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This Too Shall Pass
Songs like
This Too Shall Pass
by
Fanny Lumsden
Based on a tempo of (+/- 10%) and a similar genre
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Sammy White
I Can't Outrun You
125 bpm • C Maj • 03:31 • -8.64db
22% Popularity • 69% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Hayley Marsten
Red Wine, White Dress
125 bpm • A# Maj • 04:12 • -4.71db
20% Popularity • 55% Danceability • 86% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
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Luke O'Shea
The Old Man's Shed
125 bpm • C Maj • 04:04 • -10db
31% Popularity • 66% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Blake O'Connor
If You Wanna Get To Heaven
125 bpm • F Maj • 03:26 • -4.16db
16% Popularity • 66% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Fanny Lumsden
Small Town Big Shot
125 bpm • B Maj • 04:39 • -11.45db
6% Popularity • 64% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Sal Kimber
Stumble in the Dark
125 bpm • C Maj • 04:41 • -10db
9% Popularity • 40% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Alice Skye
Blue You
125 bpm • G min • 04:24 • -9.17db
9% Popularity • 64% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Catherine Britt
Too Hot To Just Quit
125 bpm • C Maj • 03:29 • -7.69db
9% Popularity • 60% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Luke O'Shea
Long Way 'Round
125 bpm • C# Maj • 03:10 • -5db
34% Popularity • 74% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Shane Howard
Razors Edge
125 bpm • D Maj • 05:09 • -6.85db
19% Popularity • 56% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Tori Forsyth
Kings Horses
125 bpm • B Maj • 03:51 • -5.59db
8% Popularity • 56% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Fanny Lumsden
This Too Shall Pass
125 bpm • D Maj • 03:20 • -9.05db
21% Popularity • 65% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Claire Anne Taylor
My Mother, the Mountain
126 bpm • D Maj • 04:39 • -11.07db
19% Popularity • 67% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Darlinghurst
Sorry Won't Get You Back
124 bpm • F Maj • 03:55 • -3db
19% Popularity • 61% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Luke O'Shea
The Drovers Wife
124 bpm • B min • 03:56 • -6.54db
25% Popularity • 42% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
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The McClymonts
Little Lies
124 bpm • F# min • 03:38 • -4db
22% Popularity • 50% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Jordie Lane
Black Diamond
126 bpm • A# Maj • 03:39 • -5.94db
33% Popularity • 52% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Fanny Lumsden
This Too Shall Pass - Variation
125 bpm • D Maj • 03:18 • -9.63db
3% Popularity • 79% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Wildwood Kin
Beauty in Your Brokenness
126 bpm • A# min • 03:25 • -11db
23% Popularity • 59% Danceability • 53% Energy • 11% Liveness
1% Instrumentalness • 50% Positiveness
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The Maes
Treat You Better
126 bpm • A Maj • 04:08 • -7.83db
21% Popularity • 61% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Andrew Farriss
Come Midnight
126 bpm • G Maj • 03:29 • -5.37db
11% Popularity • 60% Danceability • 83% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
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Mustered Courage
Best Impressions
126 bpm • G Maj • 03:38 • -8.11db
1% Popularity • 69% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Claire Anne Taylor
Hold Me, Darling
124 bpm • A Maj • 04:35 • -16.92db
11% Popularity • 48% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Fanny Lumsden
Soar
124 bpm • E Maj • 04:43 • -4.21db
14% Popularity • 58% Danceability • 82% Energy • 25% Liveness
0% Instrumentalness • 46% Positiveness
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Jessie Buckley
Angel From Montgomery
126 bpm • A Maj • 04:05 • -9.25db
20% Popularity • 69% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Emily Barker
Under the Milky Way
126 bpm • B min • 04:00 • -16.98db
15% Popularity • 52% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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RocKwiz
Both Sides Now
123 bpm • G# Maj • 03:10 • -5.31db
13% Popularity • 52% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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The Maes
Sweet as Honey
123 bpm • G Maj • 04:28 • -10.4db
21% Popularity • 65% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Felicity Urquhart
Bogswamp
127 bpm • G Maj • 03:54 • -10.65db
7% Popularity • 81% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Fanny Lumsden
Watershed
127 bpm • C# Maj • 03:53 • -8.62db
17% Popularity • 65% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Tex Perkins
Whenever It Snows
127 bpm • E Maj • 04:42 • -8.43db
30% Popularity • 54% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Little Georgia
Stoned
122 bpm • G Maj • 04:16 • -3.86db
15% Popularity • 53% Danceability • 75% Energy • 18% Liveness
26% Instrumentalness • 85% Positiveness
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Andrew Swift
King Of The Sky
123 bpm • G Maj • 03:51 • -10.54db
10% Popularity • 55% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Tori Forsyth
Broke Machine
128 bpm • A# Maj • 02:48 • -8.04db
24% Popularity • 68% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Neil Murray
Good Light in Broome
128 bpm • D min • 04:33 • -4.87db
40% Popularity • 72% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 79% Positiveness
