Songs like This Must Be The Place (Naive Melody) - Live from Spotify London by LAUREL
Based on a tempo of (+/- 10%) and a similar genre
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LAUREL
This Must Be The Place (Naive Melody) - ...
104 bpm • F min • 03:47 • -8.83db
38% Popularity • 59% Danceability • 16% Energy • 67% Liveness
0% Instrumentalness • 40% Positiveness
38% Popularity • 59% Danceability • 16% Energy • 67% Liveness
0% Instrumentalness • 40% Positiveness
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Riley Pearce
Electricity
104 bpm • D min • 03:42 • -9.8db
42% Popularity • 71% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
42% Popularity • 71% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Neffy
Wait Up
104 bpm • A Maj • 03:11 • -11.36db
34% Popularity • 57% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
34% Popularity • 57% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Geowulf
Saltwater For Strings - reimagined by P�...
104 bpm • D Maj • 03:59 • -12db
33% Popularity • 22% Danceability • 41% Energy • 21% Liveness
3% Instrumentalness • 4% Positiveness
33% Popularity • 22% Danceability • 41% Energy • 21% Liveness
3% Instrumentalness • 4% Positiveness
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Joel Stewart
For the Very First Time
105 bpm • A Maj • 04:30 • -8.56db
27% Popularity • 64% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
27% Popularity • 64% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Ocie Elliott
Anymore of Anything
103 bpm • D Maj • 03:07 • -14.36db
45% Popularity • 82% Danceability • 19% Energy • 9% Liveness
71% Instrumentalness • 33% Positiveness
45% Popularity • 82% Danceability • 19% Energy • 9% Liveness
71% Instrumentalness • 33% Positiveness
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LAUREL
Crave
104 bpm • G min • 04:27 • -5.68db
27% Popularity • 53% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 48% Positiveness
27% Popularity • 53% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 48% Positiveness
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Bibio
Lovers Carvings - WXAXRXP Session
105 bpm • A Maj • 04:30 • -9db
39% Popularity • 49% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
39% Popularity • 49% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Fionn Regan
The Meetings of the Waters
105 bpm • B Maj • 05:00 • -16db
45% Popularity • 64% Danceability • 38% Energy • 11% Liveness
85% Instrumentalness • 34% Positiveness
45% Popularity • 64% Danceability • 38% Energy • 11% Liveness
85% Instrumentalness • 34% Positiveness
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COSIMA
Dreams
103 bpm • A min • 03:56 • -13.27db
30% Popularity • 40% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
30% Popularity • 40% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Mind Bath
Mercury
105 bpm • C Maj • 05:35 • -12.87db
30% Popularity • 48% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
30% Popularity • 48% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Gang of Youths
Both Sides Now
102 bpm • A# Maj • 05:43 • -12.87db
36% Popularity • 36% Danceability • 33% Energy • 35% Liveness
0% Instrumentalness • 17% Positiveness
36% Popularity • 36% Danceability • 33% Energy • 35% Liveness
0% Instrumentalness • 17% Positiveness
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LAUREL
Drown in Sunlight
105 bpm • G# min • 03:44 • -6.83db
24% Popularity • 64% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
24% Popularity • 64% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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Henry Jamison
Boys
106 bpm • B Maj • 03:55 • -12.42db
35% Popularity • 45% Danceability • 42% Energy • 12% Liveness
28% Instrumentalness • 23% Positiveness
35% Popularity • 45% Danceability • 42% Energy • 12% Liveness
28% Instrumentalness • 23% Positiveness
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Riley Pearce
Time's Eyes
106 bpm • E Maj • 03:46 • -12.72db
29% Popularity • 78% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 43% Positiveness
29% Popularity • 78% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 43% Positiveness
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Gone Gone Beyond
Little Moon
102 bpm • B min • 03:58 • -10.01db
50% Popularity • 58% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
50% Popularity • 58% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Yoke Lore
Truly Madly Deeply - Recorded at Spotify...
