
Shuva
184 bpm • A Maj • 03:50 • -6.25db
12% Popularity • 44% Danceability • 57% Energy • 19% Liveness
81% Instrumentalness • 37% Positiveness
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the kevin marks project
Morning jazz
177 bpm • A# min • 05:21 • -17.58db
0% Popularity • 55% Danceability • 27% Energy • 9% Liveness
58% Instrumentalness • 72% Positiveness
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Griffy
The Great Offering to the Gods
173 bpm • B Maj • 02:07 • -11.42db
8% Popularity • 44% Danceability • 52% Energy • 76% Liveness
67% Instrumentalness • 37% Positiveness
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The Cardboard Swords
Your Dad is Kirk Hammet
172 bpm • G Maj • 01:28 • -5.18db
10% Popularity • 32% Danceability • 85% Energy • 28% Liveness
92% Instrumentalness • 57% Positiveness
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Brian Tyler
Front End American
188 bpm • C Maj • 01:27 • -8.72db
20% Popularity • 55% Danceability • 92% Energy • 21% Liveness
77% Instrumentalness • 41% Positiveness
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Benjoin
PRIORITIES
172 bpm • F min • 01:57 • -14.59db
12% Popularity • 68% Danceability • 55% Energy • 16% Liveness
72% Instrumentalness • 87% Positiveness
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XL the Band
Interlude No.2
172 bpm • F Maj • 01:23 • -14.43db
8% Popularity • 11% Danceability • 52% Energy • 10% Liveness
88% Instrumentalness • 12% Positiveness
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John Zorn
Samarkan
171 bpm • C Maj • 06:39 • -9.51db
9% Popularity • 24% Danceability • 53% Energy • 10% Liveness
3% Instrumentalness • 44% Positiveness
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Jeanne Balibar
Johnny Guitar
170 bpm • A Maj • 04:08 • -11.94db
8% Popularity • 57% Danceability • 42% Energy • 22% Liveness
12% Instrumentalness • 30% Positiveness
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Exit North
In the Game
170 bpm • F min • 03:27 • -13.61db
23% Popularity • 45% Danceability • 49% Energy • 25% Liveness
68% Instrumentalness • 58% Positiveness
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David Holmes
Got the Blow
170 bpm • C min • 01:38 • -11.06db
15% Popularity • 42% Danceability • 83% Energy • 5% Liveness
90% Instrumentalness • 4% Positiveness
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Vitja Pauwels
Drum Circle
170 bpm • F# Maj • 05:49 • -12.52db
9% Popularity • 46% Danceability • 78% Energy • 66% Liveness
79% Instrumentalness • 72% Positiveness
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Spiegel bX
I CAME
170 bpm • B min • 01:52 • -15.7db
13% Popularity • 47% Danceability • 14% Energy • 7% Liveness
94% Instrumentalness • 5% Positiveness
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Bill Laurance
A Blaze
170 bpm • C Maj • 07:56 • -8.91db
8% Popularity • 42% Danceability • 82% Energy • 9% Liveness
70% Instrumentalness • 89% Positiveness
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Vidar Busk
Multiball
170 bpm • E min • 03:17 • -6.56db
8% Popularity • 56% Danceability • 84% Energy • 21% Liveness
91% Instrumentalness • 45% Positiveness
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Ryan Bingham
Internal Intermission
192 bpm • D Maj • 01:44 • -8.33db
31% Popularity • 48% Danceability • 83% Energy • 11% Liveness
82% Instrumentalness • 87% Positiveness
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Elephant9
Mythical River
169 bpm • D Maj • 08:07 • -11.64db
20% Popularity • 33% Danceability • 49% Energy • 10% Liveness
85% Instrumentalness • 26% Positiveness
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Wild Marmalade
Sunrisa
169 bpm • A Maj • 03:01 • -9.91db
9% Popularity • 43% Danceability • 71% Energy • 18% Liveness
90% Instrumentalness • 38% Positiveness
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Ruslan Butabayev
Blinding Lights Of The Sea
192 bpm • G Maj • 02:59 • -15.29db
12% Popularity • 54% Danceability • 57% Energy • 39% Liveness
78% Instrumentalness • 88% Positiveness
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Frank Zappa
Revised Music For Guitar And Low-Budget ...
