Songs like This woman by Sean Riley & The Slowriders
Based on a tempo of (+/- 10%) and a similar genre
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Sean Riley & The Slowriders
This woman
147 bpm • C Maj • 04:11 • -6.6db
24% Popularity • 45% Danceability • 60% Energy • 14% Liveness
3% Instrumentalness • 20% Positiveness
24% Popularity • 45% Danceability • 60% Energy • 14% Liveness
3% Instrumentalness • 20% Positiveness
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The Legendary Tigerman
Losers
147 bpm • C# Maj • 03:33 • -7.27db
22% Popularity • 59% Danceability • 67% Energy • 24% Liveness
6% Instrumentalness • 15% Positiveness
22% Popularity • 59% Danceability • 67% Energy • 24% Liveness
6% Instrumentalness • 15% Positiveness
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The Vicious Five
Bad Mirror
147 bpm • C Maj • 03:12 • -4.58db
8% Popularity • 41% Danceability • 84% Energy • 37% Liveness
0% Instrumentalness • 58% Positiveness
8% Popularity • 41% Danceability • 84% Energy • 37% Liveness
0% Instrumentalness • 58% Positiveness
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Trêsporcento
Elefantes Azuis
147 bpm • D min • 04:34 • -7.61db
7% Popularity • 39% Danceability • 92% Energy • 90% Liveness
59% Instrumentalness • 82% Positiveness
7% Popularity • 39% Danceability • 92% Energy • 90% Liveness
59% Instrumentalness • 82% Positiveness
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Filipe Sambado
Só Beijinhos
147 bpm • G Maj • 02:53 • -6.33db
13% Popularity • 42% Danceability • 89% Energy • 55% Liveness
0% Instrumentalness • 71% Positiveness
13% Popularity • 42% Danceability • 89% Energy • 55% Liveness
0% Instrumentalness • 71% Positiveness
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Lena d’Água
ROBOT
146 bpm • G# Maj • 02:04 • -3.43db
21% Popularity • 55% Danceability • 94% Energy • 7% Liveness
2% Instrumentalness • 71% Positiveness
21% Popularity • 55% Danceability • 94% Energy • 7% Liveness
2% Instrumentalness • 71% Positiveness
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Ornatos Violeta
Capitão Romance (Aventuras No Mundo, Ca...
148 bpm • B Maj • 03:49 • -9.28db
41% Popularity • 43% Danceability • 50% Energy • 31% Liveness
0% Instrumentalness • 57% Positiveness
41% Popularity • 43% Danceability • 50% Energy • 31% Liveness
0% Instrumentalness • 57% Positiveness
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David Fonseca
You Feel Like Home
146 bpm • A# Maj • 04:08 • -10.35db
17% Popularity • 62% Danceability • 36% Energy • 34% Liveness
0% Instrumentalness • 43% Positiveness
17% Popularity • 62% Danceability • 36% Energy • 34% Liveness
0% Instrumentalness • 43% Positiveness
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Hause Plants
I Think I Might
146 bpm • C Maj • 03:37 • -7.21db
17% Popularity • 55% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
17% Popularity • 55% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Cassete Pirata
Só Mais uma Hora
146 bpm • C Maj • 02:46 • -9.37db
36% Popularity • 55% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
36% Popularity • 55% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Sean Riley & The Slowriders
Buffalo Turnpike
148 bpm • A min • 03:24 • -4.57db
5% Popularity • 28% Danceability • 90% Energy • 23% Liveness
1% Instrumentalness • 65% Positiveness
5% Popularity • 28% Danceability • 90% Energy • 23% Liveness
1% Instrumentalness • 65% Positiveness
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Belle Chase Hotel
Sunset Boulevard
148 bpm • E Maj • 02:27 • -8.48db
21% Popularity • 62% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 62% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Rádio Macau
Bom dia Lisboa
146 bpm • G Maj • 04:00 • -7.13db
14% Popularity • 44% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 44% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Wraygunn
Drunk or stoned
148 bpm • G Maj • 03:25 • -8.61db
10% Popularity • 63% Danceability • 71% Energy • 4% Liveness
0% Instrumentalness • 79% Positiveness
10% Popularity • 63% Danceability • 71% Energy • 4% Liveness
0% Instrumentalness • 79% Positiveness
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TOMARA
Ao Sol
145 bpm • C Maj • 03:42 • -9.86db
12% Popularity • 49% Danceability • 71% Energy • 22% Liveness
82% Instrumentalness • 61% Positiveness
12% Popularity • 49% Danceability • 71% Energy • 22% Liveness
82% Instrumentalness • 61% Positiveness
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Manuel Fúria
Cala-te e Dança
145 bpm • G Maj • 03:55 • -3.71db