106 bpm • C min • 03:10 • -14.07db
63% Popularity • 68% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
63% Popularity • 68% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Ocie Elliott
We Fall In
102 bpm • A# Maj • 03:11 • -12.5db
44% Popularity • 50% Danceability • 32% Energy • 12% Liveness
37% Instrumentalness • 18% Positiveness
44% Popularity • 50% Danceability • 32% Energy • 12% Liveness
37% Instrumentalness • 18% Positiveness
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LAUREL
All Star
105 bpm • G min • 03:24 • -5.64db
33% Popularity • 66% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
33% Popularity • 66% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
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Fionn Regan
Riverside Heights
102 bpm • B Maj • 02:34 • -15.59db
28% Popularity • 62% Danceability • 15% Energy • 12% Liveness
26% Instrumentalness • 41% Positiveness
28% Popularity • 62% Danceability • 15% Energy • 12% Liveness
26% Instrumentalness • 41% Positiveness
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Blanco White
Samara
106 bpm • C min • 04:12 • -10.02db
55% Popularity • 40% Danceability • 59% Energy • 9% Liveness
68% Instrumentalness • 12% Positiveness
55% Popularity • 40% Danceability • 59% Energy • 9% Liveness
68% Instrumentalness • 12% Positiveness
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iRO
Fool's Paradise
107 bpm • C min • 03:15 • -11db
15% Popularity • 41% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
15% Popularity • 41% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Hollow Hum
Running up That Hill
107 bpm • C Maj • 04:00 • -13db
37% Popularity • 60% Danceability • 41% Energy • 29% Liveness
1% Instrumentalness • 18% Positiveness
37% Popularity • 60% Danceability • 41% Energy • 29% Liveness
1% Instrumentalness • 18% Positiveness
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Ocie Elliott
Dream Seam
107 bpm • C Maj • 04:10 • -14.32db
35% Popularity • 58% Danceability • 13% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
35% Popularity • 58% Danceability • 13% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
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LAUREL
Untitled (Hold Tight) - Live from Spotif...
101 bpm • G# min • 04:07 • -10.86db
23% Popularity • 46% Danceability • 16% Energy • 66% Liveness
0% Instrumentalness • 33% Positiveness
23% Popularity • 46% Danceability • 16% Energy • 66% Liveness
0% Instrumentalness • 33% Positiveness
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Mama Kin
Rescue
107 bpm • C Maj • 04:17 • -7db
29% Popularity • 66% Danceability • 61% Energy • 12% Liveness
13% Instrumentalness • 33% Positiveness
29% Popularity • 66% Danceability • 61% Energy • 12% Liveness
13% Instrumentalness • 33% Positiveness
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Richard Walters
July Bones
100 bpm • D Maj • 03:59 • -11.49db
41% Popularity • 60% Danceability • 27% Energy • 6% Liveness
13% Instrumentalness • 16% Positiveness
41% Popularity • 60% Danceability • 27% Energy • 6% Liveness
13% Instrumentalness • 16% Positiveness
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Gone Gone Beyond
Canyons
108 bpm • D Maj • 03:24 • -10db
48% Popularity • 68% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
48% Popularity • 68% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Kai Mata
Where Love Goes
100 bpm • D Maj • 04:13 • -9.06db
38% Popularity • 82% Danceability • 52% Energy • 12% Liveness
1% Instrumentalness • 61% Positiveness
38% Popularity • 82% Danceability • 52% Energy • 12% Liveness
1% Instrumentalness • 61% Positiveness
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Joshua Burnside
Blood Drive
100 bpm • D Maj • 03:54 • -12.67db
44% Popularity • 66% Danceability • 40% Energy • 10% Liveness
16% Instrumentalness • 39% Positiveness
44% Popularity • 66% Danceability • 40% Energy • 10% Liveness
16% Instrumentalness • 39% Positiveness
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LAUREL
Life Worth Living - Live from Spotify Lo...
