Songs like This Must Be The Place (Naïve Melody) by Kishi Bashi
Based on a tempo of (+/- 10%) and a similar genre
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Takénobu
Nobody Said
120 bpm • G min • 04:06 • -11.45db
29% Popularity • 73% Danceability • 38% Energy • 11% Liveness
72% Instrumentalness • 76% Positiveness
29% Popularity • 73% Danceability • 38% Energy • 11% Liveness
72% Instrumentalness • 76% Positiveness
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![This Must Be the Place (Naive Melody) [by Talking Heads] cover art](https://i.scdn.co/image/ab67616d00001e027f8ea36129927ebd640a1d63)
Kishi Bashi
This Must Be the Place (Naive Melody) [b...
120 bpm • E min • 03:26 • -9db
49% Popularity • 73% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 75% Positiveness
49% Popularity • 73% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 75% Positiveness
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Kaoru Ishibashi
The Fourth Phase Main Theme
120 bpm • C min • 01:51 • -18.41db
29% Popularity • 37% Danceability • 32% Energy • 15% Liveness
94% Instrumentalness • 13% Positiveness
29% Popularity • 37% Danceability • 32% Energy • 15% Liveness
94% Instrumentalness • 13% Positiveness
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Youth Lagoon
Afternoon
120 bpm • G# Maj • 04:10 • -6.67db
39% Popularity • 64% Danceability • 79% Energy • 12% Liveness
97% Instrumentalness • 8% Positiveness
39% Popularity • 64% Danceability • 79% Energy • 12% Liveness
97% Instrumentalness • 8% Positiveness
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WHY?
The Water - Kishi Bashi Remix
120 bpm • F# min • 04:42 • -6.19db
3% Popularity • 54% Danceability • 67% Energy • 12% Liveness
31% Instrumentalness • 13% Positiveness
3% Popularity • 54% Danceability • 67% Energy • 12% Liveness
31% Instrumentalness • 13% Positiveness
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Islands
Pumpkin
120 bpm • G# Maj • 03:02 • -11db
38% Popularity • 69% Danceability • 39% Energy • 13% Liveness
36% Instrumentalness • 8% Positiveness
38% Popularity • 69% Danceability • 39% Energy • 13% Liveness
36% Instrumentalness • 8% Positiveness
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Yellow Ostrich
Zebra
120 bpm • G# Maj • 03:56 • -11.88db
29% Popularity • 45% Danceability • 36% Energy • 11% Liveness
4% Instrumentalness • 20% Positiveness
29% Popularity • 45% Danceability • 36% Energy • 11% Liveness
4% Instrumentalness • 20% Positiveness
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Yeasayer
2080
120 bpm • A Maj • 05:23 • -7db
26% Popularity • 50% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
26% Popularity • 50% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
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The Shins
Simple Song
120 bpm • G Maj • 04:15 • -5.14db
60% Popularity • 55% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
60% Popularity • 55% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Sharon Van Etten
One Day
120 bpm • E Maj • 04:43 • -7db
44% Popularity • 60% Danceability • 52% Energy • 35% Liveness
0% Instrumentalness • 47% Positiveness
44% Popularity • 60% Danceability • 52% Energy • 35% Liveness
0% Instrumentalness • 47% Positiveness
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The Barr Brothers
Defibrillation
120 bpm • A Maj • 05:33 • -12db
35% Popularity • 53% Danceability • 56% Energy • 11% Liveness
4% Instrumentalness • 40% Positiveness
35% Popularity • 53% Danceability • 56% Energy • 11% Liveness
4% Instrumentalness • 40% Positiveness
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Rostam
Bike Dream
120 bpm • G# Maj • 03:21 • -2.72db
41% Popularity • 51% Danceability • 97% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
41% Popularity • 51% Danceability • 97% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Manchester Orchestra
The Gold - Nick Waterhouse Remix
120 bpm • A Maj • 04:09 • -9.88db
42% Popularity • 69% Danceability • 54% Energy • 13% Liveness
1% Instrumentalness • 47% Positiveness
42% Popularity • 69% Danceability • 54% Energy • 13% Liveness
1% Instrumentalness • 47% Positiveness
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Vampire Weekend
Oxford Comma
120 bpm • C Maj • 03:15 • -4.23db
57% Popularity • 69% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
57% Popularity • 69% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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El Ten Eleven
Every Day Is a Sunday