10% Popularity • 44% Danceability • 98% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
10% Popularity • 44% Danceability • 98% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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Sean Riley & The Slowriders
Isolation pt.2
149 bpm • C min • 03:15 • -5.83db
2% Popularity • 28% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
2% Popularity • 28% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Frankie Chavez
Dreams of a Rebel
145 bpm • F min • 03:09 • -5.53db
21% Popularity • 62% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
21% Popularity • 62% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Glockenwise
Plástico
149 bpm • E Maj • 03:59 • -6.48db
10% Popularity • 38% Danceability • 80% Energy • 45% Liveness
40% Instrumentalness • 53% Positiveness
10% Popularity • 38% Danceability • 80% Energy • 45% Liveness
40% Instrumentalness • 53% Positiveness
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Nice Weather for Ducks
Marigold
145 bpm • C Maj • 03:23 • -6.74db
8% Popularity • 22% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
8% Popularity • 22% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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WE TRUST
Time (Better Not Stop)
145 bpm • G Maj • 04:26 • -10.99db
21% Popularity • 57% Danceability • 55% Energy • 12% Liveness
47% Instrumentalness • 69% Positiveness
21% Popularity • 57% Danceability • 55% Energy • 12% Liveness
47% Instrumentalness • 69% Positiveness
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Marinho
I Give Up and It's Ok
145 bpm • B min • 03:25 • -8.67db
12% Popularity • 39% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
12% Popularity • 39% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Manel Cruz
Quando Tu Me Levas
144 bpm • G# Maj • 04:31 • -19.08db
23% Popularity • 28% Danceability • 5% Energy • 31% Liveness
80% Instrumentalness • 3% Positiveness
23% Popularity • 28% Danceability • 5% Energy • 31% Liveness
80% Instrumentalness • 3% Positiveness
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S. PEDRO
Campanhã
150 bpm • A# Maj • 03:11 • -9db
21% Popularity • 72% Danceability • 48% Energy • 11% Liveness
3% Instrumentalness • 18% Positiveness
21% Popularity • 72% Danceability • 48% Energy • 11% Liveness
3% Instrumentalness • 18% Positiveness
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Mazgani
The Traveler
144 bpm • F min • 03:23 • -7.06db
11% Popularity • 62% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
11% Popularity • 62% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Best Youth
Nightfalls
150 bpm • C# min • 04:14 • -6.67db
23% Popularity • 67% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
23% Popularity • 67% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
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Cassete Pirata
A Próxima Viagem
150 bpm • D min • 03:34 • -6.37db
37% Popularity • 46% Danceability • 57% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
37% Popularity • 46% Danceability • 57% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
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Capitão Fausto
Semana em Semana
150 bpm • F Maj • 03:28 • -8.21db
28% Popularity • 70% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
28% Popularity • 70% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Trêsporcento
Veludo
144 bpm • C Maj • 02:33 • -6.81db
11% Popularity • 53% Danceability • 84% Energy • 13% Liveness
39% Instrumentalness • 59% Positiveness
11% Popularity • 53% Danceability • 84% Energy • 13% Liveness
39% Instrumentalness • 59% Positiveness
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peixe : avião
Avesso
144 bpm • G min • 03:51 • -5.12db
10% Popularity • 57% Danceability • 94% Energy • 16% Liveness
50% Instrumentalness • 75% Positiveness
10% Popularity • 57% Danceability • 94% Energy • 16% Liveness
50% Instrumentalness • 75% Positiveness
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B Fachada
Namorada
150 bpm • F Maj • 02:45 • -5.25db
20% Popularity • 63% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
20% Popularity • 63% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Minta & The Brook Trout
From the Ground
144 bpm • A# Maj • 03:27 • -13.26db
13% Popularity • 63% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
13% Popularity • 63% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Belle Chase Hotel
Fossanova - Single Version
150 bpm • A Maj • 03:39 • -9.34db
10% Popularity • 59% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 75% Positiveness