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Fanny Lumsden
Roll On
127 bpm • F Maj • 02:57 • -6db
31% Popularity • 76% Danceability • 82% Energy • 24% Liveness
0% Instrumentalness • 77% Positiveness
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ThornBird
Tempest
128 bpm • A Maj • 05:26 • -9.73db
17% Popularity • 50% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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The Chicks
The Long Way Around
128 bpm • C Maj • 05:15 • -3db
22% Popularity • 51% Danceability • 95% Energy • 98% Liveness
0% Instrumentalness • 12% Positiveness
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Shane Nicholson
Helena
128 bpm • E Maj • 03:33 • -5.53db
9% Popularity • 55% Danceability • 81% Energy • 36% Liveness
1% Instrumentalness • 63% Positiveness
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Andrew Swift
Young Lovers
128 bpm • A Maj • 03:39 • -4.7db
9% Popularity • 61% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 79% Positiveness
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Michael Waugh
The Weir
128 bpm • D# Maj • 04:14 • -6.02db
8% Popularity • 63% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Fanny Lumsden
Ugly Flowers
122 bpm • D Maj • 04:58 • -8.27db
21% Popularity • 75% Danceability • 35% Energy • 30% Liveness
0% Instrumentalness • 29% Positiveness
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Luke O'Shea
Wayne And Wanita
122 bpm • E Maj • 04:05 • -6.27db
28% Popularity • 66% Danceability • 73% Energy • 37% Liveness
0% Instrumentalness • 78% Positiveness
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Jamie McDell
Not Ready Yet
128 bpm • C Maj • 03:32 • -5.14db
13% Popularity • 57% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
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Caroline Spence
Song About A City
122 bpm • A min • 03:22 • -7.23db
16% Popularity • 57% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Tom Douglas
House That Built Me
128 bpm • C Maj • 04:37 • -9.7db
18% Popularity • 45% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Simply Bushed
Raise Your Glass
128 bpm • A Maj • 04:29 • -6.96db
15% Popularity • 54% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Hayley Jensen
Angel
122 bpm • C# Maj • 04:18 • -8.31db
13% Popularity • 43% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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James Bennett
Some Place Called Home
122 bpm • D Maj • 05:17 • -9.54db
16% Popularity • 74% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Jessie Buckley
Boulder To Birmingham
122 bpm • A# Maj • 04:38 • -11.3db
21% Popularity • 50% Danceability • 31% Energy • 8% Liveness
2% Instrumentalness • 21% Positiveness
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Beccy Cole
Lioness
121 bpm • A# Maj • 04:32 • -8db
19% Popularity • 57% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Little Georgia
California
129 bpm • G Maj • 04:32 • -4.48db
20% Popularity • 56% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Nashville Cast
Carolina Rain
121 bpm • C Maj • 04:03 • -9.94db
12% Popularity • 65% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Glenn Skuthorpe
Something on My Mind
121 bpm • D Maj • 04:27 • -12.34db
13% Popularity • 37% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Fanny Lumsden
Grown Ups - Variation
129 bpm • C# Maj • 03:29 • -10.16db
3% Popularity • 36% Danceability • 26% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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Brooke McClymont & Adam Eckersley
Glad
121 bpm • F Maj • 03:27 • -9db
13% Popularity • 55% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Melody Moko
Like Hank Would
129 bpm • D Maj • 03:50 • -7.65db
16% Popularity • 60% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Max Jackson
Life of the Party
129 bpm • G Maj • 03:56 • -7.03db
14% Popularity • 66% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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The Chicks
My Best Friend's Weddings
121 bpm • C Maj • 04:18 • -10.91db
38% Popularity • 49% Danceability • 22% Energy • 15% Liveness
3% Instrumentalness • 8% Positiveness
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Shane Nicholson
Harvest On Vinyl
121 bpm • D Maj • 03:35 • -5.25db
7% Popularity • 50% Danceability • 81% Energy • 78% Liveness
2% Instrumentalness • 41% Positiveness
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Fanny Lumsden
These Days
129 bpm • B Maj • 03:44 • -7.3db
17% Popularity • 62% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 40% Positiveness
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Michael Waugh
Dirty River
121 bpm • B Maj • 04:06 • -5.86db
9% Popularity • 53% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Tracy McNeil & The GoodLife
Catch You
121 bpm • G Maj • 03:52 • -6.29db
12% Popularity • 49% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Brooke McClymont & Adam Eckersley
Lay With Me
121 bpm • A# Maj • 04:42 • -4.15db
19% Popularity • 57% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Tenille Townes
I Kept the Roses
130 bpm • E Maj • 04:00 • -6db
26% Popularity • 48% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Tori Forsyth
Violet Town
130 bpm • C Maj • 02:18 • -6.76db
9% Popularity • 72% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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The Maes
Writer of Love Songs
130 bpm • C Maj • 03:28 • -5.57db
18% Popularity • 70% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
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Brandy Clark
Remember Me Beautiful