120 bpm • B Maj • 03:45 • -6.57db
17% Popularity • 48% Danceability • 74% Energy • 12% Liveness
30% Instrumentalness • 28% Positiveness
17% Popularity • 48% Danceability • 74% Energy • 12% Liveness
30% Instrumentalness • 28% Positiveness
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Generationals
When They Fight, They Fight
120 bpm • B min • 03:20 • -2db
57% Popularity • 76% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
57% Popularity • 76% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
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Andrew Bird
Oh No
120 bpm • C min • 04:20 • -10db
24% Popularity • 80% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
24% Popularity • 80% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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The Shins
The Past and Pending - 2021 Remaster
120 bpm • A Maj • 05:25 • -11.37db
47% Popularity • 59% Danceability • 34% Energy • 9% Liveness
6% Instrumentalness • 14% Positiveness
47% Popularity • 59% Danceability • 34% Energy • 9% Liveness
6% Instrumentalness • 14% Positiveness
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The Decemberists
The Crane Wife 3
120 bpm • D Maj • 04:18 • -9.66db
48% Popularity • 59% Danceability • 61% Energy • 11% Liveness
4% Instrumentalness • 18% Positiveness
48% Popularity • 59% Danceability • 61% Energy • 11% Liveness
4% Instrumentalness • 18% Positiveness
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Band of Horses
I Go to the Barn Because I Like The
119 bpm • D Maj • 03:06 • -8db
51% Popularity • 42% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
51% Popularity • 42% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Fruit Bats
When U Love Somebody
121 bpm • G Maj • 04:31 • -6.37db
57% Popularity • 72% Danceability • 76% Energy • 34% Liveness
1% Instrumentalness • 59% Positiveness
57% Popularity • 72% Danceability • 76% Energy • 34% Liveness
1% Instrumentalness • 59% Positiveness
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Lord Huron
Ends of the Earth
121 bpm • E Maj • 04:44 • -9db
70% Popularity • 55% Danceability • 58% Energy • 27% Liveness
4% Instrumentalness • 41% Positiveness
70% Popularity • 55% Danceability • 58% Energy • 27% Liveness
4% Instrumentalness • 41% Positiveness
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Rubblebucket
Came out of a Lady
119 bpm • B Maj • 04:33 • -6db
43% Popularity • 78% Danceability • 72% Energy • 17% Liveness
33% Instrumentalness • 80% Positiveness
43% Popularity • 78% Danceability • 72% Energy • 17% Liveness
33% Instrumentalness • 80% Positiveness
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Takénobu
Swaying Trees
121 bpm • A# Maj • 04:28 • -12.84db
18% Popularity • 79% Danceability • 30% Energy • 10% Liveness
2% Instrumentalness • 68% Positiveness
18% Popularity • 79% Danceability • 30% Energy • 10% Liveness
2% Instrumentalness • 68% Positiveness
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Volcano Choir
Tiderays
121 bpm • B Maj • 04:57 • -10db
39% Popularity • 27% Danceability • 47% Energy • 10% Liveness
29% Instrumentalness • 12% Positiveness
39% Popularity • 27% Danceability • 47% Energy • 10% Liveness
29% Instrumentalness • 12% Positiveness
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Lady Lamb
Crane Your Neck - Remastered
122 bpm • E Maj • 06:27 • -9.52db
39% Popularity • 50% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
39% Popularity • 50% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Kishi Bashi
Theme from Jerome (Forgotten Words)
122 bpm • C min • 04:19 • -10.26db
25% Popularity • 44% Danceability • 35% Energy • 14% Liveness
20% Instrumentalness • 25% Positiveness
25% Popularity • 44% Danceability • 35% Energy • 14% Liveness
20% Instrumentalness • 25% Positiveness
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Electric Guest
Troubleman
122 bpm • F min • 08:48 • -8.42db
19% Popularity • 46% Danceability • 52% Energy • 15% Liveness
2% Instrumentalness • 30% Positiveness
19% Popularity • 46% Danceability • 52% Energy • 15% Liveness
2% Instrumentalness • 30% Positiveness
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Dark Rooms
I Get Overwhelmed
118 bpm • C Maj • 04:48 • -9.61db
37% Popularity • 32% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
37% Popularity • 32% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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of Montreal
Wraith Pinned to the Mist and Other Game...