10% Popularity • 59% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 75% Positiveness
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Time for T
Boxing Gloves
150 bpm • D Maj • 04:03 • -7db
11% Popularity • 49% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
11% Popularity • 49% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Fugly
Take You Home Tonight
151 bpm • B Maj • 03:30 • -4.73db
8% Popularity • 48% Danceability • 91% Energy • 12% Liveness
14% Instrumentalness • 88% Positiveness
8% Popularity • 48% Danceability • 91% Energy • 12% Liveness
14% Instrumentalness • 88% Positiveness
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Wraygunn
Keep on prayin'
143 bpm • G Maj • 03:29 • -7.12db
10% Popularity • 66% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
10% Popularity • 66% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
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B Fachada
Canção de Rejeição
144 bpm • G min • 04:08 • -6.72db
22% Popularity • 64% Danceability • 89% Energy • 11% Liveness
1% Instrumentalness • 94% Positiveness
22% Popularity • 64% Danceability • 89% Energy • 11% Liveness
1% Instrumentalness • 94% Positiveness
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David Fonseca
Hoje Eu Não Sou
143 bpm • C# min • 04:25 • -7.03db
11% Popularity • 69% Danceability • 73% Energy • 12% Liveness
18% Instrumentalness • 88% Positiveness
11% Popularity • 69% Danceability • 73% Energy • 12% Liveness
18% Instrumentalness • 88% Positiveness
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Rádio Macau
Cidade fantasma
142 bpm • G Maj • 04:12 • -16db
23% Popularity • 60% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
23% Popularity • 60% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
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Glockenwise
Lodo
142 bpm • F# min • 04:36 • -8.48db
25% Popularity • 44% Danceability • 80% Energy • 19% Liveness
24% Instrumentalness • 37% Positiveness
25% Popularity • 44% Danceability • 80% Energy • 19% Liveness
24% Instrumentalness • 37% Positiveness
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Cassete Pirata
Chora Mãe
152 bpm • A Maj • 02:32 • -4.19db
17% Popularity • 51% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
17% Popularity • 51% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
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Silence 4
My Friends
142 bpm • A Maj • 03:59 • -7.19db
35% Popularity • 75% Danceability • 72% Energy • 62% Liveness
0% Instrumentalness • 85% Positiveness
35% Popularity • 75% Danceability • 72% Energy • 62% Liveness
0% Instrumentalness • 85% Positiveness
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Doismileoito
Acordes com arroz
152 bpm • D Maj • 03:46 • -9.02db
10% Popularity • 73% Danceability • 49% Energy • 22% Liveness
4% Instrumentalness • 37% Positiveness
10% Popularity • 73% Danceability • 49% Energy • 22% Liveness
4% Instrumentalness • 37% Positiveness
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David Fonseca
Live It Up
142 bpm • C Maj • 03:00 • -8.02db
13% Popularity • 65% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
13% Popularity • 65% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Paus
Era Matá-lo
142 bpm • A min • 03:38 • -6.53db
10% Popularity • 48% Danceability • 63% Energy • 19% Liveness
64% Instrumentalness • 70% Positiveness
10% Popularity • 48% Danceability • 63% Energy • 19% Liveness
64% Instrumentalness • 70% Positiveness
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Capitão Fausto
Ideias
152 bpm • A Maj • 03:41 • -4.22db
18% Popularity • 30% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
18% Popularity • 30% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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X-Wife
Fireworks
142 bpm • E Maj • 03:24 • -7.52db
11% Popularity • 53% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
11% Popularity • 53% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Cassete Pirata
Outro Final Qualquer
142 bpm • F Maj • 04:10 • -6.61db
25% Popularity • 52% Danceability • 65% Energy • 9% Liveness
3% Instrumentalness • 67% Positiveness
25% Popularity • 52% Danceability • 65% Energy • 9% Liveness
3% Instrumentalness • 67% Positiveness
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Foge Foge Bandido
Borboleta
142 bpm • B min • 04:15 • -10.12db
27% Popularity • 73% Danceability • 60% Energy • 33% Liveness
1% Instrumentalness • 88% Positiveness
27% Popularity • 73% Danceability • 60% Energy • 33% Liveness
1% Instrumentalness • 88% Positiveness
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David Fonseca