106 bpm • F min • 04:06 • -8.44db
17% Popularity • 62% Danceability • 23% Energy • 66% Liveness
0% Instrumentalness • 33% Positiveness
17% Popularity • 62% Danceability • 23% Energy • 66% Liveness
0% Instrumentalness • 33% Positiveness
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Minke
Gold Angel
100 bpm • G min • 04:21 • -9.38db
43% Popularity • 72% Danceability • 54% Energy • 8% Liveness
50% Instrumentalness • 13% Positiveness
43% Popularity • 72% Danceability • 54% Energy • 8% Liveness
50% Instrumentalness • 13% Positiveness
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Hannah Georgas
No Need To Argue
100 bpm • C Maj • 03:13 • -10.11db
31% Popularity • 55% Danceability • 42% Energy • 20% Liveness
1% Instrumentalness • 8% Positiveness
31% Popularity • 55% Danceability • 42% Energy • 20% Liveness
1% Instrumentalness • 8% Positiveness
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Boy & Bear
3 Moons
100 bpm • G Maj • 04:10 • -14.77db
23% Popularity • 33% Danceability • 32% Energy • 7% Liveness
12% Instrumentalness • 16% Positiveness
23% Popularity • 33% Danceability • 32% Energy • 7% Liveness
12% Instrumentalness • 16% Positiveness
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Emma Louise
Into My Arms - triple j Like A Version
99 bpm • C Maj • 04:32 • -15.56db
27% Popularity • 37% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
27% Popularity • 37% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Gone Gone Beyond
Everything
109 bpm • G Maj • 04:11 • -12.55db
39% Popularity • 63% Danceability • 45% Energy • 38% Liveness
0% Instrumentalness • 17% Positiveness
39% Popularity • 63% Danceability • 45% Energy • 38% Liveness
0% Instrumentalness • 17% Positiveness
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LAUREL
Life Worth Living
102 bpm • F min • 04:04 • -5.1db
52% Popularity • 71% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
52% Popularity • 71% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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APRE
All Yours - Mahogany Sessions
109 bpm • B min • 02:40 • -9.63db
35% Popularity • 67% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 33% Positiveness
35% Popularity • 67% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 33% Positiveness
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Tia Gostelow
Strangers
109 bpm • F min • 03:02 • -7db
50% Popularity • 62% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
50% Popularity • 62% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Dan Mangan
Lynchpin
109 bpm • F# Maj • 04:02 • -8.17db
31% Popularity • 52% Danceability • 40% Energy • 20% Liveness
2% Instrumentalness • 48% Positiveness
31% Popularity • 52% Danceability • 40% Energy • 20% Liveness
2% Instrumentalness • 48% Positiveness
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Parker Louis
Only Fire
99 bpm • D min • 03:57 • -12.13db
31% Popularity • 78% Danceability • 28% Energy • 44% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 78% Danceability • 28% Energy • 44% Liveness
0% Instrumentalness • 49% Positiveness
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Beta Radio
Our Remains - Acoustic
99 bpm • C# min • 03:47 • -15db
50% Popularity • 64% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
50% Popularity • 64% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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LAUREL
Happy Man - triple j Like a Version
102 bpm • A# min • 03:23 • -10.01db
43% Popularity • 70% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
43% Popularity • 70% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Yoke Lore
Goodpain - Recorded at Spotify Studios N...