122 bpm • F Maj • 04:15 • -10db
57% Popularity • 87% Danceability • 60% Energy • 15% Liveness
10% Instrumentalness • 74% Positiveness
57% Popularity • 87% Danceability • 60% Energy • 15% Liveness
10% Instrumentalness • 74% Positiveness
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José González
#9 Dream
118 bpm • C Maj • 05:37 • -11.28db
43% Popularity • 62% Danceability • 55% Energy • 12% Liveness
31% Instrumentalness • 64% Positiveness
43% Popularity • 62% Danceability • 55% Energy • 12% Liveness
31% Instrumentalness • 64% Positiveness
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Andrew Bird
tenuousness
122 bpm • C Maj • 03:51 • -11db
28% Popularity • 66% Danceability • 42% Energy • 12% Liveness
10% Instrumentalness • 44% Positiveness
28% Popularity • 66% Danceability • 42% Energy • 12% Liveness
10% Instrumentalness • 44% Positiveness
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The Books
Cello Song Jose Gonzales
117 bpm • C# Maj • 03:54 • -12.8db
44% Popularity • 65% Danceability • 47% Energy • 10% Liveness
79% Instrumentalness • 49% Positiveness
44% Popularity • 65% Danceability • 47% Energy • 10% Liveness
79% Instrumentalness • 49% Positiveness
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Sharon Van Etten
Serpents
123 bpm • F# min • 03:02 • -4.81db
46% Popularity • 43% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
46% Popularity • 43% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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PHOX
1936
123 bpm • A Maj • 03:28 • -8.76db
30% Popularity • 65% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
30% Popularity • 65% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Local Natives
Wide Eyes
123 bpm • B min • 04:26 • -8.02db
46% Popularity • 53% Danceability • 84% Energy • 22% Liveness
46% Instrumentalness • 48% Positiveness
46% Popularity • 53% Danceability • 84% Energy • 22% Liveness
46% Instrumentalness • 48% Positiveness
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Rainbow Kitten Surprise
Devil Like Me
123 bpm • D Maj • 03:08 • -6.83db
70% Popularity • 68% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
70% Popularity • 68% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Bon Iver
Blood Bank
117 bpm • G Maj • 04:45 • -11.89db
63% Popularity • 49% Danceability • 37% Energy • 12% Liveness
3% Instrumentalness • 25% Positiveness
63% Popularity • 49% Danceability • 37% Energy • 12% Liveness
3% Instrumentalness • 25% Positiveness
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Kishi Bashi
Song For The Sold
117 bpm • G Maj • 02:59 • -7db
26% Popularity • 40% Danceability • 70% Energy • 54% Liveness
0% Instrumentalness • 46% Positiveness
26% Popularity • 40% Danceability • 70% Energy • 54% Liveness
0% Instrumentalness • 46% Positiveness
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Damien Jurado
Kola
124 bpm • E Maj • 02:34 • -16.02db
39% Popularity • 66% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
39% Popularity • 66% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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The Dig
I Already Forgot Everything You Said
116 bpm • D Maj • 05:05 • -10.99db
44% Popularity • 54% Danceability • 48% Energy • 8% Liveness
14% Instrumentalness • 34% Positiveness
44% Popularity • 54% Danceability • 48% Energy • 8% Liveness
14% Instrumentalness • 34% Positiveness
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Lord Huron
I Will Be Back One Day
124 bpm • A Maj • 03:25 • -6.15db
50% Popularity • 57% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
50% Popularity • 57% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
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Takénobu
Fight to Make It Up
124 bpm • F Maj • 05:42 • -10db
29% Popularity • 70% Danceability • 32% Energy • 9% Liveness
47% Instrumentalness • 40% Positiveness
29% Popularity • 70% Danceability • 32% Energy • 9% Liveness