The 80's
152 bpm • C Maj • 04:09 • -6.3db
26% Popularity • 54% Danceability • 89% Energy • 4% Liveness
1% Instrumentalness • 81% Positiveness
26% Popularity • 54% Danceability • 89% Energy • 4% Liveness
1% Instrumentalness • 81% Positiveness
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Sitiados
A Noite
142 bpm • E min • 04:11 • -7.97db
21% Popularity • 65% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
21% Popularity • 65% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Paus
L123
142 bpm • G Maj • 03:54 • -3.75db
8% Popularity • 49% Danceability • 97% Energy • 45% Liveness
41% Instrumentalness • 70% Positiveness
8% Popularity • 49% Danceability • 97% Energy • 45% Liveness
41% Instrumentalness • 70% Positiveness
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Salto
Terra de Ninguém
141 bpm • C# Maj • 03:47 • -7.5db
16% Popularity • 59% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
16% Popularity • 59% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Trêsporcento
Elefantes Azuis - Álbum
141 bpm • F Maj • 04:14 • -5.49db
16% Popularity • 51% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 67% Positiveness
16% Popularity • 51% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 67% Positiveness
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Rita Redshoes
The beginning song
141 bpm • D Maj • 02:52 • -7.59db
11% Popularity • 60% Danceability • 69% Energy • 11% Liveness
1% Instrumentalness • 46% Positiveness
11% Popularity • 60% Danceability • 69% Energy • 11% Liveness
1% Instrumentalness • 46% Positiveness
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David Fonseca
Resist
142 bpm • C min • 04:23 • -7.98db
21% Popularity • 66% Danceability • 75% Energy • 17% Liveness
7% Instrumentalness • 62% Positiveness
21% Popularity • 66% Danceability • 75% Energy • 17% Liveness
7% Instrumentalness • 62% Positiveness
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First Breath After Coma
Escape
141 bpm • G Maj • 04:58 • -9.55db
9% Popularity • 22% Danceability • 51% Energy • 9% Liveness
1% Instrumentalness • 6% Positiveness
9% Popularity • 22% Danceability • 51% Energy • 9% Liveness
1% Instrumentalness • 6% Positiveness
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Toranja
Cenário (Janela No Rio)
154 bpm • F Maj • 03:46 • -5db
30% Popularity • 45% Danceability • 81% Energy • 19% Liveness
3% Instrumentalness • 39% Positiveness
30% Popularity • 45% Danceability • 81% Energy • 19% Liveness
3% Instrumentalness • 39% Positiveness
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Salto
Afio a Língua
153 bpm • B min • 03:30 • -6.92db
19% Popularity • 67% Danceability • 79% Energy • 37% Liveness
0% Instrumentalness • 94% Positiveness
19% Popularity • 67% Danceability • 79% Energy • 37% Liveness
0% Instrumentalness • 94% Positiveness
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Trêsporcento
Cascatas
154 bpm • D min • 03:24 • -6.88db
14% Popularity • 46% Danceability • 79% Energy • 12% Liveness
71% Instrumentalness • 65% Positiveness
14% Popularity • 46% Danceability • 79% Energy • 12% Liveness
71% Instrumentalness • 65% Positiveness
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Valter Lobo
Guarda-me Esta Noite
154 bpm • E min • 04:21 • -8db
33% Popularity • 33% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
33% Popularity • 33% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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David Fonseca
Kiss Me, Oh Kiss Me
154 bpm • D# Maj • 04:04 • -7db
32% Popularity • 70% Danceability • 72% Energy • 11% Liveness
1% Instrumentalness • 92% Positiveness
32% Popularity • 70% Danceability • 72% Energy • 11% Liveness
1% Instrumentalness • 92% Positiveness
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Frankie Chavez
Não Saberás
140 bpm • G Maj • 03:42 • -10db
10% Popularity • 70% Danceability • 37% Energy • 11% Liveness
19% Instrumentalness • 47% Positiveness
10% Popularity • 70% Danceability • 37% Energy • 11% Liveness
19% Instrumentalness • 47% Positiveness
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You Can't Win, Charlie Brown
Celeste
140 bpm • A Maj • 04:08 • -8.15db
10% Popularity • 63% Danceability • 85% Energy • 10% Liveness
66% Instrumentalness • 86% Positiveness
10% Popularity • 63% Danceability • 85% Energy • 10% Liveness
66% Instrumentalness • 86% Positiveness
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Sean Riley & The Slowriders
Greetings
140 bpm • D Maj • 03:20 • -7.38db
17% Popularity • 48% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 48% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Samuel Uria