99 bpm • C Maj • 04:21 • -12db
39% Popularity • 74% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
39% Popularity • 74% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Henry Jamison
Ether Garden
99 bpm • C# Maj • 02:47 • -15.24db
39% Popularity • 60% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
39% Popularity • 60% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Ocie Elliott
Thinking About You
99 bpm • A Maj • 02:57 • -13.66db
65% Popularity • 64% Danceability • 22% Energy • 11% Liveness
22% Instrumentalness • 15% Positiveness
65% Popularity • 64% Danceability • 22% Energy • 11% Liveness
22% Instrumentalness • 15% Positiveness
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Joshua Burnside
Under the Concrete
99 bpm • F# min • 03:25 • -9.99db
32% Popularity • 43% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
32% Popularity • 43% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
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Boy & Bear
Telescope - Acoustic
99 bpm • D Maj • 03:07 • -9.36db
33% Popularity • 61% Danceability • 39% Energy • 12% Liveness
1% Instrumentalness • 32% Positiveness
33% Popularity • 61% Danceability • 39% Energy • 12% Liveness
1% Instrumentalness • 32% Positiveness
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LAUREL
Same Mistakes
100 bpm • C Maj • 04:25 • -4.46db
40% Popularity • 57% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
40% Popularity • 57% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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Easy Giant
My Salty Jente
110 bpm • D Maj • 05:07 • -12.18db
43% Popularity • 77% Danceability • 43% Energy • 32% Liveness
6% Instrumentalness • 48% Positiveness
43% Popularity • 77% Danceability • 43% Energy • 32% Liveness
6% Instrumentalness • 48% Positiveness
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Cousin Tony's Brand New Firebird
Head Home
110 bpm • B Maj • 04:32 • -12db
34% Popularity • 50% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
34% Popularity • 50% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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River Whyless
Life Crisis
110 bpm • C Maj • 04:06 • -9db
51% Popularity • 80% Danceability • 52% Energy • 11% Liveness
5% Instrumentalness • 27% Positiveness
51% Popularity • 80% Danceability • 52% Energy • 11% Liveness
5% Instrumentalness • 27% Positiveness
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SLO
Atone
110 bpm • C Maj • 03:41 • -12db
34% Popularity • 58% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 7% Positiveness
34% Popularity • 58% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 7% Positiveness
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Angus & Julia Stone
Passionfruit - triple j Like a Version
110 bpm • G# min • 04:28 • -12db
47% Popularity • 53% Danceability • 42% Energy • 11% Liveness
10% Instrumentalness • 41% Positiveness
47% Popularity • 53% Danceability • 42% Energy • 11% Liveness
10% Instrumentalness • 41% Positiveness
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LAUREL
Take It Back
110 bpm • G# min • 03:40 • -6.28db
27% Popularity • 65% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
27% Popularity • 65% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Angie McMahon
Soon
98 bpm • E Maj • 03:43 • -12.23db
40% Popularity • 41% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
40% Popularity • 41% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Ainslie Wills
Running Second - Single Version
98 bpm • G# Maj • 03:54 • -12db
21% Popularity • 78% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
21% Popularity • 78% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Hush Kids
Goodbye Rain
98 bpm • B Maj • 03:45 • -11.86db
36% Popularity • 62% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
36% Popularity • 62% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Mimi Gilbert
Taught to Build Walls
98 bpm • G Maj • 03:41 • -8.39db
29% Popularity • 60% Danceability • 46% Energy • 24% Liveness
1% Instrumentalness • 32% Positiveness
29% Popularity • 60% Danceability • 46% Energy • 24% Liveness
1% Instrumentalness • 32% Positiveness
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Mayaeni
Underdog
98 bpm • F Maj • 03:01 • -9.19db
32% Popularity • 76% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
32% Popularity • 76% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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LAUREL
Come Together
110 bpm • E min • 02:56 • -10.52db
31% Popularity • 65% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
31% Popularity • 65% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
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Boy & Bear
Wicked Game - Acoustic
110 bpm • A Maj • 04:12 • -9.93db