47% Instrumentalness • 40% Positiveness
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The Lighthouse And The Whaler
I Want to Feel Alive
124 bpm • D Maj • 03:04 • -10.31db
43% Popularity • 61% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
43% Popularity • 61% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Clemente
In Fantasia - Club Mix
124 bpm • C Maj • 08:10 • -8.02db
5% Popularity • 68% Danceability • 68% Energy • 8% Liveness
81% Instrumentalness • 70% Positiveness
5% Popularity • 68% Danceability • 68% Energy • 8% Liveness
81% Instrumentalness • 70% Positiveness
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Andrew Bird
Three White Horses
116 bpm • G Maj • 03:09 • -9.53db
29% Popularity • 44% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
29% Popularity • 44% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Phoenix
Love Like a Sunset, Pt. 2
116 bpm • D# Maj • 01:56 • -9.32db
52% Popularity • 56% Danceability • 42% Energy • 10% Liveness
30% Instrumentalness • 5% Positiveness
52% Popularity • 56% Danceability • 42% Energy • 10% Liveness
30% Instrumentalness • 5% Positiveness
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Phosphorescent
C'est La Vie No.2
116 bpm • C Maj • 03:25 • -10.51db
49% Popularity • 74% Danceability • 40% Energy • 8% Liveness
32% Instrumentalness • 67% Positiveness
49% Popularity • 74% Danceability • 40% Energy • 8% Liveness
32% Instrumentalness • 67% Positiveness
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The New Pornographers
Adventures In Solitude
116 bpm • G Maj • 04:16 • -8.58db
33% Popularity • 69% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
33% Popularity • 69% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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The Shins
A Comet Appears
125 bpm • D Maj • 03:49 • -13db
44% Popularity • 46% Danceability • 21% Energy • 5% Liveness
0% Instrumentalness • 24% Positiveness
44% Popularity • 46% Danceability • 21% Energy • 5% Liveness
0% Instrumentalness • 24% Positiveness
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PHOX
Noble Heart
116 bpm • D Maj • 05:22 • -10.95db
29% Popularity • 39% Danceability • 32% Energy • 10% Liveness
2% Instrumentalness • 17% Positiveness
29% Popularity • 39% Danceability • 32% Energy • 10% Liveness
2% Instrumentalness • 17% Positiveness
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The Paper Kites
Featherstone
125 bpm • G# Maj • 03:49 • -13.67db
54% Popularity • 80% Danceability • 38% Energy • 10% Liveness
2% Instrumentalness • 64% Positiveness
54% Popularity • 80% Danceability • 38% Energy • 10% Liveness
2% Instrumentalness • 64% Positiveness
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Crybaby
When The Lights Go Out
125 bpm • E Maj • 03:24 • -7.7db
36% Popularity • 52% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
36% Popularity • 52% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Haley Heynderickx
Oom Sha La La
115 bpm • D Maj • 02:57 • -9.18db
53% Popularity • 54% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
53% Popularity • 54% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
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Kishi Bashi
Hey Big Star
125 bpm • A# Maj • 03:21 • -8db
33% Popularity • 70% Danceability • 76% Energy • 60% Liveness
0% Instrumentalness • 66% Positiveness
33% Popularity • 70% Danceability • 76% Energy • 60% Liveness
0% Instrumentalness • 66% Positiveness
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Sufjan Stevens
Chicago
125 bpm • G Maj • 06:04 • -9.66db
62% Popularity • 58% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
62% Popularity • 58% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Rick and Morty
Borrowed Time
115 bpm • A Maj • 03:01 • -6.97db
50% Popularity • 50% Danceability • 39% Energy • 13% Liveness
1% Instrumentalness • 37% Positiveness