Aeromoço
140 bpm • C Maj • 03:04 • -8.52db
21% Popularity • 56% Danceability • 44% Energy • 10% Liveness
4% Instrumentalness • 37% Positiveness
21% Popularity • 56% Danceability • 44% Energy • 10% Liveness
4% Instrumentalness • 37% Positiveness
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Paus
DEIXA-ME SER
140 bpm • G Maj • 03:35 • -4.88db
19% Popularity • 59% Danceability • 91% Energy • 18% Liveness
77% Instrumentalness • 85% Positiveness
19% Popularity • 59% Danceability • 91% Energy • 18% Liveness
77% Instrumentalness • 85% Positiveness
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Norton
Two Points
140 bpm • F# min • 03:29 • -5.24db
7% Popularity • 57% Danceability • 95% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
7% Popularity • 57% Danceability • 95% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Plastic People
Wondering Now
140 bpm • G Maj • 04:19 • -5.94db
7% Popularity • 50% Danceability • 85% Energy • 16% Liveness
18% Instrumentalness • 50% Positiveness
7% Popularity • 50% Danceability • 85% Energy • 16% Liveness
18% Instrumentalness • 50% Positiveness
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Rita Vian
Purga
140 bpm • A min • 04:00 • -9.38db
31% Popularity • 78% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
31% Popularity • 78% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Noiserv
The Sad Story of a Little Town
140 bpm • C# min • 05:03 • -5.88db
13% Popularity • 50% Danceability • 63% Energy • 9% Liveness
6% Instrumentalness • 23% Positiveness
13% Popularity • 50% Danceability • 63% Energy • 9% Liveness
6% Instrumentalness • 23% Positiveness
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The Happy Mess
Perder o Pé
140 bpm • F# min • 03:51 • -10.42db
10% Popularity • 69% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
10% Popularity • 69% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Best Youth
Hang Out
140 bpm • F# min • 04:24 • -10.42db
22% Popularity • 51% Danceability • 45% Energy • 18% Liveness
46% Instrumentalness • 20% Positiveness
22% Popularity • 51% Danceability • 45% Energy • 18% Liveness
46% Instrumentalness • 20% Positiveness
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Filipe Sambado
No Leito
140 bpm • F Maj • 04:16 • -12.17db
11% Popularity • 64% Danceability • 46% Energy • 9% Liveness
2% Instrumentalness • 47% Positiveness
11% Popularity • 64% Danceability • 46% Energy • 9% Liveness
2% Instrumentalness • 47% Positiveness
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Marinho
Inquietação
140 bpm • D# min • 03:28 • -16db
23% Popularity • 50% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
23% Popularity • 50% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Salto
O Teu Par
155 bpm • C# Maj • 03:48 • -4.2db
11% Popularity • 57% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
11% Popularity • 57% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Noiserv
Sem Tempo
140 bpm • A min • 02:45 • -9.39db
17% Popularity • 55% Danceability • 57% Energy • 31% Liveness
25% Instrumentalness • 38% Positiveness
17% Popularity • 55% Danceability • 57% Energy • 31% Liveness
25% Instrumentalness • 38% Positiveness
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Sean Riley & The Slowriders
Twenty six years
140 bpm • C min • 04:24 • -5db
2% Popularity • 34% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
2% Popularity • 34% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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David Fonseca
Superstars II
139 bpm • G Maj • 04:08 • -6.71db
28% Popularity • 61% Danceability • 81% Energy • 11% Liveness
1% Instrumentalness • 49% Positiveness
28% Popularity • 61% Danceability • 81% Energy • 11% Liveness
1% Instrumentalness • 49% Positiveness
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Virgem Suta
Dança de Balcão
139 bpm • F# min • 03:26 • -8db
35% Popularity • 73% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
35% Popularity • 73% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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X-Wife
Ping-Pong
139 bpm • B min • 03:26 • -10db
12% Popularity • 70% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
12% Popularity • 70% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Best Youth
Never Belong
139 bpm • B min • 04:05 • -7db
16% Popularity • 67% Danceability • 79% Energy • 35% Liveness
5% Instrumentalness • 55% Positiveness
16% Popularity • 67% Danceability • 79% Energy • 35% Liveness
5% Instrumentalness • 55% Positiveness