45% Popularity • 57% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
45% Popularity • 57% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Sjowgren
Better Off
98 bpm • B Maj • 03:15 • -8db
43% Popularity • 62% Danceability • 46% Energy • 70% Liveness
0% Instrumentalness • 43% Positiveness
43% Popularity • 62% Danceability • 46% Energy • 70% Liveness
0% Instrumentalness • 43% Positiveness
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Joshua Burnside
Whiskey Whiskey
111 bpm • D Maj • 02:51 • -13db
50% Popularity • 44% Danceability • 26% Energy • 10% Liveness
4% Instrumentalness • 29% Positiveness
50% Popularity • 44% Danceability • 26% Energy • 10% Liveness
4% Instrumentalness • 29% Positiveness
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The Woodlands
Bronze - Acoustic
98 bpm • B min • 03:38 • -9.17db
24% Popularity • 65% Danceability • 31% Energy • 8% Liveness
11% Instrumentalness • 36% Positiveness
24% Popularity • 65% Danceability • 31% Energy • 8% Liveness
11% Instrumentalness • 36% Positiveness
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Jake McMullen
Dancing on My Own
111 bpm • C Maj • 05:07 • -9db
36% Popularity • 88% Danceability • 56% Energy • 10% Liveness
52% Instrumentalness • 74% Positiveness
36% Popularity • 88% Danceability • 56% Energy • 10% Liveness
52% Instrumentalness • 74% Positiveness
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LAUREL
Sun King
110 bpm • F min • 04:10 • -6db
39% Popularity • 52% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
39% Popularity • 52% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
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Ainslie Wills
Two Strong Hearts
97 bpm • D Maj • 03:06 • -11.2db
41% Popularity • 56% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
41% Popularity • 56% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Alana Henderson
On Board
111 bpm • C# Maj • 05:10 • -8.73db
41% Popularity • 52% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
41% Popularity • 52% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Anna Mieke
Warped Window
97 bpm • G# Maj • 04:55 • -16.26db
53% Popularity • 47% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
53% Popularity • 47% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Aquilo
Thin
97 bpm • C Maj • 02:58 • -9.73db
49% Popularity • 60% Danceability • 41% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
49% Popularity • 60% Danceability • 41% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
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Luca Wilding
Wales
112 bpm • D# Maj • 04:01 • -11db
31% Popularity • 44% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
31% Popularity • 44% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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LAUREL
I Forget
98 bpm • C# min • 04:00 • -5.85db
24% Popularity • 66% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
24% Popularity • 66% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Jealous of the Birds
Goji Berry Sunset
112 bpm • A# min • 02:17 • -13.62db
37% Popularity • 74% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
37% Popularity • 74% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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David Keenan
Two Kids
112 bpm • B Maj • 06:42 • -20.31db
29% Popularity • 41% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
29% Popularity • 41% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Sonny Elliot
One Day With You
112 bpm • G min • 03:46 • -9.84db
30% Popularity • 63% Danceability • 40% Energy • 12% Liveness
1% Instrumentalness • 30% Positiveness
30% Popularity • 63% Danceability • 40% Energy • 12% Liveness
1% Instrumentalness • 30% Positiveness
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The Wild Reeds
Let No Grief
112 bpm • A Maj • 04:34 • -6.72db
35% Popularity • 57% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
35% Popularity • 57% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
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The Dead Tongues
Pale November Dew
112 bpm • G# Maj • 03:50 • -8.64db
47% Popularity • 53% Danceability • 51% Energy • 13% Liveness
7% Instrumentalness • 43% Positiveness
47% Popularity • 53% Danceability • 51% Energy • 13% Liveness
7% Instrumentalness • 43% Positiveness
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LAUREL
Madness - Live from Spotify London
112 bpm • C# min • 03:58 • -9.87db
20% Popularity • 56% Danceability • 22% Energy • 82% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 56% Danceability • 22% Energy • 82% Liveness
0% Instrumentalness • 32% Positiveness
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Riley Pearce
Elephants
112 bpm • D# Maj • 03:01 • -11db
55% Popularity • 66% Danceability • 43% Energy • 9% Liveness