50% Popularity • 50% Danceability • 39% Energy • 13% Liveness
1% Instrumentalness • 37% Positiveness
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Youth Lagoon
Daydream
125 bpm • C Maj • 05:19 • -7.03db
36% Popularity • 73% Danceability • 58% Energy • 11% Liveness
95% Instrumentalness • 27% Positiveness
36% Popularity • 73% Danceability • 58% Energy • 11% Liveness
95% Instrumentalness • 27% Positiveness
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The Decemberists
Sons & Daughters
115 bpm • D Maj • 05:13 • -8.26db
48% Popularity • 33% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 24% Positiveness
48% Popularity • 33% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 24% Positiveness
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The Dodos
Horny Hippies
125 bpm • B min • 02:59 • -10.3db
40% Popularity • 45% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
40% Popularity • 45% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Sure Sure
This Must Be The Place
115 bpm • F Maj • 03:39 • -10.54db
60% Popularity • 89% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
60% Popularity • 89% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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The Shins
Sleeping Lessons
115 bpm • E Maj • 03:57 • -8.99db
54% Popularity • 51% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
54% Popularity • 51% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Iron & Wine
Boy With a Coin
126 bpm • C Maj • 04:05 • -8.22db
53% Popularity • 66% Danceability • 55% Energy • 14% Liveness
84% Instrumentalness • 31% Positiveness
53% Popularity • 66% Danceability • 55% Energy • 14% Liveness
84% Instrumentalness • 31% Positiveness
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Andrew Bird
Imitosis
114 bpm • A min • 04:00 • -9db
16% Popularity • 85% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
16% Popularity • 85% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Sufjan Stevens
The Hidden River of My Life
126 bpm • A Maj • 04:04 • -13db
48% Popularity • 54% Danceability • 42% Energy • 18% Liveness
30% Instrumentalness • 27% Positiveness
48% Popularity • 54% Danceability • 42% Energy • 18% Liveness
30% Instrumentalness • 27% Positiveness
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The National
I Need My Girl
126 bpm • C min • 04:05 • -11.51db
65% Popularity • 52% Danceability • 44% Energy • 12% Liveness
7% Instrumentalness • 11% Positiveness
65% Popularity • 52% Danceability • 44% Energy • 12% Liveness
7% Instrumentalness • 11% Positiveness
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DeVotchKa
Straight Shot
114 bpm • F# Maj • 05:22 • -8.68db
27% Popularity • 52% Danceability • 72% Energy • 22% Liveness
1% Instrumentalness • 57% Positiveness
27% Popularity • 52% Danceability • 72% Energy • 22% Liveness
1% Instrumentalness • 57% Positiveness
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Bad Books
Forest Whitaker
114 bpm • B Maj • 03:43 • -5.48db
50% Popularity • 72% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
50% Popularity • 72% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Rilo Kiley
A Better Son/Daughter
114 bpm • E Maj • 04:39 • -10.92db
46% Popularity • 48% Danceability • 42% Energy • 18% Liveness
91% Instrumentalness • 5% Positiveness
46% Popularity • 48% Danceability • 42% Energy • 18% Liveness
91% Instrumentalness • 5% Positiveness
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Hamilton Leithauser
1959
114 bpm • C Maj • 04:52 • -11.41db
27% Popularity • 40% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 20% Positiveness
27% Popularity • 40% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 20% Positiveness
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Sufjan Stevens
Vesuvius
114 bpm • F Maj • 05:28 • -11.76db
38% Popularity • 53% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
38% Popularity • 53% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Sea Wolf