168 bpm • B min • 07:35 • -12db
15% Popularity • 44% Danceability • 48% Energy • 35% Liveness
29% Instrumentalness • 36% Positiveness
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Nolan Potter's Nightmare Band
Elf Curse
168 bpm • C Maj • 02:48 • -8.06db
16% Popularity • 35% Danceability • 79% Energy • 54% Liveness
80% Instrumentalness • 71% Positiveness
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Grand Funk Railroad
Jam (Footstompin' Music) - Remastered 20...
168 bpm • C Maj • 04:40 • -6.38db
24% Popularity • 35% Danceability • 88% Energy • 18% Liveness
88% Instrumentalness • 76% Positiveness
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Tuatara
Smugglerõs Cove
168 bpm • C# min • 05:40 • -9.62db
12% Popularity • 57% Danceability • 52% Energy • 12% Liveness
86% Instrumentalness • 63% Positiveness
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Beastie Boys
Futterman's Rule
166 bpm • A# min • 03:42 • -8.21db
37% Popularity • 53% Danceability • 92% Energy • 27% Liveness
82% Instrumentalness • 87% Positiveness
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Daniel Lanois
For the Beauty of Wynona
166 bpm • G Maj • 05:52 • -12db
15% Popularity • 47% Danceability • 66% Energy • 51% Liveness
2% Instrumentalness • 42% Positiveness
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Les Paul
Caravan
166 bpm • F Maj • 02:08 • -11.11db
10% Popularity • 55% Danceability • 61% Energy • 19% Liveness
54% Instrumentalness • 69% Positiveness
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Thundercat
Lone Wolf and Cub
196 bpm • D min • 05:28 • -12.72db
31% Popularity • 28% Danceability • 51% Energy • 13% Liveness
87% Instrumentalness • 26% Positiveness
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From Grotto
Timing Chain
165 bpm • G# Maj • 03:52 • -11.08db
14% Popularity • 44% Danceability • 91% Energy • 42% Liveness
77% Instrumentalness • 68% Positiveness
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Nitin Sawhney
Mo's Affair
164 bpm • A min • 03:16 • -8.17db
12% Popularity • 48% Danceability • 64% Energy • 9% Liveness
88% Instrumentalness • 44% Positiveness
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Kris Hansen's Viking Jesus
Wendy Glasseye
164 bpm • F Maj • 04:39 • -8.86db
22% Popularity • 49% Danceability • 70% Energy • 26% Liveness
3% Instrumentalness • 54% Positiveness
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Shawn Lee's Ping Pong Orchestra
Song for David
163 bpm • A Maj • 03:07 • -5.76db
14% Popularity • 42% Danceability • 84% Energy • 10% Liveness
83% Instrumentalness • 61% Positiveness
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2Saxy
Dark Paradise
161 bpm • G# min • 02:34 • -5.66db
28% Popularity • 56% Danceability • 59% Energy • 36% Liveness
43% Instrumentalness • 72% Positiveness
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Bernd Rinser - RootsRock
Love Is - Radio Edit
200 bpm • G# Maj • 03:51 • -12.07db
17% Popularity • 40% Danceability • 41% Energy • 16% Liveness
49% Instrumentalness • 42% Positiveness
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Fernando Perdomo
Tiny Spies
160 bpm • D Maj • 03:00 • -8.9db
9% Popularity • 57% Danceability • 90% Energy • 30% Liveness
88% Instrumentalness • 91% Positiveness
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Prince
Rootie Kazootie - Edit
203 bpm • A Maj • 02:37 • -14.96db
17% Popularity • 56% Danceability • 37% Energy • 9% Liveness
84% Instrumentalness • 52% Positiveness
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Ted Nugent
Hammerdown - Instrumental Rough Mix
159 bpm • A Maj • 04:01 • -10.23db
9% Popularity • 57% Danceability • 78% Energy • 12% Liveness
83% Instrumentalness • 54% Positiveness
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Raw Fish
Stroganina
158 bpm • D Maj • 03:20 • -6.74db
11% Popularity • 37% Danceability • 69% Energy • 9% Liveness
91% Instrumentalness • 36% Positiveness
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Gary Clark Jr.