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Vaiapraia
Fogo Fera
156 bpm • E Maj • 02:26 • -5.99db
17% Popularity • 44% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 69% Positiveness
17% Popularity • 44% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 69% Positiveness
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S. PEDRO
Apanhar Sol
156 bpm • F# Maj • 02:58 • -8db
22% Popularity • 77% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
22% Popularity • 77% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Os Capitães da Areia
Dezassete Anos
138 bpm • A Maj • 04:02 • -5.5db
10% Popularity • 44% Danceability • 86% Energy • 12% Liveness
15% Instrumentalness • 64% Positiveness
10% Popularity • 44% Danceability • 86% Energy • 12% Liveness
15% Instrumentalness • 64% Positiveness
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TOMARA
Dias a Mais
138 bpm • C min • 03:41 • -9.9db
9% Popularity • 61% Danceability • 68% Energy • 19% Liveness
6% Instrumentalness • 66% Positiveness
9% Popularity • 61% Danceability • 68% Energy • 19% Liveness
6% Instrumentalness • 66% Positiveness
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Sean Riley & The Slowriders
Love Life
138 bpm • A min • 03:16 • -9db
23% Popularity • 56% Danceability • 87% Energy • 10% Liveness
93% Instrumentalness • 54% Positiveness
23% Popularity • 56% Danceability • 87% Energy • 10% Liveness
93% Instrumentalness • 54% Positiveness
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Best Youth
Back with a Bang
156 bpm • G Maj • 02:18 • -8.52db
20% Popularity • 51% Danceability • 78% Energy • 18% Liveness
20% Instrumentalness • 40% Positiveness
20% Popularity • 51% Danceability • 78% Energy • 18% Liveness
20% Instrumentalness • 40% Positiveness
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Salto
Aos 30
138 bpm • C min • 03:03 • -8db
17% Popularity • 71% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
17% Popularity • 71% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Ciclo Preparatório
A Volta ao Mundo Com a Lena D'Água
138 bpm • G Maj • 04:27 • -8db
22% Popularity • 53% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
22% Popularity • 53% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Paus
Mo People
138 bpm • A min • 03:38 • -7.13db
8% Popularity • 67% Danceability • 75% Energy • 4% Liveness
4% Instrumentalness • 27% Positiveness
8% Popularity • 67% Danceability • 75% Energy • 4% Liveness
4% Instrumentalness • 27% Positiveness
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B Fachada
Mudar de Método
138 bpm • E min • 04:47 • -7db
19% Popularity • 60% Danceability • 84% Energy • 19% Liveness
2% Instrumentalness • 56% Positiveness
19% Popularity • 60% Danceability • 84% Energy • 19% Liveness
2% Instrumentalness • 56% Positiveness
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Sean Riley & The Slowriders
Never Lonely
138 bpm • A min • 03:29 • -9.99db
10% Popularity • 67% Danceability • 70% Energy • 12% Liveness
18% Instrumentalness • 66% Positiveness
10% Popularity • 67% Danceability • 70% Energy • 12% Liveness
18% Instrumentalness • 66% Positiveness
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Blind Zero
Shine On
138 bpm • E Maj • 04:33 • -9db
24% Popularity • 51% Danceability • 61% Energy • 12% Liveness
61% Instrumentalness • 25% Positiveness
24% Popularity • 51% Danceability • 61% Energy • 12% Liveness
61% Instrumentalness • 25% Positiveness
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Supernada
Arte Quis Ser Vida
138 bpm • C Maj • 02:59 • -6.4db
15% Popularity • 62% Danceability • 74% Energy • 8% Liveness
8% Instrumentalness • 92% Positiveness
15% Popularity • 62% Danceability • 74% Energy • 8% Liveness
8% Instrumentalness • 92% Positiveness
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First Breath After Coma
Change
138 bpm • A min • 03:46 • -13db
16% Popularity • 46% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
16% Popularity • 46% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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You Can't Win, Charlie Brown
I've Been Lost
157 bpm • C Maj • 04:16 • -7.49db
8% Popularity • 65% Danceability • 75% Energy • 9% Liveness
2% Instrumentalness • 89% Positiveness
8% Popularity • 65% Danceability • 75% Energy • 9% Liveness
2% Instrumentalness • 89% Positiveness
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Os Pontos Negros
Conto de Fadas de Sintra a Lisboa
157 bpm • E Maj • 03:31 • -7db
30% Popularity • 44% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 44% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