Frank O'Hara
127 bpm • C Maj • 04:59 • -12.85db
20% Popularity • 47% Danceability • 49% Energy • 11% Liveness
69% Instrumentalness • 16% Positiveness
20% Popularity • 47% Danceability • 49% Energy • 11% Liveness
69% Instrumentalness • 16% Positiveness
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DeVotchKa
All the Sand in all the Sea
126 bpm • F Maj • 04:50 • -5.95db
35% Popularity • 47% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
35% Popularity • 47% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
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Bahamas
All The Time
127 bpm • E min • 03:54 • -4.82db
60% Popularity • 71% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
60% Popularity • 71% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Death Cab for Cutie
Transatlanticism
127 bpm • A Maj • 07:55 • -10db
55% Popularity • 44% Danceability • 45% Energy • 18% Liveness
59% Instrumentalness • 20% Positiveness
55% Popularity • 44% Danceability • 45% Energy • 18% Liveness
59% Instrumentalness • 20% Positiveness
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Shakey Graves
Family and Genus
113 bpm • A# Maj • 05:19 • -12.33db
49% Popularity • 74% Danceability • 48% Energy • 43% Liveness
41% Instrumentalness • 37% Positiveness
49% Popularity • 74% Danceability • 48% Energy • 43% Liveness
41% Instrumentalness • 37% Positiveness
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Whitney
No Woman
112 bpm • D Maj • 03:57 • -8.74db
59% Popularity • 59% Danceability • 40% Energy • 16% Liveness
58% Instrumentalness • 43% Positiveness
59% Popularity • 59% Danceability • 40% Energy • 16% Liveness
58% Instrumentalness • 43% Positiveness
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Fleet Foxes
Wading In Waist-High Water
128 bpm • G Maj • 02:15 • -15.27db
52% Popularity • 39% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
52% Popularity • 39% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
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Wye Oak
Regret
112 bpm • D Maj • 02:25 • -14db
42% Popularity • 56% Danceability • 22% Energy • 23% Liveness
3% Instrumentalness • 38% Positiveness
42% Popularity • 56% Danceability • 22% Energy • 23% Liveness
3% Instrumentalness • 38% Positiveness
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Of Monsters and Men
Dirty Paws
112 bpm • D# Maj • 04:38 • -7.06db
69% Popularity • 36% Danceability • 65% Energy • 6% Liveness
1% Instrumentalness • 13% Positiveness
69% Popularity • 36% Danceability • 65% Energy • 6% Liveness
1% Instrumentalness • 13% Positiveness
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DeVotchKa
Queen Of The Surface Streets
111 bpm • D Maj • 05:30 • -6.77db
35% Popularity • 63% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
35% Popularity • 63% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Dr. Dog
Nellie
130 bpm • E Maj • 03:37 • -9.94db
63% Popularity • 51% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
63% Popularity • 51% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Andrew Bird
Pulaski
111 bpm • G Maj • 04:02 • -8db
40% Popularity • 45% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
40% Popularity • 45% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Rubblebucket
On The Ground
130 bpm • F# Maj • 03:38 • -6.15db
28% Popularity • 54% Danceability • 79% Energy • 11% Liveness
28% Instrumentalness • 42% Positiveness
28% Popularity • 54% Danceability • 79% Energy • 11% Liveness
28% Instrumentalness • 42% Positiveness
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Jupiter One
Find Me a Place
130 bpm • E Maj • 03:33 • -8.33db
23% Popularity • 61% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
23% Popularity • 61% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Ben Levin
I Like to Potty
130 bpm • C Maj • 01:00 • -7.93db
4% Popularity • 68% Danceability • 96% Energy • 71% Liveness