Highway 71 - Bonus Track
159 bpm • C min • 03:31 • -7.21db
28% Popularity • 55% Danceability • 61% Energy • 14% Liveness
34% Instrumentalness • 62% Positiveness
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Gov't Mule
Shake Our Way Out [Billy F Gibbons]
158 bpm • D Maj • 06:23 • -7.09db
28% Popularity • 33% Danceability • 79% Energy • 9% Liveness
50% Instrumentalness • 61% Positiveness
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Chris Squire
Lucky Seven - New Stereo Mix
158 bpm • E min • 06:56 • -11.31db
11% Popularity • 57% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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SEGA SOUND TEAM
Careening Cavern
157 bpm • A# min • 03:27 • -10.41db
10% Popularity • 62% Danceability • 45% Energy • 31% Liveness
68% Instrumentalness • 43% Positiveness
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Camoflauge Monk
Une
156 bpm • A# Maj • 02:03 • -18.38db
11% Popularity • 61% Danceability • 26% Energy • 12% Liveness
80% Instrumentalness • 61% Positiveness
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Karl Seglem
Travaren
156 bpm • A# min • 04:17 • -7.5db
2% Popularity • 30% Danceability • 53% Energy • 12% Liveness
89% Instrumentalness • 40% Positiveness
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Fleetwood Mac
Jam #2 - 2018 Remaster
157 bpm • B min • 05:35 • -18.23db
17% Popularity • 55% Danceability • 32% Energy • 15% Liveness
93% Instrumentalness • 78% Positiveness
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Hammerhedd
The Richest Man in Town
156 bpm • A Maj • 07:23 • -8.17db
10% Popularity • 37% Danceability • 90% Energy • 28% Liveness
43% Instrumentalness • 20% Positiveness
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Cunninlynguists
Inhale - Interlude
156 bpm • A Maj • 02:02 • -10.18db
20% Popularity • 51% Danceability • 58% Energy • 32% Liveness
65% Instrumentalness • 15% Positiveness
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Yo La Tengo
Here to Fall
155 bpm • A# min • 05:45 • -8.42db
22% Popularity • 28% Danceability • 74% Energy • 38% Liveness
7% Instrumentalness • 62% Positiveness
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Simon Viklund
Master Plan
156 bpm • A Maj • 03:26 • -11db
37% Popularity • 54% Danceability • 72% Energy • 19% Liveness
78% Instrumentalness • 7% Positiveness
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Elephant9
Heading For Desolate Wastelands
155 bpm • D Maj • 05:57 • -13.84db
15% Popularity • 46% Danceability • 42% Energy • 9% Liveness
78% Instrumentalness • 35% Positiveness
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Buckethead
Kansas Storm
155 bpm • F# Maj • 05:33 • -18.7db
22% Popularity • 59% Danceability • 42% Energy • 11% Liveness
88% Instrumentalness • 73% Positiveness
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Vitja Pauwels
Latin Dancer
155 bpm • D min • 07:45 • -12.68db
9% Popularity • 50% Danceability • 48% Energy • 67% Liveness
84% Instrumentalness • 80% Positiveness
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Lola
New Wave
155 bpm • B min • 03:54 • -11.69db
9% Popularity • 45% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Charlie Hunter
Baboon Strength
154 bpm • C Maj • 05:31 • -9.26db
12% Popularity • 28% Danceability • 72% Energy • 35% Liveness
68% Instrumentalness • 38% Positiveness
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Lars Danielsson
Gimbri Heart
154 bpm • C# min • 03:55 • -11.26db
8% Popularity • 34% Danceability • 49% Energy • 9% Liveness
93% Instrumentalness • 55% Positiveness
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Light Heart Heavy Soul
Dartford, KE.
154 bpm • F Maj • 02:14 • -7.13db
9% Popularity • 60% Danceability • 84% Energy • 13% Liveness
78% Instrumentalness • 76% Positiveness
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Claus Boesser-Ferrari
Headless Kohlhaas
154 bpm • D Maj • 01:02 • -10.3db
24% Popularity • 40% Danceability • 79% Energy • 19% Liveness
86% Instrumentalness • 63% Positiveness
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Subsonica
Artide 3 A.M.
154 bpm • A Maj • 05:02 • -14.19db
10% Popularity • 17% Danceability • 30% Energy • 14% Liveness
88% Instrumentalness • 13% Positiveness
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Eric Burdon & the Animals
Serenade To A Sweet Lady
153 bpm • E min • 06:13 • -14.11db
12% Popularity • 33% Danceability • 43% Energy • 12% Liveness
64% Instrumentalness • 27% Positiveness
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