4% Instrumentalness • 30% Positiveness
55% Popularity • 66% Danceability • 43% Energy • 9% Liveness
4% Instrumentalness • 30% Positiveness
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Trevor Hall
her
112 bpm • C Maj • 04:10 • -11.09db
39% Popularity • 78% Danceability • 18% Energy • 11% Liveness
68% Instrumentalness • 21% Positiveness
39% Popularity • 78% Danceability • 18% Energy • 11% Liveness
68% Instrumentalness • 21% Positiveness
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Whitney
No Woman - Demo
112 bpm • E min • 03:56 • -8.46db
29% Popularity • 54% Danceability • 38% Energy • 13% Liveness
47% Instrumentalness • 37% Positiveness
29% Popularity • 54% Danceability • 38% Energy • 13% Liveness
47% Instrumentalness • 37% Positiveness
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Matt Holubowski
Solitudes
112 bpm • F# Maj • 04:08 • -16db
36% Popularity • 52% Danceability • 18% Energy • 14% Liveness
28% Instrumentalness • 17% Positiveness
36% Popularity • 52% Danceability • 18% Energy • 14% Liveness
28% Instrumentalness • 17% Positiveness
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ZEMBU
Human
96 bpm • A Maj • 03:15 • -11.34db
19% Popularity • 46% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
19% Popularity • 46% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Maria Kelly
Torn Into Two
112 bpm • C min • 03:32 • -11.06db
18% Popularity • 43% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
18% Popularity • 43% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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LÉON
Dreams - Recorded at Spotify Studios NYC
112 bpm • C Maj • 03:59 • -8.08db
47% Popularity • 42% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
47% Popularity • 42% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Adam Torres
Morning Rain
112 bpm • D Maj • 03:54 • -11.19db
36% Popularity • 52% Danceability • 29% Energy • 11% Liveness
51% Instrumentalness • 29% Positiveness
36% Popularity • 52% Danceability • 29% Energy • 11% Liveness
51% Instrumentalness • 29% Positiveness
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Holly Throsby
Aeroplane
96 bpm • D Maj • 03:51 • -11.92db
20% Popularity • 41% Danceability • 27% Energy • 11% Liveness
44% Instrumentalness • 31% Positiveness
20% Popularity • 41% Danceability • 27% Energy • 11% Liveness
44% Instrumentalness • 31% Positiveness
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Angel Snow
Secret - Acoustic
113 bpm • D# Maj • 03:10 • -11.55db
46% Popularity • 60% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
46% Popularity • 60% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Jessie Reid
Whole Heart
96 bpm • E Maj • 03:19 • -17.69db
32% Popularity • 54% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
32% Popularity • 54% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Liz Lawrence
Chainsmoking
96 bpm • E Maj • 03:06 • -10db
20% Popularity • 77% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
20% Popularity • 77% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Lowland Hum
A Drive Through the Countryside
96 bpm • F Maj • 02:14 • -9.4db
39% Popularity • 57% Danceability • 29% Energy • 9% Liveness
4% Instrumentalness • 36% Positiveness
39% Popularity • 57% Danceability • 29% Energy • 9% Liveness
4% Instrumentalness • 36% Positiveness
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Eleni Drake
Vienna
113 bpm • A# Maj • 03:34 • -19.05db
39% Popularity • 63% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
39% Popularity • 63% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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LAUREL
Lovesick
113 bpm • F# min • 03:30 • -5.05db
38% Popularity • 56% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
38% Popularity • 56% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Fenne Lily
Unfucktheworld - Recorded at Metropolis ...
113 bpm • C Maj • 02:15 • -13.61db
25% Popularity • 55% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
25% Popularity • 55% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Azure Ryder
Wolves
96 bpm • D Maj • 02:43 • -9db
50% Popularity • 58% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
50% Popularity • 58% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Black Oak
The Grain
113 bpm • E min • 03:29 • -14.38db
38% Popularity • 72% Danceability • 36% Energy • 12% Liveness
4% Instrumentalness • 20% Positiveness
38% Popularity • 72% Danceability • 36% Energy • 12% Liveness
4% Instrumentalness • 20% Positiveness
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Boy & Bear
Southern Sun - Acoustic
113 bpm • A min • 04:30 • -6.02db
34% Popularity • 60% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
34% Popularity • 60% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