20% Instrumentalness • 86% Positiveness
4% Popularity • 68% Danceability • 96% Energy • 71% Liveness
20% Instrumentalness • 86% Positiveness
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Of Monsters and Men
Love Love Love
111 bpm • G Maj • 03:58 • -10db
55% Popularity • 32% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
55% Popularity • 32% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Sufjan Stevens
Wallowa Lake Monster
130 bpm • E min • 06:52 • -16.13db
38% Popularity • 38% Danceability • 30% Energy • 10% Liveness
84% Instrumentalness • 15% Positiveness
38% Popularity • 38% Danceability • 30% Energy • 10% Liveness
84% Instrumentalness • 15% Positiveness
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The Shins
New Slang - 2021 Remaster
130 bpm • C Maj • 03:50 • -10.62db
75% Popularity • 67% Danceability • 40% Energy • 9% Liveness
9% Instrumentalness • 62% Positiveness
75% Popularity • 67% Danceability • 40% Energy • 9% Liveness
9% Instrumentalness • 62% Positiveness
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José González
Stay Alive
130 bpm • F# Maj • 04:26 • -12.11db
69% Popularity • 71% Danceability • 31% Energy • 9% Liveness
17% Instrumentalness • 31% Positiveness
69% Popularity • 71% Danceability • 31% Energy • 9% Liveness
17% Instrumentalness • 31% Positiveness
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Rogue Wave
Eyes
130 bpm • C# Maj • 02:28 • -8.03db
60% Popularity • 64% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
60% Popularity • 64% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Saintseneca
Only The Young Die Good
111 bpm • B Maj • 03:35 • -10.83db
30% Popularity • 40% Danceability • 39% Energy • 12% Liveness
9% Instrumentalness • 29% Positiveness
30% Popularity • 40% Danceability • 39% Energy • 12% Liveness
9% Instrumentalness • 29% Positiveness
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Born Ruffians
Forget Me
130 bpm • C Maj • 03:36 • -5db
17% Popularity • 64% Danceability • 67% Energy • 9% Liveness
35% Instrumentalness • 21% Positiveness
17% Popularity • 64% Danceability • 67% Energy • 9% Liveness
35% Instrumentalness • 21% Positiveness
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Birdtalker
Better in the Morning
130 bpm • A# Maj • 02:44 • -13.87db
46% Popularity • 47% Danceability • 28% Energy • 11% Liveness
2% Instrumentalness • 44% Positiveness
46% Popularity • 47% Danceability • 28% Energy • 11% Liveness
2% Instrumentalness • 44% Positiveness
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Kishi Bashi
Intro / Pathos, Pathos
130 bpm • D Maj • 03:57 • -6.76db
28% Popularity • 34% Danceability • 62% Energy • 26% Liveness
0% Instrumentalness • 6% Positiveness
28% Popularity • 34% Danceability • 62% Energy • 26% Liveness
0% Instrumentalness • 6% Positiveness
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Damien Jurado
Museum Of Flight
110 bpm • C# Maj • 02:50 • -9.84db
37% Popularity • 61% Danceability • 40% Energy • 11% Liveness
1% Instrumentalness • 15% Positiveness
37% Popularity • 61% Danceability • 40% Energy • 11% Liveness
1% Instrumentalness • 15% Positiveness
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Jupiter One
People in the Mountain, People of the Oc...
110 bpm • C Maj • 01:49 • -13.51db
13% Popularity • 54% Danceability • 26% Energy • 11% Liveness
59% Instrumentalness • 56% Positiveness
13% Popularity • 54% Danceability • 26% Energy • 11% Liveness
59% Instrumentalness • 56% Positiveness
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Bee Caves
Running Home to You
110 bpm • F min • 03:55 • -8.24db
42% Popularity • 52% Danceability • 62% Energy • 10% Liveness
38% Instrumentalness • 65% Positiveness
42% Popularity • 52% Danceability • 62% Energy • 10% Liveness
38% Instrumentalness • 65% Positiveness
![Lemon [Feat. Sharon Van Etten] cover art](https://i.scdn.co/image/ab67616d00001e027e03f3c0ed84e9db3e6e645b)