130 bpm • G Maj • 04:25 • -10db
26% Popularity • 63% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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The Chicks
Set Me Free
130 bpm • D Maj • 03:18 • -11.21db
33% Popularity • 51% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Mia Dyson
Tell Me
130 bpm • E Maj • 04:08 • -5.28db
26% Popularity • 54% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Darlinghurst
So Long So Long
130 bpm • E Maj • 03:00 • -2.43db
26% Popularity • 66% Danceability • 96% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
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Tori Forsyth
In The Morning
120 bpm • E min • 03:11 • -4.72db
16% Popularity • 68% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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Fanny Lumsden
Totem Tennis
120 bpm • C Maj • 03:11 • -7.92db
15% Popularity • 73% Danceability • 64% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
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Shane Howard
Flesh And Blood
120 bpm • E Maj • 03:43 • -11db
17% Popularity • 67% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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The Chicks
Nothing Compares 2 U
120 bpm • G Maj • 05:54 • -5.01db
37% Popularity • 41% Danceability • 45% Energy • 95% Liveness
0% Instrumentalness • 12% Positiveness
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Natalie Hemby
Ferris Wheel
120 bpm • G Maj • 03:49 • -9db
24% Popularity • 56% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Loren Ryan
Flame Trees
120 bpm • E Maj • 04:30 • -4.01db
30% Popularity • 59% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Lori McKenna
Good Fight
130 bpm • A# Maj • 03:18 • -5.18db
26% Popularity • 63% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
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Fanny Lumsden
Elastic Waistband
120 bpm • C Maj • 03:22 • -6.03db
22% Popularity • 73% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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William Crighton
2000 Clicks
120 bpm • B Maj • 04:06 • -8.09db
19% Popularity • 42% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Andrew Swift
Reckless Desires
131 bpm • B Maj • 03:42 • -5.96db
8% Popularity • 60% Danceability • 72% Energy • 11% Liveness
1% Instrumentalness • 63% Positiveness
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Shane Howard
Times Like These
131 bpm • C# min • 03:36 • -9.24db
21% Popularity • 63% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 57% Positiveness
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Sammy White
Running Away Tonight
131 bpm • D Maj • 03:42 • -4.56db
22% Popularity • 58% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 77% Positiveness
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Darlinghurst
You Stopped Making Sense
131 bpm • A Maj • 03:45 • -7.62db
16% Popularity • 46% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Fanny Lumsden
Great Divide
131 bpm • C Maj • 04:25 • -4.33db
20% Popularity • 66% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Caroline Spence
The Middle
131 bpm • F# Maj • 03:43 • -9.18db
41% Popularity • 65% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Pete Murray
Found My Place
119 bpm • E min • 03:22 • -8db
21% Popularity • 58% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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Pigram Brothers
Going Back Home
131 bpm • E Maj • 03:42 • -7.98db
31% Popularity • 61% Danceability • 52% Energy • 37% Liveness
0% Instrumentalness • 65% Positiveness
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Tori Forsyth
Redemption
119 bpm • B min • 02:48 • -4.65db
11% Popularity • 58% Danceability • 93% Energy • 63% Liveness
0% Instrumentalness • 76% Positiveness
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Little Quirks
Life Wouldn't Be
119 bpm • C Maj • 03:08 • -4.59db
20% Popularity • 58% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Fanny Lumsden
Perfect Mess
131 bpm • G Maj • 04:50 • -7.84db
8% Popularity • 73% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Imogen Clark
You'll Only Break My Heart
119 bpm • G Maj • 04:38 • -4.29db
7% Popularity • 59% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Sinead Burgess
Wildflowers of Colorado
132 bpm • D# Maj • 05:15 • -11.53db
8% Popularity • 50% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Jamie McDell
Poor Boy
132 bpm • A# Maj • 04:01 • -9.5db
15% Popularity • 62% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Catherine Britt
The River & The Gum
132 bpm • F# min • 04:05 • -7.36db
9% Popularity • 47% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
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Jenny Mitchell
Puppet
132 bpm • A# Maj • 03:04 • -20.56db
16% Popularity • 63% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Sam Buckingham
Little Old Train
118 bpm • C Maj • 02:04 • -8.3db
3% Popularity • 82% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
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Frankie and The Boys
Learning How to Lose You
132 bpm • G Maj • 04:23 • -11db
12% Popularity • 62% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Mick Thomas
See You When I'm Looking at You - Radio ...
132 bpm • D Maj • 03:56 • -8db
10% Popularity • 53% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Michael Waugh
This Song Reminds Me
132 bpm • C Maj • 03:28 • -6.6db
10% Popularity • 65% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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This Too Shall Pass